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Design for an Agraffe, Girolamo Venturi, Graphite, pen and ink, brush and sepia on paper, Large bow-like design with stones and vertical hanging figure eights with stone at center., Italy, ca. 1742, jewelry, Drawing, Drawing

Fender, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Vertical rectangle. The supports consist of two crossing dolphins, with upright tails. They are connected by a

Decoration for the marriage of Prince Paluzzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Three ovoidal portraits are intended to hang in front of a curtain. Pope Pius is

Escutcheon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Escutcheon., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Designs for Bedroom Alcoves: Three Elevations and One Plan, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row: at left, a variation of -1641, below, at right. At right:

Old Cathedral at Brescia, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Sketch, possibly for stage. Interior of Old Cathedral at Brescia, view into side part with four figures at left., Italy, early 19th century,

Study of figure, Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray-green paper, Horizontal rectangle. Study of a hand resting on a circular object., USA, ca. 1885, figures, Drawing, Drawing

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, A row of six oblong, multifoil medallions, each showing a

Monumental column, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Monumental column., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, Below are bases. Upon them stand upon plinths a frame in TT form, and a receding vertical stripe on either side. The grame has inside a molding with an ovolo and a

Design for Mosaic or Stained Glass Window in Honor of a Painter (“Palmam Qui Meruit Ferat”), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache on board, A panel with a flying female genius raising a laurel

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown washon off-white laid paper, lined, Two friezes, likely for the Winter Bedroom in the Palazzo Altieri, Rome., Rome, Italy,

Diagram of a painting by Gonzales Coques and others, 'Interior with Figures in a Picture Gallery, ' 1672 (Mauritshuis), Gonzales Coques, Flemish, 1614 - 1684, Pen and sepia ink, brush and gray wash on paper, Interior of a large gallery, the

Allegorical portrait, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Allegorical portrait, Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Candlestick; portrait, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Candlestick; portrait., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Steeple of a sepulchral chapel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rising from the uppermost part of the roof. Below is a story like an open square pavilion with lamps

Design for a Tabernacle, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Standing in the center of the altar furniture, above moldings, are two angels which lift a

Design for a Salon Wall, Pen and ink, brush and watercolor, graphite on paper, A folding door between two mirror wall panels., France, ca. 1760, drawing, drawing

Design for a Painted Porcelain Plate, Les Greffes (Grafts) from the Service de la Culture des Fleurs (Flower Cultivation Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white

Designs for Chinoiserie Ornament, Black chalk, pen and brown ink on paper, The ornamental part is sketched, the figures are completed. Two kneeling servants offer drinks to a seated man., Reverse: Slight sketches of ornamental details., France,

Design for a Fountain in a Pavilion, Carlo Francesco Barabino, Italian, 1768 – 1835, Graphite, pen and ink, brush and wash on paper, Fountain designs., Rome, Italy, 1785–90, architecture, Drawing, Drawing

Sketches, Possibly the Rest on the Flight to Egypt and Figures Worshipping the Virgin and Child, Filipo Agricola, Italian, 1776 - 1857, Pen and ink on paper, Sketches, Possibly the Rest on the Flight to Egypt and Figures Worshipping the Virgin

Designs for Bedroom Alcove Walls, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The alcove has the shape of a broad niche with a spherical ceiling above the entablature. A main

Design for carved panel, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Sphinzes, with rinceaux tails and carrying fruit baskets, crouch beside a censer., France, ca. 1770,

An Audience Scene, Pietro Antonio Novelli, Italian, 1728 - 1804, Pen and brown ink on laid paper, Man and woman seated on a slightly raised platform receiving homage. Helmeted soldiers at left, an open chest in front of them. Ruled border

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below are steps, which in the upper half are flanked by the bases of two groups,

Enormous Structure Situated on a Stream, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, The plan of the structure is octangonal. It has an enormous dome and is

Project for a Tablet, Pen and brush with black ink on off-white laid paper, Vertical rectangle showing left half of a tablet with inscription. In the center below is an escutcheon of an archbishop., Italy, 1825–1830, architecture, Drawing,

Stage Design, Interior of Church, Pietro Narducci, Italian, active 1809 - 1841, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of church with two groups of people in foreground. At left, group of nuns. At right,

Allegory of Time, Giuseppe Longhi, Italian, 1766–1831, Graphite on cream paper, laid down, An allergorical picture featuring Youth and Old Age walking hand-in-hand amidst classical ruins. Chronos, the personification of time in Greek

Design for a Chair, Brush and watercolor, grey wash, pen and black ink on white laid paper, Side chair, elongated seat upholstered in purple, bordered with leaf motifs on pink and white stripe. Sloped back, suggesting a reclining chair,

