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Stage Design, Flood, Pen and brown ink, brush and wash on white wove paper, Horizontal rectangle. Flooding river near mountain town. In foreground, three figures with arms raised on riverbank., Italy, early 19th century, theater, Drawing,

Study: A left hand, Black and red crayon on paper, Vertical composition of a left hand raised with spread fingers, seen from the inside. Written below at right: 'G.M. Viani.', Italy, 1650–1700, figures, Drawing, Drawing

Design for Berlin Wool Work, Carl F. W. Wicht, German, Brush and gouache on pre-printed squared paper, Design on graph paper for Berlin wool work, a wreath of red and white roses and other flowers., Berlin, Germany, ca. 1860, textile

Tracing of Design for Writing Table in the Mission Style, A.N. Davenport Co., Carbon tracing in thin cream paper, 1900–05, furniture, Drawing, Drawing

Wall Elevation with Fireplace and Two Doors, Frederick Crace, English, 1779–1859, Pen and gray ink, brush and watercolor on off-white laid paper, Horizontal composition illustrating an elevation of an interior wall with a fireplace at center

Project for a Doorknocker, Pen and ink, brush and wash on paper, Design for a doorknocker with interlace work., Italy, 18th century, ornament, Drawing, Drawing

Design for Serving Table with Two Drawers and Convex Front, A.N. Davenport Co., Graphite on cream tracing paper, Oblong top with convex front having 2 drawers; raised on 4 straight tapering legs; lower rectangular shelf attaches just above floor

Beach Scene with People and Fishing Boats, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on cream wove paper, Horizontal view of a group of figures at a railing overlooking the sea, with a procession of fishing boats

Elevation of a Triumphal Arch, Giuseppe Valadier, Italian, 1762–1839, Black chalk, brush and wash on paper, Pairs of embedded Doric columns support the entablature. Papal coat-of-arms held by two angels., Italy, 1775–1780, architecture,

Stage Design, Pen and ink, ink wash on paper, Sketch in perspective of vestibule with coffered ceiling, beyond which is a large hall with vaulted ceiling., France, ca. 1760, Drawing, Drawing

Pedestal with Female Figures Supporting a Vase, Pen and brown ink, brush and brown wash, graphite on laid paper, Three women in classical dress support a vase decorated with florals and one handle showing. Below is a large plinth, at front a

Study for a standing woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on tracing paper mounted to board, Detail of female figure's head and shoulders.

Sketch of Villeneuve, Lake Geneva, Daniel Huntington, American, 1816–1906, Graphite and white chalk on buff laid paper, Church and trees center, with mountains beyond, left and right. Verso: River below, with high bluffs, left. Castle on

Design for Sideboard 'A' with Eight Drawers, A.N. Davenport Co., Graphite on thin paper, Rectangular sideboard with six short tapering legs [four shown]; eight drawers in tri-partite front: center, narrow horizontal drawer above larger one,

Sketches in Pompeii, Arnold William Brunner, American, 1857–1925, Graphite on paper, Panel above, with profile of woman looking right, scarf tied around head. Sketch of profile of man with mustache looking right. Lower right, flutting for

Design for Music Cabinet with Neo-Classical Ornament, A.N. Davenport Co., Graphite on thin cream paper, Rectangular body with front panel and lower shelf inlaid with neo-classical ornament; raised on 4 short, tapering legs., 1900–05,

Plate Depicting the Sèvres Porcelain Manufactory, Sèvres Porcelain Manufactory, French, established 1756 to the present, Achille Etna Michallon, French, 1796 – 1822, hard paste porcelain, vitreous enamel, gold, Flat marli. Concentric

Sketch of Angel with Flowers, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown laid paper, Angel sitting facing front, looking to the left in profile. Right hand holding flowers on lap., USA, ca. 1895, figures, Drawing,

Putto Frieze; Classical Altar, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on cream laid paper, Two putti hold indistinct bunches on a ribbon; one putto supported by third putto. Outside, putti

Rear Elevation of the Chateau de Sablé, Claude Desgots, 1655 - 1732, Pen and ink, brush with blue and gray wash on paper, France, 1725, drawing, drawing

Stage Design for the Opera 'La Straniera', Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. View through arched window on groups of

Design for Wall Panel on Theme of Diana, Gabriel Huquier, French, 1695–1772, Antoine Watteau, (French, 1684–1721), Black chalk, brush and gray wash, traces of stylus on cream laid paper, A statue of Diana in pursuit, accompanied by a

Design for a Metal Frame, Giovanni Bettati, ca. 1700 – 1777, Pen and ink, brush and brown watercolor, black chalk, graphite on paper, Different details in the left and right halves. Architectural forms frame an oval. An escutcheon in the

