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Study of Peter Cooper's Feet for 'The Atlantic Cable Projectors', Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Study of lower left leg and foot, and right foot, in boots. Verso: Torso of man seated in

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink on paper, Horizontal rectangle. Group of antique buildings with pediments, vaults, porticoes, stairs leading up., Italy, early 19th century,

Classical and Pseudo-Classical Architectural Details, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Horizontal rectangle. At top, shown from the side, a man with the

Abstract floral and bar d, Herman A. Elsberg, (American, 1869–1938), Gouache Support: ivory paper, Lyon, France, France, 1919, textile designs, Drawing, Drawing, Abstract floral and bar d, Herman A. Elsberg, (American, 1869–1938),

Design for Sideboard of Mahogany and Inlay, A.N. Davenport Co., Pen and black ink on thin cream paper, Front, 'end, ' and plan views of rectangular mahogany sideboard with inlay; front view shows rectangular sideboard with cylindrical legs

Project: The elevation of an organ case, Pen ink, lead pencil and bistre with gray water color washes on paper, Vertical composition of an organ case with pipes in an aedicula with a cherub and scrolls. The wings of an imaginary curtain are seen

Design for Serving Table with Alternate Design Sketch, A.N. Davenport Co., Pen and black ink on thin cream paper, Narrow rectangular body raised on solid double-scroll side supports; lower shelf attached half way above floor; upper left corner,

Chimney, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a chimney., USA, n.d., architecture, Drawing, Drawing, Chimney, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper pasted on paper, An unnatural flower bough rises from every other of a blossom

Designs for Roman Arms and Other Classical Motifs, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre wash, gray watercolor, graphite on paper, Horizontal rectangle. Upper row: three shields, four legionary

Fountain Supported by Three Harpies and Three Groups of People in Garden in Villa Albani, Rome, Felice Giani, Italian, 1758–1823, Black chalk on off white wove paper, Large fountain with two bowls, lower basin supported by central post and

Iceberg Against Evening Sky, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin buff wove paper, View of icebergs on blue-green water against a gold-peach background., Newfoundland and Labrador, Canada, June

Rinceau Design, Black crayon, pen and ink on paper, The right half of symmetrically disposed scrolls is shown. Included is a spout scroll with a join. Framed above and at right by two lines and below by only one line., Italy, 1725–1750,

Stage Design, Staircases, Pen and brown ink on paper, Horizontal rectangle. Detail designs for two different staircases in palace., Italy, early 19th century, theater, Drawing, Drawing, Stage Design, Staircases, Pen and brown ink on paper,

Project for a Reliquary, Pen and ink, brush and watercolor, sepia on paper, The base has a receptacle for a relic. A cherub at the foot of the shaft, two more beside the upper receptacle, on top a cross with two more., Italy, 1725–1750,

View of a Monastary, Giovanni Ballarini, Italian, 1700 - 1800, Black chalk, pen and ink, brush and watercolor on paper, View of a monastery with tiled roof. Arcade visible from behind wall. Walla t right decorated with a large cross. Tree at

Study of Trees, Birch and Oak, Daniel Huntington, American, 1816–1906, Black crayon, white chalk, graphite on cream wove paper, Study of the tops of tree trees: a birch, at left; an oak, at right., USA, 1840–50, nature studies,

Sketch for a Wall Panel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite, brush and brown watercolor on paper, Above, rectangular composition with reclining woman, one arm stretched to a book held by a putto. Oval, center. Notes

Hercules and Tole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing, Drawing

St. Aloysius Gonzaga is received in Heaven by the Christ Child, Pen, brush and sepia on paper, Two angels lift the cloud with the saint. The Christ Child sits above on a cloud. Beside is an adoring angel. At left are two groups of two cherubim.,

Chair and Flowering Plants, Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Recto: Sketch of a chair; Center, Sketches of flowering plants; Verso: Inscription of column base., USA, May 15, 1868,

Stage Design, Underground Vaulted Space with Tombs, Angelo Toselli, ca. 1765? – 1826, Pen and black ink, brush and pale green, pink, and gray wash, graphite on laid paper, laid down, Horizontal rectangle. Vaults of crypt with tombs, urns

Horse and carriage, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a horse and carriage on a tree-lined street., USA, 1880, transportation, Drawing, Drawing

Stage Design: Garden Architecture with Fountain and Sculptures, Pen and bistre, sepia wash on laid paper, Vertical rectangle showing a nearly semi-circular section of a ‘Rond-Point’ in a park, decorated with a fountain in the center. At

