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Design for Windows in a Hall or Gallery, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Windows in a Hall or Gallery., Rome, Italy, 1746–1809, interiors,

Design for Ceiling Decoration, Four Allegorical Representations, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row: at left, four boys with geometrical instruments.

Three Designs for Draperies and One Design for a Frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Upper row, at left: in front of a drapery is a stem with feathers on top;

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring, a disk above and three drops below. Design scheme is like 1938-88-837, but the basket has a different shape, and ribbons

Stuart Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The architectural setting is drawn correspondingly to the lower part of that in 1938-88-1339. The sarcophagus stands

Decorative Panel: Medallion with a Sacrifice Scene between Two Victories Adorning Candelabra, Pen and black ink, brush and gray and brown wash on white laid paper, Design for a panel in which the central position is occupied by a large medallion

Design for Wall with Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Wall with Alcove., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Five Representations of Women, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Left row: two circular, above a half-figure of a girl, seen from the front, with the right arm before the breast put into the shawl around the

Head of a Mule with a Bridle, Head of a Buffalo or Ox, Samuel Colman, American, 1832–1920, Brush and gouache, graphite on dark grey-brown paper, At left, head and neck of a bridled mule, turned toward right, At center, forepart of a

Design for a Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of -1658, the overdoor standing upon a pedestal with an inscription in a flat niche; its upper

Design for Wall Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Two striples bordered and separated by a garland. In the left one, above, a bunch of flowers

Design for a Door Case, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is the door opening with a molded frame. Above is a rectangular frame with a female figure, with a

Design for Emrboidery Pattern, Graphite, brush and ink on paper, pricked, Embroidery pattern, before 1916, Drawing, Drawing

Bough, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a bough with blossoms and leaves., USA, 1880, nature studies, Drawing, Drawing

Design for a Printed Fabric, Pen and ink, brush and gouache on paper, Tulip flower which is decorated with floral motifs and black dotted boughs with flowers are shown upon light olive-colored ground. Tulips are to be staggered in alternate

Illustration, The Laughable Adventures of a Sleepy Charley, Robert Cruikshank, 1789 - 1856, Graphite, pen and ink, brush and watercolor on paper, Outdoor scene, at night. A man in a sedan chair, being carried by two others toward left.,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A row of obliquely shown lace disks between horizontal borders of hanging

Sepulchral monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left and top right are two sketches for the monument for King Louis XVI of France. The sarcophagus stands

Sketch, the Virgin as Regina Coeli with the Child, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown and sepia wash on paper, The Virgin sits in a niche, upon a lion, turned toward the right .She is in royal attire with crown,

Decoration for the marriage of Prince Paluzzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above: a variation of 1901-39-1447. The curtain pole is partly convex and

Designs for Five Mausoleums, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Top row, left: the left side of the elevation of the central part is shown. The colonnades begin at the

The Adoration of the Shepherds, Fortunato Duranti, Italian, 1787 - 1863, Charcoal, pen and ink, brush and dark brown ink on paper, The Virgin with the Child in her lap is seated at right. Three shepherds kneel at left. Another one behind the

Design for a Woven or Embroidered Horizontal Border, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, Two pears hand from a bough over the hollow of a scallop.

Design for a Woven or Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Undulating boughs wih bunches of seeds over a calyx are shown in opposite directions

Saint Catherine in Frankfurt am Main, Germany, Eugène Edouard Soulès, French, 1811–1876, Graphite, black crayon on light creamy paper, View of the steeple. Medieval houses are in the right foreground. Written in the lower left corner: Ste.

Study for Curling Acanthus Ornament, Pencil on paper, Ornament sketch with large, curving acanthus leaves and other vegetal designs., Italy, 18th century, ornament, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, below three drops, in the center a knot and two flower stems. The knot of lace ribbons, with alternating

Door wall elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Door wall elevation for the Noble Cabinet, Palazzo Altieri., Rome, Italy, 1789–1793, interiors, Drawing,

Project for an Alter, Graphite, pen and ink, brush and watercolor on paper, The Virgin of the Seven Swords is shown in a medallion with rays and cherubim glories. The alter stands before the convex wall. Laterally are balconies and walls with

Cupid in Flight, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Sketch of cupid, his left hand holding a bow. Suggestion of architecture at left., Italy, ca. 1800, figures, Drawing, Drawing

Interior of Circular Building, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of circular building with columns, barrels line interior of circular room., Italy, early 19th century, theater, Drawing,

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Sketched. Below is a pedestal, whose main part consists at he front of an oblong

Candelstick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper., Candelstick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Design scheme similar to 1938-88-826. The inside of the butterfly wings at center is filled with rows of disks without