Competition Design for La Fenice, Venice: Transverse Section, Pen and black ink, brush and gray wash, watercolor, graphite on cream paper, Drawing in shades of rose and gray of transverse section of a theater showing a large central section

Evergreen with Vines, Hoboken, Daniel Huntington, American, 1816–1906, Graphite on paper, Study of a tall evergreen tree overgrown with vines. A smaller tree at right., USA, August 24, 1841, nature studies, Drawing, Drawing

Study of Right Arm, Daniel Huntington, American, 1816–1906, Graphite on paper, Possibly study for portrait. Right arm, holding papers. Verso: Sketch of feet, seen from the front., USA, ca. 1885, figures, Drawing, Drawing

The Study of Grand Duchess Cecilia von Oldenberg, Ernst Christian Anton von Lautzow, Brush and watercolor, gouache with accents of gold paint on white wove paper, In this view, the Grand Duchess Cecilia von Oldenburg's study is dominated by the

Landscape Sketch with Chocorua and Walker Pond, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Trees, shore and outlines of mountains beyond., New Hampshire, USA, September 10, 1862, landscapes, Drawing,

Decorative Frame; verso: Frieze with Pageant, Charcoal, pen and ink on paper, Frame with grotesque decoration. At top center, child and lion masks flanked by half figures of armless mermaids with acanthus tails. Below, escutcheons, trophies,

Godfrey de Bouillon, after Giulio Romano and Raphael Sanzio, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over traces of graphite on laid paper, Italy, ca. 1820, figures, Drawing, Drawing

Portrait of a Woman, Rosalba Carriera, Italian, 1673–1757, Pastel on paper, Vertical rectangle. Quarter-length female figure facing a quarter-right, wearing a blue gown with white bodice and holding bouquet of flowers in her arms., Europe,

Leonidas, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Leonidas shown standing over fallen warrior and defending himself against several attackers. Part of monument

Organ Case with Arms of P, Pope Alexander VII, 1599–1667, Pen and brown ink, brown wash, graphite, incised Support: off-white laid paper, Rome, Italy, Italy, 1655–67, architecture, Drawing, Drawing

Ecuador ?, mountain plateau with hut, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Horizontal rectangle. A valley leading toward a high mountain in the background. A hut is shown in the central

Design for a Woven Textile, Graphite, brush and blue, lateritious gouache on oily tracing paper, In the same manner as 1906-13-106. Shown are three rows of three squares each containing fourché crosses. Each alternate cross is to show oblique

Design for a Woven Border, Pen and black ink, brush and wash, graphite on paper, Plants grow horizontally beside the lateral points of a lozenge containing two spade leaves and two calyxes growing from a bead. Motif is to alternate with another

Four Studies of a Foot, Red crayon on paper, Horizontal rectangle. A flexing foot shown from four different perspectives in various poses; the upper-right foot is shown walking., Verso: part of the head of a young man, shown in profile; part of a

Design for Clock, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and yellow, red watercolor on white laid paper, Octagonal base supported by tapered feet. Front panel shows a relief of Hermes as shepherd, sleeping. Ram at

Theology, after Raphael Sansio, Stanza della Segnatura, Vatican, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and sepia wash over traces of graphite on off white laid paper, Figure scribbling on tablets, Italy, ca.

Project for a Lamp, Giuseppe Barberi, Italian, 1746–1809, Pen and ink, brush and wash on paper, Design for a pillar on a square base decorated with bucranium and swags. Flame form at top., Italy, ca.1780, lighting, Drawing, Drawing

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Design for a sugar bowl with two looped handles; lid has a linked finial. Bowl’s rim is scalloped; large pink peonies (flowers) against gold and green ground.

Alternative Designs for a Metal Gate, Pen and black ink, brush and blue wash, graphite on cream wove paper, pricked for transfer, Vertical rectangle. An arched, iron gate divided into three sections: a semi-circular panel above and two vertical

Design for the Elevation of the Entrance Wall of a Salon, Pen, brush, Chinese black, and light blue and yellow watercolor washes on paper, A wall panel with a looking glass is flanked by panels with panoplies and folding doors. Another wall

Elevation of the Facade of the Théatre Royal des Italiens, Paris, Cesare Recanatini, Italian, 1823–1893, Pencil, pen and ink, with gray washes on cream-colored paper, Horizontal rectangle. Unfinished drawing of same subject as

Chastity, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Seated woman chases Cupid and raises riddle, which putto tries to reach., Italy, 1816, figures, Drawing,

Design for Chimneypiece, Pen and ink, brush and wash on paper, Design for a mantelpiece. At top, an entablature. Below this, a grotesque frieze with medici-style arms., Europe, 1820–1830, interiors, Drawing, Drawing

