Images at Librifly

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Studies After Cattle, Samuel Colman, American, 1832–1920, Brush and watercolor and white gouache, pen and brown ink, graphite on light brown paper, Five studies of the hooves and lower legs of cattle. Forefeet, above, from a brown cow or

Elevation of an alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A variation of -1601, left row below. Beside the upper part of the tent are laterally parts of the wall.

Tree Branch, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a tree branch., USA, 1880, nature studies, Drawing, Drawing

Table, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a table., USA, 1879, architecture, interiors, Drawing, Drawing

Tureen, Unknown, Italian, Pen and ink, brush and wash on cream laid paper, Drawing for a decorative tureen. Throughout the surface grapevine foliage. At center, an eagle with extended wings wrapping under the bowl area with a crown above its

Stage Design, Kitchen, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and gray watercolor on paper, Horizontal rectangle. View of kitchen interior equipped with various objects including dishes, table and chairs, pots and pans,

Design for a Door Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Door Wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Cartoon for cotton printing: 'Le Tombeau de Jean-Jacques Rousseau a Ermenonville.', Pen and ink with grey washes on cream-colored paper, Three registers of vignettes including a chinois summer house, a windmill, a thatched cottage, ruins of a

Bathroom wall and bath tub, Pen and brown ink, brush and brown wash on off-white laid paper, A footed bathtub with an image of landscape on wall covered by drapery., Italy, 18th century, interiors, Drawing, Drawing

Train of Army Wagons, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a resting train on army wagons, with tethered mules., USA, 1862, figures, Drawing, Drawing

Study of Hemlock near White Lake, Daniel Huntington, American, 1816–1906, Graphite on paper, Tree rising above bushes, with a view of the lake, at lower right., New York, USA, August 1847, nature studies, Drawing, Drawing

Stage Design, Court in Old Building, Pen and sepia ink, brush and wash on paper, Vertical rectangle. Court of old building seen through archway., Italy, early 19th century, theater, Drawing, Drawing

Pleasure Boats, Lake Lucerne, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on gray-blue paper, Five row boats with roofs of cloth and curtains, in the central parts, are fastened to a stone pier. Mountains

Motif for Pediment Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, pen and ink on cream wove paper, The central part of a triangular pediment is shown. In the center, a female figure is flanked by two children. On

Shoe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a lady's shoe., USA, 1876, costume & accessories, Drawing, Drawing

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for a Console Table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for a Console Table, Pen and black ink, brush and brown and gray watercolor, graphite on paper, Horizontal rectangle. Design for a console table with marble top. Two round legs with a basket capital above each. Above the capitals are

Stage Design for the Interiors of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Possibly a public room of the Teatro Veraro. Four different sketches of interiors in

Design for a Sepulchral Monument, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on lined off-white laid paper, Steps, leading up to a platform, are bordered laterally by pairs of figures lying or

Design for a fountain, Pen and brown ink, brush and brown wash, on cream laid paper, lined, Four putti sit upon a circular pedestal, supporting the upper basin on their heads and raised hands. Two dolphins with raised and entwined tails are in

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a canal in Venice with a bell tower in the background., Venice, Italy, 1880–1881, seascapes, Drawing, Drawing

Design for Embroidery, Brush and tempera, brush and Chinese white on paper, A group of flowers, leaves, and two cornucopias form the center of a design enclosed within a border. Water pours from the horns to a pool below. Reeds, lower center

Horses and Wagon (The Picnic Excursion), Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, Recto: Horizontal view of two horses harnessed to a wagon, a portion of which is shown at the right., Verso: Slight horizontal

Garden, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a tree and shrubbery in front of an exterior garden wall., USA, 1880, architecture, Drawing, Drawing

Maidenhair Fern, Samuel Colman, American, 1832–1920, Graphite on cream paper, Diagrammatical study. Fourteen leaf-boughs branch, nearly symmetical from the main stem. Six designs of leaves are in the right top corner., USA, ca. 1880,

Design for Two Escutcheons, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and black-gray watercolor on laid paper, Scrollwork escutcheon with a bearded mask in the top center, beneath a diadem. At right: scrollwork and rocaille

Judgment of Paris, Pen and ink, brush and wash on paper, At left, a seated male nude reaching toward a seated female holding a child. At far right, a crowned figure., Italy, ca. 1650, figures, Drawing, Drawing

