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Design for the Painted Decoration of a Ceiling, G. Albergotti, Pen and dark ink, brush and watercolor, silverweight heightening on light green-gray paper, Divided into four squares with inner circles, three dividing those into a band and a

The Virgin With the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown watercolor on paper, A: The Virgin stands in front of a high and large throne, the seat of which is covered with a cloth. She is seen from the front, carrying

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A variation of the design 1920-36-154. The motifs stand upright. The

Four gateways, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Top row: section of a dado; ornament. Second row: elevation of a gateway of a palace. Arched door opening flanked by wall

Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by oblongs with masks above and below, supporting festoons, whose other ends are

Design for a Marine Trophy, Pencil, pen, and ink with Chinese black ink on paper, pricked, The stern of a sail ship with the Napoleonic eagle as a mast head, a trident, an oar are shown in the top part, an axe, a sword, an anchor, a laurel

Panel of Arabesques for the Hôtel de Salm, Paris, Jean-Guillaume Moitte, French, 1746–1810, Pen and black ink, brush and gouache, black chalk on toned paper, lined, Design for a wall panel. At the bottom, two satyrs sacrifice flowers at

Sidewall, Block printed on joined sheets, Wallpaper panel hung on the walls of the drawing room (but later removed) in the Jumel Mansion, New York City. Doves with vases and morning glories at top and at bottom. Sidewall composed of drop repeating

Design for a Lamp, Giuseppe Barberi, Italian, 1746–1809, Graphite, pen and ink, brush and wash on paper, Three scrolling legs with ram heads supporting a vase. At base a bowl with a burning flames., Italy, ca. 1780, metalwork, Drawing,

Shoes, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a pair of wooden shoes., USA, n.d., costume & accessories, Drawing, Drawing

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, pen and black ink, graphite on white wove paper, Border pattern with leaves and alternating

Doorframe for a poor house, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Two overdoors separated by the entablature. The bottom one shoes an inscription: PAVPERES / PROVIDE', flanked

Plan of Hospital of Trinita de Pellegrini, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, blue pencil on blue-white paper, Part of a plan, probably connected with the hospital of Trinita de Pellegini in Rome., Rome, Italy,

Imaginary River Landscape, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: paper, USA, ca. 1870–73, landscapes, drawing, drawing

Study of an Elm, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Sketch of a tall elm tree, center., USA, ca. 1855, nature studies, Drawing, Drawing

Sketch, Hercules Slaying the Lion (?), Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, Sketch, Hercules Slaying the Lion (?)., Rome, Italy, 1820–1850, Drawing, Drawing

Saint or Ecclesiastic Figure Administering Communion, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Saint or Ecclesiastic Figure Administering Communion. Putti fly above, attendants at lower left, and worshippers at right

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Usual design scheme with a disk above and three drops below. In the center is a basket with flower stems and a central

Design for a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Hôtel de Sens, Paris, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on cardboard, View of the façade of the structure, which is situated on a square between two streets., France, 1825–1850, Drawing, Drawing

Elevation of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Five sections, in pairs receding from the central one. Two stories. In the central section are five doors

Elevation of a Wall, A wall panel is flanked by two door openings having oblongs with grotesque decoration as overdoors., Italy, 1790, drawing, drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1301. The flames burn in candelabra. One festoon is above

A Cross in Normandy, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and watercolor on paper, A cross in Normandy., France, ca. 1840, Drawing, Drawing

Sketch of a Youth, George Charles Aid, American, 1872–1938, Black crayon, pen and black ink on laid paper, A young man, dressed in a close-fitting coat with high lapels, is seen in left profile, leaning against a stool, his hands in his

Timepiece, Pen and brown ink, brush and brown wash, graphite, on off-white laid paper, The overall shape of the clock mimics that of a Greek temple. The dial plate is at the bottom, as a pedestal supporting a circular temple-like structure

Crest of a chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Upper row: at left, a pedestal of a kind stands upon the upper part of the door frame. It has at the front an ovoidal

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for symmetrical ceiling decoration compositions featuring diamond and square panels in which

Four Designs for Sepulchral Monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Above: Elevation of a wall with a great niche in the center. In its stands a sarcophagus

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Frame., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Study of two hands reaching, Elihu Vedder, American, 1836 – 1923, Pencil, chinese white, on blue-gray paper, Study of two hands, USA, ca. 1890, Drawing, Drawing

A 'Santa Conversazione', Fortunato Duranti, Italian, 1787 - 1863, Soft graphite on paper, The Virgin and with the Child standing beside her, sits in an apse, on a throne upon a high base. Three angels are beside her, at left. Below, at

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, The repeats, six of which are shown, consist of a forked

The Virgin Mother and Joseph Travelling, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, The Virgin Mother and Joseph Travelling, Rome, Italy, 1820–1850, Drawing, Drawing

