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Wild Flowers, Jamaica, Frederic Edwin Church, American, 1826–1900, Oil on thin paperboard, A group of vibrantly colored flowers standing in a meadow. Verso: series of color studies (rectangles of gray with red and green gradations.), USA,

Virgin Ascending with Concert of Angels, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown ink, on paper, On verso: view of city with wall and classical edifices; edifice and portico, Italy, 1818, figures, Drawing, Drawing

Designs for Trophies, Pierre Ranson, French, 1736–1786, Pen and black-brown ink, brush and wash on laid paper, Various trophies are depicted. On left: basket with fruit and plants, a squash, a hat; hanging below are a scythe, a horn and a

Design for a Dining Table on Carved Base, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded and beaded table top raised on column-like support sitting atop an elaborately carved base terminating in molded and carved

Grotesques, pen and ink on paper, Netherlands, 1550–1575, grotesques, Drawing, Drawing

Stage Design: Staircase in Park, Pen and bistre, brush and sepia wash on paper, Horizontal rectangle showing a tiered building decorated with sculptures and balustrades. Grand staircases connect the levels. The tops of tall trees can be seen in

Design for Sideboard with Ten Drawers and Ball and Claw Feet, A.N. Davenport Co., Graphite on thin cream paper, Oblong sideboard with four cabriole legs with ball and claw feet decorated with carved acanthus leaves at top of each; tri-partite

An Oil Burning Lamp, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and wash on paper, Europe and USA, 1775–1880, lighting, Drawing, Drawing

Stage Design, Interior of High Gothic Hall with Ogival Arches, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic

Seated Female Nude, Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Study of a nude female figure seated in an armchair, facing frontally. Her right hand is to her face, with her right elbow leaning on the arm of the

Design no. 536 for the Emrboidery of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Left bottom corner; obliquely rising bottom edge. An urn with a flame between flower

Design for a Catafalque, Unknown, Red crayon, pen and black ink, brush and wash on paper, Drawing of elevation and plan. An octagonal pavilion, to which flights of stairs lead on the oblique sides. Straight ceiling and entablature. An attic,

Design for an Escutcheon, Pen and ink, brush and wash, white heightening on thick light brown laid paper, An escutcheon crowned by a shell., Italy, 1700–1725, ornament, Drawing, Drawing

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jar in browns, with yellow flowers and green stalks that reach across body of jug; gold handle is pointed., Japan, 1880–1910, tableware designs,

Design for Sideboard with Serpentine Front and Six Legs, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard with serpentine front on six straight tapered legs; convex center section of front has three drawers: two smaller ones

Saint Magdalen Repenting, Black chalk on gray paper with white heightening, Recto: (a) Three quarter figure. Shown from front with naked upper part of body. She is sitting beside something, upon which she leans her arm that supports her hear.

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature with a gilt ovolo at the bottom, on top. The lower part of the design suggests for the panel a division in vertical stripes. Broad blue

Stage Design, Palace Interior, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Interior of palace hall toward short side, here stairs are leading upward to galleries running below the ceiling on both long sides., Italy,

Diana and Callisto, Dining Room, Palazzo Rasponi, Ravenna, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on cream-colored rolled paper, Diana seated in left middle distance, points at Callisto,

Design for Rectangular Writing Table with Carved Shell Decoration on Backboard, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

The Interior of a Textile Factory, Unknown, Pen and black ink, brush and gray wash on laid paper, Three workmen move the wheels of engines manufacturing threads. A fourth man hammers something on a small anvil. A fifth is shown from the rear.

Costume Design: A Page for a Ballet, Lead pencil, pen and ink, brush and bistre on paper, Vertical rectangle. A boy is shown in profile, standing, and turned toward left. The right leg is sketched. He wears a helmet with feathers and ribbons.

Drawing, France, Drawing

Drawing, Brush and gouache on cream paper, mounted on cream paper, Geometric maze-like patterns in brown, blue, green, and yellow on black ground. Lower section, vegetal patterns in yellow and red., France and USA, late 19th century,

Design for the Frame of the Portrait of Frederick V, King of Denmark, Johann Esaias Nilson, German, 1721 - 1788, Graphite, brush and black ink, wash on paper, Design for a cartouche. Various rocaille allegorical figures surround., ca. 1760,

The Killing of Cesare, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, ca. 1790, figures, Drawing, Drawing

Design for Embroidered Floral Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Top row, left: a festoon and a garland hang from grass, from which a plant rises; a flower bough is

