Images at Librifly

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Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Design for Ceiling Decoration., Rome, Italy, 1746–1809, interiors, Drawing, Drawing

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of figures on horseback, , USA, n.d., figures, Drawing, Drawing

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops., USA, ca. 1895, architecture, interiors,

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A seated, winged woman is shown from the front, her left hand leans upon a book, the right hand is raised, holding a wreath., USA, ca.

Three Chinese Men Playing Dominoes in a Baxter Street Club-House, New York City, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of three Chinese men seated at a table, where two of the men are playing dominoes while

William Hague, Mary A. Hallock Foote, American, 1847–1938, Graphite on cream wove paper, Profile drawing of a young man facing left., USA, 1900–15, portraits, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, A row of hearts is at the bottom, a row of hanging leaves at the top, a

Plan of Sepulchral Building, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper, A transept. Squared with some numbers., Rome, Italy, 1780-1790, architecture, Drawing,

Alice Little, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Sketch of a female figure., USA, 1882, figures, Drawing, Drawing

Elevation of a Timepiece, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for a timepiece, the base made up of two rectangular sections with bevelled corners. The

Design for a Wall Niche, John La Farge, American, 1835–1910, Graphite and watercolor on tracing paper, A niche with Renaissance frame, in the form of a lunette supported on a sculptured lintel resting on pilasters. Escalloped motif on back of

Design for Berlin Wool Work, Carl F. W. Wicht, German, Brush and gouache on pre-printed squared paper, Design for Berlin wool work—probably for a pin cushion. A red and white rose with green leaves and a bud at each end. All on squared paper.,

Monkey, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a money., USA, 1877–1878, nature studies, Drawing, Drawing

The Head of a Bearded Man, a Man on Horseback, Paolo Emilio Besenzi, Italian, 1624 - 1666, Black chalk, pen and ink, brush and bistre on paper, The head is in the upper left corner. It is turned toward the right, and shown in profile. The

Corner Design for Mosaic Floor, Frederick Krieg, American, b. Germany 1852–1932, R.C. Fisher and Co., New York, New York, USA, Brush and watercolor, black and white gouache, pen and black ink, graphite on white wove paper, Corner border

Design for a Candlestick, Chalk, pen and ink, brush and wash on paper, Rococo candlestick with mermaid with butterfly wings kneels upon a rock supporting a cornucopia from which five branches rise, four of which carry candle sockets., Italy,

Design for a Painted Porcelain Plate, Le Poisson (Pisces) from Le Zodiaque Travesti (The Farcical Zodiac) Service, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, pink, tan watercolor, white gouache, red

Elevation of Mansion, Graphite, brush and watercolor on paper, Front view of building., USA, ca. 1894, architecture, Drawing, Drawing

Study of violet leaves and grass, William Trost Richards, American, 1833–1905, Graphite, brush and gouache on paper, Sketch of violet leaves and grass., USA, August 23, 1859, nature studies, Drawing, Drawing

Head of a Cow, Étretat, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, Head and neck of a standing cow or ox. The head turned toward the viewer. Verso: Three details of a head of a

Design for a Pediment, Black chalk, pen and ink on paper, The right half of a broken pediment, having in the center a disk with the sun and rays., Italy, 1725–1750, ornament, Drawing, Drawing

Dog, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of a dog lying down and standing., USA, 1876, nature studies, Drawing, Drawing

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on tan paper, Within a compartment, with pointed arched top, two narrow stained glass panels. Left: full-length female

Two Window Cases, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and gray watercolor on laid paper, Above: pediment is circular with an angularly broken base. In the interval between the window frame and the base is a

Design for Cresting for a Comb, Pen and brown ink, brush and magenta, blue-green, yellow-brown wash on white laid paper, laid down, Horizontal rectangle. Design for cresting of a comb intended to be executed in gilded metal and diamonds. Curved

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of three gondolas in Venice with the facade of a building and a terrace garden in the background., Venice, Italy, 1880, landscapes,

