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Pentecost, Pen and ink, black chalk, and grey wash on paper, The Virgin is seated surrounded by Apostles. Above, the Holy Dove descends., Verso: a femal figure offers her breast to an aged man., Venice, Italy, ca. 1700, figures, Drawing,

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length sketch of male figure in costume holding flowers., USA, 1872–1875, figures, Drawing, Drawing

Seascape, Frederic Edwin Church, American, 1826–1900, Brush and oil on paper., Reddened cloudy sky over dark purple sea., USA, June 1859, seascapes, drawing, drawing

Two Sketches, Scott Cottage, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on gray paper, Left, view on porch, open at left. Chair and hammock. Right, a window with shutters and notes on colors., USA,

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass; opal, hylite. Arranged in a vertical row showing a cup at top, a saucer

Design for a Plaster Ceiling, George Richardson, British, ca. 1736 - 1813, Pen and black ink, brush and gray wash on wove paper, Design for an ornamental plaster ceiling, border in gray wash, scale in pen and ink at bottom. Inscriptions in

Three Bacchus Subjects: Bacchus Worshipped, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Bacchus shown enthroned in circular vaulted temple. Priest stands behind altar

Design for Side Serving Table with Two Drawers and Lower Shelf, A.N. Davenport Co., Graphite on thin cream writing paper, Rectangular surface and two-drawer unit at top with back splash resting on four straight tapering legs. This serving unit has

Two Sketches, Corbel and Waterfall, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Left, brook, water falling over rocks into a body of water, trees behind. Right, wooden corbel of face., USA,

Stage Design, Palace Court, Brush and bistre and sepia wash on paper, Horizontal rectangle. View into court surrounded by columns, passing through archway., Italy, early 19th century, theater, Drawing, Drawing

Decorative Panel for July Festival, Félix-Jacques Duban, French, 1798 - 1870, Brush and watercolor, gouache, pen and black ink, graphite on cream paper mounted on cream laid paper, Design for square panel with circular field with concentric

Design for Large Rectangular Writing Table with Lion-Paw Feet and Books Atop, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Fragment of a Design for a Nef, or Fantastic Centerpiece in the Form of A Boat, Charcoal, pen and brown ink, brush and brown wash on craim paper, laid down, A fantastical ship is shown from the side, supported with a foot surrounded by

Costume Design: Valor for a Ballet, Lead pencil on paper, Vertical rectangle. A man in classical armor is shown from the front, standing. He carries in his right had a mace, the head of which is flanked by two laurel branches. Caption: 'Valore.',

Fountains, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two views of a boat with figures at the top of a cascade. Below, a man pushes his boat under a rock bridge upon which is a obelisk. In the foreground, water

Architectural Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, brush and sepia, black-brown watercolor on laid paper, Left row: a console with a mask; upper part of door case, laterally framed by a pilaster. A decorated panel is

Design for a door frame, Carlo Marchionni, Italian, 1702–1786, Graphite, black crayon, brush and black wash on laid paper, An inscription tablet from which two garlands are suspended in front of the top part of the door frame. The over door

Illuminated Initial, Sara Ker, Water color, gold, on paper, Design for the initial 'B'., USA, ca. 1893, graphic design, Drawing, Drawing

Design for a Necklace, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a necklace with a horizontal band at top and an attached curving band below. The bands made of interlaced chain consisting of a scroll of ribbons and

Woman Looking Out to Sea, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on white wove paper, View of the back of a standing female figure, dressed in the clothes of a fishwife, looking out to sea; parts of two boats

Design for a Necklace, Pen and black ink, brush and gray watercolor on light green paper, Jewelry design for a necklace. The chain consists of entwined scrolls, each having a knot at its thinner middle part. The ends of the scrolls are forming

Design for a Square Dining Table on Bun Feet, A.N. Davenport Co., Graphite on thin cream paper, Square molded top raised on molded flaring rectangular support decorated with continuous bands of dents and Greek key motifs. Molded 'X'-shaped base

Capture of Guns and Destruction of a Confederate Wagon Train, Alfred R. Waud, American, b. England, 1828–1891, Lithograph, with corrections in white gouache, The capture of guns and prisoners at Appomatox. Soldiers running at left. Two

Study for 'Mathematics, ' 'The Sciences, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of outspread wings. The paper is squared for transferring the image., ca. 1895, figures, Drawing,

The Battlefield at Beaver Dam Creek, Harry Fenn, American, 1845–1911, Pen and ink on paper, View of the battlefield. In the middle ground, Ellerson's mill; left background, the Cattin farmhouse., USA, 1885, landscapes, Drawing, Drawing