Project for a Keystone or Bracket, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre on paper, Escutcheon with mask. Above a capital, below an acanthus leaf,

Elevation of a Chapel, with Alternative Suggestions, Black chalk, pen and ink, brush and bistre on paper, The door is in a high niche which is flanked by embedded fluted Ionic columns. At the corners of the façade stand similar ones with parts

Four tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left side. Above at left, the frame has below the shape of a fluted bowl; above are cornices. The leg is a winged

Church, Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Oval frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Framed by crossed flower stems. Above a wreath. Usual background., Rome, Italy, 1780–1800, architecture, Drawing,

Figures Mourning Over the Dead Christ, Fortunato Duranti, Italian, 1787 - 1863, Pen and brown ink, brush and brown wash on paper, Two half nude male figures bend over a dead man (possibly Christ). Three other figures in the background. Ink

Design for a Fountain in Honor of Emperor Napoleon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. Shown obliquely from one of the statues. The enclosure of

Design for a Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of 1938-88-1693. Beside the medallion are two helmets. The children support a wreath; garlands

Design for a Print with Twenty Theatrical Costumes Worn in Paris Performances, Victor Vincent Adam, 1801–1866, Graphite, brush and watercolor on light brown paper, The figures are copied from prints. The theaters are named above the figures.

Windows, doors, church furniture, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Windows, doors, church furniture., Italy, 1746–1809, architecture, Drawing, Drawing

Sketches for an altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At right: an altar furniture with above the tabernacle, with a slightly altered design of the right tone in

A walking Moor, Howard Russell Butler, American, 1856 - 1934, Pencil. Paper., Vertical rectangle. Shown obliquely from the right back. Caption in the lower right corner: 'Morocco / 1887.', USA, 1887, landscapes, Drawing, Drawing

A Group of Putti, Black crayon, white heightening, brush and gray wash on rough brown paper, Two putti kneel at left and turned toward left, upon an elevation of the soil. Two more stand behind it. At right a child, recumbent., Italy,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Fountain and a mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top right: the mausoleum. Steps lead up to the portal of a circular structure wit ha dome. The portal has

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the center of the retable is a picture, probably of the ascending Virgin. On top of it and in front of

Design for Flowers as Hair Dress, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for flowers as hair ornament. A bunch of three branches, fastened by a ribbon. The central one has palm-like leaves, the lateral

Elevation of a factory (?) at edge of river, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a factory (?) at edge of river., Italy, 1746–1809, architecture,

Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Upper row: the Ionic columns support an entablature and a dome in front of a niche of the wall. At right: a

Six Landscape Studies, Leon Dabo, American, 1868–1960, Pen and black ink on paper, Five studies of fields bordered by tall trees, and one of a body of water with two figures and a sailboat in the right foreground., USA, ca. 1890,

Designs for Bedroom Decorations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row, left: the elevation of the wall with the alcove. Curtains fill the upper part of the

Diana, Black crayon on paper, Half-figure. Shown leaning with the right forearm on a rock. The right hand holds the spear. Framing line., France, 1650-1700, Drawing, Drawing

Design for Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl is a variation of that in -1405. The lid has the shape of a support, with a wider diameter below

Desing for a Fountain, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, line, A pavilion stands in a circular basin; it has concave sides and on top a rostral column with a figure. Two

Street Scene With Figures, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, At left, a group of three figures and a dog. In the middle distance, right, a woman moves toward the left, carrying a water

Corner view of a town house, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Three stories. Ground floor with three arched doorways in front, two laterally. Seven windows in the

A Decoration Dedicated to Peace, Graphite, pen and Chinese ink, brush and various watercolor and gouache, brush and varnish on paper, France, Europe, 1675-1700, Drawing, Drawing

Design for Monument, Pen and ink, brush and wash on paper, Design for monument with liturgical figure and allegory; relief at center below Madonna and Child; and inscription 'GODEFRIDUS EXTITIT / PARCHENSIBUS AUTOR'., Netherlands, 17th century,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed by moldings which stand upon the same bases as the lateral pilaster strips. The panels of the latter and those of the frieze are of marble.

