Images at Librifly

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Cresting of a frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two angels or putti kneel upon moldings; the left one raises a chalice, the right one a sixteen-pointed star.

Saint Bartholomew, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Standing in a niche, his left arm placed on a cross arm. His head is raised, his right arm outstretched. Framing graphite line. Parts of outline are deeply

Drawing Room St. James's, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756–1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762–1832, John Bluck, British, 1791–1832, Aquatint, brush and watercolor on

Designs for Five Console Tables, Three with Candlesticks, Probably for Rooms in the Palazzo Altieri, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above the top of the

Console tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, At left: like -2058, with slight variations of the decoration. At right: a left side. Supported by a pillar with a lion's

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, Folding doors are near the corners. In the middle of the wall projects a panel between two pilasters showing in its top part candle brackets, a relief,

Design of Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The lower part is a variation of -1369, the round pedestals having a smaller diameter, the connecting walls

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a base similar to that in 1938-88-1301. Upon it is a plinth carrying a

Sketches, The Child, Saint John, and the Cross Supported by Flying Angles (?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, One side: the Child is standing in the lap of the Virgin who supports his extended left arm; he puts

Four chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left the high foot is decorated with medallions, connected by festoons. The stem is a richly decorated baluster.

Design for a Fountain, Pen and brown ink, brush and blue wash on off-white laid paper; verso: red crayon, Vertical rectangle. A basin is supported by a round pedestal, rising from among stones. In it stands a child, carrying upon the head and

Study of a Hand, Francis Augustus Lathrop, American, 1849 - 1909, Blue pencil on cream paper, Hand with shadow; fingers pointing to upper right., USA, ca. 1895, figures, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1325, with proportions laying stress upon the height. On

Studies of Two Greyhounds, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on paper, Shown at the obverse and reverse, in profile, turned toward left, with the lowered head turned toward the spectator., England, 1820–1849,

Altar mensa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined blued-white laid paper, With slight variations, like -1365. The framings of the front panels have been altered, and two crossed

Lower end of staircase railing, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A calyx with a molded foot stands at left upon a base, from which springs laterally an

A Street in Vitri, Bretagne, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, The street of a town, winding into the background. Writing in the lower left corner: Vitri., France, 1840–1860, Drawing, Drawing

Interior of Theatre at Brescia, Pen and brown ink, brush and gray wash on wove paper, Horizontal rectangle. Interior of theatre at Brescia showing boxes, stage and architectural stage setting, and large audience of spectators., Italy, early

Stage Design, Crypt with Sarcophagus, Pen and sepia in, brush and wash on paper, Horizontal rectangle. Crypt with sarcophagus made of glass, corpse within, three figures guarding or visiting., Italy, early 19th century, theater, Drawing,

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of -1408. The staff is somewhat higher and shaped like a fluted baluster with a row of

Landscape with Branch, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon on paper, Landscape with branch., France, 1793–1877, Drawing, Drawing

Recto: Alexander the Great watching a Fight between his Dog, and Elephant, and a Lion; Verso: Verso: inscription relating to Pliny the Elder's Natural History, Book 8, ch. 61, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen

Brig Coming About, West Point, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on paper, A brig sailing the Hudson, with hills and mountains in the rear., USA, August 5, 1870, transportation, Drawing,

Fountains, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A circular pavilion stands in the center of the basin into which water pours from the mouths of two lions upon pedestals. The

Study of a Young Boy, Graphite on rough paper, Vertical rectangle. Study of a young boy with long hair and wearing tall stockings, sitting and holding an open book toward the spectator. Both hands hold the book., Italy, ca. 1880, figures,

Design for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and ink, brush and bistre on paper, Design for a coat-of-arms escutcheon with a helmet. Placed on

Trittenheim, Rhineland, Eugène Edouard Soulès, French, 1811–1876, Black crayon, brush and wash, brush and white gouache on greenish-brown paper, Houses on a street are shown. Written in the lower left corner: 8 / Trittenheim sur la

In the Country, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, At left is a gate of an estate. At right is a road and the wall of another estate. A man walks on

Design for a Painting of Saint Christopher, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and gray watercolor on paper, Shown from the front stepping down into the river with the Child upon his left shoulder. Mountainous

Design for a Lithograph, A Young Woman Standing on a Terrace, Adolphe Mouilleron, French, 1820 - 1881, Graphite, pen and ink, brush and brown watercolor on blue paper of a book wrapper, She is leaning against the railing, her head resting in

