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Design for a cloth as place of an inscription, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Genii are supporting a cloth; they are winged with heads of fallen warriors with a helmet and laurel

Design for a Sepulchral Monument for a Medici Cardinal, Pen and ink, brush and bistre wash, incised lines, black chalk on paper, Architectural design for a sepulchral monument. Below is a dado which is shown in bird's-eye view. Upon a pedestal

Catafalque of the Bolognese Artist Elisabetta Sirani, Pen and brown ink, brush and brown wash over graphite on off-white laid paper, Plan and perespective view. A flight of steps leads to a pavilion in which the painter is shown at work., Italy,

Design for Two Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Two chairs, obliquely shown. At left, the back is backwards curved and pierced. Right, plan green

Design for a Wall Panel with Fireplace, Johann August Nahl the Elder, 1710 - 1781, Pen and black ink, brush and gray and light violet wash, graphite on white laid paper, ruled border in pen and black ink, Wall elevation featuring fireplace

Design for a Porcelain Candlestick, Jean-Jacques-François Le Barbier, French, 1738 – 1826, Pen and black ink, brush and watercolor on white laid paper laid down, A girl holds a garland and flower boughs, helped with the latter by a genius.

Elevation and Plan for a Side Table with Covered Dishes, Urns and Cup, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash on cream paper, Console table in Louis XIV style, shown in elevation and plan. The plan is

Design for a Mirror Frame with Monogram of Marie-Antoinette, Richard de Lalonde, French, active 1780–96, Marie Antoinette, Queen of France, French, 1755 - 1793, Pen and black ink, brush and gray wash, yellow watercolor, graphite on

Design for Chinoiserie Wall Decoration, Pen and black ink; brush and rose, yellow and light blue watercolor, white gouache; graphite on off white laid paper, Wide central and two narrow lateral panels are flanked by pilaster strips. Each of these

Project for Book Illustration; A Panel with Attributes of Sciences and of a Hero, Graphite, pen and black ink, brush and wash on paper, The inner framings are influenced by Watteau's designs. Niches form lines and stripes along the edges. A

Project for Book Illustration; A Panel with Attributes and Recollections of a Hero, Graphite, pen and black ink on paper, brush and ink wash on paper, The inner framings are influenced by Watteau's designs. Niches form lines and stripes along the

Design for a Coffee Urn, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash on wove paper, Side view; spout is at right. Body and cover have twelve corners and tapered bottom. Sides of body are

A Sauce Boat, Joseph Anton Seethaler II, German, 1799–1868, Pen and ink, brush and wash on paper, Side view; boat supported by a globe and a turtle. The handle consists of two horns of a satyr mask. Spout is turned left., Augsburg, Germany,

Stanislas le Bienfaisant...Visite Latellier et les Ouvrages du Sr. Lamour (Stanislas Leszcynski Visiting the Workshop of Jean Lamour), in Recueil des Ouvrages en Serrurerie...sur la place Royale de Nancy (Album of Ironwork ...for the Place Royal in

Cabinet de Mr. le Comte Bielenski (sic), Grand Maréchal de la Couronne de Pologne executé en 1734; Chiminée avec glace, avec de chaque côté une partie du lambris d'appui et des peintures, 1st Plate, plate 87 in l'Oeuvre de Juste Aurèle

Pleated fan, Charcoal drawing on linen and sateen leaf with with paper filler; painted wood sticks, Pleated fan with linen and sateen leaf with paper filler. Obverse: charcoal drawing of landscape; reverse: blank. Black painted wood sticks., USA,

Study of Fern, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on blue-green paper, Vertical sheet depicting six fronds of Boston or Christmas fern on the recto. On verso, fronds of the same fern depicted from various

Study of Squash or Pumpkin Plants, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor, graphite on paper, Horizontal sheet illustrating upper portions of a squash or pumpkin plant, with yellow blossoms and green leaves., USA,

Study of Thistle Plants, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink on yellow tracing paper, Study of thistle plants in various stages of blooming., USA, early 20th century, nature studies, Drawing, Drawing

Six Studies of Thistles, Sophia L. Crownfield, (American, 1862–1929), Brush and watercolor on white paper, Six studies of thistles blooming painted in violet and green watercolor, USA, early 20th century, nature studies, Drawing, Drawing

Catafalque of the Bolognese Artist Elisabetta Sirani (1638-1665), Matteo Borboni, Italian, ca. 1610 – 1667, Pen and brown ink, brush and brown wash, red chalk on off-white laid paper, Figure of an artist painting on canvas in a pavilion with

Project for a Set of Tableware, Pietro Belli, Italian, 1780–1828, Pen and black ink, brush and black, yellow, and blue watercolor, graphite on paper, lined with green paper, Designs for dishes, eleven groupings in total, distributed

