Images at Librifly

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Design for an Altar, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre, brush and watercolor on paper, Elevation of an alter. The right half is shown with the

Design for a Painted Porcelain Plate, La Balance (Libra) from le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, white gouache, pink, tan watercolor, red

Domes of St. Peter's Basilica (Seen from the North), Rome, Italy, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal view of the main and a secondary dome of St. Peter's Basilica shown from the North, with

Hummingbirds, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a nest with young birds., USA, n.d., nature studies, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of figures along a canal in Venice with St. Mark's Cathedral in the background., Venice, Italy, 1880–1881, figures, Drawing, Drawing

Headdress, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three sketches of a figure wearing a headdress., USA, 1880–1881, figures, Drawing, Drawing

Head of a Turbaned Youth, Red chalk on cream paper, Head of a youth, seen frontally, wearing a turban, pendant pearl earrings, and a high collar. His head is tilted slightly back. Featured figure possibly drawn as a 'blackamoor.', Venice,

Army Encampment, Winslow Homer, American, 1836–1910, Graphite on pasteboard, Vertical view of soldiers grouped near a shelter made of pine branches., USA, 1862, figures, Drawing, Drawing

Design for the Decoration of the Conch of a Niche, Pen and sepia ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Divided into three compartments, framed by upright stripes with garlands and with a shell on top above an

Design for Cresting of a Comb, Pen and brown ink, brush and watercolor on white laid paper, laid down, Horizontal rectangle. Design for the cresting of a comb intended to be executed in gilded metal with diamonds and an engraved gem. In the

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with rectangle at center made up of blue and gold, vase with curled vines; surrounded by

Design for a Wrought Iron Balcony, Pencil, pen, ink, brush, and Chinese black on paper, Central section: an escutcheon is flanked by scrolls. left section suggests a triangular form over a shield form, the triangle intended to have a

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Partial sketch of a male figure wearing a hat; Verso: Three female figures on steps in front of a building., USA, 1879–1880, figures, Drawing, Drawing

Sketch of Carolina Palombo, Study for 'The Goldsmith's Daughter', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Head of a woman facing frontally, with eyes lowered slightly to the left. Verso: Right

A Standing Stag, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Vertical view of a standing stag shown in profile and turned toward the left., USA, ca. 1850, nature studies, Drawing, Drawing

Yellowstone, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite, brush and black wash and white gouache on cream-colored paper Verso: Graphite on cream-colored paper, Recto: vertical view of mountainside with groups of pines in

Three Cows on a Road in the Woods, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Recto: Horizontal view of three cows on road leading backwards through a wood, at left, with hills visible in the rear., Verso:

Console Table with Clock, Pen and brown ink, brush and brown wash on off-white laid paper, lined, View of a console table. Strait fluted legs with masks. Between these are swags and a frieze. Base of a plinth at top., Italy, ca. 1800,

Head of a Cow, Samuel Colman, American, 1832–1920, Graphite, white chalk on paper, Study of the head of a cow. Head facing right, front. White chalk on verso., USA, 1860–70, animals, Drawing, Drawing

The Pali, Oahu, John La Farge, American, 1835–1910, Graphite on paper, Leaf from a Sketchbook. Mountainous landscape, with the sea and islands in the distance., USA, September 1890, landscapes, Drawing, Drawing

Design for Bank Note, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite, brush and wash, black crayon on paper, A female blacksmith showing what may be a nail to another woman who is shown kneeling at left. The artist's monogram

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on wove paper, Horizontal rectangle. Wall elevation, marbled niche with mirror center, an eagle above it., 1815–22, architecture, interiors,

Elevation of an Altar, Pen, brown ink, and graphite with brown, grayand pink wash on white laid paper., Vertical composition with the elevation of an altar. The altar has two pairs of embedded Corinthian columns, each with a triangular pediment

Sketch for an Unused Scene for a Cartoon for Cotton Printing: La Vie de Bélisaire, B. M. Lebert, 1759–1836, Pen and ink with gray wash on paper, Sketch for one island for a cartoon for cotton printing, showing a blind soldier, staff in hand,

