Images at Librifly

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Drawing, Brush and gouache on cream paper, mounted on cream paper, Left side, green maze-like pattern with red circles on black ground; right side, vertical band, purple cloud band surrounds curving lines in red, yellow and black on black

Design for a Woven Fabric, Graphite, blue, purple, and lateritious gouche on oily tracing paper, Narrow and wider vertical stripes are to alternate. The wide stripes, also the halves of the narrow ones which border them, are alternatively

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of disparate figures., USA, 1882, figures, Drawing, Drawing

Washington Irving's Study Chair, Library at Sunnyside, Daniel Huntington, American, 1816–1906, Graphite on blue wove paper, Chair with arms an upholstered back, facing toward the left. Color notes on chair., Tarrytown, New York, USA,

Design for a Vase, Pen and ink, brush and sepia on paper, Tall footed vase with twisted handles decorated with garlands and ribbons., Italy, 1780–1820, classicism, Drawing, Drawing

Self-portrait, Giuseppe Sabatelli, Italian, 1813–1843, Charcoal on grey paper, Bust-length portrait of a young man, facing one-quarter to the left, gaze directed frontally. He wears a loose collar and loosely tied cravat. Verso: partial

Decorative Vase, Red crayon on paper, Vertical rectangle. In the general shape of a pitcher. As foot serves a mole and branches. The body it ovoid and decorated with festoons. The snakes form a handle, below the spout. On the opposite side of the

Sketch of a person viewed in profile, Italy, 16th-20th century, Drawing, Drawing

Design for a stained glass window, Pen and ink, brush and watercolor on paper, Saul and his young armor bearer fall upon their swords in the foreground. Battle scene in the rear., 1600, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three sketches of a female figure wearing a hat., USA, 1881, figures, Drawing, Drawing

Design for an Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, The sepulchrum in the shape of a sarcophagus, marked with 'C', stands in the hollow 'B' of the

Sketch, a Fountain, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, In the center of a circular basin stands a high subdivided pedestal, upon which four - three are visible -

Design for the Decoration of a Panel, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Roundel with a Sybil (?), grotesques for the decoration above the mirrors, noble cabinet, Palazzo

Stage Design, Square with Public Building, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. View of public square. Ogival portico in the foreground, building supported by columns and decorated with sculptures in background.,

Design of Escutcheon with Coat of Arms, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and brown ink, brush and gray wash on off-white laid paper, Elevation of an escutcheon supported symmetrically by four putti, with two more

Elevation of a church, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The ground storey has five, the upper storey three bays. An arcade with four Corinthian columns is in front of the

Dog, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a dog lying down, USA, 1876, nature studies, Drawing, Drawing

Design for a Sculpture of a Prophet Beside an Arch, Carlo Maria Giudici, Italian, 1723 - 1804, Black chalk on paper, Vertical rectangle. Part of a sheet of a drawing book, with a figure of Prophet beside an arch. The mouldings are sketched,

Design for Bracelet, Pen and sepia on paper, An oblong containing an octagonal diamond, surrounded by shell-? like volute with a round diamond on each side. The corners are filled by volutes, containing round diamonds. At left, some sketching

Study for vase, 'The Sources of Wealth, 'Union Trust Company Building, Cleveland, OH, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of vase with ornamental details around handle., USA, ca. 1905, furniture, Drawing,

Costumes of a German Red Hussar and an Officer of German Infantry, Graphite, brush and watercolor on paper, The Hussar stands saluting at left. The officer is at right, reading a message. The uniforms seem not to be correctly rendered., France,

Figural Studies, Gaspar van Wittel, Flemish, 1652 - 1736, Red chalk on paper, lined, Page with many contour studies of figures., Italy, 1710–1730, figures, Drawing, Drawing

Study for 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of drapery falling over an arm., USA, ca. 1899, figures, Drawing, Drawing

Harbor, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a harbor with anchored ships., USA, 1880, seascapes, Drawing, Drawing

The Crackle, or Crow-Blackbird, Ernest Thompson Seton, American, 1860–1946, Charles Scribner's Sons, New York, New York, USA, Pen and ink, grey wash, on illustration board, The bird seated on a branch, facing right in profile., USA,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Square window design with C-scrolls in blue and green; at center circular medallion in yellow with