A Road in a Village, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, black crayon on paper, The house of a peasant is near the road, lined with trees and leading to the open country. Another house is shown in the right middle

Project for a Pediment, Pen and ink, brush and grey watercolor wash on laid paper., A broken pediment with an escutcheon on a pedestal in the center. It is supported by two standing children, two more crouch on the cornices holding indistinct

Design for an Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A stripe and a row of oblongs alternating with leaves are at left. Rising stem with flowers at

Plate VI, from Theatrum instrumentorum et machinarum, Julio Paschale, Woodcut on paper, Metal instruments for drawing spirals. Above, three screws with wide threads. An arm attached, which rides on them, inside, a pipe, center. Below, the

Title page of a book, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two standing women, the left one of whom represents Mathematics. The right one, Painting, supports an

Design for Stained Glass Window in Memory of Christina Trask, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on brown paper, A girl seated on a bench holds a child in her lap to whom she gives a

Inscription, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A drapery is intended to serve as a tablet. It is framed by two crossed branches which have on either side two crossed

Two pillar stripes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white ladi paper, lined, Two strips, both decorated with ornamental candelabra. At left: below is a base with two half-figures of

Design for an Overdoor, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and bistre wash on paper, This alegory of painting and sculpture includes a putto painting a woman and another works on a portrait bust, held by another

Design for an Ewer, Pen and ink on paper, A footed helmet shaped ewer, spout facing left. On its handles it’s a sphinx. Bands of floral decoration. Below of the spout, a portrait medallion. In chalk, lower right: a face shown in profile.,

Group of Figures from Raphael's Incendio del Borgo, Raphael, (Italian, 1483–1520), Black chalk on paper, The central group in the foreground of Raphael's Incendio del Borgo. A kneeling woman and a woman sitting with a child. Another woman with

Hospital Trinita de Pellegrini, Plan, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, Complete plan with measurements; an oblong of 980: 1642., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, An urn stands upon a short column. In front of the latter is a mask, suporting with its mount festoons and two

Project for an Escutcheon, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Black chalk, pen and ink, brush and wash on paper, Design for an oval escutcheon crowned with a

Design for a Mausoleum or a Kaffeehaus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Most of the sketches deal with the central structure. Its general shape is now influnced by the

Design for Ceiling Decoration with Central Oblong, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for symmetrical ceiling decoration with central oblong with figures amidst

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Tailpiece, Franklin Booth, American, 1874–1948, Charles Scribner's Sons, New York, New York, USA, Black ink on paper, A symmetrical design, composed of interlacing grape vines. Shown against a rectangular black-and-white speckled

Design for Two Brooches, Pen and ink, brush and sepia on paper, Two designs, one above the other. At top, the frame of a circular diamond has outside arches with alternatively a fleur-de-lys and a brilliant upon points. Below, five diamonds

Angel Crowning a Couple, Red crayon, white heightening on paper, Recto: Ovoid frame with scene of angel extending arms above a kneeling couple. Verso: The angel is flying toward right. The feet, parts of the arms and of the chest are shown; the

Design for Frieze Decoration, with Alternative Suggestions, Pen and brown ink, graphite, on cream laid paper, In the center of an escutcheon, with the head of an animal on top. Festoons are supported by half-figures, seen at left from the

Design for a Brooch, Pen and ink on paper, An escutcheon formed of floral volutes frames an oval diamond. A garland of flowers draped above and a hanging teardrop-shaped gem below., Italy, 1850–75, jewelry, Drawing, Drawing

Ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for Berlin Wool Work, A. L. Dittmarsch, Hertz and Wegener, Brush and gouache on pre-printed squared paper, A band of roses and leaves on graph paper., Germany, ca. 1860, textile designs, Drawing, Drawing

Design for Drapery Over Door or Bed, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Below is the upper part of a doorframe. The drapery has above and below lambrequins and

Design for a Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1936-88-1327. The lower part of the structure has an octagonal

Stage Design, Interior of Chapel, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of a room with indications for decoration. In the background, a vestibule separated by columns which support a coved ceiling.,

Design for a Sarcophagi, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left: the elevation of a bathtub sarcophagus supported by gaines with lion's feet which stand in front of

Design for a Painted Porcelain Serving Vessel, Les Glaces (Ice Cream) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache,

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, The mausoleum is a circular structure, with a dome, and an obelisk on top. The enclosure consists of

Sketch of the Virgin, the Infant, and St. John, Fortunato Duranti, Italian, 1787 - 1863, Brush and dark brown and sepia wash on paper, The Virgin, sitting. The Infant is leaving her to embrace St. John, standing at right. Framing line.,

