Images at Librifly

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Garden Pavillion, Brush and watercolor, graphite on wove paper, lined, Drawing of large pavilion surrounded by foliage. Hexagonal pavilion comprised of slanted roof supported by columns with circular design decoration and lanterns. Balustrade at

Stage Design: Vaulted Interior, Pen and bistre, brush and sepia wash on paper, Vertical rectangle showing an interior space with a high vaulted ceiling. In foreground, a rounded arch supported by Tuscan columns. Walls on either side show

Classical Figures, Girolamo da Carpi, Italian, ca. 1501 - 1556, Pen and brown ink on laid paper., Recto:three sculptural figures (a herm, the statue of Athena Giustiniani, a standing male nude); Verso: a standing senator on left, a losely

Design for Front and Spine of Bookbinding for 'Spanish Vistas' by George Parsons Lathrop, Francis Augustus Lathrop, American, 1849 - 1909, Black chalk on paper, Sketch for the front and the spine of a bookbinding for 'Spanish Vistas' by George

Study for an Evangelist, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on paper, Bust of a young man pointing with his left forefinger at an opened book. At right, a sketch of the right hand., Italy, ca. 1700, figures,

Study of a Young Woman, Pen and black ink, charcoal on paper, Vertical rectangle. Study of a young woman in a long dress sitting and holding an open book with blank pages toward the spectator., Italy, ca. 1880, figures, Drawing, Drawing

Design for a Painted Coach Panel with Rocaille Motif, Brush and gouache, gold paint on laid paper, Almost symmetrical rocaille motif in green, brown, and gold on tan background. The pattern is of a swirling, looping designs with wave-like

A Horse and Carriage, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and brown wash on paper laid down on mousseline de soie, Horizontal rectangle. A gentleman driving a calash with a footman behind. Coming toward him on the

Two Sketches of River Gods, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Crayon on paper, A younger and older river god shown as counterparts leaning against jars., Italy, ca. 1750, figures, Drawing, Drawing

Alexander the Great Taming Bucephalus, Felice Giani, Italian, 1758–1823, pen and brown ink over traces of graphite on cream laid paper, Young Alexander standing in center holds rearing horse. King Philip seated at right. Seated spectators and

Cloud Study, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Cloud studies. Verso: Standing figure and back of cow's head., USA, 1844, nature studies, Drawing, Drawing

After the Hunt: Two Hounds beside a Boar's Head, Jean-Baptiste Oudry, French, 1686 – 1755, Pen and black ink, brush and gray wash, white gouache on brown-gray paper mounted on cardboard, ruled border in pen and black ink, Two dogs, one

Design for Serving Table with Tray and Stack of Plates Atop, A.N. Davenport Co., Pen and black ink on thin cream paper, Rectangular body with 2 drawers at front, raisede on 4 straight tapering legs; conforming lower shelf attaches half way up

Baldacchino with Papal Ar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for a Sedan Chair, Pen and black ink; brush and red, green yellow and gray watercolor over graphite on heavy, textured cream laid paperboard, Three-quarter view of a sedan chair diminutively decorated with cartouches containing bird and

Design for a Reliquary for a Thorn of the Crown, Pen and ink, brush and blue, green, rose watercolor, graphite on paper, Vertical rectangle. The receptacle of the reliquary is shaped like a column, which is carried by a cherub who stands upon

Design for Embroidered Gilet, pattern 1730 of the Fabrique de St. Ruf, Mademoiselle Montalent, Brush and white gouache on glazed tracing paper, Two Chinese and a fantastical serpent in a landscape. Houses and a garden decorate the oblong pocket.

Boat, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a boat with a seated figure on board., USA, 1881, figures, Drawing, Drawing

Gate and Ceiling Piece, Pen and ink on paper, Top half shows an ornamented gate with three entry ways. The center entry is an arch. The gate is decorated with vines and leafs as well as busts and a sculpture of a female figure. The bottom half is

Study for drapery, Kenyon Cox, American, 1856–1919, Graphite on paper, Standing female figure in a full-length gown., USA, ca. 1895, figures, Drawing, Drawing

An altar, Black chalk, brush and gray-blue wash on paper, Vertical composition of an altar with a cross on top, a putto on the top right, and God the Father looking down at Christ supported by three putti, Italy, 1750–1775, religion,

Design for Clock, Unknown, Lefebvre Manufactory, Tournai, Pen and black ink, brush and yellow, brown, and green wash on white laid paper, Design for a large clock. Intended to be executed in green and gilded bronze. The dial is in the body of

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with harpy candelabrum, swags and masks frame a square panel at center, Italy, early 17th century, ornament, Drawing, Drawing

Seated Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Seated nude female figure, turned toward left, with left ankle resting on right knee, and right hand resting on left ankle., USA, ca. 1890, figures,

