Images at Librifly

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Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Small clusters of pink, white and blue. Flowers on yellow ground, graphite grid., France, 1800–1818, textile

Project for a Tureen, Pen and ink, brush and wash on paper, Elevation of a tureen with gadrooning at base. Body decorated with scrolling acanthus leaves and a shield with star. Twisting handles. Finial in the form of a seated putti., Italy,

Project for a Frame, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Design for upper part of a frame. The frieze is at left; it has a broken pediment above, with a fire burning in a bowl upon a high

Escutcheon for a Coat-of-Arms, Charcoal, pen and ink, brush and watercolor on paper, At center, a crowned escutcheon with pairs of putti and caryatids. On either side, figures in sculpture niches. Above, two floral vases., Italy,

Design for an Alter, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre, brush and wash on paper, Right half of alter shown. In the center is a sculptural

Pine Shrub by Lake, Lakewood, Daniel Huntington, American, 1816–1906, Graphite on blue and red lined paper, Study of the limbs of a broad pine, in the foreground, with lake at left, and mountain range in the distance, center., USA, May

Ornament, Cartouche, Matthias Lock, Etching on paper, A plate of 'A New Drawing: A Book of Ornaments...etc.' Berlin 260. Circular Rocaille opening with plants and urns. The base of a column and a fountain, at left in the background. Two framing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Stage Design, Palace Interior, Pen and brown ink, brush and gray ink wash on paper, Horizontal rectangle. Interior of palace, long hall at the left and stairs at the right., Italy, early 19th century, theater, Drawing, Drawing

Portrait of Sir George Wombwell and His Brothers, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A gentleman on horseback seen in left profile, and two standing younger men seen in right and left

Design for an Ovoidal Painting: Justice, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and sepia wash, brush and oxidized white gouache on brown paper, Shown de face seated upon a bench, holding a sword in the right,

Woman drinking, wine bottles, recto; Shopping List for Mount Katahdin Climb, verso, Frederic Edwin Church, American, 1826–1900, Graphite on cream laid paper, Recto: Woman drinking surrounded by seven bottles of wine; verso: supply list.,

Design for an Urn, Graphite on paper, Elevation of urn with dancing women, bucranium and gadrooning., Italy, late 18th century, ornament, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female woman wearing a shawl., USA, 1880, costume & accessories, Drawing, Drawing

Bird, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Recto: Sketch of a bird; Verso: Sketch of two figures dancing., USA, 1892, nature studies, Drawing, Drawing

Artist sketching, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, A figure sketching under an umbrella., USA, n.d., figures, Drawing, Drawing

Backdrop of stage setting, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Backdrop of stage setting., Rome, Italy, 1746–1809, architecture, Drawing, Drawing

Rum Punch, Robert Cruikshank, 1789 - 1856, Brush and gray watercolor, pen and ink, graphite on paper, Interior with figures. A large ecake in center. Punch bowl at lower right. Punch and Judy show in background., England, ca. 1836, Drawing,

A Fly-Catcher, Pen and ink on paper, Shown standing in profile and turned toward left. The beak holds an insect. Framing ink lines., Italy, 1650–1700, Drawing, Drawing

Table, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a table, the base is on the form of two swans with festoons. At top, a frieze of guilloche., Italy, ca. 1790, furniture, Drawing, Drawing

Stage Design, Exterior of Gothic Church, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Group of Gothic buildings with central church beyond large arch., Italy, early 19th century, theater, Drawing, Drawing

Gateways to a prison, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Top left: gaines of captives, shown in profile, support the entablature of the oblong opening. Pylons with

Three Window or Door Cases, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Above: with a surbased pediment with a mask, and drapery festoons inside. Center: straight upper entablature

Design for a Door Frame, Filippo Barigioni, Italian, 1690 - 1753, Graphite on off-white laid paper, Vertical rectangle. In the center of the overdoor is an escutcheon, probably with the wing as the charge. Verso: parts of same sketches., Rome,

