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A Shipwreck, Pen and ink, brush and sepia wash over black chalk on laid paper, A two-mast ship obliquely shown on top of wave which looks like jaws of hell. Sail blown off. Woman flying upon cloud, extends hand towards stern of ship. Buildings of

Architectural Details at Blois, Arnold William Brunner, American, 1857–1925, Graphite on paper, A capital, lower center. Cornucopia, left; back view of gargoyle, right., USA, 1883, architecture, Drawing, Drawing

Design for a Vase with Satyrs, Red crayon on cream laid paper, Elevation of a vase topped with a male and female satyr. Crossed garlands across the spiraling body. Lower body decorated with sea shell. Stands on a cracked stone ground. Double

Garden Wall and Terrace, Pen and black ink, brush and green, red, pink, brown and yellow watercolor, slight traces of black chalk on paper, Design for a garden wall and terrace. A parallel colonnades supporting an open roof of cross rafters.

Sketches of Townspeople in Mont St. Michel and Vitré, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and white heightening on light brown paper, Sketches of townspeople in northwestern France in Normandy and Brittany. At left, a

Costume Design: Poetry for a Ballet, Lead pencil, pen and ink on paper, Vertical rectangle. A woman is shown, standing, with a trumpet in her right hand, the left hand holds the neck of a violin-cello. Her coat is decorated with rows of stars.

Figural Studies, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, In the upper left corner are two seated men wearing hats, shown in profile. Below, at left, a man seated

Design for a Waistcoat, Black crayon and various gouache on paper, France, 1780-1790, Drawing, Drawing

Wool Embroidery Design (Berlin Wool Work), T. P. Devrient, active ca. 1860, Brush and gouache, pen and black ink over etching on cream laid paper, Design for wool work on squared paper. A green scroll with a burgundy colored cross., Berlin,

Masonry of Trinity Cemetery, NYC, Arnold William Brunner, American, 1857–1925, Graphite on paper., Sketches of stonework at cemetery. Upper left, archeticural ornamental design., USA, 1879, architecture, Drawing, Drawing

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, graphite, on cream laid paper, Clock sits on footed base, lower front panel shows relief scene of Cupid ferrying Chronos, bow of boat is

Design for Plain Cassone, A.N. Davenport Co., Pen and black ink on thin cream laid paper, 1900–05, furniture, Drawing, Drawing

Figures near a Ruined Colonnade, Charles-Louis Clérisseau, French, 1721 – 1820, Pen and black ink, brush and brown and gray wash, white gouache on off-white laid paper, A ruined colonnade curves from left foreground to lower right. At the

Sketch: Forearm, Black crayon on paper, Horizontal composition of a left hand and forearm of a naked man holding a ball., Italy, 1750–1800, Drawing, Drawing

Sketch of an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Lone figure, arms outspread, flying to the right. Lower right, seated figure with right arm out straight., USA, ca. 1895, figures, Drawing,

Study of Standing Female Figure, Louis Schaettle, American, 1867–1917, Graphite on light brown paper, Standing female figure, partially draped from the waist down, holding a board in her left arm. Head tilted toward left and looking upward.,

Study of a Bunch of Roses, Black and red crayon on paper, France, 1750-1775, Drawing, Drawing

Leaves and Stem of a Palm Tree, Aspinwall, Panama, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Vertical study of the upper portion of a palm tree stem, with branches and foliagle visible., Verso: Horizontal view

Iceberg, Battle Harbour, Labrador, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Small green-blue iceberg is shown against a dark clouded sky on horizon of brown waters. Glow from moon or sun at top center.

The Ecstasy of St. Francis, Black chalk and brush and white gouache on cream paper, St. Francis is seen kneeling, facing one-quarter left; his right arm is supported by an angel, while another grasps his left wrist., Italy, 1800–20, figures,

Study of foliage, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a plant with leaves., USA, ca. 1857, nature studies, Drawing, Drawing

Church at Naré, Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Pencil and brown crayon on paper, Shown slightly obliquely from the right corner of the facade. The steeple, which is built from poles, stands in front

Sketch for a Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Meeting of frontiersman and Native American at edge of woods, mountains beyond. Mathematical equations with fracctions below. Verso: Drawing of man's head,

Design for a sedan chair, Black chalk, pen and ink, brush and blue water color on paper., Shown in profile turned toward right. Urns are at the upper corners. The panel beside the window is decorated with a scroll and a garland lying upon masks.