A Classic Warrior Receives a Woman, Filippo Marchionni, Italian, 1732–1805, Red crayon, black ink, grey watercolor on paper, A young man sits at the right and extends his hand to a woman approaching from the left. Behind the seated man are

Gateway of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Above: two sections are shown, one completely. Between pilasters are concave door wings. Statues stand in

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The plan of the bowl resembles a quatrefoil. Below is a round base and a short shaft, with a festoon

Elevation of a Bedroom Wall, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and watercolor on wove paper, Horizontal rectangle. Wall elevation with recessed bed center, coffered ceiling., 1815–22, interiors,

Door and Over Door, Blue (South) Drawing Room, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Vertical rectangle. Design for the Royal Pavilion, Brighton. Design for a section

Keystone over doorway, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A shell with a faun's mask and blossoms. The entablature and the upper part of the door frame are shown.,

Inkstand with victory column flanked by figures of fame on top of military trophies, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Shown slightly from above. Below is a

Urban Scene with Draped Figure, Putti, and Woman Carrying Basket, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and wash on paper, Urban Scene with Draped Figure, Putti, and Woman Carrying Basket. Additional figures in sunken

Juno, Mercury, and the Slain Argus, Red chalk, pen and ink, brush and bistre wash on paper, Mercury raises the head of Argus with his left hand, addressing himself to Juno whose peacocks stand before her. The corpse lies in the foreground.

Side wings in a stage setting, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Beside the door are two benches covered with cushions. The walls are decorated below with an inversed

Design for a Woven or Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Rising undulating stem from which kinds of cornucopias branch off, alternately

Design for a Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The upper rim is supported by the half-figure of a woman with rinceaux. The body is covered with curtains.

Stage Design: Interiors of Gothic Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Four different outlining sketches for Gothic vaulted interiors., Italy, early 19th

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Seen from the front. The frame of the upholstered back is a rectangle with a curve above and below, the latter changing

Ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Wild Anemone, Brush and watercolor, brush and ink on paper, A branch with three pink blossoms. Inscribed, lower right (in ink): 'Wild Anemone'., England, ca. 1830, Drawing, Drawing

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of the scheme of -1532, the lower part of the arch at left shows one

Head of a walking stick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Head of a walking stick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Mathematics, Painting are seated upon a pedestal, flanking the cardinal's portrait which is supported by the

Preparing the Bath for the Christ Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and bistre, brush and gray wash on paper, At left, women prepare the bath in a large, round basin, while another woman brings the water. At

Decorative urn, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, black chalk on off-white laid paper, lined, Decorative urn., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Landscape, William Trost Richards, American, 1833–1905, Graphite, brush and gouache on paper, Sketch of a woodland landscape with trees along a riverbank., USA, 1865–70, landscapes, Drawing, Drawing

Elevation of a pedestal, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white paper, lined, The front panel is decorated with a wreath and two branches. A triangular pediment is above it

A Child Leaning Upon the Edge of a Quadrant, Pen and ink on paper, The head is turned toward the apex and shown in profile. Written below at left, 'Rel Scrotigliani delino 1798.', Italy, 1798, Drawing, Drawing

Classical Scene with Seated Leader and Figure Fleeing on Foot, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Seated ruler or leader at left, with upraised left hand and foot on block inscribed 'LETA /

Console tables, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Above a left side: the leg is a chimera seen from the front, the upper parts of which are framed by two scrolls supporting

Fountains, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A fountain, consisting of a circular basin surmounted by another circular basin and jet, rests on a square parterre

Design for a Brooch, Pen and brown ink, watercolor, graphite, ruled borders in graphite on white wove paper, Top drawing in image.At left: In the center is a freamed circle with a white cross, it's top red. Framed is lozenge shape. In the

Imaginary Landscape with, Frederic Edwin Church, American, 1826–1900, Pen and black ink, rubbed graphite Support: cream wove paper, USA, ca. 1870–73, landscapes, drawing, drawing

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The fireplace is framed as by the upper part of a molded frame, whose upper end is somewhat projecting. Below is a base. Upon the upper edge stands a relief with

Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The left half is shown from the inside of the support. The bathtub form with a fluted body, is seemingly supported by

Drawing for a candelabrum, Ren and ink, brush and water color, pencil on paper, Design for a marble and bronze candelabrum. On a marble pedestal with bronze swag decoration is mounted a sphinx, seated facing left in profile. On the head of the

Timepieces, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for timepieces., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Study of Two Spaniels in a Park, Henry Bernard Chalon, English, 1770 - 1849, Graphite on paper, They are chasing a bird. One is running toward right, the other toward left. A group of trees is in the left foreground. More trees are in the

Abundance (Design for Lunette, Equitable Building, New York), Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Project for a painted lunette in the old Equitable Building, New York City. Two

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