Images at Librifly

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Design for a Plate or a Tondo: Soldiers supplicant before a Roman General, Pen and brown ink, brush and brown wash over black chalk on cream-colored laid paper, Italy, mid-16th century, figures, Drawing, Drawing

Oval frame supported by two angels, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A variation of the motifs as in -1838 with some deviations. The right angel

Study of elm tree, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of an elm tree with foliage., USA, October 1856, nature studies, Drawing, Drawing

Title Page Design for Le Zodiaque Travesti (Farcical Zodiac), Jean Charles Develly, French, 1783 - 1849, Brush and light brown wash, pink, tan watercolor, white gouache, pen and brown, black ink, red crayon, graphite on cream laid paper,

Gods on a Cloud-bank, Giuseppe Longhi, Italian, 1766–1831, Graphite on cream paper, laid down, Jupiter, the chief god and ruler of the sky in ancient Roman mythology, is seated on the back of an eagle. He is surrounded by Diana, goddess of

Two Elevations of Understructure of Carriages, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, Front and side views of understructure of carriages. Scale below., France, 1780,

Design for Four Bow Knots, Pen and brown ink, brush and gray wash on white laid paper, Two rows; those above and below at right with a hanging pearl, those at right with a round diamond in the center. The ribbons intended to be covered with

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a female figure in profile., Pisa, Italy, 1880, costume & accessories, Drawing, Drawing

The Annunciation, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, An angel kneels at left, the Virgin at right, praying. Rays. A line separates both figures. Below, a base. Framing graphite line in the shape of a pointed arc.

Design for a Garden Fountain, Pen and brown ink, brush and gray wash on brown laid paper, A fountain with two basins stands beneath an arch supported by Hercules terms. Sitting on the concave entablature is a wolf and two lions. At top, a snake

American Falls, at Niagara, Frederic Edwin Church, American, 1826–1900, Graphite, brush and oxidized white gouache on green wove paper, Recto: Horizontal view of Niagara Falls from the American bank, Verso: Vertical view of part of a tree,

Stage Design, View of Indian Temple, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash, graphite on paper, Horizontal rectangle. Indian temple in landscape with

Stage Design: Palace architecture, Graphite, pen and bistre, brush and sepia wash on paper, Horizontal rectangle showing loose sketch of exterior palace architecture., Italy, 1750–1800, architecture, Drawing, Drawing

Design for a Painted Porcelain Plate, Le Taureau (Taurus) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache,

Oval frame for the facade of a house, with lantern beneath, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The frame moldings have a wreath in the center. Outside are crossed

Corner detail of ceiling, Hotel de Cluny, Paris, Frederick Marschall, Graphite, brush and watercolor, gold on heavy paper, Left, corner of ceiling with reclining river god beside shield containing sea horse and trident. Right, painted relief

Courtyard, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a courtyard., USA, 1880, architecture, Drawing, Drawing

Design for Wall Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At right is a door with: 'per il / Marchese (?) / Antici', written in the opening. 'A' is written in

Design for a Decorative Motif, Carlo Bianconi, Italian, 1732–1802, Angelo Ferri, Italian, Pen and brown ink, brush and grey wash, graphite on cream paper, A trophy, composed of a lyre, bow, arrows, quiver, torch, olive branch,

View of Rome, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an exterior staircase with details of classical architecture., Rome, Italy, 1880, architecture, Drawing, Drawing

Monkey Playing a Violin, Red chalk on cream laid paper; verso: pen and brown ink with gray wash., Monkey wearing a feathered cap stands on one foot facing right and plays a violin. Verso: rendering of an 18th-century Italian vase with a mask.,

Dome of St. Peter's Basilica Seen from the Pincio Hill, Rome, Italy, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal distant view of the done of St. Peter's Basilica shown from the Pincio Hill. Trees are seen

Design for a Decorative Hairpin, Pen and sepia ink, brush and gray watercolor on paper, Design for a decorative hairpin. In the center is a vase with two long curving feathers, two branches, and a central blossom. Springing from the foot of the

Design for a Woven Fabric, Graphite, blue, lateritious, and white gouche on oily tracing paper, In the same style as 1909-13-106. Lozenge scehem composed of triangles and squares. Four horizontal rows in blue and white are to alternate with four