Decoration of an Entablature with Alternative Suggestions, Black chalk, pen and ink, brush and watercolor on paper, View of a decorative entablature. At left, a scrollwork escutcheon. At right, a projecting bracket with a front panel decorated

Necklace, Graphite on paper, Fine chain with three large flower bouquets., Italy, 1850–75, jewelry, Drawing, Drawing

Bell Tower, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a bell tower., USA, 1880, architecture, Drawing, Drawing

General Napoleon Bonapart, Pen and brown ink, brown wash, traces of red chalk? Support: white laid paper, Italy or France, Italy, 1790–1815, figures, Drawing, Drawing

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape with hills along the horizon, USA, n.d., landscapes, Drawing, Drawing

Man Giving Speech, Pen and ink on light blue paper, Roughly sketched scene of a standing man with a sword addressing a group of seated figures., Italy, ca. 1800, figures, Drawing, Drawing

Stage Design: Atrium of a Villa, Pen and ink, brush and gray, blue watercolor, graphite on paper; verso: graphite, Horizontal format. Architectural stage design with a view of the corners. Two steps are leading up to the level of the ground

Design for a Mirror with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Design for a horizontal rectangular frame. At top center, an eagle with a garland in its mouth. Scrolling acanthus leaves. A vase at upper

Design for Serving Table with Convex Front, A.N. Davenport Co., Graphite on thin cream paper, Oblong body with convex front, having 2 drawers and raised on 4 straight tapering legs; rectangular lower shelf attaches just above floor level; brass

Design for a Bedstead, Pen and ink, brush and watercolor, graphite on paper, Busts of women are shown in profile on top of the posts which consist of fluted columns supported by feet on a base. They are connected by an attic, which is flanked by

Design for Lobby, Possibly the Ante Room to the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Perspective view of the end of a

Woman, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Recto: Sketch of a female figure; Verso: Sketch of two female figures., USA, 1881, figures, Drawing, Drawing

Mural design: Rowena, Cedric, Athelstane, John C. Wolf, Brush and gouache on heavy paper, Mural design depicting a man at a throne and a young standing couple. Below, the figures' names: ROWENA; CENDRIC; and ATHELSTANE., USA, 1890–1900,

Design for Rolling Serving Table with Two Trays, A.N. Davenport Co., Graphite on thin cream paper, Trolley-like serving table on wheels in three-quarter view; two stacked trays; handles attached to back of top tray; bottom tray has pair of bicycle

A Hunt Scene, Pen and ink, brush and gray wash on paper, A woman and man on horseback converse, as a hunt takes place in the left middle distance. Two figures and two dogs in the foreground. Horseman with falcon at left., Netherlands,

Embroidery Design of Two Commedia dell'Arte Figures, Santo Vallardi, Milan & Paris, Brush and gouache on pre-printed squared laid paper, Left, above, violet footed vase with bouquet of pink and orange flowers; below, one of the zanni, or

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the Grand Canal in Venice., Venice, Italy, 1880, architecture, Drawing, Drawing

Design for a Sword Hilt, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pen and bistre, ink, brush and grey wash, graphite on cream laid paper, lined, The guard enriched with diamonds on grip, pommel, guard, quillion and

Design for a Woven Fabric, Fragment, Yellow and lateritious gouache on oily tracing paper, A hanging leaf bough and a lily-of-the-valley plant., France, 1815-1840, Drawing, Drawing

Design for a Painted Porcelain Plate, Le Verseau (Aquarius) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor,

Design for a Bowl, Pen and ink, brush and watercolor on paper, Elevation of a bowl with handles and gadrooning at the base., Italy, 1780–1820, classicism, Drawing, Drawing

Project for a Lantern, Pen and ink, brush and watercolor on paper, Burning candle visible, framed by mouldings and by protruding volutes. Above, curling acanthus leaves support another entablature, from which more volutes rise. At top, a cross

Design for a Woven Motif, Brush and gouache on oily tracing paper, Fantastical flower shown perspectively in bird's eye view., France, 1815–1830, Drawing, Drawing

Two Sketches of a Left Hand, Daniel Huntington, American, 1816–1906, Graphite on paper, Left hand, upper left, resting on the thumb and bent fingers. Repeated, lower right. Lower left, a left arm for portrait of Mr. Prendergast. Verso: A

