Images at Librifly

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Steeple in Baroque style, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two stories with a dome. Pillars with statues in niches are disposed obliquely at the corners of the lower

A Watermill, Morteinert, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, Mill is built over a slope. Written in the lower right corner: Morteinert 1831., France, 1831, Drawing, Drawing

Sketches, Virgin and Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite on paper, Various sketches depicting the Virgin and Child., Rome, Italy, 1820–1850, Drawing, Drawing

Mt. Mansfield at Stowe, Vermont, Daniel Huntington, American, 1816–1906, Graphite on grey paper, River curving under bridge in foreground. Ridge and mountains beyond. Verso: Sketch of ferns., USA, August 23, 1866, landscapes, Drawing,

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Top: Waved crest consisting of boughs with three seeds each and directed toward

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and dark brown watercolor on paper, The halffigure of the Virgin is seen frontally, supporting the back of the Child. He is bending downwards, somewhat to

Elevation of a Villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Villa., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, A pyramidal building is flanked by curved and projecting colonnades, with low tower-like structures at the ends,

Doorframe, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Shown slightly oblique, without the bottom part. Moulded frame. Triangular pediment supported by brackets. Festoons

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Slightly curved. Supported by two pillars with lion's feet. They are connected below and above; above by a board with two

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-847, disk above and three drops below connected by a round diamond at center above a knotted

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The inner frame consists of moldings and outside, of a frieze whose back is suggested white, at left, of colored marble, at right. It is decorated by a band of

A Court Jester, Attilio Simonetti, Italian, 1843 - 1925, Pen and brush and black ink on paper, A bearded dwarf in the attire of about 1600 with a coat of arms at his breast, shown facing front. A fool's staff is in his right arm. On verso: a

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Frame, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Inner frame similar to 1938-88-1906. Above it stands a tripod in front of a wreath. Beside hang trophies from bowknots,

Designs for Memorial Plaques, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Three projects for trefoil arched memorial plaques. Center (B) completed, shows a tree-of-life motif; left (A) in graphite only, showing

Design for Brooch, Pen and ink, brush and sepia on paper, An escutcheon with volutes. In center, a circular diamond., Italy, 1820–30, jewelry, Drawing, Drawing

Torus molding and band, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white paper, lined, At left: the torus is foliated and framed by two bands. At right: a band decorated with a stem from which

Portrait of a Man, Winslow Homer, American, 1836–1910, Graphite on cardboard, Vertical half-length portrait of a man, looking to the left., USA, 1869, figures, Drawing, Drawing

Elevation of a Building, Possibly a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Building, Possibly a Kaffeehaus., Italy, ca. 1788–1789,

Five designs for an overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row: at left, a pedestal of a kind stands upon the upper part of the door frame. It has at the

Town gate, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Arched doorway flanked by pairs of Doric columns supporting a projecting section of the entablature, and topped by an

Three Trophies, Pen and brown ink on lined laid paper, Horizontal rectangles showing three designs for military trophies. At center, a helmet., Italy, 1650–1700, ornament, Drawing, Drawing

Design for a Double Door with Overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, With the left door folding. It is divided into panels and a central horizontal band, and a circle with a lion mask. The

Design for a Sepulchral Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The back wall of a pavilion has the shape of a niche. In its is below the sarcophagus supported by

Sleeping Child, Daniel Huntington, American, 1816–1906, Graphite cream wove paper, Study of a sleeping child. Face turned slightly to the left. Head and shoulders lightly sketched, with some shading on the face., USA, 1840–45, figures,

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Seen from the front. The front legs are a kind of twisted column which supports the lower ends of the arm. The frame of the seat

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brown pastel crayon, graphite on paper, Sketch of a female figure wearing a headdress. The headdress and the hair

Sketch, Figure in Uniform with Book, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite on paper, Sketch of a figure in uniform with epaulets and book. He turns outward toward the viewer and rests his right hand on the tome, and

Costume Illustration, Pierre Numa Bassaget, French, Pen and brown and black ink, brush and brown and black wash on Bristol board, Two women in contemporary costume. At left, a woman is seated on a low, upholstered seat, her back to the

Obverse: A seated young Moor (?), Howard Russell Butler, American, 1856 - 1934, Black crayon, pencil. Paper., Vertical rectangle. Obverse: The body is turned right, the head toward the spectator. The hands are crossed under the right knee. The

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a vase with florals. Scrolling rinceaux with birds and putti., Italy, 1600–1625, ornament,

A Commissioned and a Non-Commissioned Cavalry Officer, Victor Vincent Adam, 1801–1866, Graphite, pen and ink, brush and sepia wash on paper, Probably intended as projects for a sheet of pictures. In a row, they are galloping toward right.