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, Sketch of a female figure in profile. The raised head is shown in profile. The

Elevation of a Fountain, Pen and brown ink, brush and wash on off-white laid paper, Within an arched niche, water flows into a lobed basin. At center, a scene of a stag and crucifix. At the base of the fountain, radiant letters below a cross:

Study of a Lion, Charcoal on paper, Lion lying, facing left. Portion of hindquarters off page., Italy, ca. 1815, nature studies, Drawing, Drawing

Designs for Commodes, Graphite, pen and ink, brush and watercolor on paper, Elevations of two chests. Upper left, a design for a chest with doors; lower left, detail of construction, section through top. At upper right, a design for a chest

Birth of Christ, Antonio Cavallucci, Italian, 1752 - 1795, Pen and ink, brush and wash, on paper, A dramatic scene of the Birth of Jesus Christ: Mary, holding the Infant in her lap, Joseph, standing by her, two Magi kneeling before the

The Illustrator, Joseph J. Gould, American, ca. 1876–after 1932, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, brush and watercolor on illustration board, Half-length portrait of a man, turned toward the right,

Robe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a full-length satin robe with an embroidered design of roses and leaves., USA, 1879, costume & accessories, Drawing, Drawing

Sketches of Mouldings on Capitals, Arnold William Brunner, American, 1857–1925, Graphite on paper, Acanthus lead motif in capitals, left, and moulding, right, with colors marked., USA, 1883, architecture, Drawing, Drawing

Design for a Necklace, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a necklace. The parts of the chain consist of three scrolls of band with rows of bead between them, connected by knots. Hanging from a knot, forming

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure wearing a hat., USA, 1880, figures, Drawing, Drawing

Design for China Cabinet with Convex Front, A.N. Davenport Co., Pen and black ink on thin cream paper, Oblong cabinet with convex center front, raised on 4 short tapering legs and has 3 shelves; top carved; center bottom inlaid with medallion

Project for an altar with alternative suggestions, Pen, brush and sepia on paper, Vertical composition of an altar. Two angels are on the pediment of the altar. The angel on the left is standing with a hammer and a palm branch. The angel on the

Sketches for Frames and Escutcheons, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink on laid paper, One of the escutcheons indicated as that of Pope Clement XIII (1758-69). On verso in artist’s handwriting: “In questo punto a

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At center is Cupid with quiver. At left, half of a escutcheon with a dolphin and star., Italy, mid- 17th century,

Cherub and Seraphs, Black chalk on paper, A cherub, standing on a cloud, faces frontally and holds aloft a ribbon and a branch. A seraph is at the left, and two others appear on the right. The drawing is on octagonal-shaped paper., Italy,

Montezuma's Palace, Mexico, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray-brown ink, brush and gray-brown wash on laid paper, lined, Horizontal rectangle. Montezuma's palace complex with fantastic decorated buildings on large

Landscape, Stechelberg, Lauterbrunnen, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a mountain pass with boulders and trees., Stechelberg, Switzerland, August 1, 1867, nature studies, Drawing,

The Serenade, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two boys play the mandolin, two more listen in poses similar to those of the one leaning against a stone and the

Dutch Barges, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on illustration board, Top row, two anchored barges shown obliquely from the sterns. Center, a barge sailing toward right, with Dutch colors. Bottom,

Drawing Studies with Woman's Face and Man Reclining, and Right Hand with Forearm, Charcoal and white heightening on rough grey paper, A woman's head, with a right had to her forehead, is depicted in the top right corner. Below, a male figure,

Girl Seated on a Plow, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a girl seated on a plough., USA, 1879, figures, Drawing, Drawing

Wall Elevation with Alcove, Pen and brown ink, gray wash, graphite on thick white laid paper, probably Rome, Italy, 1725–50, architecture, interiors, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Square window of yellow, green and white weave., USA, late 19th century, architecture,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Square window in salmon with rhomboid at center in green., USA, late 19th century, architecture,

Sketchbook page, Frederick Krieg, American, b. Germany 1852–1932, drawing, One of fourteen pages in a sketchbook, USA, 1864–78, Sketchbook page

Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV

Spes (Hope), Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, figure standing, head in

Army Wagon and Mule, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on blue-green paper, Horizontal view of a halted army wagon to which a mule is tethered., USA, 1863–64, figures, Drawing, Drawing

Tree Tops, Niagara, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of tree tops, USA, August 27, 1856, nature studies, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform, with long waistcoat, short pants, and hat., USA, 1876–1877, figures, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Unfinished, Graphite, brush and gouache on paper, Unfinished design for the left bottom corner of a man's waistcoat. Traced design on the pocket. A bunch of flowers is under the pocket. A garland in

Sketch with Wings and Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Wings, upper left; drapery, right., USA, ca. 1895, figures, Drawing, Drawing

Albert Gallatin Seated, Study of Right Hand, Daniel Huntington, American, 1816–1906, Graphite, white chalk on blue-grey wove paper, Study of a seated figure with his left hand on an open book. Additional study of his right hand, upper

The Fox and the Crow, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Fox, at left, looking up in right profile under two trees. Crow with cheese upper right on top of a third tree., USA, ca. 1916,

Virgin with Christ Child and Saint Jerome, Felice Giani, Italian, 1758–1823, Graphite on paper, At center, the Virgin holds the Christ Child. Below, Saint Jerome and the lion., Italy, ca. 1800, figures, Drawing, Drawing

Botanical Detail Studies: Hollyhocks, Blueberries, and Blackberries, Samuel Colman, American, 1832–1920, Brush and watercolor, graphite on paper, Botanical detail studies. Top and left center: six designs of details of a hollyhock. A part

Thetis and Cupid Riding Fish, Fortunato Duranti, Italian, 1787 - 1863, Graphite on paper, Cupid, at left, raises his right hand, in which he holds an arrow, and graps the fin of the dolphin he is riding with his left hand. Thetis sits with

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a nude female figure seated with head resting on left arm., USA, ca. 1900, figures, Drawing, Drawing

Design for Sideboard on Six Legs with Three Drawers, A.N. Davenport Co., Graphite on thin cream paper, Sideboard with front visually divided into three sections by vertical fluted and turned columnar pieces; convex central section contains three

Notre Dame, Bourges, Arnold William Brunner, American, 1857–1925, Graphite on red-brown paper, One buttress and the steeple, with birds around the roof., USA, 1883, architecture, Drawing, Drawing

Designs for Painted Panels, Claude-Louis Desrais, (French, 1746–1816), Pen and ink, brush and white gouache and sepia washes, black chalk on two pieces of off-white laid paper, joined, A candelabrum with two half figures carrying a vase

On Your Knees and Swear It, Albert Lynch, French, 1851 - after 1900, Brush and grey, rose, blue, white and black watercolors, with graphite, on illustration board, A young man kneels before a priest who holds a crucifix before him. In the

Design for an altar of the Virgin, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, brush and gray watercolor on laid paper, Two angels support a frame of an image, with two cherubim on top. Two others support a label above. Upon the

Study of Hands, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Palms together, in prayer position; shaded to the wrists., USA, ca 1895, figures, Drawing, Drawing

Design for Wall with Three Gothic Arches, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a wall, with the three divisions of window (left), fireplace (center), and

Section of a wall, Tapestry Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, Chinese white on heavy paper, Elevation of section of wall, showing panelling and parts of large tapestries. Left, tapestry over

Study of landscape, Drachenfels, Germany, William Stanley Haseltine, American, 1835–1900, Brush and oil on paper, Sketch of a rock formation and mountain range., USA, 1856, nature studies, Drawing, Drawing

Portrait of Mrs. Henry B. Fuller, Louise Howland King Cox, American, 1865–1945, Graphite on cream laid paper, Head of a woman, with a high collar and wearing a large hat, looking to the left., USA, 1903, portraits, Drawing, Drawing

Design for Elevation of a Window Case, Filippo Marchionni, Italian, 1732–1805, Black chalk, brush and brown watercolor on laid paper, Pilasters are projecting laterally consisting of slopes, wolf heads carrying rings with tassels in their

Striding Soldier, Aniello Falcone, Italian, 1607 - 1656, Red chalk on paper, lined, A figure of a soldier in a feathered helmet strides forward with his left arm extended before him and a lance or similar object in his right hand., Naples,