Design for a Wall Fountain, Pen and brown ink, brush and brown wash on off-white laid paper, A basin decorated with festoons collects water flowing from the mouth of a greenman mask. Above, a pediment composed of a shell and scrolls., Italy,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Incised lines, brush and white gouache on glazed tracing paper pasted on paper, A cluster of blossoms is

Artist in the studio, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: A crossed out sketch of an artist in the studio; Verso: Sketch of two male figures in costume and a sail boat., USA, 1879–1880, architecture,

Lilac, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of lilac stalk with flower petals, buds, and leaves., USA, 1877, nature studies, Drawing, Drawing

pointing left hand, wrist, forearm to beginning of sleeve, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk on buff paper, pointing left hand, wrist to forearm; beginnings of sleeve appear to left, USA, ca. 1890, Drawing,

Design for Side Panels of a Coach, Charles Crace, British, active 1727 – 1784, Pen and brown ink, brush and gray wash, yellow watercolor, charcoal on white laid paper, Rocaille design for coach panels. Upper and lower left corners have

View of Rome, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a building facade with tables and chairs set up outside in Rome., Rome, Italy, 1880, architecture, Drawing, Drawing

Figures in a crowd, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three sketches of figures in a crowd; Center, a male figure standing wearing a top hat. A second male figure is indicated at the left with brief outline

Sketch for a Wall Painting, Porch with a View in a Garden, Pen and ink, brush and sepia on paper, Horizontal rectangle. The roof of the porch rests upon two pillars at right and upon two pairs of curved columns at left and center. In the

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Three designs, very similar, peach, yellow and burgundy leaves in vine patterns; central design

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Pink, purple and blue floral pattern, green leaves on white ground, lined graphite border., France, 1800–1818,

Fishing Boats on the Seashore, Walter Clark, American, 1848–1917, Graphite on paper, The boats are shown in the center. The sea is shown at right., USA, 1884, seascapes, Drawing, Drawing

Design for an Ewer, Pen and ink on paper, Design for an ewer with spout facing left. Scrolling handle and bird head spout. Cherub head and swag at body., Italy, 1775–1800, tableware designs, Drawing, Drawing

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing,

Standing Sibyl, Pen and black ink, brush and grey and brown wash on cream paper, A turbaned and heavily draped elderly female figure stands in contrapposto. A sleeping dog lies at her feet. Black framing lines surround the picture, and the top

pointing left hand and wrist, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk on blue-gray paper, pointing left hand and wrist, USA, ca. 1890, Drawing, Drawing

Design for Stained Glass Window, St. Paul's Church, Boston, MA, Sir Edward Burne-Jones, English, 1833–1898, Pen and ink, brush and watercolor on paper, Window consisting of two arched panels, with Saint Paul preaching in one and three

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A design inclduing a shield, bearing the bust-length figure of a man in armor, a gun, banderole.,

Victory with a Garland, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper Support: beige wove paper, Fame raises

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of three figures., USA, 1880–1881, figures, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure draped in fabric with her head covered., USA, 1876, figures, Drawing, Drawing

Armchair, Pen and brown ink, brush and brown wash, on off-white laid paper, Frontal view of a chair. The arms and legs are slightly curved, the back is divided in two halves- the upper padded and trapezoidal, the lower rectangular, with a

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a hat., USA, 1880, figures, Drawing, Drawing

Design for Textile, Seiffert and Co., Brush and gouache on pre-printed squared paper, A pattern for a corner design, composed of flowers and leaves within a frame., Berlin, Germany, ca. 1860, textile designs, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a female figure seated wearing a dress., USA, 1876, figures, Drawing, Drawing

Point Lookout, Mary A. Hallock Foote, American, 1847–1938, Graphite on cream heavy wove paper, View of a house with Dutch door (top portion is shown open) through a grove of trees., From Catalogue Card: Horizontal rectangle. View of the

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure in profile wearing a headpiece., Pisa, Italy, 1880, costume & accessories, Drawing, Drawing

Birdcage, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a wooden birdcage; Verso: Sketch of a reclining female figure., USA, 1895, containers, Drawing, Drawing

