Images at Librifly

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Design for a Lobby, Possibly the Ante Room to the Music Room, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. Perspective view of the end of the

Part of a sheet of a drawing book: figures and architectural plans, Pen and brown ink, brush and brown wash, bistre, on paper, A group of two women sitting and a man standing are engaged in conversation. He is attired in according to seventeenth

Officer and Head of a Horse, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on of-white paper, Vertical view of the officer and the head of the horse seen in full face., USA, 1862, figures, Drawing, Drawing

Design for a Painted Panel, Jean-Guillaume Moitte, French, 1746–1810, Pen and Chinese ink, sepia on paper, The candelabrum schemes have details with different alternative suggestions. This includes satyr children hold a fruit bowl; center:

Monkey, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of a monkey., USA, 1877, nature studies, Drawing, Drawing

Design for a Brooch, Brush and sepia on paper, In the center, a round diamond framed by a broad circular frame, containing a freize with lilies standing alternatively upright and down. Four scrollwork pins., Italy, 1825–50, jewelry,

Design for a Chest of Drawers, Pen and black ink, brush and watercolor on paper, Chest with six drawers decorated in marquetry inlay of stylized flowers between scallops. Similar decorations on piers and cornice. A metal gallery between finials

Design for a Frieze, Charcoal, pen and ink, brush and watercolor on paper, Horizontal frieze with symmetrical grotesque decoration. At center, a fountain with florals. Strapwork and scrolling rinceaux with birds., Italy, 1600–1625,

Elevation of Mansion, Graphite, brush and watercolor on paper, House elevation, front view., USA, ca. 1894, architecture, Drawing, Drawing

Seascape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of figures by the sea at night with a ship in the background; Verso, Partial sketch of the roof of a building., USA, 1880–1881, seascapes,

Study for Illustration: Hazelnuts, Samuel Colman, American, 1832–1920, Graphite on paper, A bough with leaves and hazelnuts., USA, ca. 1881, nature studies, Drawing, Drawing

Dog, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a dog lying down., USA, 1877, nature studies, Drawing, Drawing

Design for a Domed Ceiling, Pen and ink on paper, One half is shown. A double arch with brackets, a wedge of a pilaster with a balustrade represent the architectural structure. Putti upon it busy themselves with garlands. Two escutcheons upon the

Design for a Ceiling, Pen and brown ink with brown, blue and yellow wash Support: off-white paper on secondary paper support, Part of a ceiling shown. At center, a blank octagonal frame flanked laterally with rectangles, the right one with

Stage Design, Ruins and Seaport, Giuseppe Raina, Italian, Pen and brown ink, brush and gray wash, traces of graphite on cream laid paper, Horizontal rectangle. Ruins on both sides of foreground opening up toward background with port and ship.,

Two Brooches, Graphite, pen and ink, brush and watercolor on paper, Above a branch with a bud and a leaf, this in balance with a knot entwined with a garland. In the center, a diamond, another in hanging., Italy, 1825–50, jewelry,

Design for the End Wall of the Noble Cabinet, Palazzo Altieri, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid white paper, lined, Room, section showing entrance wall., Rome, Italy,

Elevation of Proposed House for George Eustis, Esq., Whitney Warren Jr., American, 1864–1943, Photostat (a wash drawing), on white wove paper, From 1896 to 1898 Whitney Warren worked intermittently in the offices of McKim, Mead & White as a

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of the bell tower in St. Mark's Square, Venice., Venice, Italy, 1880–1881, seascapes, Drawing, Drawing

Allegorical Figure of Fidelity, Giuseppe Longhi, Italian, 1766–1831, Graphite on cream paper, laid down, The allegorical figure of Fidelity is seated on a cloud, looking at kissing doves on her left., northern Italy, Italy, 1790–1830,

Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Nude female figure, seated, seen directly from front; right leg down, left leg raised, with hands clasped around knee., USA, ca. 1890, figures, Drawing,

Design for a Mantel Clock, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze clock. The case is marble with bronze decoration. Mounted above is a bronze group of seated Diana (?) and a dog., France, 1780–90,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper., Partial sketches of a figure wearing a hat., USA, 1880–1881, figures, Drawing, Drawing