Study of arm, Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray paper, Sketch of a male figure's right arm, raised to the right., USA, ca. 1885, figures, Drawing, Drawing

Boat of Lake Leman (Lake Geneva), Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream paper, Sailboat with figures, moving toward the right. Pencil marks, upper left. Verso: Arithmetical figuring., Switzerland,

A Landscape, Eugène Edouard Soulès, French, 1811–1876, Graphite, brush and white and yellow gouache on paper, View into a valley with a farm., France, 1840–1860, Drawing, Drawing

View of Rome, showing St. Peter's and the Vatican, Brush and watercolor on paper, View from a hillside showing, from left to right, the Castel S. Angelo, Saint Peter's, and the Vatican. Umbrella pines in the right foreground., Italy,

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and sepia ink on paper, Sitting in clouds, her feet upon a globe' seen frontally. The Child, in her lap, leans forward addressing himself to the beholder.

Keystone, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is a square, above a curved molding. In the panel is above a mask, from whose mouth something hangs down which

Christ Child with Rosary, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and watercolor on paper, The Christ Child sits on his mother’s lap and hands a rosary to an angel. Design for a painting., Rome, Italy,

Elevation of a town mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a town mansion, probably for the Palazzo Braschi alle Convertite or, more likely, for

Design for an Altar Frontal; Verso: Elevation of a Folding Door, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Shown as far as necessary. An ovoidal representation of Christ

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Below is a stem rising from a calix, having on top a blossom and curved branches with winged

Ground floor of a narrow structure, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, red ink on off-white laid paper, lined, Two arched door openings, the right of which is narrower and more

Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Red crayon, pen and ink, brush and bistre on paper, Design for an oval escutcheon with a helmet

The retreat of the Turks after the siege of Vienna, 1529, preliminary design for lost painting on the Canto de' Bischeri in Florence erected on the occasion of the entry of Christina of Lorraine, bride of Duke Ferdinando de' Medici, 1589, Jan

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, strapwork with lions and caryatids flanked with scrolling rinceaux with bell flowers., Italy,

Door and Over Door, Blue (South) Drawing Room, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section

Elevation of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Flights of stairs flanked by windows of the basement lead to the portico of four columns with a triglyph

Design for an Earring, Pen and black ink, brush and gray watercolor, silver on light green paper, Jewelry design for an earring. The ring and three palmettes on top, in the center, and below are of gold. They are connected by chains of disks or

Design for the Decoration of a Candle with Bracket, Pen and ink, graphite on laid paper, Design for the decoration of a candle. Upon the candle is a medallion with a representation of the figure of St. Luke painting the Madonna; above and below

An Assault, Pen and ink on paper, A horseman flees two soldiers, who take aim at him; he gallops through an arch formed by rocks directed toward the shore. His walking companion is attacked by a man with a sword. Another man runs toward the right

Recto: candlesticks; Verso: mausoleum in a church-like hall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Recto, at left: two griffins support crouching a calyx from which leaf

Frieze, Combat of Animals, preparatory drawing for fresco at the Palazzo Borri, Parma, Jacopo Zanguidi, called Bertoia, Italian, 1544 – 1573, Pen and brown ink, brown wash Support: white wove paper, Italy, Italy, 1563–68, Drawing,

Stage Design, Palace Interior, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of palace with high vaults, columns with rich sculptured decorations in the foreground. Verso:

Design for a Brooch, Pen and ink, brush and sepia on paper, A circular escutcheon composed of scrollwork, containing a round diamond. Below, a pearl drop., Italy, 1830, jewelry, Drawing, Drawing

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for a Salon Wall, Pen and ink, brush and watercolor, graphite on paper, An alcove with curtains and a sofa between niches with pedestals., France, ca. 1760, Drawing, Drawing

Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The elevation of a bathrub sarcophagus, supported by two bases. Colored background., Rome, Italy, ca. 1780,

In a Park, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on paper, A lane, and a dilapidated house with a porch supported by two columns, are shown. A medieval tower rises above the trees in the right

Facade of a town house, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Facade of a town house., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Apse of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash (bistre) on lined off-white laid paper, At left: lengthwise section. At right, the elevation. Colored background. Plain mensa with two ledges.