Pisces, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto balancing on his head, salver with

Design for a Decorative Panel (with Nymphs and Garlands), Gilles Paul Cauvet, French, 1731–1788, Red chalk on paper, A design for a decorative panel with vertical composition. From the bottom up: two sea creatures (mermen) carry a base upon

Design for a Vase, Red crayon on paper, Elevation of a vase decorated with the heads of two river deities. Two garlands cross at the body. On frieze below, two mermaids with a dolphin. Vase stands on a cracked marble ground., Rome, Italy,

The Pine Trees of El Monte, California, Samuel Colman, American, 1832–1920, Graphite, pen and brown ink, brush and watercolor with white gouache on gray paper, A group of pines is flanked by two pines at left, a row of pines at right.

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man seated at a table, listening to someone at his left. His knees crossed; his right hand near his chin., London, United Kingdom,

Design for a Square Dining Table on Scroll-Like Feet, A.N. Davenport Co., Graphite, pen and red ink on thin cream paper, Square molded top raised on fluted columnar support. sitting atop 'X'-shaped molded base terminating in 4 scroll-like feet

Design for a Round Dining Table on Plain Hoof Feet, A.N. Davenport Co., Graphite on thin, cream paper, Round molded table top raised on 4 columnar supports, standing on elaborately carved base terminating in 4 plain hoof feet., 1900–05,

Design for Mahogany Writing Table with Conical Feet, A.N. Davenport Co., Graphite on thin cream paper, Rectangular table top with backsplash and carved central panel flanked by 2 drawers; raised on 4 straight tapering legs ending in conical feet.,

Entrance Hall, North Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Elevation of a wall, with doorways flanking a large central painted

Sketch of Putti with Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Brush and red watercolor, graphite on brown paper, Study of putto, with arms open, holding drapery. Putto looks up and to the left., USA, ca. 1895, figures,

Design for a sedan chair, Black chalk, pen and ink, brush and blue, rose, red, yellow, brown watercolor on paper, Shown from the left front corner with two bars. On top of the roof sits a griffin in a wreath. Fantastic masks in the shape of

New Hampshire Lake, J. Foxcroft Cole, Brush and grey wash on paper, View looking across a small cove through low shrubbery. Rolling hills in the distance., USA, 1850–75, landscapes, Drawing, Drawing

Design for Writing Table, A.N. Davenport Co., Pen and black ink, black crayon on thin cream paper, Two-tier writing table with rounded back, raised on 4 tapering, fluted legs; cut-out center bottom flanked by 4 drawers of varying sizes stacked

Design for Breakfast Table 'A' of Mahogany, A.N. Davenport Co., Graphite on thin cream paper, Round molded top raised on cylindrical base supported by 4 splayed legs on brass feet with casters., 1900–05, furniture, Drawing, Drawing

Lions Juggling the Medici Balls, Pen and ink, brush and bistre wash on gray paper, Six lions, in various attitudes, juggle with large balls, representing the “palle” on the Medici arms., Florence, Italy, ca. 1550, figures, Drawing,

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, a frieze with a row of palmette motifs and an entablature are on top. The panel is decorated with staggered motifs, for which two slightly different

Nyon, Cathedral of Geneva, Arnold William Brunner, American, 1857–1925, Graphite and blue wash on light brown paper, Above, Cathedral spires above roof tops, mountains beyond. Below, houses and round towers., USA, 1883, architecture,

Elevation of a tower; fountains; staircase, Pen and brown ink, brush and brown wash on off-white laid paper, Vertical rectangle. -a: At left, two circular stories rise upon a dado. The lower one shows embedded columns and a dial in the central

Miracle Performed by St. Cecelia's Corpse, Yellow chalk, sepia, and grey watercolor, Two figures bend down towards the corpse of St. Cecelia. Several other figures struggle away in the right side of the frame., Italy, 16th century, figures,

Houses of a Town at the Edge of a Rocky Shore, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, Water at left, probably a lake. A roughly outlined frame., France, ca. 1840, Drawing, Drawing

Wall Decoration with Military Attributes, Unknown, Italian, Pen and brown ink, brown and gray wash, over graphite, ruled border in pen and brown Support: off-white laid paper, The central part is projecting; it consists of a mensa, the front

Architectural Sketches from Agnes Sorel’s House, Oréans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Left, doorjamb, main entrance. Right, sketches of iron grillework., USA, 1883, furniture, Drawing, Drawing

Decorative Motifs, Three Designs for Fountains, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Horizontal rectangle with multiple designs for fountains and decoration.