A Hand Bell, Pen and ink on paper, A hand bell with baluster form acanthus leaf handle. Cherubs and ornamented body decorated with a medallion of the Madonna and Child., Europe, 1820–35, metalwork, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure washing her hands in a basin., USA, 1880, figures, Drawing, Drawing

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush, pen, watercolor, gouache, black ink, wash, graphite on off-white paper mounted on off-white laid paper, Geometric oriental design

A Fly-Catcher, Pen and ink on paper, Shown standing upon a railing ready to catch an insect flying above at left. The upper one is drown over the point of the tail and the figure '204'., Italy, 1650–1700, Drawing, Drawing

Design for Mahogany Inlay Writing Table for George M. Nowell, A.N. Davenport Co., Graphite on thin cream paper, Semi-circular table top with backsplash and inlaid central front panel flanked by 2 drawers on either side; raised on 4 straight

Design for Brooch with Cherubins, Pen and ink, brush and sepia on paper, A round gem is set within a frame decorated with floral scrolls and small round gems. Four cherubim with extended wings as a frame. At right, sketched for florals and a

Two Sailing Ships, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Two sailing ships shown in profile. Pencil scratchings in the left top corner., USA, ca. 1850, Drawing, Drawing

Actor, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure with arms stretched., USA, 1870–1879, figures, Drawing, Drawing

Sketches, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, Top left: ceiling decoration with panels and bands. Bottom right: panel decoration with grotesque motifs and escutcheon on top; beneath it are

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow, brown-red watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, similar to 1938-88-608, but without the base

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. With variations like 1938-88-756. The engraved band with a zig-zag

Window Alcove for the Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Design for an alcove with an arched ceiling and a window. Painted lattice-work

Study: Head of a boy, Mauro Gandolfi, Italian, 1764–1834, Black crayon on paper, A child shown in three-quarter profile., Bologna, Italy, 1810–34, figures, Drawing, Drawing

Design for a Painted Porcelain Plate, Loading or Unloading Goods, Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and pink, tan wash, white gouache, graphite on cream laid paper, lined, Design for a painted porcelain

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Five partial sketches of a figure., USA, 1880, figures, Drawing, Drawing

Designs for Arabesque Panels, François Marie Isidore Queverdo, 1748 - 1797, Pen and ink with sepia wash, In the center, Bacchus standing under a grape arbor issuing from urns, and a brazier at the top. At the bottom, a herm, flanked by drum

Niagara Falls Seen from the Canadian Side, Frederic Edwin Church, American, 1826–1900, Graphite on green wove paper, Horizontal view, USA, 1856, landscapes, Drawing, Drawing

Obverse and Revese: Sacred and Profane Love, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and wash on paper, Left, the Virgin is seated beside the youthful Christ, who has His back turned toward the spectator. Right, a

Design for a fountain, Pen and brown ink, brush and brown wash, on paper, A variation of the fountain in 1901-39-2103. Three mermaids kneeling upon a rocky base support the upper basin. From the mouth of three upright entwined dolphins water

Shoe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Four sketches of a lady's shoe., USA, 1876, costume & accessories, Drawing, Drawing

Grotesque Heads, Pietro Antonio Novelli, Italian, 1728 - 1804, Pen and ink on paper, Three human heads rendered grotesquely like those of animals. Two are shown in profile while one is shown frontally., Italy, 1750-1775, figures, Drawing,

Design for Stained Glass for Doorway in Miss Caldwell's House, Newport, R.I., John La Farge, American, 1835–1910, Graphite and watercolor on paper, Unfinished project for a doorway, showing lintel and plaster strip., USA, 1870–80,

Chariot Procession, Pen and ink on paper, Chariot shown de face. Six horses, each with a rasied leg. At center, a figure in classical dress., Italy, ca. 1795, classicism, Drawing, Drawing

Study of a Hawthorne and Honeysuckle Bough, Graphite and brush and white gouache on paper, France, 1775-1800, Drawing, Drawing

Portrait of George Beets, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers and a riding habit seen standing three-quarter length in left profile., England, 1870–80, figures,

Fireplace fenders, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two columns are connected by a bar, in the height of the moldings of the pedestal. The shafts are fluted and