Console Table and Chest of Drawers, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The left half I shown. A terminus carries the moulding top of the table. The chest of drawers is supported by a mark with a lion foot. The

Canoe with Three Men, Winslow Homer, American, 1836–1910, Graphite on paper, Oblique rear view of canoe, heading toward the left, paddled by two men, with a third men sitting in center; indications of turbulent current of a rapids, and of

Design for a Waistcoat, Pencil, pen, ink, and various gouaches on paper, pricked, Design for the embroidery at the border of a man's waistcoast. Lilac edges; the inner ones of the pocket are outlined. The field is decorated with leaf and flower

Study after an Antique Statue of a Seated Woman, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Female figure seated on bench, left hand holds dry bough of tree.,

Theatre Design: Streetscape, Pen and brown ink, brush and brown wash on off-white laid paper, View of a street. At left, a building with two columns and attic sculptures. At center, a tree grows from a rear courtyard., Italy, late 18th

Design for rosettes, Pen and Chinese ink, brush and watercolor, graphite on paper, Each rosette is shown against a black background in a square., France, 1770-1790, Drawing, Drawing

Interior of a Dressing Room with Tented Ceiling, François Etienne Villeret, French, ca. 1800 - 1866, Brush and gouache, watercolor, graphite on tan paper, A dressing room interior whose walls and tented ceiling are covered in a delicate vine

Three Sketches of Women in Pireus, Arnold William Brunner, American, 1857–1925, Graphite on paper, Three sketches of women. Top, sketch of woman from behind, hair in lower bun, facing right. Center right; portrait of bust of woman facing

Basket of Blossoms and Leaves with Pomegranates on Earth, Pen and ink, graphite on coated wove paper, Basket of Blossoms and Leaves with Pomegranates on Earth, ca. 1800–1830, Drawing, Drawing

Design for Frame Surrounding the Portrait of Sir Walter Raleigh, Gravelot, French, 1699 - 1773, active in England, Pen and black ink, brush and wash, graphite, charcoal, red chalk on paper, Design for frame surrounding the portrait of Sir

Design for a sedan chair, Pen and ink, brush and various watercolors on paper, Shown from the rear right corner with two bars. The panels are decorated with frames of garlands. An ovoid medallion with a Cupid is in the center of the panel beside

Looking Toward Distant Hills, Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite traces on thin paperboard, View across a wooded valley toward distant mountain range. Sky is cloudy, slightly

Three Bacchus Subjects: Bacchus Worshipped: Bacchus Marries Ariadne; Triumph of Bacchus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash over traces of graphite on laid paper, Bacchus shown enthroned in circular

Design for a Ceiling with Alternative Suggestions, Graphite, pen and ink, brush and watercolor on paper, Shown is a central medallion with three radiating quadrangles. The medallion shows a framed tent motif. The left quadrangle shows two nudes

Study of a Tiger, Charcoal on paper, Standing tiger, facing left., Italy, ca. 1815, nature studies, Drawing, Drawing

Sketches of Two Winged Putti and an Urn, Taddeo Zuccaro, Italian, 1529 - 1566, Black and white chalk on blue laid paper, Sheet with two studies of putti. At top, a frontal view of a reclining, winged putti facing right. At bottom, a back view

Stage Design, Interior of a Prison, Pen and brown ink, brush and wash on paper, Horizontal rectangle. Prison with high vaults, bridge in the middle leading to interior of building. Strong contrast between dark and light tones of coloring.,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of foliage growing near water., USA, ca. 1860, nature studies, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Pen and ink on wove paper, View of a building and garden from canal in Venice., Venice, Italy, 1881, architecture, Drawing, Drawing

Army Cook's Tent, Winslow Homer, American, 1836–1910, Graphite, brush and wash on paper, Recto: Horizontal view of an army cook's tent with a row of cauldrons hanging above a fire., Verso: several sketches, including one of the same soldier

Design for a Chalice, Black chalk, pen and ink, brush and watercolor on paper, Chalice decorated with masks, grape vines, putti, and Greek key design at base and center. The upper part of the cup is gilded., Italy, 1800–1830, ornament,

Design for a Mantelpiece, Pen and ink, brush and watercolor, sepia on paper, Elevation of a chimneypiece. At top, a triple mount with a laurel wreath/. Below this, a peaked entablature and an oval mirror surrounded by festoons, bowknots and

Stage Design: a Town Square, Graphite, pen and ink on paper, Sketches for a view of a town square with enclosing arcade. At center, an obelisk. One view in ink at bottom. Sketches in graphite in reverse at top., Italy, early 19th century,

Blue Bird on Branch with Carnations and Insects, Pen and ink, graphite on coated wove paper, Blue Bird on Branch with Carnations and Insects, ca. 1800–1830, Drawing, Drawing

