Images at Librifly

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Wallpaper Design, Brush and gouache, graphite on heavy white paper, A dado is shown at the bottom, an entablature on top. The panel is decorated with oblique rows formed by wreath chains, above, by discs, below. Leaves are shown in the

Design for a Ceiling, Pen and ink, brush and wash on paper, Irregularly shaped page. At top right, a curving moulding with triglyphs and seashells. Below, part of an undecorated square with half a horned mask at top center. To the left, two

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of figures in loose garments., USA, ca. 1894, figures, Drawing, Drawing

Portrait of a Woman, Philip Leslie Hale, American, 1865–1931, Silverpoint on prepared paper, The head of a woman, facing right. Her hair is loosely gathered into a knot at the nape of her neck and she wears a brimmed hat decorated with

Design for a Painted Porcelain Plate, Fruits à l'eau de Vie (Fruits in Plum Liquor) for the Services des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown-gray ink, brush and gray wash, graphite on

Design for the Embroidery of a Man's Waistcoat, Tracing, pen and ink, brush and gouache on paper, Unfinished design for the bottome left corner of a man's waistcoat embroidery. Large plant palmette, upside down under the pocket. Left palmettes

Standing Woman, Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Woman holding sheets of paper or a book, to the left. She bends over slightly, to the front, and looks down. Dress with neckline showing

Design for an escutcheon, Graphite, pen and sepia ink, brush and gray watercolor on laid paper, On top a shell and a crown. On verso: a sketch of what looks to be Christ on the Cross., Italy, ca. 1725, ornament, Drawing, Drawing

Men, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of three male figures with shovels; Verso: Partial sketch of a male figure., USA, 1883–1884, figures, Drawing, Drawing

After Coming From Villa Pamphili, Henry Kirke Brown, American, 1814–1886, Graphite on light brown paper, Distant view of a hilltop with a group of umbrella pines and with a couple looking towards the wooded country in the distance, at left.

Design for Serving Table with Straight Reeded Legs, A.N. Davenport Co., Graphite on thin cream paper, Oblong top with convex front; raised on 4 straight legs; reeded front legs terminate in balls, which are decorated at tops with short carved

Bird on an Orange Branch, with Butterfly, Pen and ink, graphite on coated wove paper, Bird on an Orange Branch, with Butterfly, ca. 1800–1830, Drawing, Drawing

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A narrow street on a slope, with a profile view of a figure, wearing a white a white hooded cloak standing before a doorway. Animal stands near

Study for 'Martha Washington Reception', Daniel Huntington, American, 1816–1906, Graphite, White Chalk Support: Gray Wove Paper, USA, 1860, figures, Drawing, Drawing

Shrine, Bavaria, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., Distant view of the pavilion containing the three crosses in front of a painted background, the slope of the Lockstein. Grazing sheep or goats

View across the Hills and Plain toward the Mountains, Valley of El Yemen, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper; verso: graphite, Horizontal view across the hills and plains toward

Design for Two Statues, Spring and Summer, Pietro Belli, Italian, 1780–1828, Pen and ink, graphite on paper, Horizontal rectangle. Designs for two statues, 'Spring' and 'Summer, ' as shown in 1938-88-653, each shown twice in different

Design for a Vase, Red crayon on paper, Elevation of a vase decorated with two masks and spiraling gadrooning. At top, a contemplative sea putto. Vase stands on a cracked marble ground., Europe, 1730–1760, classicism, Drawing, Drawing

Studies of a Seated Nude, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, pasted on board, Shown are the greater part of the right arm with the hand, the left leg stretched out, and the upper part of the body with the

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Bursh and gouache, graphite on white wove paper, Blue and pink flowers on purple twig branches, green ferns on whtie ground. Lined graphite border., France,

Shoe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of slippers with intricate embroidery and an upturned toe., USA, 1877, costume & accessories, Drawing, Drawing

