Images at Librifly

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Study for a dancing woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a female figure in Classical drapery dancing; Verso: Sketch of a

Landscape, Charles Nicolas Ransonnette, French, 1793 - 1877, Brush and sepia wash, white heighening on paper, Wide bird's-eye view over a plain bordered by hills. A road winds backwards. A vaulted bridge crosses a stream., France, Paris,

Roof Terrace, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a roof terrace with arched balustrade., USA, 1880, architecture, Drawing, Drawing

Row Boat, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of the bow of a row boat., USA, n.d., seascapes, Drawing, Drawing

Design for Reliquary, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and brush and brown ink, black chalk on off-white laid paper, Elevation of a reliquary consisting of a plinth-like foot and baluster shaft surmounted by an oval

Design for a Coronet, Pen and sepia ink, brush and watercolor on light blue paper, Jewelry design for a coronet (small crown). Below is a band framed above and below by rows of beads and at the sides by a leaf; it contains two entwined ribbons

Design for a Painted Porcelain Plate, Les Poires (Pears) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red crayon

Design for a Canopy Bed, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two columns for which to alternative designs are suggested, supporting the front curtains. The bed is

Design for an Urn, Graphite, pen and black ink, brush and wash on paper, Elevation of an urn decorated with meandering grape vines., Italy, 1820–1838, classicism, Drawing, Drawing

Design for a Diadem and Four Pins, Pen and ink, brush and sepia wash, graphite on paper, Design for a crown or tiara and four pins. For the crown, two lateral branches with leaves, blossoms and buds fastened by a knot with a central rosette.

Drawing, Pen and black ink, brush and gray wash on paper, Some architectural elements, the head of a woman, and some accounts., Italy, 1750–86, ornament, Drawing

Design for a Catafalque, Domenico Antonio Vaccaro, Italian, 1678–1745, Pen and brown ink, brush and brown wash on off-white laid paper, On a narrow vertical sheet, architectural design for a catafalque showing the right side of the two-story

At the shore, Howard Russell Butler, American, 1856 - 1934, Black crayon. White heightening. Light brown paper., Horizontal rectangle. A woman is shown in profile sitting, facing right. In the right central plane is a sailboat shown obliquely

Sketchbook Page; Monument of Marcus Aurelius Antonius with Son; Study for an Engraving, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on laid paper, Vertical rectangle. Reverse: A) Oblique view

Figure Study for Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of male figure with some drapery, arms uplifted. This is likely a study for a mural showing Christ's Ascension., USA, ca. 1895, figures,

Plan of the Second (or Third?) Floor of a Country House, Pen and brown ink, graphite on paper, Upper floor of house, showing a large central hall, divided into three sections, and a large chmaber at either side. A plan of a small theatre (?)

Stage Design, Interior of Gothic Church, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic church, tombs fixed to wall, lantern hanging at left., Italy, early 19th century, theater, Drawing, Drawing

Mist over River and Hills, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, Landscape of river with mist and notations in graphite., USA, June 1882, landscapes, Drawing, Drawing

Street vendor, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure working over a large basin on a street corner., USA, 1880, figures, Drawing, Drawing

Drawing: A study of folded hands, Black crayon and white heightening on a blue paper, Horizontal composition of folded hands. On the reverse there is part of the head of a young man after a classical bust with broken arms, probably representing

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for a Console Table., Rome, Italy, 1746–1809, furniture, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidered border of a man's waistcoat. Two lilac stripes and a sketched crest border are shown at left. A palmette plant with a leaf and a plant with two feathery

Stage Design, Seaport, Pen and brown ink, brush and brown wash on laid paper, Horizontal rectangle. View of port with lighthouse, piers, and boats through arcades decorated with coat of arms., Italy, early 19th century, theater, Drawing,

Cock and Chickens, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and gouache on paper, The chickens are shown on and under a hay-loft ladder. Framing lines., USA, 1875–80, animals, Drawing, Drawing