Figure of a Woman, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a portion of a woman, dressed in a skirt, shirtwaist, and cravat, leaning forward and looking down., USA, ca. 1875, figures, Drawing, Drawing

Flowering Plant and a Rock between the American and Canadian Falls at Niagara, Frederic Edwin Church, American, 1826–1900, Graphite on green paper, Recto: Horizontal view showing a plant and its blossom, at left; and a rock between the

Street view, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a doorway., USA, 1879, architecture, Drawing, Drawing

Drawing, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, France, late 19th century, figures, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of figure.; Detail of bent arm with a fist., USA, 1877, figures, Drawing, Drawing

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, The front part of the chain consists of six small beetles and five ornaments of entwined ribbons in shape of cross. Rope festoons

Three sketches, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper, Above escutcheon supported at left by a kneeling large angel, at right by a standing smaller one. Below: left, putto sitting between trophy, holding big

Lower Part of the Choir, Siena Cathedral, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and watercolor on paper, The lower part of the choir of the Siena Cathedral. A few priests are shown., Siena, Italy, ca. 1872,

Project for a Comb, Pen and ink, brush and watercolor on paper, The crest is formed by a branch with two leaves and a bud, attached to a frieze with a row of diamonds; its framing is of metal. The stripe below being engraved with a zig zag. Seven

Jester, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Seated male actor dressed as a jester in profile. Series of vertical bars across lower half of page., USA, 1876, costume & accessories, Drawing, Drawing

Beirut, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Recto: Sketch of a rainbow with a steamer at sea.; Verso: A castle on the edge of the sea with cypress trees., Beirut, Lebanon, 1868, seascapes, Drawing,

Portrait Sketch of a Young Woman with Closed Eyes, Elihu Vedder, American, 1836 – 1923, Black, blue crayons, white chalk, on gray paper, Head of a young girl, turned toward the right in three-quarter view. Her head is slightly tilted, her

Design for a Coronet, Pen ink, brush and sepia wash on paper, Design for a hair crown. Two converging branches with alternating pattern of two oak leaves and a blossom between two buds. A blossom in the center., Italy, ca. 1820, jewelry,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite, brush and gouache on paper, Sketch of a jack-in-the-pulpit plants., USA, ca. 1860, nature studies, Drawing, Drawing

Sketchbook Page with Four Hunt Scenes, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Obverse: Four hunting scenes, upper left: Hunters on horseback, and on

Mexican Children near a Well, New Mexico, Eugene Higgins, American, 1874–1958, Graphite on paper, Two children are seen seated at the base of a well., USA, July 1921, figures, Drawing, Drawing

Elevation of a Pedestal, Pen and brown ink with brown wash and traces of graphite on off-white laid paper, Supported by lion legs with ram heads beneath the top corners and with an escutcheon rising in the top center., Italy, 1700–1750,

Stage Design, Palace Interior, Angelo Toselli, ca. 1765? – 1826, Pen and light brown ink, brush and watercolor, graphite on paper, Horizontal rectangle. A circular building, with a central pillar like a pavilion to which steps lead between

Sheet with Three Heads, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and sepia, watercolor on paper, Above, left: a winged head of a woman with a drapery festoon. At right, the head of a stag with leaves and ribbons.

Designs for Two Necklaces and a Chain, Pen and black ink, brush and gray watercolor on paper, Jewelry designs for two necklaces and a chain. The right sides, each below the other. Above, the chain consists of entwined bands, connected by

Stage Design, Aqueduct, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Aqueducts with water works in hills and bridges crossing.,

Daggers, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Six sketches of daggers. Details of handles, tips of the blades, and guard of sheaths., USA, 1876, metalwork, Drawing, Drawing

Landscape, Walter Clark, American, 1848–1917, Graphite on paper, Four cattle are grazing in the foreground. Bushes and trees form the background. Framing lines., USA, 1884, landscapes, Drawing, Drawing

Five Detail Designs for Pendants, Pen and black ink, brush and gray watercolor, gold on light green paper, Five jewelry designs for pendant details arranged vertically, one on top of the other. At top, a 'roof' in shape of a base, with a

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, June 11, 1859, nature studies, Drawing, Drawing