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Graphite, pen and ink, brush and watercolor on paper, Section. Showing the opposite wall of -1595. Cupboards stand in

Design for the Embroidery of the Top Part of a Man's Coat, Pattern No. 1410 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A bunch of flowers apparently placed in a buttonhole. Part of

The Triumph of Venus designed for the bedroom of Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink on paper; wm lines., Vertical rectangle, with beveled upper corners. Vertical oval: flying Hours carry the goddess who

Flowering plant, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a plant in bloom., USA, 1879, nature studies, Drawing, Drawing

Study for a Cartoon for Printed Cotton: Les Quatre Elements, Hartmann et Fils, (Munster, France), Pen and black ink, brush and grey wash on cream laid paper, First preliminary sketch (full-scale) for a textile, for a cartoon depicting the Four

Sailboat, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch from the cockpit of a sailboat with sail raised., USA, 1879–1880, transportation, Drawing, Drawing

Study of elm tree, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of an elm tree with foliage., USA, July 1854, nature studies, Drawing, Drawing

Coastal Landscape, Leon Dabo, American, 1868–1960, Blue crayon on paper, A body of water, with gently rising bank at right. A tall, lone tree in the left foreground. Two ships in the distance., USA, ca. 1890, landscapes, Drawing,

Study of a Coach, Unknown, Pen and ink on paper, Sketch of a carosse-coupe. At left the front of the coach with a small front wheel and above a cushion for a coachman to sit. At the center a slight trapezoidal shaped body of the coach with a front

Studies: Two heads of children, Mauro Gandolfi, Italian, 1764–1834, Red crayon on paper, Vertical rectangle. Top: Shown, from the left front, lowered. Bottom: show from right, raised., Bologna, Italy, late 18th century, figures,

Study for 'Penn's Treaty with the Indians', Graphite, pen and ink on cream laid paper, Sketch of William Penn, with arms extended, surrounded by a group of Quakers, Indians, and merchants., USA, 1771–1772, figures, Drawing, Drawing

Religious Figure, Arnold William Brunner, American, 1857–1925, Graphite on cream paper, Man in robe praying, sketched from different angles, some kneeling some standing, USA, ca. 1883, figures, Drawing, Drawing

Sketched for a Reliquary, Filippo Passarini, 1636–1698, Pen and ink on paper, At left two partial reliquaries with scrolling feet. At right, details for the frame., Italy, 1698, metalwork, Drawing, Drawing

Design for a Diadem, Pen and ink, brush and sepia wash on paper, Design for a crown or tiara. Upright directed volutes are fixed by scroll pins at a bar. Upon the pins and at the lower and the upper cusps are triangular diamonds, with round ones

Stage Design: Palace Entrance with Arch, Giovanni Antonio Galliari, 1718 - 1783, Pen and brown ink; brush and brown wash; black chalk on laid paper, Horizontal rectangle showing a flagstaff pedestal in the middle of a palace square. Behind,

Standing Woman, Luigi Vanvitelli, Italian, 1700 – 1773, Graphite on paper, lined, A standing woman, facing left, holding her apron with both hands., Italy, 1700–1773, figures, Drawing, Drawing

Tiger skin rug, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a tiger skin rug with detail of paw., USA, 1877, furniture, Drawing, Drawing

Seated woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial study of seated female figure wearing full-length dress. Left side of body and head visible., USA, 1876, figures, Drawing, Drawing

Design for a Painted Porcelain Plate, Les Liqueurs (Liqueurs) for the Services des Objets des Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash on cream laid paper, circular border in

Design for a Bracelet, Graphite Support: off-white wove paper, Rome, Italy, Italy, 1875–1900, jewelry, Drawing, Drawing

Stage Design for the Interior of a Crypy-Like Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, View into crypt-like building, stairs entering from the back., Italy,

Landscape Sketch with a Hilly Country Road, Samuel Colman, American, 1832–1920, Black crayon on cream-colored paper., Vertical view of hilly country with a road leading backwards to cabins under two trees at the right and a wood at the left.,

Fountain Design with Boar, Charles Le Brun, French, 1619–1690, Black and white chalk, brush and gray wash, pen and brown ink on laid paper, A boar crouching turned to the right., France, ca. 1670, architecture, Drawing, Drawing

Three sketches of cartouches, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper, Two sketches show two boys, respectively, with two fauns and trees. One with a mask on top and scrolls., Italy, before 1775, ornament,