A Sailing Ship, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, A sailing ship facing left., Italy, ca. 1780, transportation, Drawing, Drawing

Salome Receives the Head of St. John the Baptist, Domenico Piola, Italian, 1627 - 1703, Black crayon, pen and ink, brush and sepia wash on paper, In a prison room, Salome and maid with plate upon which the executioner is putting the severed

Standing and Kneeking Figures, Giovanni Paolo Panini, Italian, 1691 - 1765, Red chalk on white paper, laid down, A standing semi-drapped male figure is seen from the back, facing slightly right. A heavily draped figure kneels on a block of

Group of figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a group of figures., USA, 1880, figures, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and gouache, white on paper, Unfinished design for the bottome left corner. A plant and flower scrolls at the bottom; crest border under the pocket., France, 1780–1790, Drawing,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a hat crossed out with circular lines., USA, 1880, figures, Drawing, Drawing

Unfinished study for an ornamental detail in the mural at the Boston Public Library, John Singer Sargent, American, 1856–1925, Graphite on paper, Horizontal rectangle. Two floral roundels (half only of one shown at right), and part of an

Oriental Scene, Jean Honoré Fragonard, French, 1732 - 1806, Black crayon on paper, Cattle at a watering place. At right, stand an elderly man and a boy. At left, kneels a man with a turban, and a child holds a Chinese cup. Jars and a cock

Sepulchral Monument for Melchiore Cesarotti, Professor in Padua, Pen and brown ink, brush and gray wash, on blued-white laid paper, The monument is shown obliquely. A circular pedestal rises in the center of an oblong rocky base. A female genius

Design for Brooch with Dolphins and Diamonds, Pen and ink, brush and sepia on paper, An escutcheon is composed of two symmetrically disposed dolphins above and below. At the sides, festoons and shells. At the center, an octagonal diamond

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, June 22, 1859, nature studies, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the Grand Canal in Venice with St. Mark's cathedral in the background., Venice, Italy, 1880–1881, seascapes, Drawing, Drawing

A Hand Bell, Pen and ink on paper, A hand bell decorated with acanthus leaves and masks. Below, cherubs and scrolling ornament with birds., Europe, 1820–35, metalwork, Drawing, Drawing

The River Darro, Granada, Samuel Colman, American, 1832–1920, Graphite, pen and blue ink, brush and blue and gray washes on cream wove paper, Verticle rectangle. Water and two figures in foreground. Backs of houses and porches on both sides

Study of landscape, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of trees with mountains in the background., USA, 1867, landscapes, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Profile sketch of a female figure with her eyes closed; Verso: Eight partial sketches of a young figure wearing a bonnet., USA, 1877, figures, Drawing,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a female figure., USA, 1881, figures, Drawing, Drawing

Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises

Ornament Composition, Pierre Edme Babel, French, ca. 1720-1775, Pen and brown ink, brush and gray wash, black chalk on white laid paper, Trellis architecture, showing at its center a fountain with water spouting from a bird's beak. In lower

Study of Woman's Head, Antoine Watteau, (French, 1684–1721), Red chalk on paper, Head, in profile, shown turned toward right shoulder. Necklace, string of pearls, and earing indicated., France, 1720–30, portraits, Drawing, Drawing

Elevation of a Small Church, Giuseppe Barberi, Italian, 1746–1809, Pen and gray ink, brush and gray wash on off-white laid paper, Central bay: door with a circular pediment under a tablet. Bull's eye on top. Four pilasters support the

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of landscape., USA, 1879, landscapes, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the Grand Canal in Venice with La Guidecca in the background., Venice, Italy, n.d., seascapes, Drawing, Drawing

Landscape, Darmstadt, Germany, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a rocky terrain with a figure in the foreground and hills in the background., Darmstadt, Germany, February 1, 1867, landscapes,

Window, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of interior with a fireplace, window, and ornamental cornice., USA, 1879, architecture, interiors, Drawing, Drawing