Design for Four-Door Sideboard in Elevation and Plan, A.N. Davenport Co., Graphite on thin cream paper, Elevation view: oblong sideboard with tri-partite front on low conforming platform; at center front, 2 doors below 2 drawers, flanked by 2

Design for a Library Wall, Pen and black and red ink, brush and gray and rose wash on two sheets of white laid paper, Two sections of bookcases are divided and flanked by carved panels of boiserie; at the left, a door and a wide and narrow panel,

Wall Fountain, Graphite, gray wash Support: cream laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Paddle steamer at dusk, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard with dark brown back., Shown headed toward left from the left stern. A few stars, the Southern Cross included, shine, USA, ca. 1853,

House in Granada, Arnold William Brunner, American, 1857–1925, Graphite on paper, Center, a tall house section, wings at either side. Sign at right: ESCUELA, USA, 1892, architecture, Drawing, Drawing

Architectural Fantasy: Palace Interior, Charles Michel-Ange Challe, French, 1718 – 1778, Pen and ink with ink washes on laid paper, Design for a forecourt with a colonnade along one side, and along another an arched opening into a hall

Fishermen in the Rapids, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of rapids, at the foot of which is a canoe paddled by two male figures, with a third fishing., USA, 1897, landscapes, Drawing, Drawing

Design for a Tabernacle Door to be Executed in Bronze, G B C, Pen and brown ink, brush and gray wash, graphite on paper, Two angels are supporting a pavilion with the chalice and the host, the roof is shaped as a crown. Between the mantles of

Tomb of George Washington, Mt. Vernon, Unknown, American, Black, white chalk, brush and white gouache, pen and white ink on prepared paper, View of Mount Vernon, the Potomac River, and the tomb of Washington., USA, ca. 1820,

Design for a Painted Wall Decoration, Brush and watercolor, gouache, graphite on heavy white wove paper, Design for a wall covering with large repeat of white garlands and scrolling floral elements on a gray ground, with a reddish-orange poppy

Adoration of the Shepherds; Arcangle St. Michael after Raphael; St. Margarite after Raphael; Aloof de Wignancourt by Caravaggio; Putti; Study of the Flood; Verso: Disposition after Volterra; St. Ceclia after Raphael; Portion of Marriage of Henry IV

Console Tables, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Seven designs for console table, five of which have caryatid legs; one has strait legs with lion form feet., Italy, ca. 1800, furniture, Drawing,

Designs for a Console Looking Glass, Pen and brown ink, graphite on cream wove paper, Vertical rectangle. Two designs for a console with mirror divided vertically in half at center. The top of the console table is an entablature supported by

Study of the Closed Hands of a Woman, Red crayon on blue-grey paper, Vertical rectangle. A pair of hands clasped together showing part of a sleeve., Italy, early 18th century, figures, Drawing, Drawing

Sketch for a Bacchante, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Nude female figure moving towards the right, head turned to spectator. Verso: Details of drapery and limbs., USA, 1887, figures, Drawing,

Bay of Tangiers, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Houses down a steep slope with pines, lower right. Bay and mountains beyond., USA, 1891, seascapes, Drawing, Drawing

Drawing, Brush and gouache on cream paper, lined, Four bands on black ground; the second and fourth bands are identical and consist of Viking-like pattern in blue and green. First band consists of concentric rhomboids in various colors bordered by

Design for Round Table 'A', A.N. Davenport Co., Graphite on thin, cream paper, Round molded table raised on turned baluster-like support sitting on cylindrical base terminating in four splayed legs on casters., 1900–05, furniture, Drawing,

Corner View of Composite Capital, Black chalk, pen and ink, brush and bistre on paper, Decorated with two rows of calyxes., France, 1625–1650, architecture, Drawing, Drawing

Design for a Decorative Frieze, Carlo Bianconi, Italian, 1732–1802, Brush and grey and brown wash, pen and black ink, graphite on cream paper, Within black framing lines and a brown border is a simulated sculptured frieze composed of a leaf

Fishermen Beaching a Dory, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal, black and white chalk on cream wove paper, Horizontal view of five fishermen shown beaching a boat on a four- wheeled truck, in the foreground,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Square window in yellow, blue, and salmon; four rhomboids at center., USA, late 19th century,

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light brown paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white