Design for Monument for van der Cammen-Henriques in the Church of St. Gumarus, Lier, Peeter Verbrugghen II, Flemish, 1648 - 1691, Graphite, pen and brown ink, brush and gray wash on laid paper, A woman crouches at the foot of an obelisk,

Still Life with Tea Cup, Roger Riordan, 1848–1904, Brush and watercolor, graphite on light grey paper, Still life showing a Japanese tea cup and textiles, and a few botanical motifs., USA, 1876, ceramics, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three partial sketches of a male figure., USA, 1880, figures, Drawing, Drawing

Vulcan, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and bistre wash over black chalk on rolled paper, Vulcan shown in profile, seated beside

Study of Oaks at Dennings Point, Daniel Huntington, American, 1816–1906, Graphite on paper, Two oak trees close to each other, with limbs entangled., New York, USA, September 8, 1847, nature studies, Drawing, Drawing

Upper part of chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Upper part of chair., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

A Street in Montevarchi, near Arezzo, Charcoal, pen and ink brush and watercolor on paper, A road leads to houses. In the foreground, a group of trees., Europe, 1600–1650, landscapes, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three sketches of a figure., USA, 1877, figures, Drawing, Drawing

Design for Setting Consecration of Antique Temple, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Crowd of figures in antique temple hall at twilight, light from hanging braziers in temple at right., Italy, early 19th

Peintures decoratives du theatre du Franconi dans le grand carre des champs elysees 1833', Félix-Jacques Duban, French, 1798 - 1870, Watercolor, graphite Support: off-white paper mounted on off-white paper, Design for painted decorations. The

Plan for the hospital of St. Trinità dei Pellegrini, Rome, Italy, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, graphite, red color pencil on off-white laid paper; verso: pen and brown and green ink, More than half of a wing of

Designs for Two Cross Pendants, Pen and ink, brush and wash, graphite on paper, Two jewelry designs for cross pendants. At left a cross with hexagonal arms. On the interior of the cross, images of the instruments of the Passion: on top the crown

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of six figures along a canal in Venice., Venice, Italy, 1880–1881, architecture, Drawing, Drawing

Design for a Book Binding, Alice Cordelia Morse, American, 1863–1961, Brush and gold paint on paper, On beige ground, gold knots and swirls above and below., USA, ca. 1890, graphic design, Drawing, Drawing

Waterfall between Veney and Sion, Rhone Valley, Switzerland, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Rough vertical sketch of a waterfall., Verso: Horizontal sketch of mountains and sky., August 1868,

Design for a Console Table with Candlestick and a Bed, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and bistre wash on off-white laid paper, Vertical rectangle. At left, console table supported by two legs, ending in lion

Coat of Arms, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of coats of arms. Both show heads. The crest animal of the top design shown toward right, that of the design in the center toward left., USA,

Armchair, Pen and brown ink, brush and brown wash, on off-white laid paper, Chair in three-quarter view, with a tall rectangular back, square seat, short straight arms, and gently tapering legs on ball feet. The only ornamentation is the

Study for an Overdoor Painting, Cupid Removes a Thorn from the Foot of Venus, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and brown ink, brush and brown wash, graphite on paper, lined, Figure of a woman (Venus), shown in profile,

Design for an Altar Mensa, Possibly for Santa Maria del Priorato, Pencil, pen and ink, In the opening of the altar mensa stands a bathtub sarcophagus with two lion's heads at the base below the dividing vertical strips. In the central panel are

Study for a dancing woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a female figure dancing; Verso: Sketch of two female figures with a

Two Designs for Stained Glass Windows, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, gouache, graphite on cream wove paper, Rectangular window; borders of circles, grids, and overlapping and linking circles. Below, the

Decorative Project with Octagonal Representation of Summer, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Ceres shown in profile sitting upon bench. Another girl shown seated in front., Italy,

Seated Figures, John La Farge, American, 1835–1910, Graphite on paper, Leaf from a sketchbook. Above, two seated figures, with indication of 'Sea' in the background. Below, seated figure with 'Sea' in the background., USA, October 1890,

Project Fragment of an Ornament, Black chalk, pen, and ink on cream laid paper, A merman blows a horn. His fish tails twists into flowering scrolls of acanthus., Italy, 1625–50, grotesques, Drawing, Drawing

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