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

A Street in Laval, Bretagne, Eugène Edouard Soulès, French, 1811–1876, Graphite on brown paper, mounted, A street of a town winding into the background. A large structure with a tower is on the left side of the street. Written below at

Elevation of a chapel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The main design is in the center. It is similar to that in 1938-88-1279 above at left. The plan is below.

Design for an Altar, Filippo Marchionni, Italian, 1732–1805, Pen and brown ink, brush and gray wash, black chalk on white laid paper, Vertical rectangle. Design for an altar with decorative sculptural niche and surrounding sculptures and

Design for an Overdoor, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The door is plainly framed. The overdoor is a panel with the representation of a trophy of weapons. The

Design for a Badge of the Tuscan Order of St. Stephen, Pen and sepia ink, brush and gray, red watercolor on paper, Jewelry design for a badge of the order of St. Stephen. An eight-pointed cross is enamelled in red, with bordering white stripes,

Design for Brooch with Volutes and Eagle, Pen and ink, brush and sepia wash on paper, Jewelry design for a brooch. An escutcheon in architectural form. In the center, above the entablature, is an eagle above a cloth. Below is an octagonal

Design for a Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Another variation of 1938-88-1693, with the emphasis on height. The overdoor is a medallion between two

The Virgin With the Child and St. John the Baptist, Fortunato Duranti, Italian, 1787 - 1863, Graphite, brush and dark brown and sepia ink on paper, The Virgin sits near a window, her head turned toward St. John. The Child leans against her

Seated Soldier, Winslow Homer, American, 1836–1910, Graphite on pasteboard, Horizontal slight sketch of a soldier sitting asleep before a fire., USA, 1862, figures, Drawing, Drawing

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above: the decoration consists of a row of standing leaves, and a row of palmettes of oak leaves and two

Helmet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Helmet., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for a Memorial Tablet, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Part of the inscription is intended to be in a central horizontal ovoid, which is out of an

Design for Palmette Pendant, Pen and ink, brush and watercolor on paper, An escutcheon composed of volutes, topped with a palmette. A pearl drop at bottom., Italy, 16th century, jewelry, Drawing, Drawing

Elevation of a Garden House, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a Garden House., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Fountains, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Fountains., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Lip-spout pitcher, Auguste Bergeret, French, Black chalk, pen and ink, brush and blue-gray wash on paper, Shown in profile; the handle is at left. It consists of scrolls and a male torso. Divided into many richly decorated sections. An

Door frames giving impression of Renaissance works in ruins, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Inscription tablets are over the arched door openings. Colored

Stage Design: Hall in a Palace, Pen and brown ink, over black chalk on white laid paper, Bologna, Italy, Italy, 1725–50, theater, Drawing, Drawing

Design for a Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The door frame consists of moldings, with an entablature and a broken pediment with a central vase. Two

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The upper part of the right side is omitted. The supports are two cornucopias, above, and two laurel branchces

Design for a Brooch, Pen and ink, brush and sepia on paper, An oblong diamond frames by volutes., Italy, 1820, jewelry, Drawing, Drawing

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Most of the elevation is shown; the design is a variation of that in -1132, bottom. The lower part of the chapel is

Frame for a papal inscription, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The oval tablet is framed by crossed stems springing from the mouth of a mask below.

In a Village, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and reddish-brown watercolor, brush and white gouache on paper, A road, running from the left background, passes an estate, part of which is shown. A spinning

Design for an Earring, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Black crayon on paper, Above a disk. Below, an angular drop of a frame with radially disposed leaves. Inside a blossom and stems with leaves and buds. Connected

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Ecclesiastical Ornament Drawing: Cross, George E Germer, 1868 – 1936, Graphite on paper, Ecclesiastical Ornament Drawing: Cross, Europe and USA, USA, 1888–1936, ornament, Drawing, Drawing

Seated Woman, George Charles Aid, American, 1872–1938, Indelible pencil on paper, Seated woman, shown half-length, in left profile, her head turned away from the observer, and her elbows resting on a table before her. Her hair is up, and

Elevation of an organ loft, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Four columns support the loft, which is bordered by a balustrade. The organ tapers off toward a

Villa or observation tower, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Studies of a Heron and a Monkey, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on paper, The heron is above at right shown in profile turned toward left. The money is below at left, shown from the front, sitting upon an oblong.,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for an Overdoor, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and gray, dark brown watercolor on laid paper, Above entablature is a pediment with a kind of attic. Pillar supports a bust; attic panel has medallion framed by