Design for a Round Dining Table on Scroll-Like Feet, A.N. Davenport Co., Graphite on thin cream paper, Thin round molded top raised on fluted columnar support with concentric molding at bottom, sitting atop molded 'X'-shaped base terminating in 4

Landscape with Bridge, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, Mountainous country with a town at left in the middle ground. In the foreground is a brook, over which leads a bridge at left. Two

Scene from Acts of the Apostles, after Stradanus, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and wash on paper, Radiant holy spirit surrounded by adoring angels and kneeling figures., Netherlands, 17th

Contemplation, Study for 'Contemplative Spirit of the East, ' Lunette in East Grand Staircase, Minnesota State Capitol, Saint Paul, MN, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Female figure seated, facing front,

The Wedding of Hebe and Hercules, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Lovers sit on bed. Two putti part with club and lion skin., Italy, ca. 1813, figures,

Wallpaper Design, Brush and gouache, graphite on white paper, Narrow and broad stripes alternate above a dado and beneath a frieze with hanging leaves and boughs and an entablature. Zigzags or waved bands, respectively, with halves of rosettes

Alps, Arnold William Brunner, American, 1857–1925, Brush and watercolor on grey-green paper, View of mountains stretching into the distance., USA, 1883, landscapes, Drawing, Drawing

Design for a Comb, Pen and ink, brush and gray, yellow, red watercolor on paper, Jewelry design for a hair comb intended to be executed in gilded, partly engraved metal, silver and diamonds. In the cresting border, blossoms composed of a

Design for Writing Table 'C' with Scrolled Front Legs, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for a Fan, Closed, Unknown, Pen and black Ink, brush and wash, watercolor, white gouache on cream laid paper, lined, Visible edge includes design with overall vegetal motif, interspersed with two birds. The handle of the fan is mainly

Design for a Square Ceiling, Graphite, pen and ink on paper, Quarter of a ceiling in the neoclassical fashion. Ceiling divided into panels which are further divided into geometric shapes. Nude classical figures recline within marquise-shaped

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Multi-colored flowers, green and yellow leaves on lilac branches, white ground, graphite lined border., France,

Project for a Painted Oblong Ceiling, Pen and brown ink, brush and brown and gray wash on paper, lined with white heavy textured paper with lithogrphed frame and geometric lines with pen and black ink over graphite, Design for a ceiling. More

Street scene, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Street scene with a figure., USA, 1881, architecture, Drawing, Drawing

Bedroom in a Country Dacha, Unknown, Russian School, Brush and watercolor, pen and blue ink, graphite on white wove paper, The location of this room is identified as the country house of the Kishkovsky family in Russia. The coved ceiling is

Design for the Artist’ Sepulchral Monument, Felice Giani, Italian, 1758–1823, Charcoal on paper, An aedicule with triangular pediment, the tympanum shows God the Father. Side pilasters decorated with suggestion of candelabrum. Within are

Frieze with Bacchantes, Felice Giani, Italian, 1758–1823, Black chalk, graphite on off white laid paper, Two winged victories on either side of amphora resting on top of pedestal., Italy, 1780–1820, architecture, interiors, Drawing,

Two Sketches of Morges, Lake Geneva, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Sketch of château, with inset, lower left, from a greater distance., USA, 1883, architecture, Drawing,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Sion, Looking East, Rhone Valley, Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown paper, Looking through pass, to valley and snow-capped mountain beyond. Verso: Looking West from the church tower with mountains

Study for 'Titian Showing, Daniel Huntington, American, 1816–1906, Graphite Support: Gray wove paper, USA, 1866, figures, Drawing, Drawing

Costume Design: Persian Prince, for a Stage Production Designed by Giuseppe Galli Bibiena, Pen and gray ink, gray wash, over pencil on paper, Vertical rectangle. Full-length of a man, facing the spectator, his head turned toward the left. His

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On sea green ground, white and dark green design; cartouche framed by open mouth border lined with vines., USA, ca. 1896, graphic design,

Wall, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a high exterior wall with garden terrace; Verso: Landscape with trees and houses., USA, 1881, architecture, Drawing, Drawing

Design for the Embroidery of a Main's Waistcoat, Traced, graphite, brush and gouache on paper, Unfinished design for the left bottom corner. Flower boughs and lace festoons uner the pocket. Waved garland and flower and fruit boughs along the left

Still Life, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a still life with ceramic objects., USA, 1877, ceramics, Drawing, Drawing

Design for Sideboard 'A' of Mahogany, A.N. Davenport Co., Graphite on thin paper, Massive rectangular sideboard over molded lower shelf; niche under two drawers, center front; single drawer with cupboard underneath on either side of niche; low