Design for an Altar Mensa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The left half. The pillar at left is decorated with a triglyph. In the center of the front is a cross

Landscape, Walter Clark, American, 1848–1917, Graphite on paper, At the seashore, the land being shown at left. A sailboat is anchored in the right foreground. Trees are shown in the left middle and the right distance. Parts of framing

Design for an altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The mensa stands upon a half-circular platform to which steps lead. Four angels stand upon parts of of columns

Woman and Man with Two Children, Pen and ink, brush and wash on paper, Woman and man with two children., Italy, 17th–early 18th century, Drawing, Drawing

Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, The full-length figure of the Virgin (?) is seated within a niche. The nude figure of the Child seated at her feet, left. Three lines of

Study for an Altarpiece: the Madonna Worshipped by Saints and, Possibly, Donors, Black chalk, pen and ink, brush and bistre wash on paper, The Virgin is seated upon clouds having the Christ child in her lap. Some cherubim are beside her. On the

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of -1372, seen from the corners. The lateral groups

Design for an Embroidered Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Two strips and a leaf row, at left. An undulated flower stem rises at right. Nearly two repeats are

Two candelsticks, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, At left: below is a plant. From a row of dolphins with upright tails springs the head of a horse, upon which a putto

Interior of a Gothic room, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Interior of Gothic hall with indication of decroation; kind of alcove on the right., Italy, early 19th

Mounted Bugler, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on off-white paper, Vertical view of a mounted bugler., USA, 1862, figures, Drawing, Drawing

View of a Memorial Hall and a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The hall is at right. It has a circular plan. Steps lead up to it, bordered at left by a

Two Hounds at Play, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on tracing paper, Within a rectangular frame with ornamental border at bottom, two stylized depictions of Hounds. The hounds are running, facing right,

Study of Tree, Samuel Colman, American, 1832–1920, Graphite, pen and brown ink, brush and watercolor wash on cream paper, Trunk of a willow., USA, March 14, 1892, Drawing, Drawing

Sketch, Enthroned Figure with Figures Fighting over Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Enthroned Figure with Figures Fighting over Child, Rome, Italy, 1820–1850, Drawing,

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The Child sits upon a cushion, lifting his right left and holding his right ankle with his right hand. The right shoulder covers part of the chin. Mary, standing

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration, Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Page of a sketchbook; Infirmity, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Horizontal rectangle. Interior, with an old woman seated in an armchair before a fire. Her left leg rests on a footstool,

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

The Elevatino of a Gateway for A Prison Erected by Pope Pius VI, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Only a part of the right half is shown. Broad, low,

Plate Illustrating Fanmaking from Diderot's 'Encyclopédie', Denis Diderot, French, 1713–1784, Engraving on paper, Plate illustrating fan manufacture from Diderot's 'Encyclopédie.', France, 1751–1766, Drawing, Drawing

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Facade of a small church, showing the use of the doric order. Divided into three projecting parts

Design for a Chair, Brush and watercolor, grey wash, pen and black ink on white laid paper, Side chair, elongated seat upholstered in purple, bordered with leaf motif on pink and white stripe. Fan-shaped back, rectangular panel with central

Design for a Maltese Cross Pendant, Pen and ink, brush and watercolor on paper, Intended to be executed in enamel and diamonds. At bottom, instruments of the passion., Italy, 1725–1750, jewelry, Drawing, Drawing

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Elevation of a building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Thatched Cottage, Graphite on pencil, Zurich, Switzerland, Europe, ca. 1850-1860, Drawing, Drawing

Stage Design, Town in Landscape, Pen and sepia ink, brush and wash on yellow paper, Horizontal rectangle. Town with palace-like buildings, hills in background., Italy, early 19th century, theater, Drawing, Drawing

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Fireplace fenders., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Sketch, Three Figures in Architectural Setting with Helmet and Shield, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Three Figures in Architectural Setting with Helmet and Shield, Rome, Italy,

A Man with Tongs, Black chalk, pen and ink on paper, Man shown from the back. He carries the tongs upon his right shoulder. Beside him is a square block., Italy, 1625–1650, figures, Drawing, Drawing

Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white lined paper, lined, Upper row: at left, behind the vaulted roof of a tent is a part of a frieze. Two parts are the

Design for Bracelet, Pen and ink, brush and watercolor on paper, Five repeating units. In the center of each, a blue square diamond. The framing scrolls form pointed ovals., Italy, 1800–1825, jewelry, Drawing, Drawing