Designs for a tabernacle, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left side is shown in the main design. Part of the ledge is shown below. The tabernacle has the shape

Elevation of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, A variation of the design -1058. The colonnade in the ground floor is the Doric order. Second

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, A long side wall with a mantelpiece with a mirror at the center., France, ca. 1785, Drawing, Drawing

Wall Elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Shaped like an apsis. The main part is decorated with a kind of temple front with a female statue in each of the

Oval frame supported by two angels, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two angels fly on either side, the left one supporting with his left arm a wreath on top, the

Brooch, Pen and ink, brush and watercolor on paper, A round diamond is surrounded by small ones. Above, a scroll of a ribbon with a row of small diamonds. A swag with three drops below., Italy, 1820–40, jewelry, Drawing, Drawing

Busts of Two Women, Pen and red ink on paper, mounted on cardboard, The bust and the right arm of the woman at left are turned toward the right; her head is turned to the spectator, the eyes are lowered. Her hair is styled as a 'Toupée'; the

Design for a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Square pavilions with pedestals and statues on top project diagonally from a central domed

Designs for a Mantelpiece, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphit on off-white laid paper, lined, Designs for a Mantelpiece., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

The Salutation, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, The corner of a park terrace is at right, whose will rises from a ditch. A road wings around its foot. A man stands on it looking

Design for Bed Alcove Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below are, at right, a curtain at the front of the alcove; at left, an undecorated

Study of an Elm, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Study of an elm with foliage, center., USA, ca. 1855, nature studies, Drawing, Drawing

The Virgin with the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and brown-gray watercolor on paper, The Virgin, in open country, with her right hand resting on the handle of a basket in which the Child lies. At right, in the

Trophy of weapons, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Trophy of weapons., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Interior of Egyptian temple, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Horizontal rectangle: interior of Egyptian temple showing statues of holy animals, etc., with middle altar with 'Apis' bull., Italy,

Two Pendants, Pen and ink, brush and watercolor on paper, Ribbons formed into bow knots. At center, a round faceted gem. Below hands a tear-drop gem., Italy, 1825–50, jewelry, Drawing, Drawing

Stage Design, Interior of House and Court, Pen and sepia ink, brush and wash on paper; verso: graphite, Horizontal rectangle. Interior of house and court, people in action at center. Verso: plan of ground floor., Italy, early 19th century,

Design for an Ornament Panel, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pen and brown and black ink, black chalk, brush and yellow, pale green, gray, and brown washes on white laid paper, Within a rocaille cartouche frame

Design for a Royal Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Decorative Wall Panels and Urn, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and black ink, brush and watercolor with ruled border in pen and black ink, brush and black wash on white laid paper laid down on white wove paper,

Design for the Facade and Cross-Section of a Palace, Pen and ink, brush and wash on paper, Design for the Facade and Cross-Section of a Palace., Italy, ca. 1775, architecture, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, An undulating stem from which alternately hanging and upright leaves branch

Figures Mourning Over the Dead Christ, Fortunato Duranti, Italian, 1787 - 1863, Pen and grey ink, brush and pale brown wash on paper, A group of figures mourns over the dead Christ. In framing line. Verso: Two heads of satyrs, one seen in

Imaginary River Landscape, Frederic Edwin Church, American, 1826–1900, Pen and dark brown ink Support: Discolored off-white laid paper, USA, ca. 1870–73, landscapes, drawing, drawing

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Fireplace fenders., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Classical Figures with Snake on Monument, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink on paper, Classical nude figures with attributes of war in front of cylindrical monument wrapped by a snake., Rome, Italy, 1820–1850, Drawing,

Design for Brooch with Leaves and Volutes, Pen and ink, brush and watercolor, sepia on paper, Leaves and four volutes are forming an escutcheon with a central big and two smaller pending round diamonds., Italy, 16th century, jewelry, Drawing,

Stage design: Temple of Eternity, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Interior of temple, very wide and lofty showing circular domed contruction in middle of

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and pink, white, and black wash, pen and black ink, graphite on white wove paper, White fluer-de-lys pattern

Bacchantes, Jacob de Wit, 1695 – 1754, Black chalk, pen and ink, brush and white wash on paper, Bacchantes, a satyr in a group, at the light of torches. Two children, a money in the right foreground., France, ca. 1750, Drawing,

Design for a Cut Vase, Graphite, pen and black ink, brush and wash on paper, lined, Half of an elevation of a vase richly decorated with moldings, leaf rows, and garlands. The neck is fluted and scrolls form the handles., Italy, ca. 1630,

Design for an Organ, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is the central part of the fencing of the loft (see 1901-39-2738). Each compartment is rectangularly

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