Stage Design, Group of Palace Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Group of palace buildings, porticoes in foreground., Italy, early 19th century, theater,

Views of the East Bank of the Guayas River, opposite Guayaquil, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal broad view of a river bank with bushes, trees, and a house, and a sketch of the

Saltarello Romano, ' Dancing Peasants In The Neighborhood of Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A dancing pair with similar poses as in plate 1 of the

Two Brown Birds on Branch with Tulip, Berries, and Insects, Pen and ink, graphite on coated wove paper, Two Brown Birds on Branch with Tulip, Berries, and Insects, ca. 1800–1830, Drawing, Drawing

Walls in Toledo, Arnold William Brunner, American, 1857–1925, Graphite on paper, High walls, closer at right, house beyond at left, ground sloping away, USA, 1892, architecture, Drawing, Drawing

Girl Seated on a Porch Step, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a girl sitting on a porch step and holding with her arms a column, as her head turns to her left., USA, 1879, figures, Drawing, Drawing

Moses Shows the Tables of Law to the Israelites, after Perino del Vaga, Felice Giani, Italian, 1758–1823, Perino del Vaga, Italian, 1501 - 1547, Pen and brown ink, brush and dark brown wash on off white laid paper, A hooded figure stands

Study of 16th Century Ironwork, Arnold William Brunner, American, 1857–1925, Upper left, detail corner of a screen or grillework., Graphite on light brown paper, USA, 1883, architecture, Drawing, Drawing

Study of perspective, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a corner of a building with detail and perspective lines from one vanishing point., USA, ca. 1900, architecture, Drawing, Drawing

Design for a Bed in the Roman Style, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, yellow-green watercolor on white laid paper, Daybed, hangings suspended from a domed canopy which is decorated with clusters

Design for Sideboard/Serving Table of Mahogany and Inlay, A.N. Davenport Co., Pen and black ink, graphite, on thin cream paper, Narrow rectangular sideboard/serving table on four straight, tapering, fluted legs; cabinetry section has

Stage Design, Interior of Basement of Palace, Angelo Toselli, ca. 1765? – 1826, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Huge substructure in basement of palace building., Italy, early 19th century, theater,

Design for Embroidery, Gentleman's Waistcoat Pocket, Fabrique de Saint Ruf, Lyon, France, Brush and gouache, pen and brown ink, graphite on cream laid paper, Design for the embroidery on a man's waistcoat or gilet. A grey dog and three grey

Boy playing a lute, Elihu Vedder, American, 1836 – 1923, Graphite on paper, Full-length sketch of a young male figure, his right knee bent, playing the lute. Profile of a boy, partly seen, right., USA, ca. 1890, figures, Drawing,

Ascetic and Courtier, Pen and ink on paper, An old man on the left interacts with a youngerman on the right. Behind them is an intricate sketch of a building., Italy, 1500–1550, figures, Drawing, Drawing

Sketch of Landscape and Staircase, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Left, canoe and sailboats off rocks, two people canoeing. Right, view of staircase from doorframe., USA, 1883,

Playing With Money, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Seven men and boys, similar poses plate 14, loc. cit., are shown against a hilly background., Italy,

Winter Landscape with Blue Hill at Sunset, Hudson, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view of hilly country, part of which is snow covered. Dark clouds at left. Tree covered

Figural Studies of Soldiers, Black chalk, pen and ink, brush and watercolor on paper, At top, two standing men with brimmed hats and swords, seen from behind. Between them, the bust of a third. Below, a reclining figure facing right., Italy,

Design for a Ceiling Painting, Venus, Cupid, and Putti, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and ink, brush and black wash, charcoal on paper, Pairs of figures seated upon clouds. Above, Venus raises an orb and embraces

Chocorua Lake, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Lake in foreground, with trees on shore, at right. Mountains beyond, center., September 15, 1862, landscapes, Drawing, Drawing

Road through the Blue Mountains, near Homestead, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, Horizontal view of a road winding toward the background along steep mountain sides in the foreground and

River through Mountain Valley with Sky and Crescent Moon, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream wove paper, Landscape of mountain valley, river, moon; notations., USA, November 1866,

Design for Two Printed Floral Bands, Engraving, pen and black ink, brush and watercolor on white laid paper, Two horizontal strips show carnations, morning glories, hyacinths, tiger lilies, roses and other flowers with their foliage.,