Botanical Studies from Columbia, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal view of two groups of trees, July 1853, nature studies, Drawing, Drawing

Water Wheel with a Basin in a Garden, Jaffa, Palestine [Tel Aviv, Isreal], Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a wooden water wheel with its axle supported by walls, and a small basin

The elevation of an altar with alternative suggestions, Pencil, pen, ink, brush and grey water color on paper., Horizontal composition of an altar with two steps leading to the bowl-shaped mensa. The mensa is fluted and decorated with a

Floral Design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, Four green ferns, four red flowers, four blue and white flowers against black

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On light brown ground, candelabra-like design in light green outlined in black, rinceaux, birds, leaves., USA, ca. 1887–1903, graphic

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and sepia ink, brush and yellow, brown-red watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the base supported by two cowering lions. The base

Study for Rose Window for St. John the Baptist Church, Brooklyn, NY, Leon Dabo, American, 1868–1960, Brush and watercolor, graphite on paper, laid down on illustration board, Circular medallions with angels and stars. Central red medallion

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Chartreuse trellis with burgundy flowers., USA, late 19th century, architecture, interiors, Drawing,

Design for a mentelpiece, Pen and brown ink, gray wash, graphite on paper, The over mantel shows a clock upon a bracket over a flat pedestal upon which a masked figure and musicians. Half-figures project out above the over mantel; the left one is

Design for a Cruet Stand, Pen and black ink, brush and wash on paper, Two glass bottles with handles and chained stoppers stand in a tub-shaped stand with fluted feet. The stand is decorated with cut out lozenge ornaments. The handle of the stand

Cows in a Pasture, Winslow Homer, American, 1836–1910, Graphite on paper, Horiztonal view of cows in a pasture., USA, 1870s, landscapes, Drawing, Drawing

The Child and the School-Master, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Child in water, center, with a bird overhead. School master at left, in front of a building. Woman with a vase under a

Design for a Church Window, Bancel La Farge, American, 1865–1938, Graphite and watercolor on tracing paper, Five-light Gothic church window, with the Cross in the center. Above, indications that the design is to be continued., USA,

Tribonian Presents Pandects to Emperor Julian, after Perino del Vaga; Sketch of Trophy, Felice Giani, Italian, 1758–1823, Perino del Vaga, Italian, 1501 - 1547, Pen and dark brown ink, brush and sepia wash on off white laid paper, At

Design no. 12 for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, A fantastical plant rises from the hollows of an

Elevation of a doorcase with figure of a man, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, In a doorway flanked by columns stands a man in heavy dress. Above doorway, a bust in relief. Notations visible in

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a model's legs., USA, ca. 1894, mural designs, Drawing, Drawing

Stained glass window: Christ and Peter, John C. Wolf, Brush and watercolor on heavy paper, Peter kneeling reaching up to Christ who is standing, one arm raised., USA, 1890–1900, glasswares, Drawing, Drawing

Study for The Temple in Jerusalem, Plate 424, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and gray wash, pen and brown ink on cream laid paper, A temple, within a larger

Design for Rectangular Writing Table No. 4 with Bust and Double Lamp Atop, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Head of an Elderly Bearded Man, Black chalk on cream paper, A head of an elderly, bearded, bald man, half-turned to the right. He has an intent, downward gaze., Italy, 1800–20, figures, Drawing, Drawing

Design for Sideboard with Neo-Classical Ornament, A.N. Davenport Co., Graphite on cream tracing paper, Oblong sideboard with 6 straight tapering legs; flat front has three drawers arranged in two rows; neo-classical motifs of patera medallions,

The Arts Mourning at the Tomb of Raphael, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Depiction of allegory: women mourn round sarcophagus in central foreground.

Portrait of Mary Kidder, Martha S. Day, Pencil on paper, Vertical rectangle. The sitter, head only, is seen in right profile. Inscribed, lower right (in pencil): 'Mary Kidder / M. S. Day/ March 7th/ 1860.', March 7, 1860, Drawing, Drawing

Portrait of Abram Stevens Hewitt, J. Carroll Beckwith, American, 1852–1917, Graphite on paper, Bust portrait of Abram S. Hewitt (1822-1903) seated in a chair, facing to the left, with his right hand raised to his head., USA, July 4, 1898,

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