Sketches for the Judgement of Paris, Pen and ink on blue paper, From right to left: Athena sitting with her legs only partly visible. Juno standing beside a peacock. Venus and Cupid sitting. Another apparently sleeping figure is present., Italy,

Sketches of Cattle, Irvington, Samuel Colman, American, 1832–1920, Pen and black ink, brush and bistre wash, graphite on paper, At right, a walking steer turned toward right, with the head facing away from viewer. Lower left, oriented

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the promenade along the Grand Canal with the facade of St. Mark's Cathedral., Venice, Italy, 1880, architecture, Drawing, Drawing

Two Sketches of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, At left, woman's head looking away toward the left. At right, woman's head in right profile. Verso: Design with lattice pattern and foliate

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the Grand Canal in Venice from a promenade with the outline of churches and gondolas along the horizon., Venice, Italy, 1880, seascapes,

Project for a Sepulcher Monument, Black chalk, pen and ink, brush and bistre, grey water color on paper, Horizontal rectangle showing a winged skeleton with a scythe sitting upon the cornice of a broken pediment. Upper left, festoons hang from

Portrait of a Young Man, Giuseppe Sabatelli, Italian, 1813–1843, Black chalk on cream paper, Quarter-length portrait of a young man with wavy dark hair, facing one-quarter to the right, his gaze directed frontally. He wears a high collar and

Design for a Fountain with Papal Keys, Pen and black ink, brush and gray wash, traces of graphite on off-white laid paper, Vertical rectangle showing an aedicule with segmented pilaster flanked by genii, one with trumpet. Above, a blank tablet

Partial Sketch of a Face, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Partial sketch of a face, torn off at top above eyes. Face turned to right; neck not shown., USA, ca. 1895, figures, Drawing, Drawing

Candelabrum Sketch, Felice Giani, Italian, 1758–1823, Pen and iron gall ink on white laid paper, Loose sketch of a candelabrum motif. At top, a winged figure; at bottom a tripod table. Rectangular frame., Italy, ca. 1800, ornament,

U.S. Capitol Building, Under an Arch of the Thirteen States, James Henry Moser, Canadian, 1854–1913, Pen and black ink, graphite on paper, The Capitol Building is a proof, pasted in the center. Around it, the drawing includes the stone

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Two designs: square and rectangle with tiered decoration connected by a stem and vines, against

Design for a Bowl, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bowl intended to be executed in silver, gilded metal, and alabaster. Three chimaerae standing

study of hands holding flute, Elihu Vedder, American, 1836 – 1923, Pencil, blue crayon, on light yellow paper; watermark, Study of two hands holding a flute., USA, ca. 1890, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache on blue wove paper, Small blue stars with white pinwheel centers surrounded by black leaf design on reddish-brown ground., France, 1800–1818,

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design: a lighted torch, center, against a blank shield, flanked by interlaced

Original Drawings, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash on greenish laid paper, Profile view and plan of canopied bed with draping and with female busts., France, 1780–96, furniture, Drawing,

Study of a Young Woman, Brush and black ink, pen and black ink on light cream cardboard, Vertical rectangle. Study of a young woman sitting in a chair, wearing a long dress, and holding an open book (shown obliquely with the sheets raised)

Design for a Hilt and Guard of a Dress Sword with Alternative Suggestions, Pen and black ink, brush and wash, gold paint, traces of graphite on off-white laid paper, Design for a jeweled hilt and guard of a dress sword, the guard with

Project for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Horizontal rectangle. Seen from the door is the façade of a three-story building. A woman standing in the doorway receives children brought by their mothers. At the short

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three partial sketches of a female figure; Upper right, sketch of a dog., USA, 1880, figures, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a female figure wearing a long dress., USA, 1877, figures, Drawing, Drawing

Alternate Scheme for Ground Floor Plan of a Country House, Pen and brown ink on paper, Alternate plan of 1963-47-3, showing the double staircase as turning at right angles, rather than curving, and connecting with the one portico. Four chambers