Project for the decoration of a silver plate., Black chalk, pen, ink, bistre wash on paper., Elongated quatrefoil. A nymph rides upon a sea centaur, accompanied by three mermen, and a nymph on a dolphin. Top part of eagle in ovoid under a

Design for a Painted Porcelain Cooler for Wine Bottle and Glasses, Pen and brown ink, brush and watercolor on cream laid paper, Drawing of a porcelain punch ball in elevation with a fluted rim containing blue and brown (gold toned) bands, with

Seated Woman, Daniel Huntington, American, 1816–1906, Graphite on paper, Possibly a study for a portrait of Miss Astor. Sketch of a seated woman, turned toward the right, her hand folded in her lap. Verso: Landscape sketch., USA, 1879,

Design for Painted Decoration of a Wall, Brush and gouache, graphite on paper, A dado is shown at the bottom, an entablature and two stripes on top. The panel shows rising, waved, intertwined garlands, with a central motif in the ovoidal

Hillside and Tree with Sailboats in Distance, Leon Dabo, American, 1868–1960, Black crayon on laid paper, Two figures near a lone tree on a high bank in the foreground. Beyond, a body of water with two sailboats. Low, distant shoreline.,

Design for a Fountain with the Labors of Hercules, Vincenzo di Raffaello de' Rossi, Italian, 1527–1587, Black chalk on off-white laid paper, An octagonal basin upon a square platform from which a shaft rises at center supporting a circular

Pottery Tile Stove, Pen and black ink, brush and wash on vellum, Stove made of porcelain tiles, lower part has three rows of tiles, top and bottom rows consist of landscapes alternating with a conventional design of acanthus scrolls, middle

Design for a Chatelaine with Watch, Alexis Falize, French, 1811–1898, Brush and gouache, gum varnish, graphite on buff-colored laid paper, Design for a diamond-encrusted golden watch hanging from a heavy golden brooch (chatelaine).

Pleated fan, Jean Baptiste Joseph Pater, 1695 - 1736, Painted parchment leaf backed with painted paper, incised and pierced mother-of-pearl sticks with applied metallic foil, glass stone at the rivet, Pleated fan. Leaf of painted parchment

Design for a Display Stand, Karl Friedrich Schinkel, German, 1781–1841, Pen and black ink, brush and watercolor on paper, A stand with four circular tiers to display crystal objects. On margin, explanations of the drawing. It is a folded

Pleated fan, Front and back leaves of fine parchment with pen and ink drawing, carved, incised and pierced ivory sticks with mother-of-pearl inlay, glass stone at rivet, Pleated fan. Parchment leaf with pen and ink drawing showing bacchanalian

Two Men Sawing a Plank, Pen and brown-black ink, brush and gray wash on paper, Two men are in the act of sawing through a plank with a large carpenter’s saw. On the ground, other tools., Italy, 1750–70, figures, Drawing, Drawing

Presentation of the Christ Child to the Shepherds, Graphite on paper, The Virgin stands before the adoring shepherds, and presents the Christ Child to them. Joseph sits in the right foreground. Angels and other figures in the background., Italy,

Palampore, Medium: cotton Technique: mordant painted and resist-dyed (chintz) on plain weave, Half of a chintz palampore with scenic and floral elements in blue, green, drab, yellow and rose on a strong red ground. The piece has a deep border

Sketches from Château de Blois, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketches of buildings, rooftops with chimneys, lower right, Victorian-era house., USA, 1883, architecture, Drawing, Drawing

Cap, Medium: wool Technique: tapestry woven, single interlock; OUTSIDE FABRIC: tapestry: interlocked; INSIDE FABRIC: single-weft double cloth (warp-faced plain weave)., Two fabrics sewn together (one on the outside, one on the inside - each a

Design for the Embroidery of a Man's Waistcoat of Pattern No. 579 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Left bottom corner. A zigzag line and flowers alternating with palm

Insects, Rice paper, Detailed representation in color of five butterflies, a dragonfly and two beetles., China, 18th century, Drawing, Drawing

Snaphunce long gun, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a snaphaunce long gun with detail of the firing mechanism and handle., USA, 1877, commemorative and souvenirs, Drawing, Drawing

Stage Design, Interior of Gothic Chapel, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic polygonal chapel.,

Jerkin, Robert Frederick Blum, American, 1857–1903, Graphite on paper, Sketch of a jerkin and silk damask shirt with a floral pattern., USA, 1880, costume & accessories, Drawing, Drawing

Design for Stained Glass Ornamental Panels, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Against a black ground are set eight square or rectangular panels and one with indented right lower corner. Panels reproduce

Design for a Buckle, Pen and black ink, brush and gray watercolor, gold on paper, Jewelry design for a buckle. An oval frame formed by two golden bands; inside three ribbons and a cord are interlaced, à jour., probably Naples, South Italy,

