Images at Librifly

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Project for an Alter, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre, brush and wash on paper, Elevation of an alter with alternative designs. At top, a

Design for an Embroidered Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache, incised lines on glazed tracing paper, A raspberry stem rises beside a pole around which a fantastical leaf plant winds.

Decoration of six panels, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row, above: a trophy of two shields and two other weapons. Center: a trophy of a helmet, a battle

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, incised line on glazed tracing paper, The repeats, five of which are shown, consist of a plant

Medallion with Figures in Landscape, Brush and ink on paper, Medallion with figures in a landscape., France, 18th century, Drawing, Drawing

Design for Ceiling Decoration, a Barrel Vault, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A rinceau decorates the arch at left. Two children sit upon its base. view of a

The Shepherd Boy, William Hogarth, English, 1697 - 1764, Etching and stipple engraving on paper, After a drawing. A young boy seated under a tree. He is looking towards right. In his right hand he holds a sandwich. Trees at left and right.,

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Textile Design: A Butterfly, Red chalk, pen and red ink on cream paper, A large butterfly with patterned wings spread seen from above. Design pricked for transfer., Italy, 1800–30, textile designs, Drawing, Drawing

Three Figural Studies, Black crayon on paper, At left, a man and woman seen from the back, leaning on a sack. At right, a kneeling figure at work., Italy, 1725–1735, figures, Drawing, Drawing

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Design for the Decoration of a Frieze, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Two figures as crests of poles, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left a winged mermaid raises with both arms curved branches. At right, in a greater scale, a

Three bands, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, At left, the decoration consists of a garland of ears of grain fastened by a ribbon, in the center of a waved vine stem. At

Elevation of a town mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a town mansion, probably for the Palazzo Braschi alle Convertite or, more likely, for

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Elevation of a Doorcase, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white paper, Undecorated pilaster strips and capitals support an entablature. Projecting blocks form an outer frame., Rome,

Design for a Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Obliquely shown from the left front corner. Three steps lead up to a square base of two sections. A

Stage Design, Church Interior, Pietro Narducci, Italian, active 1809 - 1841, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of church with niches in walls in which sculptures are to be seen., Italy, early

Design for an Overdoor, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and bistre wash on paper, Three girls around a shield with three lozenges; crown in glory of rays on top., Netherlands, 1785-1790, drawing, drawing

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for overall symmetrical ceiling decoration featuring geometric sections in which mythological

Chronos, Giovanni Bernardi, Italian, 1494 - 1553, Brush and bistre on paper, mounted on paper with red crayon drawing, Lying with erected upper part of the body, with the right arm leaning upon an elevation. The legs are at right, the head

An Adoring Angel, Pen and ink on paper, A kneeling angel facing left, with raised hands. Shown in profile. The lines are incised and traces of rubbing with a scraper are evident., Italy, late 16th century, figures, Drawing, Drawing

Elevation of a Church Flanked by Two Houses, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Elevation of a Church Flanked by Two Houses., Rome, Italy, 1746–1809,

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Seen from the front. The back is a curved escutcheon supported below by a small angular panel with trellis. Most of the inside is

Head of a Woman Wearing a Hat, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on laid paper, Profile of a woman wearing an elaborate hat and earrings, facing towards the left., Italy, 1728–84, figures, Drawing, Drawing

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. Above a disk, in the center two butterfly wings with a disk upon their joining point; three drops below. Rows of balls,

Head of Summer, Red crayon on paper, Bust of allegorical figure shown in three-quarter view, turning to the left. Young male is crowned with ears of grain., Italy, 1580–1610, figures, Drawing, Drawing

Wall Elevation, Probably for the Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink on off-white laid paper, lined, Horizontal rectangle. Below inscription is written at right, below what evidently is a

Design for a Bedroom Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, A variation of -1638, above. The gaines - figures springing from bunches standing upon short columns - are

Two Designs for the Elevation of a Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, Crouching lions similar to 1938-88-1274 not holding a chain with their

Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and gouache, pen and black ink, graphite on white wove paper, Central geometric motif with round floral

Study of Two Spaniels Chasing a Bird, Henry Bernard Chalon, English, 1770 - 1849, Graphite on paper, One is shown at right, standing, the other in the center running. Bushes are in the background. On verso: a few letters and figures, and the

Four doorframes, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top row: roughly outlined sketch with measurements. An arched door opening. Bottom row: an arched door opening

Three chalices, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left: upon a high foot stands an urn with festoons supported by cherubim, supporting a short twisted column.