Design for One Quarter of a Ceiling, Felice Giani, Italian, 1758–1823, Pen and brown ink, traces of graphite on light green paper., Vertical rectangle: one quarter. outside framing border, into which circles are inserted. In corner is panel

Toni Hildprant's Room, Brush and watercolor on paper, Interior view of a room with windows, furnished with wooden chest, tables, chairs, and shelving. A woman sit, crocheting, on a couch on the left., Germany and Austria, August 19, 1843,

Monaco, Arnold William Brunner, American, 1857–1925, Graphite on paper, Brick wall, foreground, with palm tree, left and buildings beyond, USA, 1892, landscapes, Drawing, Drawing

Design for a Sofa, Brothers Santi, Rome, Italy, Graphite, pen and black ink, brush and gray watercolor on paper; verso: graphite, pen and ink, At left, the elevation of a sofa divided into three sections, the arm shown at the left. At

Study of Nude Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Female nude draped from waist down, bending with right arm outstretched toward top left; head is in profile, facing left; hand holds drapery., USA,

Design for Embroidered Coat (upper section), Gilet lapel, pattern 1464 of the Fabrique de St. Ruf, Mademoiselle Montalent, Graphite, brush and gouache on white laid paper, Decoration of the lapel in the scheme of 1920-36-317. Floral design and

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on blue paper, Horizontally-oriented diamond shape made of pink roses and foliage. Clusters of pink roses and single blooms outline the diamond. A reverse C-shape is formed in

Design for an Embroidery, Brush and gouache on glazed paper, A forked cluster of small blossoms, leaves, and flower bough are repeated in a vertical row. White edge at left., France, 1805-1815, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure., USA, 1881–1882, figures, Drawing, Drawing

Fishing boats, Japan, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Recto: Sketch of fishing boats on a river; Verso: Sketch of two female figures., New York, New York, USA, Japan, 1891–1892, seascapes,

Woodland Camp, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Trees in right foreground, with slope beyond. A fence, at left. A girl, center, working at a table. A pot and bucket are beside her, and a

In a German Town, Arnold William Brunner, American, 1857–1925, Graphite on paper, Chapel in center of stream connected by arched bridges to buildings on either bank., USA, 1877–80, architecture, Drawing, Drawing

Elevation of a Room, Pen and brown ink on off-white laid paper, Page divided into two designs. At top, a wall with two sets of doors connected by a dado. Above an entablature with rinceaux. Below, a room with two sets of doors. Above these,

Triumph of Galatea, Felice Giani, Italian, 1758–1823, Pen and brown ink, traces of black chalk on white laid paper; framing lines in black chalk, Galatea, riding a pair of dolphins and accompanied by sea gods, emerges from the water.

Whirlwind, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a whirlwind; Verso, partial sketch of the sea with notations., USA, 1881, nature studies, Drawing, Drawing

A Pastoral Landscape, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, Rocky countryside with a rider and cows walking on a road towards an arch., Italy, 1760–1780, landscapes, Drawing,

Thirteen Landscape Studies (Optics in Composition), Leon Dabo, American, 1868–1960, Graphite on paper, Thirteen small scenes of boats and open landscapes, each framed., USA, 1890, landscapes, Drawing, Drawing

Sketch of a Male Nude with Notations, Winslow Homer, American, 1836–1910, Graphite on blue-gray laid paper, Vertical view of a nude male figure without the right arm, shown de face, with proportions designated in uits of faces and noses.,

Study for 'Genius, ' 'The Arts, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, Study for a pair of outspread wings. The paper is squared for transferring the image., ca. 1895, figures, Drawing,

Project for a candelabrum, Pen and ink, brush and wash, on paper., A vase shape with two handles standing on a pedestal. Two of the three intended arms are shown emerging from the vase. Ram's heads are applied near their upper ends from which

Elevation of a Fountain, Black chalk, pen and ink, brush and watercolor on paper, From a three octagonal steps, upon a high pedestal, rises an obelisk, crowned with eagle wings upon a spire. Water pours from gargoyle-like masks into four