View from Venetian Lagoon, Robert Frederick Blum, American, 1857–1903, Graphite on paper, Gonodolas are depicted in the foreground with an island and steeple on the horizon., USA, 1880, seascapes, Drawing, Drawing

Bay window, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a bay window and cornice from the exterior of the building., USA, 1882, architecture, Drawing, Drawing

Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, grey and black gouache on paper, Two seated women. The right is crowned by a wreath and raises a pen with which she writes in a book. The masts of a sailing

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and grey watercolor, graphite on paper, A group of three women is shown in front of a framed painting. The central figure holds a caduceus and and sits with

Study for a standing woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel and graphite on wove paper, Recto: Female figure standing with gown draped around her legs and

Sketches from Narragansett, Rhode Island, Samuel Colman, American, 1832–1920, Pencil, pen, brown ink. Reverse: with water colors, white gouache. Gray paper, Vertical rectangle. Obverse: Oblique view of a grazing ox and the center part of

Stage Design, Bridge Over River in a Town, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Bridge across river reflecting in water

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three partial sketches of male and female figures., USA, 1880, figures, Drawing, Drawing

Designs for Decorations for a Ceiling and Architectural Sketches, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Rome, Italy, 1650-1700, interiors, Drawing, Drawing

Design for an Embroidered Veritcal Border, Brush and gouache on paper, Two bunches of naturalistic flowers of identical designs are shown beside two strips, the inner one of which is composed of oblongs and stars., France, 1780–1800, Drawing,

Wall Elevation, James Byres, Frederick Crace, English, 1779–1859, Pen and black ink, gray and black watercolors on laid paper, Horizontal rectangle. Side wall with fireplace center, doors flanked with chairs to left and right, a sculptured

Design for Drapery, Possibly for Library, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design of a drapery for a recess opening. Drapery in blue caught at

Project for an embroidered vertical border, Incised lines, gouache colors, glazed heavy paper, A flower spray and a plant are to alternate growing from two stripes. Written with ink at right: agoirand., France, ca. 1808, Drawing, Drawing

The Capitol in Washington, D.C., for the Weekly Times, James Henry Moser, Canadian, 1854–1913, Pen and black ink, graphite on paper, The Capitol Building shown from the front., USA, ca. 1895, architecture, Drawing, Drawing

Section of an Apse, Graphite, pen and ink, brush and wash on paper, Ionic columns flank the wall panel showing a frame for a painting. An alter mensa stands at its bottom. Balconies connect the columns with the lateral wall panels. Coffered dome

Mounted Cavalryman, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on off-white paper, Vertical view of a mounted cavlaryman shown from the right front; bust of another at right., USA, 1862, figures, Drawing, Drawing

Four fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Four fenders., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Design for Three Brooches, Pen and ink, brush and sepia on paper, Above at left, an escutcheon with a d drapery festoon and a diamond in the center. At right, an octagonal diamond framed by volutes with pearls. In the center, a fleur-de-lys

War Shield of Navajo, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a circular shield with symbols., USA, 1879–1880, commemorative and souvenirs, Drawing, Drawing

Study of a Right Hand, Red and white crayon on fibrous light brown paper, Vertical rectangle; study of a relaxed hand, hanging down, with the forefinger slightly extended., Italy, early 18th century, figures, Drawing, Drawing

Maiden Chased by a Satyr, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on tracing paper, Two figures depicted in outline. At left, a man with some traits of a satyr (long curling beard) or devil (curled tail and pointed

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure wearing a hood., USA, 1880, figures, Drawing, Drawing

Design for a panel decoration showing a ewer, for a plate in the 'Recueil d' Ornements', Gilles Paul Cauvet, French, 1731–1788, Black chalk, pen and ink, brush and wash, A thyrsus is fastened to a pitcher by a festoon. The pitcher shows

Summer on Earth, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, Ceres and Cybele seated on mound in center. Kneeling girl offers her grain. Group composed of girl and two

Tree Branch, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a tree branch., USA, 1880, nature studies, Drawing, Drawing

Playing cards, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of two playing cards with the diamond and spade symbols; Verso: Partial sketch of a figure and the facade of a building., USA, 1882, toys &