Rural Scene with Cow, Figures, and House, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash, graphite on paper, Rural scene. Cow at center with figures on either side. Sowing figure with child in foreground. House at

Design for a Mantelpiece with Alternative Suggestions, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left, the lower right side is shown. The fireplace is flanked by a

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1297. The inscription is at the front of the sarcophagus. A

Design for an Earring, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for an earring. The disk above and the three drops below are connected by two stems, with a disk in the center between an oval diamond above,

Pulpit elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pulpit elevation., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Ornamental woodwork detail, Félix-Jacques Duban, French, 1798 - 1870, Brush, pen, watercolor, possibly gouache, black ink wash Support: off-white paper mounted on off-white laid paper, Design for a cornice and a column. Right: Design in

Frame for small devotional picture, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A framed representation, most of the upper edge being circular. Three angels support an oval

Gateways, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Left row, above: somewhat more than the left half of a gateway in a wall is shown. An escutcheon is in front of the

Design for Cresting of a Comb, Pen and ink, brush and sepia wash, watercolor on paper, Horizontal rectangle. Design for the cresting of a comb intended to be executed in gilded metal, a cameo, and diamonds. In the top an oval cameo with the

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Pink and white beehive-shaped designs, black leaves on tan ground., France, 1800–1818, textile designs, Drawing,

Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

The Virgin With the Child; A Young Woman; St. George, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Next to each other; each framed by a line. At left: the Virgin sits in front of an apse, with the Child in her lap. He is seen in

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Roughs with leaves and a cone each, directed toward left, for a strip over

Design for Berlin Wool Work, Nathaniel Currier, American, 1813–88, Nathaniel Currier, American, 1813–88, Brush and gouache on pre-printed squared paper, Design on graph paper for Berlin wool work, a band of flowers and leaves in color.,

Design for a Chimneypiece, with Alternative Suggestions for the Overmantel Frame, Black chalk, pen and ink, brush and watercolor on paper, The opening is framed by moldings with an entablature above; marble. Above stands a wooden frame. The

Design for a Painted Porcelain Plate, Les Marrons (Chestnuts) for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Portrait of Leonard Cox, Kenyon Cox, American, 1856–1919, Graphite on blue-grey paper, Portrait of the head of a baby, looking straight ahead., USA, July 27, 1894, portraits, Drawing, Drawing

Ornamental Design for the Letter B, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink on white laid paper, B in reverse intertwined with satyr. The forepart of a goat and a snake are at right, another snake at left. Oppenord paraph

Stage Design: Sketches of Facades, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Different sketches of facades of houses with trees and plants in pots., Italy, early 19th

Design for a Console Table, Giuseppe Valadier, Italian, 1762–1839, Pen and ink, brush and wash on paper, Elevation of a partial table. The leg in the form of a bird with claw foot. Three festoons and a central blue medallion. Dark cast shadow

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Candlestick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Sketches in Naples, Arnold William Brunner, American, 1857–1925, Graphite on paper, Busts of three men, center left, profile of bust of man with hat and beard facing right. Below, lower left, sketches of two men facing forward, both wear

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Below is a pedestal with crouching sphinxes at its corners. They support with their heads

Banks of the Seine, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and watercolor on light green paper, A curve of the river is shown in the right central plane., France, Paris, France, 1850-1875, Drawing, Drawing

Candlestick, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Candlestick., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Monument for Pedrosellini of Rome, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on beige laid paper, lined, A stream god leans upon an urn which stands upon a base, showing the inscription: 'QVI -

Elevation of a Church for Monte Vergine, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, Steps lead to the door in an apse which is flanked by statues in niches. Two angels

Sketch, Allegory in Architectural Setting with Sculpted Bust, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, brush and sepia wash on paper, Sketch, Allegory in Architectural Setting with Sculpted Bust, Rome, Italy, 1820–1850,

Section of wall, Frederick Marschall, Brush and watercolor on heavy paper, Upper right section of wall panel, probably Japanese. Center, painting enclosed in fret border with wide outer borders in black, red and yellow., USA, ca. 1885,

Design for a Grotesque Frieze, Filippo Marchionni, Italian, 1732–1805, Pen and black ink, brush and gray watercolor on cream laid paper, Horizontal frieze with a sphinx , putti and flaming censer., Italy, 1740–1775, ornament, Drawing,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Baptismal Font, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Verso: mansion; Recto:entablature, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Verso: mansion; Recto:entablature., Italy, 1746–1809, architecture, Drawing, Drawing

Design for a Pendant, Pen and black ink, brush and gray, red watercolor on light green paper, Jewelry design for a pendant. A red ribbon is fastened by a knot, a jour, alternating with blossoms, attached to the ribbon with a ring. Bevelled

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1322, the plan of the lower part being rectangular. The

Stage Design, Bridge Across Water, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Bridge leading across water on five arches through monumental archway. Central domed building at background., Italy, early 19th century,