The Fishing Temple, Virginia Water, Frederick Crace, English, 1779–1859, Pen and brown ink on white wove paper, A rapid elevation sketch of 1948-40-96A: A large pavilion in the Chinese style with open porch and three pagoda-like structures;

Standing Bishop, Belisario Corenzio, Italian, active 1590–1646, Pen and black-brown ink, graphite on cream laid paper, Bishop standing, facing left, right hand raised in gesture., Italy, ca. 1620, figures, Drawing, Drawing

Stage Design, Crypt, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Crypt, vaults supported by columns, stairs leading into it

Angel, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, An angel in flight, holding a trumpet with one hand., Italy, ca. 1800, figures, Drawing, Drawing

A Torso of the Dead Christ, Carlo Maratti, Italian, 1625 - 1713, Red crayon, white heightening on blue paper, The slightly sketched hand of Christ hangs toward the left shoulder., Italy, 1650–1700, figures, Drawing, Drawing

Metal Fittings for Staircase Railings, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Three views of railings terminating in rosettes with acanthus leaves., Italy, 1750–1800, furniture, Drawing, Drawing

Drawing, Brush and gouache on cream paper, mounted on cream paper, Vertical symmetrical band with three straight bands and four curved ones. The straight bands consist of stylized geometric shapes on peach ground. Two cloud bands in green flank

Design for a Fountain, Graphite, pen and ink on paper, Vertical rectangle with candelabra topped by a women holding her breasts from which water flows., Italy, 1775–1800, architecture, Drawing, Drawing

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape with hills along the horizon, USA, n.d., landscapes, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper., Partial sketch of a figure., USA, 1879, figures, Drawing, Drawing

Cherub, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Young figure held aloft and adorned with a crown and wings., USA, 1876, figures, Drawing, Drawing

The Coat of Arms of Pope Gregory XIII (1572-1585), Black chalk, pen and ink, brush and grey watercolor wash on laid paper., Coat of arms shown in front of a manteling. On verso: gray colored., Italy, 1580–1590, ornament, Drawing, Drawing

Four Designs for Brooches in the 'Byzantine' Style, Pen and brown ink, brush and watercolor, graphite on white paper, Bottom drawing in image. Four disks from left to right: 1st disk: Blue with gold edge; Red petal shaped pattern stemming from

A genre scene, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on laid paper, Inside of a room; near the door sits an old man, to whom another offers a plate of food. At left, a picture hangs on the wall above what is a chimney piece

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Rector: Sketch of a fence with foliage; Verso: Sketch of a male figure., USA, 1877, landscapes, Drawing, Drawing

Design for an Escutcheon with Allusions to Egypt, Juste-Aurèle Meissonnier, French, b. Italy, 1695–1750, Pen and ink, grey wash, black chalk on laid paper, A fountain is obliquely shown, the back of which is formed by shell containing an

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Left, partial sketch of heraldic lions; Right, partial sketch of male and female figures; Verso, Sketch of two female figures., USA, 1882, figures,

Sketch for a Wallpaper, Graphite, brush and watercolor on paper, Two cygnets hold a cloth in their bills. Four chains, a festoon of flowers, two ribbons with tassels hang in front of the cloth which shows framing borders at the bottom. Colored

Design for the Embroidery of Wearing Apparel, No. 18, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache, An ivy bough alternates with a bough with two lilac leaves in vertical and horizontal rows.

The Holy Family, Giovanni Benedetto Castiglione, Italian, 1609–1664, Graphite, red chalk, pen and ink, brush and sepia wash on paper, The Holy Family, with the Christ Child and St. John, are grouped near a tree (composition indicated as

Stage Design, A Porticoed Bridge, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and gray watercolor on paper, Horizontal rectangle. Stairs lead up to a bridge surmounted by a portico; arcade at right. In the foreground, at

Design for a Decorative Arabesque, Pen and sepia ink, brush and watercolor on paper, A burning brazier rises from an urn, with two sirens as handles. A leaf arabesque connects with a seated female sphinx, right, from whose head springs a

Butterfly, Brush and watercolor on paper, Red, blue, green, and gold butterfly, shown as if in flight., England, ca. 1830, Drawing, Drawing

Design for a Wall Painting: View of an Imaginary Room, Pen and ink, bistre wash on paper, Vertical rectangle. The left half of an apse-like room is shown. Views of balustrades through doors at left and in the rear. A pedestral with a bust stands