Scotsman in Evening Attire, Charles Dana Gibson, American, 1867–1944, Graphite, pen and black ink with watercolors on paperboard, Young man in kilts and dinner jacket with red lapels, standing, in the act of removing his white gloves.,

Artist sketching outside, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure seated and drawing or sketching under an umbrella., USA, 1879, figures, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure wearing a hood., USA, 1880, figures, Drawing, Drawing

Feast of the Ascension celebration, Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of Venetian rowers with detail of the vessel's bow., Venice, Italy, 1879–1880, commemorative and souvenirs,

Design of a Sepulcher Monument for a Prelate, Black crayon, brush and ink on paper, Two winged skulls open the sides of a tent-like cloth which is hanging upon a winged coat-of-arms with a prelate’s head. A bust portrait of a man wearing an

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A female winged genius, shown from the front. She raises a torch with her right hand, her left hand holds a branch., USA, ca. 1895,

Military Trophy after Polidoro da Caravaggio, Polidoro da Caravaggio, Italian, 1499 - 1543, Pencil, pen and ink, brush and sepia on paper, Horizontal rectangle showing a design for a military trophy. At center, a helmet in the antique style

Entrance Hall, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of entrance hallway lined with paintings and sconces., USA, 1879, architecture, interiors, Drawing, Drawing

Woman and child, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of female figure holding a child., USA, 1877, figures, Drawing, Drawing

Three vases, Black chalk on paper., At left: a dish-like vase with two handles obliquely shown. A fret band, interrupted by masks, two of which are visible, surrounds the body. A bird picks food. At right, above: in a smaller scale a vase

Stage Design, Interior of a Sepulchral Hall, Angelo Toselli, ca. 1765? – 1826, Brush and gray, black, and white wash, graphite on paper, Horizontal rectangle. Interior of huge hall with sarcophagi, decorated with a coffered barrel vault,

Goat, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a goat., USA, 1879, nature studies, Drawing, Drawing

Two Sketches of a Cardinal, and a Confessional, Arnold William Brunner, American, 1857–1925, Graphite on paper, Top, two sketches of a man in robe and zucchetto, left, profile of him facing left, right sketch from behind with arms behind

Measurements of an elevation, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, red ink on blued-white laid paper, Measurements of an elevation., Italy, 1746–1809, architecture, Drawing, Drawing

Storm King, Northern Entrance to the Highlands, Hudson River, Edwin Whitefield, American, born England, 1816 - 1892, Brush and wash, gouache, graphite on paper mounted to board, A sketch of Storm King Mountain from across the Hudson River

Design for a Bracelet, Pen and ink, brush and watercolor, sepia on paper, Two alternating units: a rectangular framed diamond, and a brilliant surrounded by volutes and small round gems. Clasp visible at either end., Italy, 1820–30,

Three sketches for a standard of Pope Benedict XIV, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink on paper, A sketch for the escutcheon, for the shape of the whole pennon and for its rectangular part bearing the coat of arms, with

Design for a Painted Porcelain Plate, Le Lion (Leo) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor, white

Head of a dolphin, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Head of a dolphin with an open mouth, turned to the left, looking ferocious., Italy, ca. 1775, architecture, interiors,

Cattle, Two Grazing Cows and the Backs of Calves, Samuel Colman, American, 1832–1920, Graphite, brush and gouache on cream-colored paper., Recto: Vertical view of tow hind parts of calves at top; a grazing white cow shown in profile at

Winter Landscape with Full Moon, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Distant view over snow covered hills. The moon stands in front of a bank of clouds, which is still lighted by the setting sun.,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite and chalk on paper, Sketch of a vine with foliage., USA, August 9, 1860, nature studies, Drawing, Drawing

Studies of Cows, Samuel Colman, American, 1832–1920, Graphite on cream paper, Studies of the eyes, ears, and udders of cows. Verso: studies of the ears, eye and head of a cow. Notes on colors, both sides., USA, 1860–70, animals,