A Papal escutcheon, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and black watercolor on paper, Most of the right half is roughly sketched. Grotesque birds form the upper part of the outside framing, dolphins the

Three friezes for an overdoor, Pen and Chinese ink, brush and watercolor, graphite on laid paper, At the top, two crouching putti support the fruit garland. At the bottom, a lion crouches upon the top left corner of a door frame and faces a

Portrait of a Prelate, Pen and ink on paper, Half-length portrait of young man turned toward viewer and sitting at a table. He wears pince-nez. Right hand raised holding pen, the left rests on paper., Italy, 1680–1700, portraits, Drawing,

Study of arm, Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray paper, Detail of a male figure's right hand holding a circular object, possibly a dish or saucepan., USA, ca. 1885, figures, Drawing, Drawing

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A motif composed of an open book, scales, sword, lighted torch., USA, ca. 1910, graphic design,

Drawing: A hanging left hand, Carlo Maratti, Italian, 1625 - 1713, Black crayon on light gray paper, Vertical composition of a hanging left hand. Shown from the inner side in profile, above at left are the outlines of the sleeve., Italy,

Sketches of Bowls, Pen and ink, brush and watercolor on paper, Vase with a cover and two handles. Above, at right, a slight sketch of a vase with cover. Below, right, part of two sketches. Above, a slight sketch of a smaller bowl. Below, a

Stage Design for the Interior of a Gothic Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, View into big hall of Gothic palace through three Gothic arches on columns.,

Design for a painted overdoor, Giacomo Casa, Italian, 1835 – 1887, Pencil, brush, various colors, gold, cardboard, Horizontal rectangle. A child sitting in a broken pediment. Mounted with -6954., 1850–75, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouache colors on paper, Design for the embroidery at the left bottom corner of a man's waistcoat. The left edges of the waistcoat and of the pocket and the latters bottom edge are shown, brown stripes.

Study for the landscape, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite and ink on wove paper, Sketch of a landscape; Center, sketch of a repeating decorative pattern.,

Portrait of a Young Man, Jean-Baptiste Joseph Wicar, French, 1762 – 1834, Graphite on blue-gray wove paper, Bust portrait of a young man, in three-quater view facing left., France, ca. 1795, portraits, Drawing, Drawing

Two Projects for Painted Grotesque Decorations of a Ceiling, Charcoal, pen and ink, brush and greyish-brown watercolor on laid paper., Horizontal rectangle. The wave band is drawn on both sides, fret bands are indicated as decorations of the

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a figure that has been crossed out., USA, n.d., figures, Drawing, Drawing

Wall Elevation, Pen, black ink, green, yelow and gray wash on wove paper, Horizontal Rectangle: Elevation of a marbled wall, urn in a niche center, wooden door at left, door with glass panes at right., England, 1815–22, architecture,

Outline Sketch of a Wagon Train, Winslow Homer, American, 1836–1910, Graphite on wove paper, laid down on gray paper, Vertical view showing outline of a wagon train., USA, 1862, figures, Drawing, Drawing

Juno Seated on a Cloud, Graphite on white paper, Seated on a cloud bank the figure of Juno is seen frontally, in her right hanad she holds a shield, and with her left hand brandishes a sword., Germany, 1750-1770, Drawing, Drawing

Project for a Fountain, Pen and brown ink with, traces of graphite on off-white laid paper, Poseidon stands upon a sea shell carriage drawn by three horses., Italy, late 18th century, ornament, Drawing, Drawing

Design for a Painted Porcelain Plate, Les Prunes et Pruneaux (Plums and Prunes) for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, graphite on cream laid

Stage Design, Atrium, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and watercolor on paper, Horizontal rectangle. A wall with barrel vaulted subdivisions and a double row of classic columns in the center. Stairs are leading up

Sketches of a Domed Structure, Ship, and Hotel, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Recto: Top left: dome of a small structure, probably a tomb, shown beside a broken wall; Bottom left: A ship under sail;

Design for a Frieze with the Allegory of Literature, Piat Joseph Sauvage, French, 1744 - 1818, Pen and ink, brush and sepia wash on paper, A putto wearing a helmet and shouldering a lance speaks to another one who, crowned with a wreath,

Tureen, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, Tureen., Rome, Italy, 1746–1809, metalwork, Drawing, Drawing

Cartouche with attributions of war, Claude-Louis Desrais, (French, 1746–1816), Pen and ink, graphite, A winged circular medallion depicts a victorious prince in a charriot welcomed by women. Military attribtions surround the medallion.,

Elevation of a villa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, In the ground floor of the central section: arched doorway flanked by pairs of embedded Doric columns; in the top

Three Designs for Embroidery Scissors, Unknown, Italian, Pen and brown ink, brush and brown wash over graphite on cream heavy laid paper, Three drawings of a pair of scissors, each with an elaborate decorated handle ., Europe,

Designs for Reliquaries, Pen and ink on paper, Sheet with multiple details for a reliquary., Italy, 1698, metalwork, Drawing, Drawing

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A motif composed of a lyre and branches of leaves, arranged in a symmetrical design., USA, ca.

