Images at Librifly

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Studies: Heads of a Boy and of a Girl, Red crayon on rough gray paper; on verso: white crayon, Slightly lowered head of a boy shown in three-quarter profile turned toward left. The neck and a part of the butt is shown. On verso: unfinished neck and

Study, Tree, Santa Barbara, California, Samuel Colman, American, 1832–1920, Black crayon, brush and watercolor wash on cream paper, Oblique view of three sycamores with leaves standing at a slope, which is marked with X. On verso,

Triumphal arch standing in a pool, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on blue-white laid paper, A bridge leads to and passes under the arch. The fron shows below pairs of Doric columns

A Windmill, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and gray and brown watercolor, brush and Chinese black on tissue paper, Obliquely shown from the backside. A railing is at left, houses are shown at right. The

Design for a Painted Porcelain Plate, Les Fromages (Cheeses) for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Sketch, a Table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The left half is executed. The support: a bunch of branches. Two curves meeting in a point are the lower edges of the

Study of a Dog Beside Killed Game, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on paper, At right lie a pheasant, another bird and a hare, the latter leaned against a rock. At left is the dog, looking at the birds., England,

Two Vestals at an Altar, Pen and black ink, brush and grey wash on paper, Two Vestals or Vestal Virgins stand before an altar set in a circular columned chamber. One of the women holds a book in front of her, while the other holds a book

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The statue of a woman in heavy clothes with a flower basket upon her head stands upon a piece of column which is

Design for the Elevation of a Metal Baptismal Bowl, George E Germer, 1868 – 1936, George E Germer, 1868 – 1936, Graphite, crayon, brush and blue, yellow, and red watercolor on cardboard, In the shape of a baptismal font with a cover; a

Elevation of a Drawing Room Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An alternative suggestion for -1582. The left side is shown. The central panel is decorated with

Ornament; part of centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, Ornament; part of centerpiece., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Black chalk, pen and ink, brush and wash on paper, Design for an oval escutcheon with a helmet

A Console Table with Alternative Suggestions, Pen and brush with brown ink on off-white laid paper, Elevation of a console table. Legs in the form of scrolling acanthus leaves on ball feet., Italy, 1675–1700, furniture, Drawing, Drawing

Sketches for a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Center: an elevation: two obliquely disposed wings flank the central domed section showing a colonnade in its

Six Designs for Bedroom Alcoves, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Upper row: at left, a canopy supported by two Ionic columns with curtains. At right: another canopy,

Recto: Marriage of the Virgin, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Horizontal rectangle. Two scenes: left: The marriage ceremony; the couple and the High Priest standing

Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and ink, brush and bistre on paper, Design for an oval escutcheon with hanging tassel., France,

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The bowl is low and divided into the fluted body and a big rim. The lid has the shape of a rounded

Three Putti: Design for a Grisaille Painting, Jacob de Wit, 1695 – 1754, Graphite, brush and wash on heavy blue paper, Two putti, of whom one holds a fool's staff, dance to the music of a flute played by a third putto. The scene is set

Funerarl Decorations for Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1312. The steps and the candelabra in the schemes of

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Facade of a small church, showing the use of the doric order. A variation of -1222. The main differences

Sketch, Exterior Scene with Figures at Work or in Combat, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brown and black chalk on paper, Sketch, Exterior Scene with Figures at Work or in Combat., Rome, Italy, 1820–1850, Drawing,

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops; in the center two wings with a band above, a lambrequin (decorative drapery) below, and

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Standing in a niche. Below is the sarcophagus with on top a cushion upon which lies the crown

Consoles supporting one end of a balcony, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two consoles are supported by a capital; one is seen from the side, the other from the

Design for the Center Motif of a Pearl Necklace, Pen and ink, brush and watercolor on paper, A green gem in an octagonal mount is surrounded by leaves. Suspended from it are two heart-shaped pendants topped by a crown., Florence, Italy,

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch in the form of a bow. Above a knot of à jour work with a central rosette. The hanging ends are fastened by a blossom in the

Design for a Table Centerpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, 'Dresser, ' table center piece for the Altieri family., Rome, Italy, 1790-1795, metalwork,

Design for a Candlestick, George E Germer, 1868 – 1936, Graphite, black crayon, brush and white gouache on cream paper, Stumps of candles are shown. The design framed by lines at left, above and partially at right. Height indicated is 9

Design for an Embroidery or a Woven Fabric, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, A row of six ovoidal pine cones pending from calyxes., France,

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The outer frame consists of pilasters with brakcets as consoles. The designs of the latter are different as are the decoration and the material used for the

Stage Design of a Church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, black chalk on off-white laid paper, View through arch into a monumental circular building with open skylight, monument in the middle.,

Gateway, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The two-winged iron railing has on top an escutcheon. It is bordered by two fluted columns, without capitals, supporting

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, The repeat, five of which are shown, consistss of a bar from which drops