Wall Decoration with Oriental Landscape, probably for Conservatory/Music Room, Royal Pavilion, Brighton, George IV, King of England, English, 1762 – 1830, Brush and watercolor, pen and black ink, graphite on white wove paper, Design for

Sketches. Tents. Bedouin., Frederic Edwin Church, American, 1826–1900, Pencil. Grey Paper., Top: a group of tents. Bottom: two standing and a riding Bedouin, all shown from the back. Back of another carrying a bag with his left hand. Top

Design for two friezes, Pen and Chinese ink, brush and watercolor, graphite on paper, The top frieze depicts intertwined, curved bands with rosettes. The bottom frieze shows rosettes of alternating design., France, 1770-1790, Drawing,

Study: A half-naked man with a crutch, Black and white crayon on brown paper, Vertical composition of a half-naked man with a crutch, shown from the left back, kneeling on his right knee. Reverse: a part of a black crayon study showing a part of

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of arched window with separate panels, all framed by green-yellow and red; two vertical

Figures in a Garden, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a painting or mural depicting figures in a garden. Framing lines., USA, 1881, figures, Drawing, Drawing

Design for Square Dining Table on Animal Paw Feet, A.N. Davenport Co., Graphite on thin cream paper, Molded top with carved acanthus-leaf decorations at corners, raised on support of clustered columns, sitting atop molded base with carved

Wallpaper Design, Brush and watercolor, gouache, graphite on heavy white wove paper, A dado is shown at the bottom, an entablature with a gilt ovolo on top. The ground of the panel shows alternately a blue and a narrower white between two light

The right hand of a man, Black chalk and white heightening on blue paper, Horizontal composition of a man's right hand with raised fingers, turned towards the right, Italy, 1700–1750, figures, Drawing, Drawing

Design for a Gate of a Villa, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper, Pilasters with mounds on top frame of the opening. Volutes connect their upper parts with the garden wall, the nearest parts to the gate of which

Design for Mechanical Furniture: Secretary Desk, Graphite, pen and ink, brush and watercolor on paper, Design for a secretary desk with a fall-front on hinges, and cabinets above and below. Elevation at left with desk open, revealing the inner

Design for a Creamer, Brush and watercolor, gold gouache, graphite on cream paper, Design for a creamer with a straight spout and rhomboid finial; body is decorated with stylized wheat stalk pattern., Japan, 1880–1910, tableware designs,

Hercules and Iole, Felice Giani, Italian, 1758–1823, Pen and brown ink on light blue paper, Italy, 1813, figures, Drawing, Drawing

Proportional study of a church façade, Pen and ink with ink wash, An exercise in architectural proportions, following the work of Vitruvius with Baroque adjustments, Italy, ca. 1750–75, architecture, Drawing, Drawing

Doorway—Venice, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Sketch of door and doorway., USA, 1883, architecture, Drawing, Drawing

Design for a Console Table, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. Design for a console table shown in elevation, the legs in the shape of a 'trapez-ophoron, ' the upper part of the body of a winged

Strapwork Design, Charcoal, pen and ink, brush and bistre on paper, Strapwork frame with bears and smoking braziers., Italy, early 17th century, ornament, Drawing, Drawing

Project for a wall decoration (Female figures and putti support a circular medallion with coat of arms), Red crayon, blotted and wash on paper, Very similar to drawing in -1783. Four female figures surround a circular medallion decorated with a

Garden and Villa, Pen and brown ink, green, brown wash, black chalk, ruled border in pen and brown Support: white laid paper, A two-winged staircase, with a stone-covered court with a fountain in the center is leading to an upper terrace,

View of Cotapaxi from the Hacienda San Antonio, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on greenish paper, Horizontal view of volcano Cotopaxi shown from behind a ridge., USA, August 30,

Study of a Wing, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Wing shown with diagram labels of wing structure., USA, ca. 1895, animals, Drawing, Drawing

Colombia or Ecuador, church roofs, Frederic Edwin Church, American, 1826–1900, Pencil and oil on academy board, The left dome rises behind a wall. The tambour is octagonal. The sections of the dome show two crosses each. The dome at right is

Study for Rose Window for St. John the Baptist Church, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, graphite on paper, laid down on illustration board, Circular medallions of four figures representing the earth,

Designs for Mechanical Furniture: Three Washstands with Three Bidets, Graphite, pen and black ink, brush and watercolor on paper, Three washstands with bidets; upper plan, section and elevation; upper right, plan, section and elevation; lower,

Sketch for Portrait of Mr. Samuel Ward Sr., Standing with Hand in Pocket, Daniel Huntington, American, 1816–1906, Graphite on grey paper, At far left, man standing with right hand in pocket., USA, 1880, portraits, Drawing, Drawing