Study of a Young Bull Standing in a Meadow, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on grayish cardboard, Shown in profile, turned toward left and eating a high plant. Written above at right: 'Parsons…', England,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Five heart forms, composed of leaves and a bead., France, 1805–1815,

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1308. The lower part of the pediment being heightened, the

In a Wood, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A clearing is shown, and a ditch covered partly by a roof. A woman, laundering., France, ca. 1850,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Boughs with leaves and two pomegranates each, of which three are shown,

Sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The main design represents the elevation of a monument with a high pedestal. Its lower part is quadrangular

Study of Pine Foliage, Lake Pleasant, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Study of the foliage of a pine tree, with notes above and below. Verso: Notations of expenses., New York, USA, September 13,

The Isle of St. Denis, Charles Nicolas Ransonnette, French, 1793 - 1877, Red crayon, brush and sepia wash on paper, A narrow stream is shown in a hilly wooded country. In the first plane is a boat with two men; in the background is another

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the of -1524. The supports are gaines with half figures of Atlantes. A view of an

A Painter; View of a Town, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and brown wash, white heightening on paper, Left, a young man pointing to a canvas he is painting. At right angels: a town seen through an arch. Verso:

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Above is a project of the left side of a table. Below the leg is a fluted post springing from a calyx,

Sketch, Centaur with Woman and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Centaur (or Ichthyocentaur) with Woman and Child., Rome, Italy, 1820–1850, Drawing, Drawing

Elevation of a Gateway, Probably for a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Gateway, Probably for a Kaffeehaus., Italy, ca. 1788–1789,

Old Farmhouses, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on paper, A well is at right in the foreground. Written below at left: 'Gauspach. 1833'., France, 1833, Drawing, Drawing

Elevation of a Door Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Strips with diamond shapes, laterally. Five obliquely disposed diamonds on top, of which three support the

Altar mensa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left half is shown. The central part is projecting. One step leads to it. Laterally are molded panels. The bathtub

A Dwelling in Normandie, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown wash on paper, A poor dwelling is shown, part of which is an open barn. Two trees are at left, a village is shown in the right background.,

The Young Bacchus with Two Companions, Black chalk, pen and ink, brush and gray watercolor on rough gray paper, Bacchus is shown frontally, sitting, and gaizing at a goblet he raises with his right hand. Oblooing is a boy with a thyrsus

Two Peasant Houses, Eugène Edouard Soulès, French, 1811–1876, Graphite, brush and watercolor on paper, Only a part is shown of one of the houses. A group of trees near the main one is outlined with graphite., France, 1811–1876,

Elevation, End Wall of the Noble Cabinet, Palazzo Altieri, Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation, End Wall of the Noble Cabinet, Palazzo Altieri,

Design for a Bedroom Wall, Pen and ink, brush and watercolor, black crayon on paper, The window is flanked by panels containing painted landscapes bordered with rectangular compartments bearing ornamental decoration. The dado has been left

Coat of arms, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, An escutcheon with a crown on top, above two crossed branches with a mask above the crossing point. Two angels flow beside

Elevation of an Alcove, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Tented alcove. The central portion is circular and lateral ones straight. Supported by two posts. The roof is pointed, with a cresting of feathers.

A Lady's Head, from Scribner's 'Eighty Drawings including the Weaker Sex', Charles Dana Gibson, American, 1867–1944, R. Ponton, Pen and black ink on glossy white board, Head of a young lady seen frontally, wearing her hair in the 'Gibson

Badge for an Order, Graphite, pen and ink on paper, Above is a bow knot with gems. From it hangs a crown standing on top of a Maltese cross. Fleur-de-lys are in the sngles between the cross arms; beads in each arm., Italy, ca. 1820, jewelry,

Landscape with Mound and Greenery, Charles Nicolas Ransonnette, French, 1793 - 1877, Pen and ink, brush and watercolor on paper, Landscape with mount and greenery., France, 1793–1877, Drawing, Drawing

Section of the Wall of a Nunnery Chapel with the Choir, Pen and ink, brush and watercolor on paper, Elevation of a wall with a gallery above. At center, a door. Above this, a shell ornament and the gallery bows out in a convex curve., Italy,

Design for Stuart Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Intended to be erected in the intercolumniation between two embedded columns, which support an

Frame of a revered small painting, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite, Four flying angels hold a wreath which surrounds the frame of the painting. It forms the center of a glory of rays

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and pink wash, pen and black ink, graphite on white wove paper, Corner border of undulating ribbon and

Design, a Sepulchral Monument for Three Brothers, Black chalk, pen and brush and bistre on paper, A mountainous landscape is shown in the lower half. It is bordered on top by an arched stripe. IN front of it are seated, at left: a river god; at

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

A Stairway, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, View up a stairway, mounting to the right. House beyond, with terra cotta roof tiles., USA, ca. 1885, architecture, Drawing,

Design for a Sculpture in a Niche, Augustin Pajou, 1730–1809, Pen and ink, bursh with brown washes, graphite, black crayon on paper, Pysche standing in a semicircular niche holding an urn., France, 1780, Drawing, Drawing

Design for an Organ, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Belonging to -1354. The canopy is supported by two posts at the front, dividing the wider central part from the

Imaginary Landscape, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink on off-white paper, View of a lake with a sailboat Dark clouds rise from the low horizon. Broad white margin., USA, ca. 1870–73, landscapes, Drawing,

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