Sailing Ships in a Bay, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, One of the ships lies near the coast in the first plane. A rowing boat with a s tanding man in it is beside it. A big ship flying the Dutch flag

Design for a Square, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for a Square., Italy, 1746–1809, architecture, Drawing, Drawing

Decoration of a lateral panel of a coach, Brush and gray watercolor, pen and ink, black chalk on paper., Vertical drawing of a side panel of a coach. 'Autumn' is shown seated in clouds. A putto standing at right beside her, wing-like, brought

Plate Illustrating Fanmaking from Diderot's 'Encyclopédie', Denis Diderot, French, 1713–1784, Engraving on paper, Plate illustrating fan manufacture from Diderot's 'Encyclopédie.', France, ca. 1751–1766, Drawing, Drawing

Sketch of a French Peasant, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Man shown obliquely from the front, walking, wearing wooden shoes and a large hat. Red-brown coat with

Gate in the wall of a park, with alternate suggestions, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The wall is bordered by two pillars with rustic work having on top a ball

Study of Two Herons, Henry Bernard Chalon, English, 1770 - 1849, Black crayon on paper, One is shown at left, in profile turned toward right and walking. The other stands upon a branch of a tree., England, 1820–1849, Drawing, Drawing

Stage Designs, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Stage Designs., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Urban Scene with Supplicant Figures and Monument, Fortunato Duranti, Italian, 1787 - 1863, Pen and ink, graphite on paper, Urban Scene with Supplicant Figures and Monument., Rome, Italy, 1820–1850, Drawing, Drawing

Meeting of Toréadors, Victor Vincent Adam, 1801–1866, Pen and ink, brush and wash, graphite on paper, Vignette of a man standing at left, a rifle in his right hand, festuring with his other hand toward another man on horseback facing him.,

Execution Scene, Andrea Boscoli, Italian, 1550–1606, Pen and brown ink, brush and brown wash on cream paper, A standing semi-nude figure is seen frontally, knife in right hand. He is on the verge of plunging the knife into a bound,

Possible Design for an Overdoor Frieze, Pen and ink, brush and wash on paper, Possible design for an overdoor frieze with military motifs and a winged sphinx and palmette., Italy, 17th–mid- 18th century, Drawing, Drawing

Three monuments, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, at left: the architectural setting is similar to 1938-88-1339. Below is a rectangular panel above a

Design for ceiling decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for ceiling decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Design for a Candlestick, George E Germer, 1868 – 1936, Graphite, black crayon, brush and white gouache on cream paper, Each is signed below at right: G. E. Germer, Des. In 'c' the name George is given in full. Each bears below at right the

Outside Fireplace, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite and black crayon on paper, Stone fireplace with a wooden frame above, for hanging a kettle. Trees sketched in background., USA, August 1854,

Central Section of a Town Mansion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Two colonnades of five arches each are topped by a parapet, before which figures stand in the

Design for a Sepulchral Monument to King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1337. The structure is on top of steps, the

Design for a Waistcoat, Black crayon and various gouache colors on paper, Design for the embroidered border of a man's waistcoat. A vetch bough and a flower bough over a leaf are shown beside a row of feathery leaves growing from a moulding.,

Design for an Earring, Pen and ink, brush and watercolor on paper, The ring has two slopes. On the larger, a disk is fastened, intended to be enameled like the drop and the drapery. The disk and the drop are framed by a row of beads. Both are

Sketches, a Fountain, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the center is a circular pedestal with a square band around, above three steps. Above it is a calyx from

Fantasy Landscape, Giovanni Battista Piranesi, Italian, 1720–1778, Pen and brown ink, brown wash, ruled borders in pen and brown on white laid paper laid down on white laid paper, Italy, Italy, ca. 1742–43, landscapes, Drawing,

Three Designs for the Elevation of a Sepulchral Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left: A couped obelisk rises from a sarcophagus which stands upon a

View at a Hillside Called Côte des Deux-Amants, near Amfreville-sous-les Mants [Eure], Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and wash on tissue paper, The flowing of the Andelle River in to the Seine is shown

Design for a Ewer with Handle in the Shape of a Lion, Black chalk, pen, ink, and wash on paper., Shown in profile. The handle formed by a lion is at left; the lion stands on the face of a mask, which corresponds to another mask at the opposite

Chandelier, Pen and brown ink, brush and brown wash on off-white laid paper, Chandelier with two branches springing from a calyx, hung with festoons. Around the stem is a snake., Italy, ca. 1830, metalwork, Drawing, Drawing

Design for a Salon, François-Jacques Delannoy, French, 1755 - 1835, Pen and ink, brush and watercolor, graphite on paper, Arched door frame with a folding door and tympanum as an over door. The lateral wall panel shows sofas under mirrors.,

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