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, May 28, 1850, nature studies, Drawing, Drawing

Design for a Waistcoat, Various gouache on paper, Design for the embroidery of a man's waistcoat. Two stripes and a feathery border are shown at left and a flower bough besides them. The remaining ground is to be decorated with rows consisting of

Sketches of Trees, Samuel Colman, American, 1832–1920, Graphite on Paper., Vertical rectangle. Obverse: A wood with a beech tree in the foreground on hilly ground. Reverse, horizontally: trees at the edge of the wood are shown at left, a

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three lines on upper center of the sheet outlining the form of a figure., USA, n.d., figures, Drawing, Drawing

Sarcophagus and Allegorical Figures, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two scenes. At top, three figures, one with a cross, stand beside a tomb. At bottom, a more detailed variation of above., Italy,

Hounds at Play, William Hunt Diederich, American, b. Hungary, 1884–1953, Pen and black ink, graphite on tracing paper, Design with two running hounds, their bodies overlapping and elongated, facing left. The leftmost dog turns back towards

Stage Design, Court in Castle, Pen and ink, brush and sepia wash on paper; verso: graphite, Horizontal rectangle. Court in castle, columns supporting vaults, several stairs. Verso: sketches of details., Italy, early 19th century, theater,

Tailpiece, Charles Scribner's Sons, New York, New York, USA, Brush, pen and ink, on paper, A lion and interlacing scrolls, in silhouette., USA, ca. 1910, graphic design, Drawing, Drawing

Stage Design, Exterior of Gothic Buildings, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Exterior of a group of Gothic

Design for a Painted Porcelain Plate, Le Sagitaire (Sagittarius) from le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown, black wash, pink, tan watercolor, white

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a seated female figure wearing a dress., USA, 1879, costume & accessories, Drawing, Drawing

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, At left is a lion chimera with a ring, at right a lion's leg with an urn with two handles on top. They are connected by

Fantasy of Classical Sculpture, Jean-Charles Delafosse, French, 1734–1791, Pen and brush and black ink, wash, black chalk on white laid paper, Classical representations of a lamp, an eagle, a bust, a lion, and a medallion showing a

Children, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of two young figures in a field of grass or open landscape., USA, 1879, figures, Drawing, Drawing

Mounted Cavalryman, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on off-white paper, Vertical view of the side of a lancer on horseback., USA, 1862, figures, Drawing, Drawing

Stage Design, Palace Interior, Pen and bistre ink on paper, Horizontal rectangle. Interior of palace hall with detailed arches, sculptures. Verso: Oriental buildings., Italy, early 19th century, theater, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Three identical designs, framed in orange, and then in light blue scallop forms, inside in

Stage Design, Interior of a Country Lodging, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and sepia wash on paper; verso: graphite, Horizontal rectangle. Vast high hall with chimney piece. Two barrels standing on the left,

Designs for a Living Room Interior, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Designs for a Living Room Interior., Rome, Italy, 1746–1809, interiors, Drawing,

Landscape with Sailboat, Leon Dabo, American, 1868–1960, Charcoal on white paper, Body of water. Lower right, sailboat; center, trees and tall structures on shore., USA, 1900–05, seascapes, Drawing, Drawing

Classical Scene, Francis Augustus Lathrop, American, 1849 - 1909, Brush and white gouache, graphite on cream paper, Athena appearing in a dream to a woman asleep on a couch. Attendants asleep below, left and right., USA, ca. 1895, figures,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Standing Bishop, Belisario Corenzio, Italian, active 1590–1646, Pen and black-brown ink, graphite on cream laid paper, Bishop standing, facing the viewer, pitiful expression on face., Italy, ca. 1620, figures, Drawing, Drawing

A Standing Man, Luigi Vanvitelli, Italian, 1700 – 1773, Black crayon on paper, lined, A man wearing a hat seen in profile, facing left, with crossed arms., Italy, 1700–1773, figures, Drawing, Drawing

Sketch of Hand and Wrist, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Outline of hand and wrist. Hand, lower left., USA, ca. 1895, figures, Drawing, Drawing

Design for a Chimneypiece, Graphite, pen and ink, brush and watercolor on paper, The design is a variation of that of the left half of 1938-88-8209. Woven intertwined bands are in the oblongs of the inner frame. A garland is sketched in the