Two Dwellings in Baudelice (?), Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon on light brown cardboard, Two poor dwellings are shown at right, one behind the other. In front of the first one is a wooden door between two huge

Stage Design: Details of Gothic Interiors, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on lined off-white laid paper, Four drawings showing architectural details of Gothic interiors, roughly sketched., Italy, early 19th century,

The Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, impressed lines on paper, The Virgin walks through the country, supporting the Child. Framing line., Rome, Italy, 1820–1850, Drawing, Drawing

Stage Design for the Interior of a Palace in Classical Style, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Possibly a public room for teatro versaco. Hall in classical style

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Above a few steps is a curved base, with two diagonally crouching lions. They

Stage Design, Interior of Prison, Luigi Ricci, Italian, 1823 - 1896, Graphite, brush and sepia wash on paper, Horizontal rectangle. Interior of prison with large vaulted ceiling., Italy, early 19th century, theater, Drawing, Drawing

Design for a Salon Wall, Pen and black ink, brush and watercolor, black chalk on paper, Two deep window bays are near the corners. In the center stands a console table under a mirror flanked by candle brackets. A framed representation of a lion

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, The central mirror over the mantel is arched. Laterally are shallow niches with sofas beneath mirrors., France,

Costume of a French Turco, Graphite, brush and watercolor on paper, He sounds a signal and holds the gun in the right hand., France, ca. 1880, Drawing, Drawing

Design for an Armchair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Seen from the front. Below, the back has a rectangle with a lozenge inside, above an upholstered panel which is

Designs for Fountains; Verso: Blotter of a Black Crayon Drawing, the Lower Part of the Project for the Elevation of a Pavilion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined,

Fountains, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left: the left side of the elevation of a fountain in a park. A dado zone is on a lower level. Water is intended to

Studies of French Soldiers, Victor Vincent Adam, 1801–1866, Pen and ink with watercolor on paper, pasted on original mount, A: Strip of ten standing soldiers with their types shown below; B: strip of nine Zouaves; C: a single Zouave; D: ten

Factory at the shore., Howard Russell Butler, American, 1856 - 1934, Black crayon. White heightening. Light brown paper., Horizontal rectangle. Boulders are iin the foreground. Behind them rise in the center a loading bridge and group of

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1539. The left corner is clearly shown. The figures

Design for a Woven or Embroidered Corner Motif of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A helmet rising over a palmette and between two leaf boughs obliquely shown in an

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Flower boughs, forming a row, are to be connected by two segments.,

Figures Seated in a Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and gray ink, brush and brown wash on paper, Two figures seated back to back on a mound of pulled grass. A large tree in the background. Ink framing line., Rome,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1522. The supports are fluted. Between the right ones

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a variation of 1938-88-1302. A circular pedestal bears the inscription,

Adoration of the Angels, Pen and brown ink on laid cream paper, Seated Virgin with the Child on her lap, being adored by four angels on the left. Joseph is seen on the right. Verso: a nude reclining child, asleep, and another figure. The sheet

Design for Overmirror Decoration, Blank Roundel with Grotesques, for the Noble Cabinet of the Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The scheme of

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The mensa is in the center of the socle zone; beside it are two panels with escutcheons. Laterally stand

Design for a Candelabrum, Pen and ink, brush and watercolor, graphite on paper, Plan of the decoration of the base from the top. Marble with bronze mounts of wreaths and leaves, rosettes., France, 1780-1790, drawing, drawing

Designs for Two Earrings, Pen and black ink, brush and red, gray watercolor on paper, Jewelry designs for two earrings. At left: the front of the ring at the earring's base decorated with a row of diamonds. The chain consists of three scrolls

Decoration for the marriage of Prince Paluzzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row: two flying angels carry a curtain. In front of its upper part is

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, each with two rows of disks, a jour, between scrolls of ribbon. In the center a knot with

Console tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Lower row: two left halves of projects. Frame and top have the shape of cornices of an entablature, the leg has

In a Village, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown wash on paper, A road passes a wall and the doorway of a farm, with the same tower as in 1938-57-1347. A loaded wheel cart drawn by a horse and a farmer

Pedestal and base of a pillar in a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The pillar stands at the inner side of a pillar which divides two naves. Below is the

Standing figure of the Archangel Gabriel, Graphite on paper, The Archangel Gabriel, seen frontally, his gaze directed to the upper left, and holding a banner standard in his right hand, while gesturing toward the ground with his left. Drawing

Owl and Figure in Landscape, Pen and ink, brush and gray wash on paper, brush and white gouache on paper, Owl with outstretched wings atop a tree stump in left foreground; figure with gun on wood bridge walking leftward at center right. In the

Town gate, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-whtie laid paper, Slightly more than the left half is shown. Low arched opening, flanked by a rustic pilaster and a Doric column.