Clock face with the signs of the zodiac, Pen and black ink, brush and watercolor, graphite on paper, The signs of the zodiac are displayed upon its outside band. Chronos is seated underneath raising the hour glass with his left hand and pointing

Sketches of Architectural Details from Agnes Sorel’s House, Oréans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketches of window details and ceiling mouldings, all labelled., USA, 1883, architecture, Drawing,

Architectural Details at Nevers, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Staircase, moulding and capitals., USA, 1883, architecture, Drawing, Drawing

Escutcheon, Federico Zuccaro, Italian, 1542 – 1609, Pen and brown ink, brush and brown wash, brush and white gouache, black chalk on laid paper., Escutcheon with figure on the right holding it., Italy, ca. 1580, graphic design, Drawing,

Dog and lion, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Above, sketches of dog's head; Below, sketch of lions rampant., USA, 1882–1883, commemorative and souvenirs, Drawing, Drawing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper, On green-blue ground, four crossing swords in white, surrounded by gold stars., USA, ca. 1887–1903, graphic design, Drawing,

Sketches for Balusters and Capitals, Pen and brown ink, graphite on white laid paper, Page with various designs fort balusters decorated with gadrooning, acanthus leaves and masks. At upper right, two capital designs. Light sketches of angels at

Design for a Frieze, Pen and brown ink, graphite on off-white wove paper, Horizontal rectangle. Left half of a design for a frieze is shown. The half-figure of a fantastic sea lion is shown in profile turned toward right. Creature holds a laurel

Study of Right Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Study of a right foot and ankle, from straight on. Toes pointing towards lower left corner., USA, ca. 1895, figures, Drawing, Drawing

Sketch of Drapery for Seated Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, with watercolor spots below, Female figure, seated, facing frontally. Lower part of drapery shaded. Hands together, perhaps holding

Talbot's Battery, Winslow Homer, American, 1836–1910, Graphite on cream wove paper, Horizontal view of an artillery column, with sketches of details along upper margin of sheet., USA, 1862, figures, Drawing, Drawing

Elevation of a Censer, Black chalk, pen and ink, brush and watercolor on paper, The bowl is surrounded by a calyx of water leaves. Above it are a band with a wave motif and a band of beads. In the center of the neck is an escutcheon including a

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Architectural Details in Classical and Pseudo-Classical Style, Romolo Achille Liverani, Italian, 1809 - 1872, Graphite, pen and black ink, brush and bistre, gray watercolor on paper, Horizontal rectangle. At lower left, the left part of the

Recto: Design for a Bottle with a Handle, Red chalk, pen and black ink on laid paper; verso: graphite, pen and black ink, Recto: The lower part of body of the bottle is shaped like a bowl. On its rim stand two swans, to whose necks the handle is

Study of foliage, Trachselwald, Bern, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of trees with foliage., Trachselwald, Bern, Switzerland, August 2, 1867, nature studies, Drawing, Drawing

Gray Bird on Branch with Tulip, Snapdragons, and Forget-Me-Nots with Butterfly, Pen and ink, graphite on coated wove paper, Gray Bird on Branch with Tulip, Snapdragons, and Forget-Me-Nots with Butterfly, ca. 1800–1830, Drawing, Drawing

Stage Design, Interior of Circular Building, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Interior of circular building with stairs leading up, decorated with sculptures at the side., Italy, early 19th

Child, Amedeo Modigliani, Italian, 1884–1920, Graphite on cream wove paper mounted on cardboard, Very faint drawing of a child's face. The infant's eyes are open and the face is turned slightly to the left. A blanket or wrap is indicated by

Coaling Up, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on illustration board, Three-quarter length of a man with a poker. Sketch of a head. Center: three-quarter length of a man leaning his hands upon a hoe. Right: a man with

Studies of Cattle, Heads of Sheep and a Hog, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream-colored cardboard, Most of the studies are of heads. A standing calf is shown obliquely from the back, as is a sketched lying

View across Wady el-Arabah, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey paper, Recto: A slope is shown in the left foreground. View from across the foothills and the plain toward a mountain range.

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Guidelines in graphite are visible on the page with the diamond bisected horizontally and vertically. On light blue and white vertically striped ground. Blue

Fragment of a wreath with monograph of Christ, Pen and black ink, brush, gray wash on heavy cream laid paper, Italy, 1725–77, Drawing, Drawing

Design for Writing Table for Mr. Dorn in Two Views, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Sketch of Youth's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Head of a youth facing slightly to the left., USA, ca. 1895, figures, Drawing, Drawing

Belltower, Giovanni Pividor, Italian, 1812 - 1872, Graphite, pen and ink on paper, Elevation view of belltower for St. Peters., Italy, 1862, architecture, Drawing, Drawing

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