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Design for a Platter, Brush and watercolor, gold, white gouache, graphite on cream paper, Partial design for serving platter; border of gold with scalloped edges in pink grid with roses. Coat of arms at center of platter: lion and crown; handle
Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of male figure with arms crossed., USA, 1877, figures, Drawing, Drawing
The Front Elevation of a Villa in Benoille, Pen and ink, brush and watercolor on paper, France, 1725, Drawing, Drawing
Design for a Coronet, Graphite, pen and ink, brush and watercolor, sepia on paper, Above a metal strip two branches, each with two buds, two large leaves, and smaller ones entwined with a ribbon containing a row of circular diamonds., Italy,
Flaying of Marsyas, Jean-Baptiste van Loo, French, 1684 - 1745, Red chalk on laid paper, Marsyas is tied to a tree, at left. Apollo, standing at right, directs one of his servants, who is shown in from behind, to flay the prisoner.,
Painted decoration of a vaulted room, France and Italy, 1815–25, interiors, Drawing, Drawing
Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, graphite, on cream laid paper, Clock sits on footed base. At center, an oblong clock easel decorated with leaves, rosettes, wreath. 'HOMERE /
Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. The green panel is decorated with candelabra of two alternating designs, the motifs of which are staggered. One candelabrum
Tracing of Design for Semi-Circular Writing Table, A.N. Davenport Co., Carbon tracing and graphite on thin cream paper, November 27, 1905, furniture, Drawing, Drawing
Sketch of Victory holding Bowknot and Trumpet; sketches of Wall Section and Stool, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and gray-brown wash over black chalk on laid paper, On left side, inclosed in right triangle,
Horse Chestnut and Maple Buds Unfolding, Central Park, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on light grey paper, At top, unfurled maple buds and a horse chestnut bud. Lower right, an unfolded
Design for Frame Surrounding the Portrait of Sir Francis Walsingham, Gravelot, French, 1699 - 1773, active in England, Pen and ink, brush and wash on paper, Design for frame surrounding the portrait of Sir Francis Walsingham. Two escutcheons,
Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache, graphite on glazed tracing paper pasted on paper, Plants of two different designs alternate over
Ares, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto with ram in a demi lune., Faenza,
Sketch of Helmet and Men at Eton, Arnold William Brunner, American, 1857–1925, Graphite on paper, Above, helmet; below two sketches of man in top tat, left from behind, right profile, “Little boys at Eton”, USA, ca. 1883, figures,
Winter, Pen and ink, brush and wash on paper, An allegorical figure of winter, a seated old man, warms himself by a fire. Nearby a figure blows cold wind., Italy, ca. 1800, figures, Drawing, Drawing
Study for a woman holding a child, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Red and brown pastel crayon on tracing paper, A female figure holding a child. The post of the legs
Study of Samuel F. B. Morse for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man sitting in a chair turned slightly to the left. His right arm up and pointing, his left hand on his knee.,
Hearst School for Girls: The Elevation of the Main Building, Graphite, brush and watercolor on paper, Further development in the design of the building, showing walls before the lateral aisles (see -335; -336)., USA, 1899–1900, architecture,
Design for the Entrance Wall of a Courtroom, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, pen and blue ink on cardboard with gold border, A painting showing Justice enthroned between two winged children holding a
Funerary Portrait of James Cardinal Gibbons, Griffith Baily Coale, American, 1890–1950, Graphite on paper, The Cardinal is seen from the left, below, with only head and shoulders shown. A candle and candle-holder are seen in the immediate
Study of Hemlock, Gorham, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Hemlock, at right, above other trees, beyond, in over-grown meadow., Gorham, New Hampshire, USA, August 6, 1862, nature studies,
Nine Sketches for Tablet Frames, Carlo Marchionni, Italian, 1702–1786, Pen and sepia on laid paper, Three of the sketches refer to a tablet with coat-of-arms of Pope Benedict XIV (1740–58) and below those of a prelate. Two escutcheons; papal
Glacier, Bridge and House (Sketches from the Alps), Frederic Edwin Church, American, 1826–1900, Graphite on grey laid paper Verso: Graphite, pen and black ink on grey laid paper, At right, summits and a glacier shown between slopes,
Stage Design, Prison Interior, Pen and ink on laid paper, Horizontal rectangle. High vaulted prison hall, stairs leading from left side toward right side upward, lantern in background to left., Italy, early 18th century, theater, Drawing,
Frieze with Dolphins and Putto, Felice Giani, Italian, 1758–1823, Black chalk on off white laid paper, Bearded masks beside two putto riding dolphins. Water indicated., Italy, 1770–1820, architecture, interiors, Drawing, Drawing