Stage Design: Palace Atrium Supported by Columns and Pillars, Pen, bistre, grey water color wash on paper, Vertical rectangle. Columns and pilasters support vaults and arches, richly decorated in antique style. Only left side of stage decoration

Leaning Man, Luigi Vanvitelli, Italian, 1700 – 1773, Black chalk on paper, A man seen from behind, leaning on a barrel at his left., Italy, 1700–1773, figures, Drawing, Drawing

Elevation of a Gateway, Pen and brown ink on off-white laid paper, lined, Gate with a broken pediment supported by brackets. No scroll volutes., Inscribed: Villa Paciotta, Italy, ca. 1575, architecture, Drawing, Drawing

Elevation of a royal building, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and gray watercolor on laid paper, A two-story building, with a low wall at right. in the ground floor are at left two door openings—for

Design for the section of a part of a wall with a doorcase, Graphite, pen and sepia ink, brush and gray watercolor on paper, Archway with a figure underneath. Four pilasters, two on each side flank the arch. A doorway is in the arch. Above the

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, 1865–1870, nature studies, Drawing, Drawing

Design for a Ceiling, Graphite, pen and ink, brush and wash on paper, Corner of a ceiling shown. A crowned shield is flanked by putti. Above this, a vase with flowers stands upon a balustrade, viewed from below., Italy, 1700–1750,

Horse and wagon, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure riding a horse-drawn wagon., USA, 1882, transportation, Drawing, Drawing

Page of a drawing book, Ink on paper, Recto: Two nude men erecting a crucifix upon a base, upon which the younger one is kneeling. The older one leans against a boulder (?). Squared with lead pencil. Verso: A nude young man shown standing and

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on blue wove paper, Fern-like leaves, small red flower, purple star-shaped flowers surrounded by black-dotted pattern. Graphite lined

Ruin of a Mill, Walter Clark, American, 1848–1917, Graphite on paper, A part of the structure of the mill is shown at right; trees, at left., USA, ca. 1885, landscapes, Drawing, Drawing

Flowers, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a plant.; Detail of flower and an individual pedal., USA, 1877, nature studies, Drawing, Drawing

Bottom Section of a Dead Tree Trunk, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Bottom part of a tree; part of back is missing, parts are hanging around., Verso: A small sketch of a part of a trunk, USA, 1877,

Half-length Sketch of an Elderly Pilgrim, Pen and brown ink on cream laid paper, Half-length, elderly bearded man, facing half left, holds a walking stick in his right hand and clutches a string of beads in his left. A sketch of what appears to

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of seated figure., USA, 1876, figures, Drawing, Drawing

A White-Brown Cockatoo, Frans Snyders, Flemish, 1579–1657, Oil on paper, A cockatoo bird shown in profile, turned toward left, the head turned toward the spectator., Belgium, 1610–50, nature studies, Drawing, Drawing

Finishing the Toilet, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and blue and brown wash on paper, Vertical rectangle, bevelled corners. A lady seated in a chair by a table on which is a lighted lamp. She wears a full

Hiawatha sees Mudjekeewis, Thomas Moran, American, b. Britain, 1837–1926, Graphite, pen and brown ink, brush and gray-brown wash on paper, Vertical view with summits of Rockies separated by a lake and clouds bridging the gap. Hiawatha,

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Green leaves, blue and red flowers, thin purple branches on white ground, lined graphite border., France,

Coastal Landscape (Étude-Formes), Leon Dabo, American, 1868–1960, Blue crayon on paper, A smooth body of water with two boats in the foreground near a spit of land on which are tall trees., USA, ca. 1890, landscapes, Drawing, Drawing

Study of Sycamore, Samuel Colman, American, 1832–1920, Pen and brown ink, graphite, brush and watercolor on paper, A double flanked sycamore growing on stony ground. Another tree is shown in the right middle distance., USA, December 23,

Window Case, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and dark brown watercolor on laid paper, Broken pediment with very small cornices. The attic of the central part has an opening in which a bust rests. Above

The Elevation of a Niche with Statue of a Man, Filippo Marchionni, Italian, 1732–1805, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray wash on paper, The aedicule frame is supported by two brackets, between and beneath

Stage Design, Ruins of Temple, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Ruins of antique temple., Italy, early 19th

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure crossed out with a diagonal line., USA, 1880, figures, Drawing, Drawing