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man sitting on a chair facing frontally, looking down. His left hand on his knee. He wears glasses., London, United Kingdom, USA,

Design for an Embroidered Border Motif, Unfinished, Sharp stylus on oiled paper mounted on black paper, A volute composed of three garlands and a serrated band containing circles. Above, a border strips composed of diamonds and beadwork bands

Designs for Three Chairs, Jean Démosthène Dugourc, French, 1749–1825, Pen and brown ink, brush and wash, graphite on white laid paper, Showing three chairs, left, shown frontally, rear legs are in center and forked; back consists mainly

Design for two entablatures, Pen and Chinese ink, brush and watercolor, graphite on paper, Top depicts rosettes, calyxes, and leaves. Bottom shows leaves and plants with pevals below., France, 1770-1790, Drawing, Drawing

Saltarello Romano, ' Dancing Peasants In The Neighborhood Of Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A boy in the pose of the dancer of plate 1, loc. cit., dances

A Detailed Study of a Seated Man and a Group of Plants, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on cream-colored paper, Vertical view of a large group of detailed plant studies with a seated man

The Ass Clad in the Lion's Skin, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Ass, left, under a tree, in right profile with skin over him. Birds around. Woman at right on house st eps offers him a

Project for the Interior of the Sacristy of St. Giovanni de’ Florentini in Rome, Giuseppe Palazzi, Italian, 1740 - 1810, Graphite, pen and ink, brush and watercolor on paper, Section. At left is a window. At the opposite side is a cupboard,

Design for a Wall Fountain, Graphite, pen and ink, brush and wash on paper, A niche with a segmented pediment. Water flows from the mouth of a dolphin and into a basin. Measured plan below., Italy, late 18th century, architecture, Drawing,

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. The panel shows vertical rows consisting of waved and intertwined white and blue garlands, and of vertical poles. The left side

Sketch of People Canoeing and Window, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Left, corner of house, window in Mossley Hall. Right, sketches of people canoeing and sailing, , USA, 1883, architecture,

Study for 'Herding, ' 'The Progress of Civilization: Hunting, Herding, Agriculture, ' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Partial sketch of a bull with horns., USA, 1905–1906, animals,

Studies of a Woman's Limbs, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Three left arms, two right forearms, a right hand, a left foot of a kneeling woman, the feet of a woman standing upon her toes are shown.,

Sketch of Winged Figures for Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Sketch of winged figures, probably for a mural of the Ascension., USA, ca. 1895, figures, Drawing, Drawing

Stage Design, Oriental Street, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Vertical rectangle. Street in town with rows of buildings on either side,

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, and a high entablature on top. the panel shows horizontal rows of circular wreaths, with rosettes, which are connected by small ones which are shown

Sketch of Cloudy Sky over Mountains and a Sky with Clouds, Jamaica, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper., Recto: Horizontal view showing a cloudy sky over mountain ranges and at bottom, drawn in the

Study for The Iron Bedstead of King Og, Plate 324, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, pen and brown, black ink on cream laid paper, A

Study of figure, Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Head of a female figure, facing right in profile. Her left arm is also shown in detail, resting on a circular object., USA, ca. 1885, figures, Drawing,

Study for Portrait of James Prendergast, Daniel Huntington, American, 1816–1906, Graphite on paper, Man standing, with his left hand resting on a table and holding papers in his right hand. He faces frontally, looking toward the left., USA,

Landscape, Interlaken, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a woodland landscape., Interlaken, Switzerland, July 26, 1867, nature studies, Drawing, Drawing

Study of Angel's Head for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite, white chalk on blue wove paper, Study of a man's face, looking downward and slightly to the left. Verso: Man standing, facing frontally, and

Four Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink, brush and sepia on paper, At top, two standing men. Below, two seated figures with hats., Italy, 1630–1640, figures, Drawing, Drawing

Design for a Doorway to the Sacristy of St. Peter's, Rome, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, Doorframe is surmounted by a pointed attic pediment, enclosing a

Two Winged Genii with Laurel Wreath, Black crayon on paper, Horizontal rectangle with two winged genii holding a laurel wreath which has a ribbon at its bottom. Hatched background. Framing line at bottom. Obverse: slight sketch, of two spirals of

Design for a Teapot, Brush and gouache, graphite on cream paper, Design for a footed teapot or coffee pot with long spout and looped handle that reaches the bottom of the body which is bulbous. Body is decorated with small pink, orange and blue

Japanese Lily, East Hampton, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on cream laid paper, Study of Japanese lily in watercolor; two additional sketches of the flower in graphite. Verso: studies of stalk and