Frame and chandelier; male portrait bust, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The right side is shown. On top of an ovoidal frame are an eagle and a garland. beside it

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Proscenium and Plan for a Stage, Pen and ink, brush and sepia wash on paper, Two designs, one showing the stage and its architectural frame and the way the wings are set; the other drawing gives ground plan indicating setting of wings., Italy,

Doorway in a Benedictince abbey, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An inscription on top of the door frame reads 'BADIA - D - S - BENEDOI'. Triangular pediment with

Cupid, Black chalk on cream paper, Standing Cupid, walking toward the left, with his left arm pointing behind him and his head turned to the right. He holds a bow in his right hand., Italy, 1770–1800, figures, Drawing, Drawing

Elevation of a Living Room Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Living Room Wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Frieze with Children, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Graphite, pen and ink, brush and watercolor on paper, Horizontal basin with four children holding a cloth. The background is tinted grey. Framed by two lines., Italy,

Children; Verso: Children and Bacchantes (?), Charcoal, pen and Chinese ink on paper; Verso: brush and bistre wash, Five children, only the uppermost parts are shown of two of them. Verso: at left a sitting child, and a standing one. Center:

Designs for Decorated Pilasters, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for Decorated Pilasters., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Interior elevation of a building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Interior elevation of a building., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Moving In, Victor Vincent Adam, 1801–1866, Graphite, pen and bistre ink, brush and ink wash, brush and white heightening on cream-colored paper, A girl with a doll in her arms stands in a doorway and looks back to a cart filled with

Recto: Saint Giovanni Gualberto and the Miraculous Crucifix; Verso: Saint Giovanni Gualberto and the Alms Returned Threefold, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and wash on paper, Obverse: A knight,

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Sleigh-like shells in front of and connected by laurel boughs form a vertical row; four

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Plate 4, 'Decoration d'une Portal double à placards varie de deux façons', Jacques-François Blondel, French, 1705 - 1774, Jean Mariette, 1660–1742, Engraving on paper, Two double doors in a joint frame with a curved top. Both doors

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The lower part is a variation of 1938-88-1294. Above the inscribed panel is the

Preparatory Study for the Sculpture of Queen Leszczynska as Juno, Guillaume Coustou, French, 1677 – 1746, red chalk on laid paper (verso: red chalk, pen and ink), Vertical format. A woman is shown standing between two figures. Her right hand

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Two Designs for Console Tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two left sides. At left: the support is a siren with a tail forming a circle below the center of

Elevation and ground floor plan of a mansion, Pen and brown ink, blue and red pencil on paper, The mansion has two main storeys and an upper recessed one. The ground floor, the doorway and three windows are shown at left. The upper floor has

Design for a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for the cresting of a hair comb intended to be executed in gilded metal with diamonds and three engraved gems. In the center

Stage design for a Square with Fountain, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Two views of squares with richly decorated fountain on the left side, slight difference in the

Study: A pair of hands, crossed, Charcoal and white heightening on blue paper, Vertical composition of a pair of crossed hands. On the reverse, horizontally, are parts of the back and of the head of a nude, on the reverse of 1901-39-2747; -2746

Project for a building; point de vue in a park, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Above, the elevation. Curved steps lead to a semicircular niche cut into the greater part of a façade.

Main altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The retable is a kind of pavilion, with two columns supporting on either side the circular part of the entablature, and

Design for Decorations for a Bedroom, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on paper, Top left: section showing the back part of the room. A door is at the right wall. Sofas stand at the wall panels

Two Studies, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, Left: a figure seated on a sphere. Right: two figures standing beside a tripod. Enclosed in framing lines., Rome, Italy, ca. 1830, Drawing,

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The main part of the facade is the portico, consisting of two columns and two pillars, with a triangular

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Cavalry officers at a bridge in a town, Graphite and brush and watercolors on paper, Three mounted cavalry officers are seen on a bridge in an Austrian town. On the bridge is a statue of St. Wolfgang, and beyond, a church. Before the church are

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl is supported at the ends by four revered consoles upon two octangonal plinths. The lower part

Decoration of a coach panel, Brush and gray watercolor, pen and ink, black chalk on paper., Vertical drawing of a lateral panel of a coach. Wing-like. 'Summer' is shown seated upon clouds. She carries a sickle in her right hand and a sheaf of

Design for a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Curved flights of stairs lead toward the corners of the casino or kaffeehaus, which stands on a

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, Upper row, at left: The Virgin sits on a bench, the Child stands at left, beside her. Beside, at left, a pillar. In the background is a

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, A crowning group similar to those in 1938-88-1302, 1938-88-1311,

The Elevation of a Memorial Structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rebouts with funs and with pavilions and statues on top are connected by a Doric colonnade.

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a plinth and a short shaft, with a row of cherubim. The lower part and the rim of the bowl are

The Holy Family, Saint John the Baptist, and Another Saint, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed outlines, The Virgin is sitting, seen frontally, the Child upon her right leg. She has her left hand on his left

Two Designs for Prison Doorway Erected by Pope Pius VI, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top: plain, rustic framing of an oblong opening. Cones stand on round

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