Philosopher, Gilbert Tompkins, New York, NY, USA, Pencil on cream paper, Vertical rectangle. Three-quarter length figure of a bearded man, turned toward the left. He is heavily draped, including a hood-like covering over his head. His left

Standing Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Standing female nude figure, turned slightly toward left., USA, ca. 1890, figures, Drawing, Drawing

Hebe Pours Wine into Jupiter's Bowl, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on light brown laid paper, Juno shown between Jupiter and Hebe, gods at left. Eagle beside Jupiter. Two

View of Lucerne, Arnold William Brunner, American, 1857–1925, Graphite on paper, View from lake shore to Chateau; pier, right; mountain beyond., USA, 1879, architecture, Drawing, Drawing

Design for Flowered Fabric or Wallpaper, Brush and blue and grey gouache, graphite on wove paper, Branch of roses above lilacs at left, bunches of violets at right., France and USA, 1880–90, textile designs, Drawing, Drawing

Design for a Jewel Box with Earrings, a Pearl Necklace, and a Bracelet, Graphite, brush and blue watercolor wash on paper, Plan of a jewel box containing earrings, a pearl necklace, and a bracelet. Necklace and bracelet consist of five strings

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and yellow, blue, red, and white gouache on glazed tracing paper pasted on paper, Rinceaux with

Ceiling Design: Roman Ambassador Ask the Sabine Numa Pompilius to Reign over Rome, Sala di Numa Pompilio, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, over black chalk on white laid paper,

The Annunciation of the Virgin, After Guido Reni, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown washes on paper, On verso: Virgin ascending with angels and a sibyl and St. John the Baptist, Italy, 1813–18, figures,

You See, Sir, Surrender Is Out of the Question, Ludovico Marchetti, Italian, 1853 - 1909, Graphite, with grey and black washes, with white heightening on white watercolor paper, A wounded cavalry officer, on horseback, addresses another.

Man, Robert Frederick Blum, American, 1857–1903, Graphite, pastel crayon on wove paper, Sketch of a male figure wearing a hat and cape., USA, 1883, figures, Drawing, Drawing

Exaltation of the Cross and Saints (Design for a Painting for the Cathedral of Pisa), Giovanni Battista Paggi, Italian, 1554 - 1627, Pen and brown ink, brush and gray wash on laid paper, Italy, ca. 1606-11, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border, Brush and light blue, white gouache on glazed tracing paper, Plants with fan-like blossoms stand over two undulating strips., France, 1805–1815, Drawing, Drawing

Figures in Lee of Building with Ocean Beyond, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal, graphite on off-white wove paper, Recto: Group of figures in the lee of a building, with a railing in the middle distance and

Design for Music Cabinet, A.N. Davenport Co., Graphite on thin cream paper, Rectangular body with hinged upper drawer and 2 open lower shelves with stacks of books and music notebooks separated by molded dividers; raised on 4 small tapering en

Design for a Platter, Brush and watercolor, pen and black ink, graphite on cream paper, Partial design for serving platter; border of light orange with handle, and black vines; then a blue scalloped border, containing yellow bird on a branch of

Design for a Drawing Room, Graphite, pen and ink, brush and bistre on paper, Elevation of a room, showing two bays and a section of a ceiling. Both bays have windows in the lunettes above the entablature. The left bay is decorated with a view

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Rectangular design; linked circles in purple over blue; yellow squares dividing two rows., USA,

Palazzo Milzetti, Faenza;, Pen and brown ink, brown wash, over black chalk on white laid paper, Faenza, Italy, Italy, 1802–05, interiors, Drawing, Drawing

Stage Design, Mountain with Town on Slopes, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Mountain with buildings on hillside.,

Design for a Pitcher, Brush and watercolor, gold, white gouache, pen and ink on cream paper, Design of a pitcher decorated with light blue flowers on green and gray leaves; one branch reaches the lower part of the body., Japan, 1880–1910,

Two Friezes with Rams, Candelabra, Trophies and Putti, Felice Giani, Italian, 1758–1823, Black chalk on off white laid paper, Friezes featuring candelabrum, in center between two symmetrically disposed rams. Trophy of non-military objects.