Sketches from Sea Girt, New Jersey, Samuel Colman, American, 1832–1920, Graphite with watercolor wash on white wove paper Verso: Graphite, pen and ink, Recto: Top row, view from dunes toward the sea and far shore. Color notations written

Design for a Painted Porcelain Plate, Le Bélier (Aries) from Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown, black wash, white gouache, pink, tan

Urania, Filippo Marchionni, Italian, 1732–1805, Black crayon, brush and gray watercolor on laid paper, Vertical rectangle. Female figure is standing beside what seems to be a sarcophagus, between the pediment and the mask at the corner of

Design for an Oil Lamp, Black crayon, brush and red-brown watercolor on paper, Vertical rectangle. Lower part of lamp support has the general shape of a stork's leg, dividing in the middle into two fantastic half-figures of animals with one

Study for 'Science Instructing Industry', Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a seated female figure in conversation with a younger male figure., USA, ca. 1898, figures, Drawing, Drawing

At the seashore in Mantoloking, Howard Russell Butler, American, 1856 - 1934, Black crayon. White heightening. Light brown paper., Horizontal rectangle. A three-master stands upon the land, fastened by cords and logs. It is shown from the

Forelegs of a Standing Cow or Ox, Newport, Samuel Colman, American, 1832–1920, Brush and watercolor and white gouache, pen and brown ink, graphite on grey paper, The forelegs of a standing cow or ox, shown frontally., Newport, Rhode

Beggars, Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Five partial sketches of young figures in Venice; Center right, female figure holding an infant., Venice, Italy, 1880, figures, Drawing,

Flask, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of carved powder flask., USA, 1880, costume & accessories, Drawing, Drawing

Study of Covered Wagons, Samuel Colman, American, 1832–1920, Graphite, brush and watercolor, gouache on cream wove paper, Oblique view of a wagon, the wheels, the front part of the frame with the rear of the carriage pole elaborately

Design for Wrought-Iron Railing, Black chalk, pen and ink, sepia and black watercolor washes on paper, An unfinished, asymmetrical composition, with leaf motifs and an obliquely shown escutcheon flanked by scrolls., France, ca. 1750,

Three Designs for Window Frames, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At left: the window openings of the ground floor and of the basement are shown. Plain moulded

Thermometer, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, graphite on cream wover paper, Scale showing circular hole at the place of bulb. Three putti carry tablets, signs of Zodiac, Lion, Cancer, Capricorn,

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Designs for a Capital, Sarcophagus, and Relief, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Vertical rectangle. Capital at top, seen from above; two dolphins

Study of a Young Woman, Brush and black ink, graphite on paper, Vertical rectangle. Study of a young woman sitting upon a sofa and holding an open book toward the spectator. Fragments of graphite sketches beside., Italy, ca. 1880, figures,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, ca. 1865, nature studies, Drawing, Drawing

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Four partial sketches of a male and a female figure., USA, 1880, figures, Drawing, Drawing

Design for Tablet, Carlo Marchionni, Italian, 1702–1786, Pen and black ink on laid paper, The upper with the escutcheons for the coat of arms: above of the pope, below of a prelate. The other sketches include the architectural forms of the

Design for the Embroidery of a Man's Waistcoat, Brush and watercolor on paper, Lower left section of a waistcoat. Flowers and leaves along the border. Two single sprays of flowers forming a symmetrical motif., France, 1780–1790, Drawing,

Stage Design, Aqueduct, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal Rectangle. Ruined aqueduct in hills., Italy, early 19th century,

Design for an Illustration: 'Architecture', Fedele Fischetti, Italian, 1734 - 1789, Brush and gray wash on cream laid paper, ruled border in pen and black ink, Standing among remains of classical architecture, a woman points at a plan held by

Design for a Salt Cellar in the Shape of a Sleigh, Pen and brown ink, brush and grey wash on paper, The forward part of the body of the vessel represents a centaur abducting a maiden, and behind, the body is in the form of a boat, over whose

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure wearing a coat and hat; Verso: Partial sketch of a male figure., USA, 1877, figures, Drawing, Drawing

Project for a Tureen, Pen and ink, brush and wash on paper, Elevation of a tureen with lid. Three paw feet, scrolling handles. At front, a cartouche framed with palm fronds. Finial in the form of a cherub., Italy, 1800–1835, metalwork,

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