Design a Chair Crest Rail, Pen and brown, red ink, brush and brown wash, on off-white laid paper, lined, The chair crest is in the shape of a pediment, framed laterally and angularly by scrolls. Within the pediment are a rosette, rinceaux,

Horse, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a horse's head., USA, 1877, nature studies, Drawing, Drawing

Palace, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of the exterior wall of a palace., USA, 1880, architecture, Drawing, Drawing

Decorative Objects, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a lamp base with two stylized herons; Verso: figure in uniform., USA, 1877, furniture, Drawing, Drawing

A Winged Victory in the Right Spandrel of an Arch, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite, brush and wash on paper, Right half; a triangle with a Nike holding in her outer hand a bar with a trophy, and in her inner

Elevation of a pavilion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Arched opening flanked by embedded columns; steps lead to it. Slightly receeding lateral wall panels. Attic over

A Winged Victory Riding a Chariot; A Winged Victory Crowning a River God, Reno; two roundels, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite on paper, A victory riding upon a chariot toward right. A triangular pylon is shown

Two Figures, August-Florian Jaccaci, American, 1856–1930, Charles Scribner's Sons, New York, New York, USA, Pen and ink, with graphite, on illustration board, Figures of two boys: one stands, center, leaning against a pedestal,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, A partial sketch of a figure., USA, 1880, figures, Drawing, Drawing

Street scene, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a street scene; Above, Sketch of a donkey and two figures; Below, Sketch of a female figure in profile holding a fan., USA, 1882, figures,

Console Table, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a table with alternative suggestions. At left, the table is supported by two cornucopia; at right, a gaine with a lion head., Italy, ca. 1790,

Jar, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a jar with decorative ram's head handle., USA, 1877, ceramics, Drawing, Drawing

Elevations of a Door, Door Frame, Overdoor, and Adjoining Wall Panel, Mauro Antonio Tesi, Italian, 1730 - 1766, Red chalk on paper, Vertical format elevations of a door, door frame, overdoor, and adjoining wall panel. Somewhat more than

Elevation of an Altar, Leonardo Scaglia, French, active Italy, 1640 – 1650, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and bistre, brush and wash on paper, An alter is set within the framing parts of a bay. The predella

Washington Irving's Library at Sunnyside, Daniel Huntington, American, 1816–1906, Graphite on grey-beige paper, Sketch of an interior with fireplace at right and door at left. Notes in margins on either side., Tarrytown, New York, USA,

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, watercolor, graphite on light blue paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A symmetrical design composed of a fir tree as central motif, flanked by lighted candles and holly., USA, ca.

Design for an Entablature, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, Architectural details. Capitols of two Corinthian columns and section of freize on which two busts apear in profile, encircled with a female figure

Courtyard, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a courtyard., USA, 1880, architecture, Drawing, Drawing

Church, Germany, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a church on a hill., Germany, 1867, architecture, Drawing, Drawing

Sketches from the Middle East, including the Suez Canal, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Recto: Distant view of a steamer.; Center, two boats with blocks of cement.; Bottom left, sketch of building.;

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor with white gouache, graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew.

Project for an altar: intended to be executed with colored marble and gilded bronze, Pencil, pen, black ink, brush and various water colors on light creamy paper., Vertical composition of an altar shown in profile. Framing lines at the left,

Unidentified Classical Subject, Fortunato Duranti, Italian, 1787 - 1863, Graphite on white paper, A nude man is seated on a throne-like bench, facing left in profile. A woman, at his feet, grasps him about the waist, while one boy sits

Allegorical figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of four figures., USA, 1880–1881, figures, Drawing, Drawing

Design for Decorative Motifs, Graphite, pen and ink, brush and wash on paper, At left, a lyre with a bow, a thyrsus, a quiver in front of it, with a torch and a wreath on top of it. At right is the left half of the foot of a candelabrum.,

Stage Design, Column with Monument on Top, Pen and sepia ink, brush and wash on paper, Vertical rectangle. View through coffered archway to open square, column with monument on top., Italy, early 19th century, theater, Drawing, Drawing

Projects for Decorations of Panels, Black chalk, pen and ink, brush and light brown, gray watercolors on laid paper., Three escutcheons in front of a slightly shorter oblong panel, lateral escutcheons face each other. On verso:An escutcheon in