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are two plinths and a moulding with leaves. The circular bowl is decorated with festoons,

Italian peasant family, Brush and oil paint on rigid paper, A group of figures including a woman with a child on her lap, a man playing a bagpipe, accompanied by a child with a tambourine, and a dog. Three other children in the scene. Mountains

Pedestal of a column, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below are moldings of an entablature. The pedestal stands upon a base, the upper part of which is a concave

Four fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Four fenders., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Designs for Bedroom Alcove Wall Elevations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The alcove has the shape of a broad niche, with a spherical ceiling above the entablature. The

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl is a quatrefoil, supported in the center by a shaft, and at the sides by cherubim. The base

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A short side wall showing a door frame flanked by window. Openings with hangings and sofas., France, ca. 1785,

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The scheme is that of horizontal bands below an ovoidal vault, with an ovoidal

Cartouche with Saint, Graphite, pen and ink, brush and wash on paper, Cartouche with saint., Italy, Europe, early to mid-18th century, Drawing, Drawing

Project for a Ceiling, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink on paper, A winged genii with two trumpets. Beside him is another one flying. Below are two groups of flying putti., Italy, 1775–1800, figures, Drawing,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The usual scheme with a disk above and three drops below. In the center, two cornucopia-like frames of ribbons with a flower

Design for a Bracelet, Pen and black ink, brush and gray watercolor, silver on light green paper, Jewelry design for a bracelet. In the center, a framed oval with a bouquet of flowers tied with ribbon, the oval bordered in a scalloped pattern

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, The repeats, five of which are shown, consist of a big lace seed hanging

Venus and Cupid, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Standing in profile, toward right. Her left hand is reaching for a bunch of grapes, the right is raised. Cupid is riding upon her shoulders., Rome, Italy,

Decoration for the pedestal of a pilaster, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, The pilaster is flanked by embedded columns. The pedestal is formed like the

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1790–1800, interiors, Drawing, Drawing

Bough, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a bough with blossoms and leaves., USA, 1880, nature studies, Drawing, Drawing

Design for a Woven or Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Hanging halves of leaves form a strip beside a simplified vartiation of 1920-36-105.,

Sketch, Classical Man, Woman, and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Sketch, Classical Man, Woman, and Child., Rome, Italy, 1820–1850, Drawing, Drawing

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An obelisk stands upon a pedestal, male figures leaning against its corners. Below is a base consisting of three steps.

Sketch of a Woman, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Sketch of a woman, facing forward, wearing a hat. Center line indicated., USA, ca. 1880, figures, Drawing, Drawing

Initial Frame, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Black ink on paper, A symmetrical design of a wreath and scrolls. Blank frame for initial, center., USA, ca. 1910, graphic

Trophy with allegorical figure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Trophy with allegorical figure., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Portrait of a Gentleman, Johann Gottlieb Glume, German, 1711 - 1778, Design for an engraving. A young general is shown in three-quarter length, turned toward right, with the head turned toward the spectator. He wears a ribbon of an order over

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Stage Design, Oriental Gardens, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Garden pavilion with palm trees and domed building in background., Italy, early 19th century, theater, Drawing, Drawing

Design for a Woven Vertical Border, Brush and gouache on oily tracing paper, A bunch of three upright boughs with leaves; a blossom is on the top of one of them, two birds on the others. Yellow stripe at left., France, 1815–1840, Drawing,

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is a high pedestal, the front of which holds the oval representation of a woman. Above it, upon a base, sits

Sketches, Allegorical Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Two sketches of allegorical figures; at left, Christian attributes; at right, two tablets (?). Inscription on verso., Rome, Italy, 1820–1850,

Urban Scene with Cleric and Supplicant Figures, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Urban Scene with Cleric and Supplicant Figures., Rome, Italy, 1820–1850, Drawing, Drawing

Design for a Decorative Lunette, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Half-circular design of a Renaissance decoration including a blank escutcheon within a triple-arched architectural enframement. Frame of

Plate V, from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Metal instrument of cylindrical and rectangular-joined sections. Two moveable flat disks on the column at right, each with a sliding length connecting it to

A Flying Angel Carrying a Wreath, Pen and black ink, black chalk on laid paper, Vertical rectangle. Figure of a flying angel carrying a wreath, shown obliquely from the right side, flying downwards. The right arm with the wreath is raised.,

Interior of Temple of Glory and Figured Details, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two drawings interior of temple of glory with tuba blowing Nike (?), detail drawing

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