Design for a Woven Fabric, Brush and gouache on blue paper, Small flower bunches alternate with strips composed of leaves and other flower bunches running vertically. Verso: stripes of floral meanders, leaves, or simply solid colors. Alternate

Design for a Sugar Bowl, Brush and watercolor, black gouache, graphite on cream paper, Design for a sugar bowl with curved and decorated handle; a dip in the rim of the bowl. Body has allover decoration in form of sunset landscape with cottage on

Foliate Arabesque with Rodents, Henri Salembier, French, 1753 - 1820, Brush, water color, gouache on vellum, Single scroll of a foliate arabesque, with four rodents shown climbing over the vines, and a snake curled about a tendril, beneath

In the Harbor of Catania, Arnold William Brunner, American, 1857–1925, Graphite on paper, Upper and center, sketches of boats with cargos and figures sitting or standing. Below, sketches of men with poles in boats., USA, ca. 1881,

Design for Semi-Circular Writing Table, Dated October 13, 1905, A.N. Davenport Co., Graphite on thin cream paper, October 13, 1905, furniture, Drawing, Drawing

Leaf from a sketchbook: T. Addison Richards and Robert O'Brien at High Bridge., Martha S. Day, Pencil on paper, Vertical rectangle. The two teachers are seen seated under trees. Women are seen sketching in the foreground. Inscribed, upper right

Planometric View of Oran, Algeria, Pen and brown ink on cream laid paper, A body of water scattered with ships appears in the foreground, and mountains, with buildings atop, appear in the background. A large banner with text in Italian appears

Sepulcher in Egyptian Style with Sphinxes and an Owl, Louis-Jean Desprez, French, active Sweden, 1743–1804, Pen and black ink, gray and blue-gray wash, traces of graphite on off-white paper, Architectural fantasy. Pentagonal sarcophagus,

Stage Design, Ruins of Antique Buildings, design for 'Gli Avventurieri' by Carlo Valentini (1790-1853), produced at the Teatro Pantera, Lucca in 1837., Emanuele Alderani, Italian, active 1829-1855, Pen and brown ink, brush and gray and brown

The Sphinx, Egypt, Elihu Vedder, American, 1836 – 1923, Pastel crayons on blue-gray wove paper, In the foreground, the head of the sphinx, shown in profile. In the distance, left, the pyramids of Abousir., USA, April 18, 1890,

Portrait of a Man, Giuseppe Valadier, Jean-Baptiste Joseph Wicar, French, 1762 – 1834, Graphite on off-white laid paper mounted on tan wove paper. Ruled lines in ink on mount., A bust portrait of a man, in three-quarters view facing left.,

View of the Porta Aurea, Palace of Diocletian, Split, Charles-Louis Clérisseau, French, 1721 – 1820, Pen and brown ink, brush and yellow-brown wash, graphite on paper, Wall elevation, in ruins. The lower portion of the wall includes a

Town on a Canal, Hendrik Spilman, Netherlandish, 1721–1784, Graphite, pen and bistre ink, brush and bistre wash on cream paper, A canal, spanned by two stone bridges, runs through a town. A thatched hut, left, and a stone building,

Arriving at the Hall, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and watercolor on paper, Vertical rectangle, bevelled corners. Figure of a woman in a low-necked white evening dress and a red shawl with long fringe, on

Design for Music Cabinet 'B' of Mahogany and Inlay, A.N. Davenport Co., Graphite on thin cream paper, Rectangular cabinet with molded, frieze-like top, raised on 4 short, tapering legs on casters; closed upper shelf with 2 doors; open lower

Musical instrument, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a balalaika with detail of the triangular wooden body and strings., USA, 1877, music, Drawing, Drawing

A Studio in the Villa Medici, Rome, Brush and watercolor with scraping for highlights on white wove paper, French artists who won the Prix de Rome were given studios in which to live and work during their time spent in Rome. The Academie de France

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Two sketches of linear perspective, with inscription about Dunlap below., London, United Kingdom, USA, 1858, figures, Drawing,