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal and diamonds. Seventeen tines. The cresting border consists of hearts with, on

Design for a Round Table on Animal Hoof-Feet, A.N. Davenport Co., Graphite on thin, cream paper, Round molded top wlth dividing stretcher running across center raised on 3 clustered columnar support sitting atop molded base with carved rosettes

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Study of what looks like an over-sleeve, on standing figure., USA, ca. 1895, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure with a mustache in profile., USA, 1877, portraits, Drawing, Drawing

Study of Nathaniel Bowditch for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Older man turned to right, gesturing in a speech. The right hand pointing into the palm of the left. He wears a

Two Doorcases, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and black ink, brush and gray watercolor on laid paper, In the upper right corner is the left part of an entablature with a parapet from which a ram horn springs, with a

Martyrdom of St. Bartholomew, Vespasiano Strada, Italian, 1582 - 1622, Pen and ink, brush and red wash on paper, laid down., The semi-nude figure of an elderly man, tied to a tree, is being skinned by three men., Italy, ca. 1600, figures,

Design for the Egyptian Room, Palazzo Nuovo, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Pen and ink, brush and gray wash on paper, Elevation view of a design for niches for Egyptian statues in the Palazzo Nuovo al Campidoglio in

Two Sketches of Men, Arnold William Brunner, American, 1857–1925, Graphite on paper, Center, man leaning against a pole, left profile, hands in pocket, wide brimmed hat, jacket over shoulders. Upper left, a head of a workman, with hat

Sketches of Cattle, Irvington, Samuel Colman, American, 1832–1920, Pen and black ink, brush and bistre wash, graphite on paper, At right, the heads and necks of two grazing cows. Lower center, detail of the left eye and ear of a grazing

Wallpaper Design, Brush and gouache, graphite on white paper, Two pilasters standing upon a dado support an entablature, for the moldings of which ornamentation is alternatively suggested, at left. Alternative suggestions are also made for the

Elevation of a Town Square Showing Facade of the Theater, Cesare Recanatini, Italian, 1823–1893, Pen and ink, with sepia, blue, and gray washes on white paper, Horizontal rectangle. Large three-storied building, designated 'Hotel de la

Sketch if Loches and Female Bust, Arnold William Brunner, American, 1857–1925, Graphite on brwon paper, In courtyard, tower, center left. Bust of woman facing viewer, upper right., USA, 1883, architecture, Drawing, Drawing

Woman Seated, Two Studies, Daniel Huntington, American, 1816–1906, Graphite Support: Off-white Wove Paper, USA, 1870, figures, Drawing, Drawing

Sheep on a Hillside, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Sheep on a hillside in the shade of a tree., USA, ca. 1875, landscapes, Drawing, Drawing

Gate with Papal Arms, Pen and brown ink, brush and brown wash, black chalk indications on paper, Elevation of a gate inserted into a wall. The gate's walls are rusticated. It includes two massive rounded Ghibelline battlements. The doorway has a

Stage Design, View from Palace in Venice, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. View from hall in Gothic palace in

Design for Ornate, Three-Tiered, Semi-Circular Writing Table, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Seated Woman (Motif for Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A nude figure is shown in profile from the right back, seated upon a chair on a platform. A column supporting an entablature rises behind

Design for Serving Table with Upper and Lower Shelves, A.N. Davenport Co., Graphite on thin cream paper, Rectangular table top with single drawer center; raised on 2 columnar legs at front and 2 plain straight legs at back, all 4 terminating in

Study of Bamboo, Frederic Edwin Church, American, 1826–1900, Graphite, white gouache Support: gray paper, USA, June 1857, landscapes, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Figure in full drapery, standing, facing to the left, with her left arm extended., USA, ca. 1895, figures, Drawing, Drawing

Strapwork Design and Landscape, Charcoal, pen and ink, brush and watercolor on paper, At top, a strapwork escutcheon with harpies and swags. Below, a landscape with two men on horseback., Italy, early 17th century, ornament, Drawing,

Market Day, Arnold William Brunner, American, 1857–1925, Graphite on paper, Ten sketches of women at market. Figure is seen sitting, standing, and holding basket, most are full body sketches, one profile bust of figure., USA, 1883,

A Praying Monk, Pen and ink, brush and sepia on paper, A monk kneels, facing right with hands in prayer., Italy, 1800–1830, figures, Drawing, Drawing