Aedicule with Coat-of-arms, Graphite, pen and ink, brush and wash on paper, A pair of pilasters and columns with Corinthian capitals frame a window with coat-of-arms., Italy, 1750–1775, architecture, Drawing, Drawing

Design for a Coronet, Pen and brown ink, brush and gray, yellow, green wash, graphite on white laid paper, Horizontal rectangle. Design for a small crown or tiara intended to be executed in gilded metal and diamonds. Two branches of bitter oak

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on grey paper, A detailed sketch of female figure's head and facial expression. Shown in three

Grotesque for an Oblong Panel, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on laid paper, In the center is a candelabrum with a bearded mask sticking out an enormous tong, below, with a cup in

Studies of Masts and Ornaments, Filippo Marchionni, Italian, 1732–1805, Pen and ink on laid paper, Hoirzontal rectangle. Masts shown at one side, ornaments at the other. A calyx as a central motif between branch scrolls. In opposite

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A symmetrical design composed of a lyre as central motif, flanked by interlacing bands and lighted candles.,

Elevation of an Apse with Altar, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The entablature of the altar is in the same height than that of the chapel; part of the

Design for a Woven Fabric, Brush and blue, purple, and leteritious gouache on oily tracing paper, Same style as 1909-13-106. Five rows of two repeats each are shown. The repeat consists of an eight-pointed start in an octagon in the top and

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and watercolor, gouache, graphite on wove paper, Rectangular gray glass window composed of frames within frames, with rectangles and triangles creating intricate

Stage Design, Interior of Gothic Church, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic church richly decorated. Stairs at right lead to a palace hall., Italy, late 18th century, theater, Drawing,

Washington Irving's Library at Sunnyside, Daniel Huntington, American, 1816–1906, Graphite, brush and white gouache on grey/green wove paper, A library with a desk in the center and a chair to the right, before windows and bookshelves.,

Interior of a Bedroom, Unknown, Brush and watercolor on white wove paper, This view features a woman's bedroom, identified as such by the bonnet next to the ribbon-framed mirror and the blue slippers at the foot of the bed. Scandinavian design is

Design for an Ovoidal Painting: Prudence, Giacomo Zampa, Italian, 1731 - 1808, Black chalk, pen and ink, brush and sepia wash, brush and white oxidized gouache on brown paper, A seated woman contemplates a skull she holds in upon her right

Design for a Tray for Hors D'oeuvres, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink on paper, Elongated bowl with clawed feet with palmettes., Augsburg, Germany, 1827–35, metalwork, Drawing, Drawing

Study for 'Ouananiche Fishing, ' Lake St. John, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a male figure casting a long fishing rod while standing on a rock in a rapids., USA, 1897, landscapes, Drawing, Drawing

View of Pisa, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, A stone bridge with carriages and pedestrians., Pisa, Italy, 1880, architecture, Drawing, Drawing

The Virgin with the Child, an Angel, and a Seated Girl, Fortunato Duranti, Italian, 1787 - 1863, Graphite, brush and brown ink on paper, The Virgin, turned toward right, kneels upon her left knee. The Infant stands beside her as if craving

Candelabrum as part of a decoration, Pen, ink, brown watercolor, white heightening on red colored paper, Vertical rectangle. Cut along the outlines of the drawing. Supported by a blossum and two lion feet. The lower part has the shape of a

Design for a Wall Panel, Pen and ink, brush and watercolor, sepia on paper, Elevation of a wall panel with candelabrum. The upper wall shows a motif centered on a vase; the dado shows a wreath and bow knot. The entablature shows a frieze of

Boy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a young male figure wearing a hat., USA, 1879, figures, Drawing, Drawing

Design for Stained Glass Window, Saint Peter's Episcopal Church, Albany, NY, Sir Edward Burne-Jones, English, 1833–1898, Pen and black ink, brush and watercolor, over graphite on wove paper, Window with three panels showing standing

The Promenade, Constantin Guys, French, 1802 – 1892, Brush and blue and gray wash, pen and brown ink on paper, Vertical rectangle, bevelled corners. A couple promenading arm in arm viewed frontally. Woman dressed in a silk hoop skirt with a