Sketches – Lake Como, Arnold William Brunner, American, 1857–1925, Graphite on paper, Vignettes. Sketches of figures and sailboats., USA, 1883, seascapes, Drawing, Drawing
Design Rectangular Oak Table with Five Stile Legs, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with dividing stretcher running across center raised on 5 plain stile legs terminating in flaring square feet with
One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing
Design for China Cabinet in Mahogany on Pear-Shaped Feet, A.N. Davenport Co., Graphite on thin cream paper, Rectangular china cabinet with molded top and glass doors, having 4 adjustable shelves; raised on 4 fluted and tapering columnar legs
Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Drapery on body, standing figure, turned slightly to the right. On verso, top part of drapery, a scarf blowing freely., USA, ca. 1895, figures,
Costume Design: Youth and Diana for a Ballet, Lead pencil with additional pen and ink, bistre on paper, Horizontal rectangle. A: at left: A young man is shown frontally. He is crowned with a wreath. He is holding a dog on a chain. The raised right
Cliffs at Étretat, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on dark grey paper, Water at left and cliffs at right. Shore in foreground. Blue sky with clouds. Verso: goats grazing, upper half., 1870–80,
Two Men in an Army Wagon, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on cream wove paper, Recto: Frontal view of army wagon with two men., Verso: Four sketches of mules, one with rider., USA, 1862, figures,
Mrs. William Wright and Child, Daniel Huntington, American, 1816–1906, Graphite, White Chalk Support: Gray Wove Paper, USA, 1857, figures, Drawing, Drawing
Stage Design: Palace Interior, Pen and brown ink, brush and wash on paper, Horizontal rectangle showing the interior of a palace. At left and right, coffered arches supported by solomonic columns lead to stairways. At center, a vaulted hall is
Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a top hat and coat., USA, 1883–1884, figures, Drawing, Drawing
Study for Roundel with Putto, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, Oil on canvas (verso is coated with paper, as though once adhered to a board), A small putto in a roundel pulls a string from an object below him.,
Philactetes Applies the Torch of Hercules to the Funeral Pyre, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on light blue laid paper, Philactetes shown at left in foreground, bow and quiver lie at right. Hercules
Stage Design, View of Antique Town, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Square in antique town. Column with sculptures at left, circular building with stairs leading up flanked by statues on pedestals at right.,
Stormy Seascape, Pen and ink, brush and wash on paper, A ship tosses on a stormy, sublime sea. rocks in the foreground and middle distance. Another ship in the far distance., France, 1775–1800, landscapes, Drawing, Drawing
Garden Wall, Granada, Arnold William Brunner, American, 1857–1925, Graphite on paper, A church wall, foreground, trees and bell wall at right, rooftops and mountains beyond, left., USA, 1892, architecture, Drawing, Drawing
The Adoration of the Shepherds, Pen and black ink, brush and brown and grey wash on cream laid paper, The Holy Family is seen at the top of a steep stairway in the background. A shepherd, with sheep, kneels on the right in adoration. A seated
Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass, opal, hyalite. Arranged in a vertical row showing a cup at top, a saucer
Project for a Ceiling, Graphite, pen and ink, brush and watercolor, sepia on paper, At corner, an escutcheon flanked by suggested mouldings. At left, an acanthus rinceau for the frieze. Below, upright acanthus. Two ceiling beams above.,
Design for Memorial to a Dog, Giulio Romano, Italian, 1499–1546, Federico Gonzaga II, 1500 – 1540, Pen and brown ink, brush and brown wash on off-white laid paper hinged to thick laid paper, A dog lying in stately fashion atop a dais and
Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of landscape with trees., USA, ca. 1855, landscapes, Drawing, Drawing
Stage Design, Interior of Building, Pen and gray-brown ink, brush and gray-brown wash on wove paper, Vertical rectangle. Interior of Renaissance style building with porticoes, highly decorated., Italy, early 19th century, theater, Drawing,
Study for a Vis-à-vis, Unknown, Brush and blue and brown wash, pen and brown ink on paper, Sketch of a carriage which allowed people to sit facing one another. Consisted of a rectangular shaped body with a light blue canopied roof. Frill hands
Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a female figure; Verso: Sketch of three female figures by a fireplace., Zaandvoort, Netherlands, 1883–1884, figures, Drawing, Drawing
Design for Four-Legged Rectangular Table, A.N. Davenport Co., Graphite and yellow color pencil on thin, cream paper, Rectangular molded table top is raised on four plain tapering legs with brass sabots indicated in yellow color pencil.,
Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man with a beard, facing left, his left hand gesturing upwards. The lower half of his coat outlined., London, United Kingdom, USA,
Design for a Ceiling, Graphite, pen and ink, brush and watercolor on paper, Ceiling divided into panels with moulded frames and painted decoration. A portion of the octagonal center panel is shown, bordered with swags and bowknots. Below this,
Design for Rectangular Writing Table #45962 with Lion-Paw Feet, A.N. Davenport Co., Graphite and blue ink stamp on thin cream paper, 1900–05, furniture, Drawing, Drawing
Design for a Candlestick, Joseph Anton Seethaler II, German, 1799–1868, Red crayon, pen and black ink, brush and wash on paper, Young shepherd, probably Paris, supports a scallop shell with his upraised arms. Three sockets with snail-like
Design for a Woven Motif of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Incised lines, brush and white gouache on glazed tracing paper pasted on paper, An eagle standing on top of a circular medallion holds a
Unfinished Elevation of Altar, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink on laid paper, Pairs of Ionic columns or pilasters support laterally entablatures which are connected by the segment of an arch. A tripartite
Lux et Veritas, Louis M. Glackens, American, 1866–1933, Graphite, blue pencil on paper, Cartoon or illustration. Exterior scene. A woman stands at left, holding an infant in her left arm, while her right hand holds an umbrella. Another
Design for Kidney-Shaped Writing Table with Eight Drawers, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing
In a Country Place, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite, brush and brown watercolor on paper, A man and a woman are shown speaking together, standing upon a road in front of a garden wall. Another man walks in the right
Seated Cavalier with Wine Glass, Jacob Duck, Netherlandish, 17th century, Black, white chalk on blue-gray paper, A young cavalier, seated on a straight chair facing half left, holds a wine glass in his left hand and a tankard in his right,
Freize with Putti and Medallions, Pen and brown ink, brown wash, black chalk on white laid paper, Two putti stand upon a console, one shown from the front, the other from the back. They support a painted ceiling beam. On either side are partial
Grotesque Design, Charcoal, pen and ink on paper, Strapwork frames a blank central oval. Below, two putti recline on scrolls, and dogs flank a central lion mask. Along the sides are musical trophies, birds and fantastic half human figures.,
Design for the Embroidered Decoration of a Man's Waistcoatr, Design 1876 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Lilac edges. The flap of the pocket shows a chain motif, a
Design for a Decorative Panel, Pencil, pen, ink, pink and blue watercolor washes on paper, A candelabrum showing the half figure of a caryatid with a flower basket at the bottom, a sacrificing man in an ovoid in the upper center, a bowl on
Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, and a entablature on top. The panels show plant candelabra upon a yellow background. The candelabra are colored alternatively white and brown; they are
Design for Spandral Decoration, Brush and sepia wash, pen and brown ink, graphie, white gouache on paper; verso: pen and brown ink, black chalk on paper, Recto: top left and right, center left: spandrels showing Abraham raising or brandishing
Design for a Bedroom, Pen and ink, brush and rose wash, graphite on paper, A folding door between two pilasters is shown at left. Overdoor, circular medallion between two crouching women. At right, a bed with a canopy and curtain is suggested
Bullfighter, Spain, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure in costume seated in front of a sign that reads 'Toro'; Verso: A male figure on horseback., Spain, 1883, figures,
Old Elm Top and White Birch, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Trunk of a birch tree, growing low over a stream, and the top of an elm beyond., North Conway, New Hampshire,
Study of landscape, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a pasture and buildings with mountains in the background., USA, 1867, landscapes, Drawing, Drawing
Chair, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, Armchair with stiles in the shape of semi-nude figures. Crest is a helmet in the antique style. Armrests terminate in masks. Baluster form legs decorated
Design for Sculpture of the Winged Lion of Saint Mark, Pen and ink on paper, On a plinth, the winged lion of Saint Mark holds a book with one paw. The page showing the writing: SAN/ CTV/ S MA[A] / CHV / S'., Italy, ca. 1700, ornament, Drawing,
Pair of Brown Birds on Bouquet with Tulip, Rose, and Snapdragons, with Butterflies, Pen and ink, graphite on coated wove paper, Pair of Brown Birds on Bouquet with Tulip, Rose, and Snapdragons, with Butterflies, ca. 1800–1830, Drawing,
Architectural and Figure Sketches, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Left, railing at Tours. Center, three sketches of woman with bonnet, two profiles one front. Lower right, 4