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with harpies and floral vases frame a square panel at center., Italy, early 17th century, ornament, Drawing, Drawing

Caricature, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Profile sketch of a woman; Verso: Three sketches of a young female figure wearing a bonnet., USA, 1877, figures, Drawing, Drawing

Design for Embroidery, Corner of Gentleman's Waistcoat, Brush and gouache, watercolor on cream laid paper, Lower left section of a man's waistcoat or gilet featuring red, blue, yellow, pink, orange, and purple flowers. In the Chinese manner

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on blue wove paper, Brown leaf surrounded by black dotted pattern, green leaves, red flowers on purple branches. Graphite lined border.,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a female figure; Verso: Sketch of a round object., USA, 1892, figures, Drawing, Drawing

Design for a Decorative Vase, Red crayon, graphite, pen and ink, brush and sepia, watercolor on paper, Vase with harpy as lower half of body, waves and curls; topped by dragon with breasts and extended tongue., Italy, 1775–1800,

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketches of two figures., USA, 1880, costume & accessories, Drawing, Drawing

Fame with Trumpet, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, On either side of central candelabrum, flying

Project for a Vase, Graphite, pen and black ink, brush and gray wash on paper, Elevation of a footed urn decorated with acanthus leaves, masks, swags and classica, Italy, 1820–1835, classicism, Drawing, Drawing

Design for the Emrboidery of a Man's Waistcoat, Brush and gouache on paper, A small island with a tower in the foreground. Two girls seated at right, a boy walking towards them at left. Small trees in the middle-distance. At horizon, on mainland,

Design for Medallion Portrait of Mauro Tesi, Surrounded by Architectural Ornaments, Frontispiece to the 'Raccolta Di Disegni Originali Di Mauro Tesi...', Count Cesare Massimiliano Gini, Italian, 1739 - 1821, Graphite and black chalk on

William E. Dodge Seated, Daniel Huntington, American, 1816–1906, Graphite on buff wove paper, Three-quarter view of male figure, seated in armchair, with papers in right hand. Facing towards left., USA, USA, 1884, portraits, Drawing,

Design for Corner Serving Table, A.N. Davenport Co., Pen and black ink on thin cream paper, Triangular molded top with canted corners; raised on 3 straight legs with tapering feet; conforming lower shelf attaches just above floor level; on top

Design for a Painted Porcelain Plate, Le Scorpion (Scorpio) from le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown, black wash, white gouache, pink, tan

Figure Studies with Dogs, Egypt, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Recto: Eleven designs of men or parts of them, a standing child shown from the right back (bottom row), two crouching dogs (center

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a figure., USA, 1880, figures, Drawing, Drawing

Design for a Chimneypiece with Alternative Suggestions, Red crayon, pen, ink, wash, sepia on paper, Women are suggested standing in front of pilaster stripes. Their poses are different; to the left one supports an Ionic capital, the right one

Cartoon for Cotton Printing: 'Les Quatre Saisons', B. M. Lebert, 1759–1836, J. L. Lebert, French, early 19th century, Hartmann et Fils, (Munster, France), Pen and brown ink, brush and grey wash, on cream paper, pieced; squared in

Design for Two Pendants with Diamonds and Pearls, Pen and sepia on paper, Two pendants, one beside the other, both square shaped. At left, volutes and diamonds. At right, pearls, a diamond in the center and heart forms. Both with rings on

Design for a Coronet, Pen and sepia ink, brush and gray watercolor on paper, Design for a hair crown. Scrolls from three compartments with five leaves at the bottom of each, disposed as a palmette, springing from a blossom. Upon the cusps,

Design for a Frontispiece, Pierre-Clément Marillier, French, 1740 – 1808, Pen and ink, brush and watercolor, graphite on paper, The frontispiece is for a book dealing with Russian history. Top of an architectural motif. A boy with

Study for a woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a costume fitted for a female figure., New York, New York, USA, 1893–1895,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure in uniform., USA, 1876, costume & accessories, Drawing, Drawing