Study for 'The Fishing Party', Winslow Homer, American, 1836–1910, Graphite on tan wove paper, Horizontal view of three men and one woman, lying on the ground before trees., USA, ca. 1869, figures, Drawing, Drawing

Project for cast metal and colored folding doors, Pen and ink, brush and watercolor on paper, The folding door consists of two wings, overdoor, framing pilasters, and an attic. The attic and overdoor have a trellis ground and decorated with

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a man in uniform., USA, 1877, portraits, Drawing, Drawing

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A bough with two big lacy blossoms over two

Design for a Platter, Brush and gold gouache, watercolor, graphite on cream paper, Gold decoration of a platter in trellis design, curved edge, C-curves and scrolls, roses and snowflake-like motif; portrait of a woman in profile at the top

Pair of Birds on Branch with Roses and Butterflies, Pen and ink, graphite on coated wove paper, Pair of Birds on Branch with Roses and Butterflies, ca. 1800–1830, Drawing, Drawing

Side Wall with Doorway, Frederick Crace, English, 1779–1859, Pen and black ink and watercolors on wove paper, Elevation of a wall with double doors center. Blue panels with classical motifs above and on either side., 1815–22, interiors,

The elevation of an altar, Black chalk, pen, ink, brush and grey water color on paper, Italy, 1760–1790, architecture, Drawing, Drawing

Design for Adjustable Side Serving Table, A.N. Davenport Co., Graphite on thin cream paper, Two models of same design: at right, basic model with molded rectangular top, raised on 2 straight tapering supports on splayed bracket feet joined by

Design for a Clock, Pen and ink, brush and watercolor, black chalk on paper, Vertical rectangle. Design for a clock on large base with decorated frieze with acanthus scrolls beside a plant. Above the base, a pedestal with a piece of a fluted

Sea Centaur Battles Sea Monster, Felice Giani, Italian, 1758–1823, Black chalk on off white laid paper, Above at left, a monster with ram head and butterfly wings. A young centaur seen from left and back, has horn in left hand and swinging a

Landscape; verso: Grotesque Design, Charcoal, pen and ink on paper, Two women on a wall with steps leading to houses built on a hill. At right, a view of a valley. Verso: strapwork with monkeys and a helmet., Italy, early 17th century,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Design in vertical format of chartreuse and light blue geometric pattern., USA, late 19th century,

Courtyard of a house, François-Marius Granet, French, 1775 - 1849, Pen and ink, brush and wash on paper, At right is the house, at left is a garden wall, with a well in front of it. Probably a house in Provençe., France, ca. 1820-1845,

Six Trophies composed of Military Attributes, Pierre Ranson, French, 1736–1786, Graphite, pen and ink, brush and gouache on paper, Two columns of six military trophies. Upper left: drums and crossed banners, fasces and pickaxe; upper right:

Road to Lake George, Gueliema Field, Pencil on paper, Horizontal rectangle. Landscape with road at the left leading to houses in a small valley. Inscribed (in pencil), left: 'Road to Lake George.' Title repeated (in ink), and artist's name given

Design for a Monument Flanked by Fountains, Pen and ink, brush and watercolor on paper, Allegorical figures with trophies flank an obelisk with relief sculpture of trophies of warfare surrounding a blank escutcheon surmounted by a royal crown. The

Design for the organ case of S. Gregorio in Bologna, Giovanni Battista Natali III, Italian, 1698 - 1765, Incised lines, pen and brown ink, yellow and brown washes, red chalk on paper, Embeded and fluted Ionic columns rise from brackets and

Design for a Sugar Bowl, Brush and gouache, watercolor, pen and black ink, graphite on cream paper, Design for a sugar bowl with lid. Body of bowl is decorated with papyrus flower in tan, blue, and green against a gray-green ground that is

Design for a Fountain in a Park, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, graphite on paper, framing lines in black ink, lined, A large urn, with divided handles rests on a plinth from which water issues from masks on