Sketch, Sugar Camp, Greensboro, Vt., Samuel Colman, American, 1832–1920, Graphite, pen and ink on paper, A wooden house is shown surrounded by tres. The date and the caption are written in graphite, below., USA, August 26, 1916,

Design for a Fountain in a Park, Carlo Marchionni, Italian, 1702–1786, Black chalk, brush and watercolor on paper, mounted, A circular bowl stands in the center of an oblong basin. A fountain springs in its center, and water pours into it

Decorative Panel: Fames Supporting a Swag beneath a Medallion, Pen and black ink, brush and gray and brown wash, white gouache on white laid paper, Horizontal composition in which two winged female figures with trumpets/horns hold a swag, each

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A row of six plants consisting of a calyx and three seeds is shown over a

Sarcophagi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above, a base, supported by consoles surrounded by a frieze with figures. In front of the lower part of the cover are two

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The base is similar to 1938-88-1319. The structure is a round tower in freestone

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme is similar to 1938-88-840, with a simple ribbon. Above a disk, in the center a simple ribbon, three drops

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, Supported by two legs consisting of a small calyx below and a tall calyx above, supporting a cylindrical piece

Designs for Ceiling and Wall Decorations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Designs for Ceiling and Wall Decorations., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, red ink on lined off-white laid paper, Escutcheon over the door. Steeple with bell over the transept. The

Spoons, Pen, sepia, brush, gray water color, The handle terminates in the front with the head of a woman, framed above by a diadem and at the sides by volutes bordering the handle. They support a festoon from which a garland is hanging to the

Design for a Main Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, In the center of the retable is a niche with a group of the Deposition of Christ, laterally framed by a

Design for a Comb, Pen and brown ink, brush and yellow, brown, blue-gray wash on white wove paper, laid down, Horizontal rectangle. Design for the cresting of a hair comb intended to be executed in gilded metal with diamonds and a cameo. In the

Design for Brooch with Moses, Pen and ink, brush and wash on paper, An escutcheon frames an oblong diamond. At top, the horned figure of Moses sits within a broken pediment. On either side, a ignudi with raised arms., Italy, 16th century,

Alegory of Religion, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, The figure of Religion, bearing a cross, accompanied by small angel-like figures of children, rises from an open altar on which a chalice has been placed. Two

Alexander on top of globe supported by Atlas, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Alexander on top of globe supported by Atlas, Italy, Rome, Italy, 1746–1809,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Symmetrical, rectangular design features figural panels with round central panel., Rome, Italy,

Design for the Decoration of a Dome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for the Decoration of a Dome, Rome, Italy, 1746–1809, interiors, Drawing,

Design for a Fountain in a Pavilion, Giuseppe Barberi, Italian, 1746–1809, Brush and brown, gray, and black wash, graphite on white laid paper, laid down, The elevation is on top. The fountain has two basins; the upper one is supported by

Study of a Turban, Red crayon on paper, Vertical rectangle with detailed study of a turban with the outline of a woman’s head., Italy, late 18th century, figures, Drawing, Drawing

Study for a Painting: Saint Sebastian, Pen and ink on paper, Shown standing and bound to a tree. The right arm is not shown. A tree is in the left foreground. Framing lines. Caption: S. Sebastiano. On verso, in opposite direction: the drawing had

Design for a Comb, Pen and sepia ink, brush and gray watercolor on paper; verso: graphite, Jewelry design for a hair comb. An oblong with a trellis in lozenge shape, the crossing points being alternatively shaped as circles with round diamonds as

Oberwesel, Rhineland, Eugène Edouard Soulès, French, 1811–1876, Black crayon, brush and wash, brush and white gouache on greenish-brown paper, A part of the walls and of the houses facing the Rhine are shown. An isolated tower is in the

Project for a Fountain with Two Dolphins, Pen and ink, brush and sepia on paper, Horizontal rectangle. Two dolphins are swimming in the water with everted bodies. On the back is an inscription ink: sia uns delle Tule avendo antto da un Caualiere

Saint Francis Receiving the Stigmata, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Kneeling toward the right. The friar is in the middle ground at right. Framing graphite line. Parts of outline are deeply impressed., Rome,

Church Procession, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink on paper, On a pedestal, right, the full-length figure of the Virgin, supporting the Child on her left hand, facing left in profile. A procession of figures,

Frames, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Frames., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Pavillion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white paper, Colonnade, which is topped by statues, connects the projecting wings, the facades of which show a loggia

Window Case, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on laid paper, Window case with a broken pediment; the attic of the central part has an opening., Italy, 1740–70, architecture, Drawing,

Plate Illustrating Fanmaking from Diderot's 'Encyclopédie', Denis Diderot, French, 1713–1784, Engraving on paper, Plate illustrating fan manufacture from Diderot's 'Encyclopédie.', France, 1751–1766, Drawing, Drawing

Design for a Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for a Mansion, Rome, Italy, 1746–1809, architecture, Drawing, Drawing

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