Stage design: Stage, Persons Acting, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and sepia wash and watercolor on paper, Half circular wall broken by columns (?) circumscribes scene which is framed in the foreground by

Design for a Book Binding, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, Vertical rectangle of yellow paper decorated with crosshatched pattern in blue and five 4-lobed floral medallions., USA, ca. 1887–1903,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, ca. 1865, nature studies, Drawing, Drawing

Designs for Two Cups, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and wash on paper, At top, a cup on a base terminating in lion's feet and floral medallions. The bowl is decorated with grapevine, and encircled

Plan of left wheels, Unknown, Italian, Pen and ink, black chalk on paper, Elevation of the constuctive parts of the front part of a coach. The elevation is on top, the plan below, at left. The measurements of many parts are given., Rome,

Elevation for a Rusticated Gateway with Tuscan Columns, Pen and ink, brush and wash on paper, lined, Engaged rustic columns with Tuscan capitals projecting from an archway. Above, an undecorated entablature and triangular pediment with three

An Escutcheon, Black chalk, pen and ink, brush and bistre wash on laid paper, Vertical rectangle. A scrollwork escutcheon showing a female mask at top center, a satyr mask laterally, male mask between them. On verso: a seated woman reading and

Paneled Wall, Frederick Crace, English, 1779–1859, Pen and black ink, brush and tan and blue wash on wove paper., Paneled wall with marble base., England, 1815–22, architecture, interiors, Drawing, Drawing

View of Japan, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a building with a thatched roof; Verso: Sketch of a female figure., Japan, 1892, architecture, Drawing, Drawing

Project for a Painted Frieze, Graphite, pen and ink, brush and watercolor on paper, Frieze with putti, fruits and flowers., Italy, 1775–1800, ornament, Drawing, Drawing

Man Paddling a Canoe on Millinoket [sic] River, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Two sketches of man paddling canoe., USA, October 4, 1878, figures, Drawing, Drawing

Japanese Fan, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Center, Sketch of a Japanese fan; Below, sketch of a grasshopper and Japanese characters., USA, 1876, costume & accessories, Drawing, Drawing

Design of a Sepulchral Monument for a Cloister, Carlo Marchionni, Italian, 1702–1786, Graphite on laid paper, A frame in architectural forms, with alternative suggestions. Three embedded columns upon high pedestals are supporting a pediment,

A Scene of Execution, Maynard Dixon, American, 1875–1946, Brush and black ink, white gouache on brown paper, Book illustration. Within framing lines is seen a half-length figure of a soldier in right profile, rifle and fixed bayonet at his

Design for a Decorative Vase, Pen and ink on paper, A dragon serves as handle. The half-figure of a harpy and scrolls decorate body., Italy, 1775–1800, metalwork, Drawing, Drawing

Design of a Cabinet in the Louis XVI Style, Pen and brown ink, brush and wash, gold paint, gouache on tracing paper, This drawing depicts a cabinet in the Louis XVI style ornately decorated with gilt-bronze mounts. The center panel consists of

Design for a Bedroom Alcove, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Bedroom Alcove., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three-quarter length sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Rectangular design; central rectangle containing twisted blue vines in circular form, central circle

Café, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a café with two male figures seated at a table., USA, 1882, figures, Drawing, Drawing

Window Decoration, with Panel of Arabesques and Star, Probably for the Dining Room, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink on white wove paper,

Shoes, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Six sketches of lady's shoes. Detail of overall style and color scheme., USA, 1876, costume & accessories, Drawing, Drawing

Design for a Painted Porcelain Plate, Sucre de Canne (Sugar Cane) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown, black ink, brush and brown, black wash, white gouache, red

Two Stage Designs, Interiors of Antique Buildings, Pen and ink, brush and sepia wash on paper; verso: graphite, Vertical rectangle. Two drawings assembled on one sheet. The top drawing shows vaults in a building in antique style, the lower shows

Project for the Decoration of a Panel, Black chalk, pen and ink, brush and light brown and gray watercolors. On verso: Black chalk, pen and ink, bistre on laid paper., Three eschutcheons are in front of a slightly shorter oblong panel. A seated

Donkeys, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of two donkeys and a male figure., USA, 1882, transportation, Drawing, Drawing

Lunette with Arts and Sciences, Felice Giani, Italian, 1758–1823, Pen and brown ink over graphite traces on cream laid paper, Woman shown in profile directed toward right seated and painting. Globe stands upon pedestal, at right; books at

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