Design for ink stand, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black, graphite, on cream laid paper, Oval base decorated with band of overlapping acanthus leaves, applied leaf design above, holds ink pot with open

Stage Design, Pavilion and Small Buildings, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash, graphite on paper, Horizontal rectangle. Pavilion with stairs

Trophy, Pen and brown ink, brown wash Support: white laid paper, Florence, Italy, Italy, ca. 1650, ornament, Drawing, Drawing

Middle Section of a Dead Tree Trunk, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Vertical view of the middle part of a dead tree trunk, USA, 1877, nature studies, Drawing, Drawing

Four Sketches of a Saint, Melchiorre de Gregorio, Italian, 1777 - 1840, Pen and ink on paper, Four sketches of a figure in reverence., Italy, 1800–1820, figures, Drawing, Drawing

Five designs for various structures for a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Rome, Italy, ca. 1790, architecture, Drawing, Drawing

Design for Overmirror Decoration for the Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, An inner circular frame is rectangularly framed. In the center

Portrait of a Man with Cap, Graphite, pen and black ink, brush and watercolor on paper, Bust of a bearded man turning to the right. Above, at right, some pencil strokes., Italy, 1780–1820, portraits, Drawing, Drawing

Urn on Pedestal, Pen and brown ink, gray, black wash, graphite Support: white laid paper, Italy, Italy, ca. 1650, architecture, Drawing, Drawing

Design for Sculpture, Angel in Adoration, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and brown ink, brush and gray wash, black chalk on white laid paper laid down on

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch. A knot of laced ribbon, à jour. In the center, a rosette. The inside of the ribbon with blossoms and leaves. Beveled

Keystone in a ceiling; rosette with four acorns, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Inscribed into a shadowed circle which is inscribed into a square. Crayon

Design for a Corsage, Graphite on paper, Jewelry design for a corsage brooch. Two leaves, ears of barlet, and a knot of ribbon., Italy, ca. 1830, jewelry, Drawing, Drawing

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Fireplace fenders., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Soldiers Escorting Civilians, Winslow Homer, American, 1836–1910, Graphite on wove paper, Vertical view of soldiers with bayonets fixed, escorting civilians., USA, ca. 1862, figures, Drawing, Drawing

Design for the Embroidery of the Left Bottom Corner of a Man's Waistcoat, Brush and gouache on glazed tracing paper, Rectangular corner; two buttonholes are shown. Four putti busy themselves to decorate an altar. A jar stands at the right edge.,

Rampant lion, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Above, Partial sketch of three decorative figures; Below: Sketch of a rampant lion., USA, 1882, architecture, Drawing, Drawing

Design for an overdoor, Nicolas Pineau, French, 1684-1754, Pen and ink, brush and watercolor, Alternative designs for an overdoor with a clock dial on a pedestal., France, 1735, Drawing, Drawing

Design for a Chimneypiece, Graphite, pen and black ink and bistre, brush and watercolor on paper, The opening is framed by a part of a frame. Laterally are pilaster strips, with oblongs with colored marble, and with baskets above. Above the

Pendant lamp for the Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pendant lamp for the Palazzo Altieri., Rome, Italy, 1746–1809, architecture, Drawing,

Drapery Study for the Angel of the Annunciation, Red chalk on dark cream laid paper, Figure of an angel wearing a chiton tied under her breast and gathered at the hips, leaning left with right leg extended before left leg., Italy, ca. 1553,

A Street Scene in Madrid, from Series 'Sketches in Madrid', Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and blue, pink, brown wash on paper, Vertical rectangle. A male officer in dress uniform at left with a Spanish

Design for Window Case and Part of a Colonnade, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Surbased pediment with a cherub above the window frame; below, a one-story structure,

Design for a ewer, Black chalk, pen, ink, and bistre wash on paper, Vertical rectangle. Like (not after) Androuet Ducerceau's etching, 1945-59-20 (19) with slight alterations. The owner wrote at right: 'Rafe' and a cross., Italy, ca. 1540,

Design for a Sarcophagus, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The lefft half is shown, with the left support shown from inside. Bathtub form with a carved gaine with a

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