Peace in a chariot, Sala di Recezione, Palazzo Quirinale, Rome, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and color washes over black chalk ruled lines on beige wove paper, Peace stands within horse-drawn chariot,

Study of Soldiers Taking Aim, Winslow Homer, American, 1836–1910, Graphite on pasteboard, Vertical studies of soldier taking aim., USA, 1862, figures, Drawing, Drawing

Cupid Visiting Psyche, Brush and wash, pen and brown ink on paper, At left is cupid, kneeling with his right leg upon the bed, shown from the front. His arms are extended toward the left, his head is turned toward the right. At right, in a

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design in square in yellows with C-scrolls at center., USA, late 19th century, architecture,

Carved Decoration for a Wall Panel, Graphite, pen and ink, brush and grey-brown wash on paper, The right half is shown. Rocaille framing, with a standing swan. Water springs from swan's beak and pours at right., ca. 1740, interiors, Drawing,

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a landscape., USA, 1879, landscapes, Drawing, Drawing

Design for Woven Paisley, Brush and orange-pink, yellow gouache, graphite on brown oiled translucent paper, Design for paisley (woven Persian cone). Consists of a small cone that sits inside a larger one. The larger cone contains an assortment of

Design for an Embroidered or Woven Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Plants in part like calyces and rosettes composed of seven boughs with blossoms

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a seated female figure wearing a dress., USA, 1879–1880, figures, Drawing, Drawing

Frame, for Book Illustration, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Scroll work, with waves and rosettes above and below. Fruit, lower left and right. A horizontal rectangle in pencil inside,

Papal Escutcheon, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink on laid paper, Sketch for an escutcheon with papal symbols., Italy, 1740–58, ornament, Drawing, Drawing

Design for a Door Case, Brush and bistre wash, graphite, black crayon on paper, Vertical rectangle. The right half of a design for a door case is shown. Overdoor showing a broken pediment in front of a panel. A putto seated on the cornice

Design for a Flower Stand, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. A circular base is supported by seven steps. Above rise alternately a column and a female hermae; the first supports the rim of the lower

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, The base is a square plinth, with candelabra at the corners. Above it stands on

Design for Necklace with Brazilian Beetles, Graphite, brush and watercolor, white heightening on tracing paper, Nine beads are part of chain, from which hang alternately five large and four small beetles. Chains with beads hang as festoons.,

Project for a Decorative Pediment, Black crayon, pen and black ink on laid paper, A seated child supports with his raised hand a scrolling architectural frame. Design is mainly in contours with hatching behind figure., Italy, 1700–1750,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper., Sketch of a female figure wearing a dress seated in a chair., USA, 1879, costume & accessories, Drawing, Drawing

Project for an oblong stucco ceiling: gaines and garlands, Pen and brown ink with gray wash Support: off-white laid paper, Mounted together with -6695, Italy, 1725–75, Drawing, Drawing

Design for the Embroidery of the Top Part of a Man's Coat (Lapel), Pattern No. 1510 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Mademoiselle Antelme, Graphite, brush and gouache on paper, A bunch of flowers apparently

Design for a Brooch, Pen and black ink, brush and gray watercolor on off-white laid paper, Jewelry design for a brooch. A knot of laced ribbon, à jour. In the center, a rosette. The inside of the ribon with an arcade motif. Outside, rows of

Imaginary Landscape, Frederic Edwin Church, American, 1826–1900, Pen and ink on paper., A mountain with a shore shown in the left foreground and in the water a sailboat to the right., USA, ca. 1850, landscapes, drawing, drawing

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, A motif composed of a crown, anchor, trident, and a sail., USA, ca. 1910, graphic design, Drawing,

Cartoon for Cotton Printing: Les Quatre Elements, Hartmann et Fils, (Munster, France), B. M. Lebert, 1759–1836, J. L. Lebert, French, early 19th century, Pen and ink, brush and gray wash on cream laid paper, The design for a textile is

Doorway, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an arched doorway with vines., USA, 1880, architecture, Drawing, Drawing

Textile Design: Vertical, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Pen and black ink, watercolor, over graphite, ruled border in yellow waterco Support: white laid paper, Geneva, Switzerland, France, ca.