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the Grand Canal in Venice with St. Mark's cathedral in the background., Venice, Italy, 1880–1881, seascapes, Drawing, Drawing

Design for a Woven Platband, Graphite, brush and gouache on paper, The repeat consists of two calyxes with blossoms horizontally disposed to blossom rosette. Four petals are sketched with graphite. Obverse is colored blue., France, 1800–1830,

Design for a Painted Porcelain Plate, La Vierge (The Virgin) from the Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Sèvres Porcelain Manufactory, French, established 1756 to the present, Pen

Soldiers' Uniforms, Victor Vincent Adam, 1801–1866, Pen and ink, brush and brown and black wash on paper, Six pairs of soldiers in two ranges. Inscribed below each, left to right: 'Gendarmerie departmental / Grand Tenue'; 'Soldats du Prain de

Stage Design, Portico and Stairs, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Portico, stairs leading into it, building to be seen through archways., Italy, early 19th century, theater, Drawing, Drawing

Figures and a Signal Tower, Egypt, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Recto: Top row: half figure of a seated man, shown from the back; a group of four seated men; a walking man, shown turned toward

Pine, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Vertical view of the top of the trunk of a pine tree., USA, September 1877, nature studies, Drawing, Drawing

Fountain in a Park, Unknown, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and brown ink, brush and brown wash, traces of black chalk, on paper, Amid trees, a fountain stands. Below a statue of Poseidon, between curved low walls

Lancer on Horseback, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on off-white paper, Vertical rear view of a lancer on horseback., USA, 1862, figures, Drawing, Drawing

Design for a Pendant with Cross, Girolamo Venturi, Pen and ink, brush and sepia, green watercolor on paper, Large to small bows with green stones leading to hanging cross below., Italy, ca. 1740, jewelry, Drawing, Drawing

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Center, Sketches of a female figure wearing a long robe and hood covering her face; Above, Partial sketches of a male figure., USA, 1880, figures, Drawing,

Italian Coast Town, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and black crayon on paper, Steep coastal cliff, at left, with town and road below. Water at right, and mountains beyond., Italy, ca. 1883, landscapes, Drawing,

Section of a wall, Chinese Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor on heavy paper, Section of wall, with decoration in Chinese taste. Wainscoting in black, with Chinese red border design. Upper portion, panels

Study for a Wall Memorial in the Judson Memorial Baptist Church, New York, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Arched top vertical panel in the Byzantine style, with a memorial in the center. Circular plaque

Design for a Salt or Pepper Cellar, Giovacchino Belli, Italian, 1756 - 1822, Pen and brown ink, brush and gray, blue wash, graphite on paper, Vertical rectangle. Design for a salt or pepper cellar intended to be executed in silver with a

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure.; Detail of head and shoulders., USA, 1877, figures, Drawing, Drawing

Mounted Cavalry Officer, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on off-white paper, Vertical view of a mounted cavalry officer, seen obliquely from the left side; a slight graphite sketch of the cap, at bottom.,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Profile sketch of a male figure; Verso, Sketch of a young male figure seated on a bench., USA, 1877, figures, Drawing, Drawing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Architectural Fantasy with Fountain, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink , brush and wash on white laid paper, A central fountain with nude female figural sculpture decorating base spouting water into a pool below.,

Telemachus and the sheperds sacrifice in the temple of Apollo, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, A priest standing at the altar implores the god. A bull lies beside the altar,

Designs for Two Fountains, Carlo Francesco Barabino, Italian, 1768 – 1835, Pen and ink, graphite on paper, Fountain designs., Rome, Italy, 1785–90, architecture, Drawing, Drawing

Steamers and Ships on a River, Samuel Colman, American, 1832–1920, Brush and watercolor on board, Two steamers and many sail ships, some with red flags, anchored in a river. A hilly and mountainous landscape in the background. The rose

Design for an Embroidered Vertical Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A border rises at left. A waved and rising blue ribbon and basket of flowers at right., France,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure holding an open fan., USA, 1877, costume & accessories, Drawing, Drawing

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