Spring, Summer, Fall., Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Loving couple seated between two players of lyres. Woman holds two wreaths over it. Diagonal

Design for a Candlestick, Italian, Italian, possibly Roman, Pen and brown ink, brush and wash, gray wash, yellow watercolor, graphite on cream laid paper, Base of candlestick has a burning heart above a flame. The shaft is designed as a high

View of Mount Washington near Jackson, New Hampshire, Looking North, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Man on a road lined with trees; mountain beyond., September 11, 1854, landscapes, Drawing,

Design for Six Brooches, Girolamo Venturi, Black crayon, pen and dark ink, brush and watercolor, gold on paper, Above, in center a large brooch, consisting of two parts connected by two enameled knots; above, with alternative suggestions, a

Designs for Woven Paisley, Brush and orange-pink, yellow gouache, graphite on brown oiled translucent paper, Designs for paisley (four woven Persian cones). At upper left, a small cone resembling a plant sits inside a dotted larger cone bordered

Landscape with Tree beside a Stream, Girolamo Mattioli, Italian, Pen and ink on paper, A stream winds through the countryside. In the foreground a group of trees, a road and a bridge across the stream. In the background, a town and mountain.,

Design for an Embroidered Border, Brush and various gouache on glazed paper, incised lines, A straight laurel stem rises beside an orange and yellow stripe, suggested at left. Boughs with three hanging clusters of blossoms and a short flower

Study for 'Music, ' 'The Arts, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, Partial sketch of the body of a violin. The paper is squared for transferring the image., Washington, D. C., USA,

Design for an Embroidered of Woven Horizontal Border, Brush and light blue, white gouache on glazed tracing paper, Upper and lower halves of blossoms alternate at the bottom, connected by 'S' scrolls. Zigzag lines form a winged battlement frieze

Central Panel for a Ceiling, Black crayon, pen and ink, brush and wash on paper, A flower vase upon a pedestal projecting from a parapet., Italy, 1750–1800, interiors, Drawing, Drawing

Four Statues in Egyptian Style, Felice Giani, Italian, 1758–1823, Pen and ink, brush with sepia wash over cream laid paper, Two male, two female figures. Inscribed: bassalto. Inscribed under two last figures: marmo nero., Italy, ca. 1820,

Two Designs for Portico and Court of Palace, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, over traces of black chalk on heavy white paper, Vertical rectangle with two horizontal compositions. At top, interior of

Stage Design, Interior of Renaissance Portico, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Renaissance style portico with coupled columns in park., Italy, early 19th century, theater, Drawing, Drawing

A Pitcher, Pen and ink on paper, Vertical rectangle with a footed pitcher seen from the front. The vase shaped body is indecorated. A small band of gadrooning where the foot meets the body. The handle curves above a trefoil spout and elongated

Design for Decoration of a Bed Alcove, Gilles-Marie Oppenord, French, 1672–1742, Pen and red and black inks, graphite on paper, Slightly more than the left half is shown. Glass 'glaze' extends over the back wall. A curtain is suspended from a

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, turned toward the right. The arms are uplifted. A rapid sketch,

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and red and purple gouache on glazed tracing paper, Flower rinceaux over a crest border of palmettes which are separated

Design for Stained Glass Window, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on illustration board, Design of bipartite panels of a landscape with colorful sunset in background, and white calla

Caricature, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, portraits, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Two pink wild roses, green leaves, on grey vines, surrounded by small white flowers on slate-black ground.,

A Group of Three Peasants in a Village, Bartolomeo Pinelli, Roman, 1781 - 1835, Paper, Two wear blue, the third a red wrapper., Italy, 1807–08, Drawing, Drawing

Stage Design, Porticoes with View of a Park, Pen and gray-brown ink, brush and gray-brown wash, graphite on paper, Vertical rectangle. Renaissance style portico toward garden with fountain., Italy, early 19th century, theater, Drawing,

Stage Design, Colonnade and fountains, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Colonnade from right front corner to left back, richly decorated. Richly decorated fountains at either end. View into park at

Bedroom Furniture, Pen and black ink; brush and watercolor, black chalk on off-white laid paper, Horizontal rectangle. Sheet showing a series of related furniture designs. Top row, at left, a bed shown from the front; a bed-table, with a

Design for a Plate, Brush and watercolor, pen and black ink, graphite on cream paper, Design for a plate with green rim decorated with figures in winter coats, one is pushing another on a sled while three others hold a rope pulling the sled.,

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