Decoration of a Panel, Pen and brown ink, brush and brown wash on cream laid paper, lined, Below, in the center, is a circular altar; beside it are two figures upon bases. They are connected with the altar by a festoon and with each other by a

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of the Grand Canal and the Ducal Palace in Venice., Venice, Italy, 1880, architecture, Drawing, Drawing

Designs for a Bracelet and Brooch, Black crayon, brush and yellow, light blue watercolor on paper mounted on cardboard, Jewelry designs for a bracelet and a brooch intended to be executed in gold with diamonds and pearls. Above, the bracelet

Stage Design: Proscenium and Orchestra, Pen and bistre, brush and sepia wash on paper, Design showing decoration of stage wall with sculptures in niches and garlands hanging from above from cartouche in the middle. Arrangement to place orchestra.,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure in profile wearing a veil., USA, 1879, figures, Drawing, Drawing

Original Drawing, Cahier VIII, plate 1, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash on greenish laid paper, Side view of canopied bed with draping at wall decorated with female busts., France, 1780–96,

Entrance, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an entrance covered by an awning., USA, 1879, architecture, Drawing, Drawing

Pedestal of a column, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, The main part is concave and fluted. In the center of the front is a circular medallion hanging from a mask and

Doorway, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a doorway with a tympanum., Venice, Italy, 1880, architecture, Drawing, Drawing

Designs for a Bracelet, Pen and brown ink, gray wash, green, yellow, watercolor, traces of graphite Support: off-white laid paper, Italy, Italy, 1800–1825, jewelry, Drawing, Drawing

Fishermens' Sail Boats, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on grey-blue paper, Four boats with crowded sails and fluttering pennants rest upon dry ground., USA, Switzerland, 1872, transportation,

Design for a Painted Porcelain Plate, Les Müres (Mulberries) for the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash on cream laid paper, circular border in

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of female figure wearing a feathered hat., USA, 1877, figures, Drawing, Drawing

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape with hills along the horizon, USA, 1857–1903, landscapes, Drawing, Drawing

Cartoon for Cotton Printing: 'Les Quatre Saisons', B. M. Lebert, 1759–1836, J. L. Lebert, French, early 19th century, Hartmann et Fils, (Munster, France), Pen and brown ink, brush and grey wash, on cream paper, pieced; squared in

Project for a Royal Escutcheon, Pen and brown ink, brush and brown wash on off-white laid paper, A crowned escutcheon is flanked by birds and flags. On either side is a seated allegorical women. The left holds a fasces, the right an orb., Italy,

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of three gondoliers and gondolas in Venice., Venice, Italy, 1881, transportation, Drawing, Drawing

Flowers, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of flowers in a landscape., USA, 1877, nature studies, Drawing, Drawing

A Winged Victory in the Left Spandrel of an Arch, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite, brush and wash on paper, Left half; a triangle with a Nike holding in her outer hand a bar with a trophy, and in her inner hand

Architectural Ornament., Pen and black ink, brush and gray watercolor on cream laid paper, Atop a column, a mask with shell and foliage. Accounting above and tip of missing text belwo, Italy, mid- 18th century, architecture, Drawing,

Dagger, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a dagger with details of the handle., USA, 1876, metalwork, Drawing, Drawing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Candelabrum, Graphite, pen and ink on paper, Candelabrum motif. Square plinth decorated with ram heads and swags. Above, an angel holds a aloft a wide-lipped plate. At top, a baluster form decorated with acanthus leaves. Smoke rising out of

Design for Rolling Serving Table with Three Trays, A.N. Davenport Co., Graphite on thin cream paper, Trolley-like serving table on wheels in three-quarter view; three stacked trays, the middle one smaller; handles attached to back of uppermost

Head of a Nun, Alessandro Marchesini, Italian, 1663–1738, Red chalk on cream paper, Head of a nun in right profile, her gaze directed upwards., Italy, 1750–1800, figures, Drawing, Drawing

Five Grotesque Figures, Pen and black ink on cream laid paper, Five cartoon half-length figures, four in profile, one facing the viewer., Italy, 17th century, figures, Drawing, Drawing

Stage Design, Palace Interior, Graphite on paper, Horizontal rectangle. Interior of large palace hall richly decorated with sculptures, ornamented coffered ceiling., Italy, early 19th century, theater, Drawing, Drawing

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