Sketch of Large Room, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Profile of man seated in room, beside a fireplace, reading. Bear rug on floor; lower right, chair with table, vase with plant

Chair, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, Square-backed chair with octagonal cushion and volutes on crest rail., Italy, 1780–1790, furniture, Drawing, Drawing

Sketch for a Painting, Black chalk on paper, Sheet missing corners. Oval with a seated nude woman at left, reaching toward a figure at right., Italy, ca. 1820, figures, Drawing, Drawing

Waterhole in the Desert, Utah, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, white gouache on gray paper, Horizontal view of a group of horsemen approaching a waterhole, with a man seated nearby. Group of trees, at

Study for an Angel in Adoration, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Angelic figure shown from the right back, turned toward right. The head is lowered., USA, ca. 1893, figures, Drawing, Drawing

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing, Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, A ring consisting of a leaf bough and a row of beads is perpendicularly shown suspended from a bunch of flowers. At left: A leaf spiral from which boughs rise is connected by an

Design for Rectangular Sideboard with Vases of Flowers, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard with 4 square reeded legs; center front has 3 drawers arranged in 2 rows, flanked by suggested carved vases and

Project for an altar, Pencil, pen, sepia, brush and grey water color on paper, Vertical composition of an altar with '51' written at the upper edge, Italy, 1775–1780, religion, Drawing, Drawing, Project for an altar, Pencil, pen,

Design for Tea Table with Brass Railing Along Back of Upper Shelf, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing, Design for Tea Table with Brass Railing Along Back of Upper Shelf, A.N. Davenport

Study of Right Hand on a Book, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Study of right hand and arm, from the right, resting on an upright book. Verso: Outline of upper torso and arms of Bacchante with

Ten Studies of Tombs and a View of Rocks, Petra, Jordan, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Recto: Horizontal view with a stripe separating at left, seven designs of tombs with architectural forms;

Stage Design, Ruins Near Shore, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Ruined castle near seashore with boats., Italy, ca. 1780, theater, Drawing, Drawing, Stage Design, Ruins Near Shore, Pen and bistre

Four Drawings of the Myth of Apollo; Decoration of a Wall over a Mantel, Sala di Apollo, Palazzo Cavina, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and greyish-brown wash over traces of graphite on laid paper, Apollo

Sketch and Design for Woven or Embroidered Borders, Graphite, brush and wash on paper, Horizontally-directed vine rinceau, continuation of 1909-13-127; right, sketched scalloped blossom., France, 1820–50, textile designs, Drawing,

Design for a Bed in the Polish Style, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on laid paper, Canopy bed seen from the end with upholstered footboard with an oval panel at center. Canopy dome is

Two Ornamental Arabesque Motifs, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink with ink wash, graphite on pieces of paper, Top, upper portion of an arabesque panel, consisting of a figure dirving a chariot drawn by four

Woman Seated on Chair, Victor Wilbour, Pen and red ink, crayon or colored pencil on board, Woman seated on a chair under a tree, right, with a bird on her hand; left, a dog, and a wall. Beyond, a lake with a boat, then a tower on a

Project for a Frame, Pen and brown ink, brush and brown wash on off-white paper on secondary paper support, An angel is shown flying and supporting with his raised right hand a scrollwork frame. Clouds are shown at the bottom., Italy,

Tent and Campfire, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a tent and a campfire., USA, 1895–97, landscapes, Drawing, Drawing, Tent and Campfire, Winslow Homer, American, 1836–1910, Graphite on paper,

Colonnade with Fountain, Pen and brown ink, brush and gray wash, graphite on laid paper, A sketch left in pencil on the left, and filled in with ink and wash on the right. A wall with niches and colonnades contains a fountain with a figure of a

Frame for a town gate with alternate suggestions, Filippo Marchionni, Italian, 1732–1805, Graphite, charcoal, brush and watercolor on paper, Architectural detail of archway, two superficial Corinthian columns at left and right of open arch.

Designs for Circular Plates, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Designs for two circular plates with several decorative suggestions. Plate at left: suggested are

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