Study for portrait, Bell Tilghman, Harriet Blackstone, American, 1864–1939, Red pastel crayon on paper, Sketch of a female figure., USA, ca. 1920, figures, Drawing, Drawing

A Salon in a Residence of the Duke of Leuchtenberg, Otto Wagner, German, 1803 – 1861, Brush and watercolor, gouache on paper, This large salon is sparsely furnished in the Biedermeier style. Atop the blond wood secretary is a gilt bronze lyre

Stage Design, Egyptian Temple, Pen and ink, brush and wash on paper, Horizontal rectangle. Egyptian temple hall, richly decorated. Painted papyrus columns, large sculptures, decorative friezes. Possible decoration for Masonic temple., Italy,

Blue Hills and Gray Clouds, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin paperboard, View over hill ranges toward higher ones. Cloudy sky., USA, May–August 1865, landscapes, Drawing,

Monkey, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Four sketches of a monkey., USA, 1891–1892, figures, Drawing, Drawing

River at Milford, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on gray paper, Curve in river, with rowboats., USA, 1879–80, seascapes, Drawing, Drawing

Houses in Rouen, Arnold William Brunner, American, 1857–1925, Graphite on paper, Half-timbered houses, drawn from a window opposite., USA, 1883, architecture, Drawing, Drawing

Design for a Monument flanked by Fountains, Pen and ink, brush and watercolor on paper, Allegorical figures with trophies flank an obelisk with relief sculpture of trophies of warfare surrounding a blank escutcheon surmounted by a royal crown. The

Design for Title Page, 'Occupations of Women and Their Compensation', Alice Cordelia Morse, American, 1863–1961, Brush and gouache on greyish-brown paper, mounted on illustration board, A woman in a black dress, with gold bands across her

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure., USA, n.d., figures, Drawing, Drawing

Clapboard Shack, Winslow Homer, American, 1836–1910, Graphite, brush and white gouache on blue paper, Horizontal view of a clapboard shack with an arbor over the doorway and a smaller shack visible behind, to the right., USA, 1863–64,

Design for a Candelabrum, Claude Maillard, French, Pen and black ink with ink washes on paper, From a vase standing on top of a shaft emerge two acanthus rinceaux holding sockets with low burning candles and a caduceus. Framing lines. Margins.,

Kings Sail, Arnold William Brunner, American, 1857–1925, Graphite on paper; verso: green paper, High rock point, from right, with lighthouse; gulls upper left. Sailboats in foreground, USA, ca. 1883, seascapes, Drawing, Drawing

Study of Hand and Wrist, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Hand, lower left, holding a staff. Edge of sleeve cuts off arm, upper right. Verso: section of a geometric sketch., USA, ca. 1895, figures,

Design for a Vignette, Graphite, pen and ink on paper, Horizontal rectangle showing two angels in flight holding laurel wreathes punctuated by a sword., Italy, 1825–1850, ornament, Drawing, Drawing

Two Studies of Cattle, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on brown paper, Horizontal rectangle. Obverse: at left, head and neck of a standing cow or ox. The head is shown frontally. Reverse:

Studies of Hands for Dome of Manufactures and Liberal Arts Building, World's Columbian Exposition, Chicago, IL, J. Carroll Beckwith, American, 1852–1917, Graphite on paper, Sketch of the left side of the torso of a woman in a sleeveless

Landscape, Brush and grey watercolors on paper, A stream flows from the left background to the right foreground. An arch bridge crosses the river. A town lies on its left bank. Ruins of a Classical tholos are depicted on a cliff in the foreground.

Design for a Sofa, Matthew Liard, English, ca. 1736–1782, Pen and ink, brush and rose washes on cream laid paper, Sofa turned and fluted legs and wrap-around sides and wood trim is seen from the front. The trimis detailed with fluted acanthus

Study of a Lion, Charcoal on paper, A lion in motion walking toward the right. Hind legs unfinished., Italy, ca. 1815, nature studies, Drawing, Drawing

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