Study of a female figure, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a female figure seated with her legs crossed., USA, ca. 1900, figures, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery at the border of a man's waistcoat. Lilac edges. A waved line runs parallel to the edge of the waistcoat. Boughs, leaves fan blossoms grow from it. A bunch of

Elevation of the Garden Facade of a Public Building, Graphite, pen, green and brown water color washes on paper, Central section and two wings ending with pavilions. The basement includes two staircases and three fountain sections. The terrace

Earthenware Jar, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Oval-shaped jar with handle and stopper., USA, 1877, ceramics, Drawing, Drawing

Study of Rocks, Petra, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontal image of the stratification of red sandstone formations., USA, February 1868, nature studies, Drawing, Drawing

Minerva, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and bistre wash over black chalk on laid paper, Minerva stands beneath trees having left foot

Pink Spotted Lilies and Maple Seeds, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on grey-brown paper, Two studies of pink spotted lilies, one facing right, the other from the front. Left, two

Fishermen Beaching a Dory, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Horizontal view of a beach, wih breakers; in center, men in oilskins beaching a dory; to the left, group of men running towards men at center., Verso:

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper., Sketch of a seated male figure wearing a turban., USA, 1877, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a tailcoat bending over to examine a small object in his left hand; Center right, detailed sketch of legs to further depict his

Stage Design, Court Amongst Ruins, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Court amongst small buildings and ruins of

Design for a Frieze, Carlo Marchionni, Italian, 1702–1786, Black crayon, pen and sepia ink, brush and gray watercolor on laid paper, Three panels framed by pilasters, with alternate variations. The central panel has in the middle a

Landscape at Hastings, New York, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A view at the enclosure of a hollow., USA, 1875–80, landscapes, Drawing, Drawing

Design for Sideboard with Nine Drawers, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard with four straight tapering legs; at top, four small drawers across entire front; below these at center only, two larger drawers

Design for a Round Dining Table on Molded Base, A.N. Davenport Co., Graphite on thin, cream paper, Round molded top with dividing stretcher running across center raised on short molded columnar support sitting atop molded base terminating in 4

Study for 'Mathematics, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of outspread wings. The paper is squared for transferring the image., ca. 1895, figures, Drawing,

Sepulchral Monument for Astronomer Giovanni B. Fagiuoli, Pen and brown ink, brush and brown wash, graphite on blued-white paper, Half sphere upon which sits a woman with telescope. A bot leaning on a lyre and a boy with a flaming cornucopia flank

Still life arrangement, Martha S. Day, Pencil on paper, Vertical rectangle. An easel draped with a fringed plaid cloth. Inscribed, lower left, : 'Nov. 11th '59 (in pencil). ', November 11, 1859, nature studies, Drawing, Drawing

Polychrome floral group c, Herman A. Elsberg, (American, 1869–1938), Gouache, Orange Tassel (silk?) Support: ivory paper, Lyon, France, France, 1915, textile designs, drawing, drawing

Fragment de la Loggia dans la cour de l'Hopital, Pisa, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Part of a two-story building with arches and pilasters; wall painted yellow with a red roof., USA,

Various Florals, Crayon or brush and gouache on paper, Europe and USA, Drawing, Drawing

Stage Design, Egyptian Town, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and ink, brush and wash on paper, Horizontal rectangle. Egyptian building complex with pyramids, palm trees, pylons, and columns. Large sphinx at left,

Botanical Sketches from Colombia: Bamboo Trees, Trunks and Details, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal view of trees, trunks and details., Verso: View of a mountain across a plain., July 1853,

Study: The left arm and the neighboring parts of the body of an elderly man, Black crayon and white heightening on brown paper, Horizontal composition of a man's left arm and upper body. He is turned toward the left with his left arm raised,

Fountain and Grotto, Pen and brown ink, brush and brown wash, bistre on off-white laid paper, lined, The rim of the basin is shown at the bottom. A dragon seated in a cave allows water to fall from his raised mouth. Three women sleep on the

Design for Hallway Writing Table No. 9, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a seated male figure wearing a turban., USA, 1877, figures, Drawing, Drawing

Study for portrait, Bell Tilghman, Harriet Blackstone, American, 1864–1939, Red pastel crayon on paper, Sketch of a female figure., USA, ca. 1920, figures, Drawing, Drawing

River and Trees, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on white laid paper, A river, flowing swiftly from right to left, rolls down short waterfall at the left. Tall trees border the river's far side with a partial

Design for a Tabernacle, Pen and bistre ink, brush and wash, graphite on laid paper, Architectural design for a tabernacle. Upon a base, an arched structure with two ionic columns on either side, the ceiling of the arch decorated with carved

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