Seascapes, Newfoundland, July 6, 1859, Frederic Edwin Church, American, 1826–1900, Graphite, white gouache on light brown paper, The sea reflects the sun which is in a cloudy sky, USA, 1859, seascapes, Drawing, Drawing
Thunderheads, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cream paperboard, A panoramic view from above of a dense forest below, under luminously-silver thunder clouds rising into the high atmosphere., USA,
Drawing, Brush and gouache on cream paper, mounted on cream paper, Large red abstract shape surrounded by delicate black rinceaux patterning, stylized fleur-de-lys-like flowers in red, blue, green, and cream on green ground., France and USA,
Costume Design: A Man of the World for a Ballet, Lead pencil on paper, Veritical rectangle. A young man with hat and sword is shown standing. The upper part of his body is turned toward left, the head toward right., Modena, Italy, ca. 1720,
Base and Overdoor, Pen and gray-brown ink, gray wash Support: White laid paper, Italy, Italy, ca. 1675, architecture, Drawing, Drawing
Sketch of Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Nude female figure laying back to the left, hands under her head., USA, ca. 1895, figures, Drawing, Drawing
Juno Suckling Hercules, Hebe Marries Hercules with Help of Minerva, Designed for Sala di Ercole e Ebe, Palazzo Gaddi, Forli., Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and greyish-brown watercolor on paper., At left,
Design for Round Table on Baluster-Shaped Support, A.N. Davenport Co., Graphite on thin cream paper, Round molded top raised on turned and molded baluster-shaped support carved with acanthus leaves terminating in 4 boldly scrolling splayed legs
Decorative Project with Prudence in Oval, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, Prudence, shown from front, seated. Head covered with helmet turned toward left. Looking glass in left hand. Snake winds
Elevation of the Facade of a Theater, Paris, Cesare Recanatini, Italian, 1823–1893, Pen and ink with sepia and gray washes on cream-colored paper, Horizontal rectangle. Three storied building with a pedimented roof, with a six-columned
Design for the Painted Decorations of Three Panels, Pen and brown ink, brush and grey wash, black chalk on laid paper., Vertical rectangle with three panels. Above is a horizontal oblong with a bevelled upper left corner. The half-figures of two
Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. Three suggestions are made for the ornamentation of the blue panel by white and by dark blue staggered motifs. The motifs consist
Design for the decoration of a panel, Graphite, pen and ink, brush and watercolor on paper, Apparently unfinished. Something more than the left half is shown. Below is a winged, female half-figure, raising her hands with a bunch of grapes and a
Roman Catholic Chapel of St. Sylvia, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Chapel on slope, steeple at left., USA, 1887–88, architecture, Drawing, Drawing
Portable Lamp for Living Room, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on white tracing paper, Design for a table lamp with
Project for the Door of a Tabernacle, Graphite, pen and ink, brush and watercolor, sepia on paper, Upon the base, two angels are kneeling, supporting a chalice upon which the host is towering, surrounded by a glory of rays. A crown at top.,
Drawing, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, France, late 19th century, figures, Drawing
Moldings and Three Triangular Lunettes, Felice Giani, Italian, 1758–1823, Pen and ink over charcoal on heavy paper, Framing of field with spherical triangles below; those with bases below decorated with scenes of playing children; others with
Stage Design: Prison Court, Pen and brown ink, brush and sepia wash on paper, Horizontal format. Prison court with stairs leading upward. Bolted doors in background. At right, two male figures in courtyard., Italy, late 18th century, theater,
Study of a Lying Cow, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, The cow is shown from the back with raised head., USA, 1875–80, animals, Drawing, Drawing
Sketch of Hands for Portrait of Mrs. McCready, Daniel Huntington, American, 1816–1906, Graphite on paper, Studies of a woman's hands, hanging, with back of hands to viewer., USA, ca. 1880, figures, Drawing, Drawing
Groups of Women at Beach, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite on gray-green paper, Horizontal view showing, in the foreground of the upper section of the sheet, a beach with groups of women, some carrying
Group of Heads, Black chalk on cream paper, Eleven heads of figures of both sexes, including one child, are grouped together and seen in left profile. The faces portray various attitudes of emotion., Italy, 1750–1800, figures, Drawing,
Furniture Design: Elevation of a Pedestal or Case, Counter proof in red chalk on off-white laid paper, The left half of the elevation of a pedestal or of a case. At center, on a bracket, a girl kneels., France, ca. 1690, furniture, Drawing,
CRADLE, Unknown, pen and brown ink with brown wash and traces of graphite, off-white laid paper on secondary paper support, Italy, Italy, ca. 1580, furniture, Drawing, Drawing

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