Two Projects for Painted Grotesque Decorations of a Ceiling, Charcoal, pen and ink, brush and greyish-brown watercolor on laid paper., Horizontal rectangle. At top center are parts of outline of the framing of the central panel. Below are framing

Twelve Figure Sketches, Joffa, Palestine, Frederic Edwin Church, American, 1826–1900, Graphite on paper, USA, 1868, figures, Drawing, Drawing

Design for an Embroidered Vertical Border, Brush and gouache on oiled translucent paper, A bough with purple and yellow flowers and purple, yellow, and green leaves is positioned to the right of a vertical garland with white leaves. A white

Notre Dame in Paris, Eugène Edouard Soulès, French, 1811–1876, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite and black crayon on white paper, The facade of the cathedral of Notre Dame in Paris. The houses at right of the

Design for a Comb, Pen and ink, brush and gray, olive watercolor on wove paper, Jewelry design for a hair comb intended to be executed in diamonds with gilded metal. In the center, an oval medallion with three volutes on each side. Thirteen

Dog and goat, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a goat's head.; Center, sketch of a dog lying down., USA, 1879, nature studies, Drawing, Drawing

Tree Branch, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a tree branch., USA, 1880, nature studies, Drawing, Drawing

Unfinished Design for a Waistcoat, Pencil and various gouaches on paper, Unfinished design for the embroidery of the left bottom part of a man's waistcoat. The floral design on the flap of the pocket is roughly traced. A plant with bell and other

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, black gouache, graphite on white wove paper, Design for mosaic floor, corner border

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Console table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Distant Hills, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, A bird is seated on top of a tree in the right foreground. Parts of mountains are shown at left and in right background., USA, July 1865,

Design for Firescreen, Hounds, William Hunt Diederich, American, b. Hungary, 1884–1953, Black crayon, graphite on tracing paper, Design for a firescreen to be executed in iron. Within the frame, two figures of hounds, their bodies

Window, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a window alcove with paneled wall., USA, 1879, architecture, interiors, Drawing, Drawing

American Falls Under a Cloudy Sky, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite on green wove paper, Recto: Falls shown from the American bank under cloudy sky., Verso: Side view of falls under a cloudy sky., possibly

Design for a Surtout de Table (Centerpiece), Pen and black ink, brush and grey wash on paper; Verso: graphite, pen and ink, Design for a centerpiece or surtout de table showing the left side. The central piece represents a pavilion with the

Design for a Door Wall, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Door Wall., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Winemaking, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and wash on paper, Horizontal rectangle with classical figures. Woman at right harvesting grapes from the vine. Man at left pouring them into a vat, under the

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops. Center: Three wreaths, joined together by

Portrait of a Man with a Turban, Giovanni Benedetto Castiglione, Italian, 1609–1664, Red crayon on laid paper, Bust-length figure of a man, seen in profile, facing the right. He wears a turban and coat and has a long beard., Italy, ca.

Ducks, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketches of a duck.; Detail of neck and hind feathers; Verso: Sketch of a plant in bloom., USA, 1877, nature studies, Drawing, Drawing

Stage Design, Palace Interior, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Interior of palace, columns around wall, stairs leading up to the background., Italy, early 19th century, theater, Drawing, Drawing

Design for a Bell and Belfry, Pen and ink, brush and wash on paper, Design for a bronze bell and hanging beam decorated with foliate arabesques. Below, a cross-section of a double tiered belfry, showing four bells., Germany, 1739, drawing,

Design for Ceiling Decoration, for condervatory/music room or perhaps dining room, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Design for a

Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and red crayon, watercolor on paper, Two children are shown upon an elevation. A seated one holds a jar from which water flows. A standing one waves something.,

Two Bell Towers, Graphite, gray wash Support: laid paper, At left: the first story with the door and an inscription above it is flanked by two pylons. The second has a window in the shape of a semi-circle between two pillars, the third consists

Project for a Pendant, Pen and ink, brush and sepia on paper, At top, a large pink bow knot studded with stone. A smaller knot below, from which hangs a cross with square stones and pearls., Italy, 1725–1750, jewelry, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of figures along a canal in Venice., Venice, Italy, 1880–1881, figures, Drawing, Drawing

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