Sketches of Two Heads, Arnold William Brunner, American, 1857–1925, Graphite on paper, One sketch, upper left, of balding head, from the rear. Below, three sketches of man with mustache and beard with glasses, drawn from different angles,

White My Flax, Red My Ring, Gold the Heart of My Betrothed, Henry Patrick Raleigh, American, 1880–1944, Charcoal, brush and grey, black and white watercolor on illustration board, A young woman seated in a doorway is shown with a sheet in

Study of stag head, Kenyon Cox, American, 1856–1919, Graphite on paper, Two sketches of a stag head from different perspectives., USA, ca. 1900, animals, Drawing, Drawing

Studies for Holy Figures, Clack crayon, white heightening on gray paper, The bust of a bearded elderly man; the head of a woman with shawl in agony, possibly Mary; the head of a nun looking upwards; a left hand; the upper part of a nun’s body,

A Corner of a Pond, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, A study of a patch of grass and red foliage is presented on the edge of a pond. The foliage is reflected in the water below which fills the

Design for a Plate, Brush and gold gouache, watercolor, graphite on cream paper, Decoration for plate with rounded corners. Border of plate consists of light green ground featuring pink blossoms with darker green leaves; rimmed with gold.,

Design for a Wall Decoration, Possibly for the Corridor, Frederick Crace, English, 1779–1859, Graphite on wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. Panels left and right with fish, shells at base. Patterned

Decoration for portrait of Pope Pius VI and royal couple, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Vertical rectangle. In front of a curtain stands a support which has below the shape of a column. Obliquely fastened

A Trattoria in the Woods, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Figures and animals on a road within a wooded landscape. At right, an inn with mountains in the background., Italy, 1760–1770, landscapes, Drawing,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Study for 'The Mermaid Window, ' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881–1883, Pastel crayon, brush and wash

Design for a Gilt Bronze Ornament, Giovanni Battista Foggini, 1652 – 1725, Pen and black and brown ink, brush and wash, white gouache, graphite on off-white laid paper, A design for a stand with dado supported with acanthus leaves. Primarily

Sketch of Figural Group for Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Groups of figures, likely heavenly hosts, left and right. Central figure with arms raised overhead. Possibly a study for a mural

Crest of a Processional Staff, Black chalk, pen and ink, brush and bistre on paper, Below is the end of the staff. A calyx stands upon a bottle with bossed body. Upon it stands an oval frame, having a cherub below. Two angels kneel upon clouds

Design for Majolica Pitcher, Black chalk, pen and black-brown ink, brush and sepia, blue wash on paper, At left, handle in shape of bird's head, foliated. Scrolls and a mask form the foot. Satyrs, maenads, and children make up the body.

Design for Sideboard of Mahogany with Serpentine Front, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard on six straight tapering legs; serpentine front has two drawers - the top one narrower - at center, each has pair of

Design for Ceiling with Aurora as the Central Motif, Felice Giani, Italian, 1758–1823, Pen and dark brown and black ink, brush and dark wash on paper., Central oblong supported by trapezia. Genii alternate with leaves in latter. Color

Design for a sedan chair, Pen and black ink, watercolors, and traces of charchoal on paper, Shown from the rear right corner with two bars. The roof is shaped like a tent. On top and at the corners are fitted baskets. The window is divided into

Design for One Quarter of a Ceiling with a Central Circular Decoration, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream yellow laid paper, Horizontal rectangle. One-eight of decoration shown. Center:

Libra, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto with cross-bar, pair of scales, shaft

Study for a dancing woman, “Moods to Music, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure dancing., New York, New York, USA, ca. 1895, mural

Motif for Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A woman, shown from the front, seated in front of a circular window., USA, 1875–80, figures, Drawing, Drawing

Bag with pen and ink drawing, Medium: cotton Technique: plain weave with pen and ink drawing, Off-white bag with a very fine pen and ink drawing. On one side a putti writing on a slate: 'souvenir.' On the other, a scroll inscribed 'Eloise to Lucy,

Sheep Grazing, Winslow Homer, American, 1836–1910, Graphite on gray-green paper, Recto: Horizontal view with the upper portion showing the trunk of a chestnut tree with grazing sheep, and the lower portion showing a steep hillside with

The Conversation, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and tan and blue washes over graphite on thin white wove paper, Vertical rectangle with trimmed corners. Figure of a woman, side view, facing right, wearing a

Door in a garden wall, Filippo Marchionni, Italian, 1732–1805, Charcoal, graphite, brush and gray watercolor on paper, In the shape of a triumphal arch, with a single high and narrow opening in the center part. Below is a dado, above the

Figures Assembling on Row Boat, Black chalk, graphite, and white heightening on laid paper, Netherlands, after 1666, figures, Drawing, Drawing

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