Elevation of a casino, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a Funerary Monument, Brush and brown ink with red chalk and traces of graphite on off-white laid paper, Upon a high base with burning lamps on short solomonic columns is an obelisk with figures at the base., Italy, 1780–1790,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a figure., USA, 1877, figures, Drawing, Drawing

Design for the Embroidery of the Left Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf, ' 'Gilet' Design, Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, The corner is rectangular. The intervals

Men, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of three male figures., USA, 1882, figures, Drawing, Drawing

Design for Berlin Wool Work, Brush and gouache on pre-printed squared paper, A band of roses and leaves on graph paper., Germany, ca. 1860, textile designs, Drawing, Drawing

Console table, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Console table., Rome, Italy, ca. 1785–1790, furniture, Drawing, Drawing

Monkey, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Two sketches of a monkey; Verso: Sketch of a horse., USA, 1877, nature studies, Drawing, Drawing

Stage Design, Egyptian Hall with Columns, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Hall in Egyptian building with richly

Stage Design, Palace Atrium, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and watercolor on paper, Horizontal rectangle. A hall with a coffered ceiling. At left, stairs leading tot he street; at right, stairs leading to

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Street scene from campiello priuli in Venice., Venice, Italy, 1881, architecture, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Four sketches of a male figure., USA, 1881, figures, Drawing, Drawing

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. Thirty-five tines. The low cresting is divided in three rows.

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1320. Below is a bse with steps in the center, and

Stage Design: Palace Architecture, Pen and black ink, brush and gray wash, black chalk on white laid paper, Design for a stage set. A palace facade seen from the left angle and from below. At left, stairs lead through a porch into a garden.

Designs for Three Pendants, Pen and brown ink, brush and gray wash, graphite on white laid paper, Horizontal rectangle. At left: a knot with two small leaves below and hanging diamond; in middle: a knot with two big leaves below and hanging

Design for a Painted Porcelain Plate, Les Gémeaux (Gemini) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, pink, tan watercolor,

Head of a Woman, Sir Edward Burne-Jones, English, 1833–1898, Red chalk on cream wove paper, Head of a woman seen from right front, looking downward., England, 1870–90, portraits, Drawing, Drawing

Tree Branch, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a tree branch., USA, 1880, nature studies, Drawing, Drawing

Sketches for Escutcheons, Pen and dark brown inks, brush and black wash on laid paper. On verso: Black chalk, pen and ink, bistre on laid paper., Masks are shown at top and bottom, half-figures of harpies laterally. Both are fully colored. On

Sujets et Liste des Objets de Dessert par ordre (List of Subjects for the Service on the Theme of Desserts by Order), Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, red crayon on cream laid paper, List, in three columns, of

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure bowing., USA, n.d., figures, Drawing, Drawing

Decoration of a portal in honor of a prelate, Paolo Pozzi, Italian, 1741 – 1803, Pen and ink, brush and watercolor on grayDutch paper with blue fibers, Portal surmounted with balcony, six figures within. Lit candelabra with lions tops

Possible Design for Relief; Scene in Circle, Ornaments in Corners, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and sepia wash on paper, Square rectangle. Stage scenery inscribed in circle, two actors in square with palace

Design for a Catafalque for Charles Emanuel III of Sardinia, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and wash, black chalk on off-white laid paper, mounted, Two winged genii, symbolizing death, sit on pilasters

Design for a Candelabra, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and wash on paper, Elevation of a five-armed candelabra. Arms decorated with leaves. At center, a musical trophy., Italy, ca. 1800, lighting, Drawing,

Design for a Candelabra, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, At top, a triangular plan. Below, sketch for figural detail holding one branch., Italy, ca. 1800, lighting, Drawing, Drawing

Design for a Painted Ceiling and the Decoration of a Short Wall Illustrating the Seasons, Black and red chalk, pen and black ink, brush and gray watercolor on paper, Partial view of wall decoration. In the middle is intended a painted view in a

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