Fragment of a cartoon for cotton printing: Fauchon la Vielleuse, Petitpierre & Compe., (Nantes, France, founded 1770, Graphite, pen and black ink, brush and grey wash, pink wash and white heightening on white paper, Two seated women in

Drawing, Graphite on paper, France, before 1902, Drawing

Girl Seated on a Hillside, Winslow Homer, American, 1836–1910, Graphite, brush and white gouache on gray-green paper, Horizontal view of a girl, wearing a sunbonnet and holding a long stick in her left hand, seated on a hillside with hill

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper., Base of pier, and moulding for the Central Church. Base and string course for the Emanuel Church., USA, 1877–80, architecture, Drawing, Drawing

Study for 'Apollo, ' Metropolitan Opera, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Black pastel crayon, graphite on paper, Sketch of a male figure for a lunette in the Metropolitan Opera., USA, 1893–1894, music,

Madonna and Child, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on cream paper, Madonna in red and blue, center, seated with Child. A saint at each side, facing inwards., USA, ca. 1895, religion,

Sketch for a cartoon for cotton printing:The Arts [Les Arts], Hartmann et Fils, (Munster, France), Pen and ink on cream-colored paper, Joined horizontally with 1898-21-26A. Two parallel panels, separated by strips indicated to bear fantastic

Landscape (Leaf from a Sketchbook), Martha S. Day, Horizontal rectangle. Two men are seen seated under a clump of trees. Hay stacks in the left distance., 1859, landscapes, Drawing, Drawing

Sketchbook Page, Folio 57: Study after Michele in Bosco, Bologna; Verso, Architectural Details, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Groups of people shown

Study of Figures for a Ceiling, Francis Augustus Lathrop, American, 1849 - 1909, Brush and violet watercolor, white gouache, graphite on cream laid paper, Female figure bending and looking down to the left. In the center, the bust of a

Design for a Plate, Brush and gold gouache, graphite on cream paper, Design for a plate decorated with gold C-scrolls and trellis; at center a floral motif within a circle. Several sketches of tableware in graphite, upper margin., Japan,

Design for Writing Table #2 with Five-Cubbyhole Back Unit, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Sketch of Bust of a Woman, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Bust of a woman in classical style. Hair parted in the center, with headress and veil. Head turned slightly to the right., USA, ca. 1895,

Study for The Creation of Light, Plate 3, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, white goauche, pen and brown ink on cream laid paper, Scene

Design for a Ewer, Brush and watercolor, white, gold gouache, graphite on cream paper, Footed ewer with cut off curved handled decorated with pink peonies (flowers), green leaves under gold latticework., Japan, 1880–1910, tableware

Architectural Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Top row: the head of an animal. Upper left part of a window or door frame. Center row: decoration of a pilaster,

Design for Woven Fabric with Neoclassical Motifs, Brush and gouache, graphite, on laid paper, prepared with brush and brown pigment and squared, Vertical composition framed at upper and lower margins by horizontal plant motif set between two

Design for a Woven Fabric, Graphite, white chalk, brush and lateritious, blue, and red gouache on oily tracing paper, Blossom rosettes straggered in alternate horizontal rows cover parts of the lozenge decoration of the background.

Design for Stained Glass Windows: Chamber Music Hall - Back of Stage, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Four windows;

Study for Two Cherubim, Black chalk on paper, At top left, a raised head of a child shown from the right lower jaw. At lower right, a cherub's face and wings obliquely shown., Naples, Italy, early 18th century, figures, Drawing, Drawing

Design for a Chandelier, Pen and black ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a chandelier, hanging on a cord. Intended for eighteen burning candles; eleven are shown, six being held by arms fastened to an

Wall Painting with Allegory of Vigilance, Black chalk, pen and ink, brush and watercolor, white heightening on paper, A flying girl riases an urn containing a fire with her right hand. In her left hand she holds a book, helped by a putto.,

Saints Peter and Paul over the Vatican, Minardi Tommaso, Italian, 1787 - 1871, Graphite, pen and ink, brush and wash on paper, Saints Peter and Paul standing on clouds over an arch, under which the Vatican with Saint Peters Basilica is shown.

Design for the Border of a Woven Fabric of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouche on oily tracing paper, Trophies, of which two are shown, form a horizontal row. They consist of a lute, two

Wall painting, Mauro Gandolfi, Italian, 1764–1834, Pen and brown ink, brush and watercolor on white laid paper, squared in graphite and lined, laid down, Horizontal format. A dancing girl holding a garland together with two putti. Squared.,

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