Images at Librifly

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Pastorale, Jean-Baptiste Huët, (French, 1745–1811), Black chalk, sanguine on cream laid paper, Sanguine is used for the forepart of the dog and the head of the sheep. An altar with heart lying on it in a tree-filled landscape; dog and sheep

On the Border-land of Crime, Pen and black ink, graphite on illustration board, Illustration showing four men seated, expressing various attitudes of dejection. All wear hats., USA, ca. 1896, figures, Drawing, Drawing

Design for Writing Table with Massive Reeded Legs, A.N. Davenport Co., Graphite on thin cream tracing paper, Rectangular table top raised on 4 legs, front 2 legs are massive, reeded, and straight and have carved ornamental vase at tops; center:

The Dancing Bear, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The bear and its leader are variations of the motif plate 7, loc. cit.; the bear holds a pole. A piper, two

Design for the Embroidery of a Man's Waistcoat, Brush and watercolor on paper, Lower left section of a waistcoat. Below the pocket, rising from the border, large flower motifs. Outline of pocket, with no design indicated., France, 1775–1785,

Study for God Appears to Moses and his Companions, Plate 171, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black, and blue wash, pen and brown, black ink on

Small Red-Headed Bird on Rose Branch, Pen and ink, graphite on coated wove paper, Small Red-Headed Bird on Rose Branch, ca. 1800–1830, Drawing, Drawing

Still life, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a still life composition including a plate with cutlery; Verso: Sketch of a male figure wearing a hat., USA, n.d., cutlery, Drawing, Drawing

Sketch for Portrait of Dr. Muhlenberg, Notes on Hugh Baxter, Daniel Huntington, American, 1816–1906, Graphite on paper, Man seated in armchair, facing towards his right, his hands clasped together. His hands are repeated twice, above his

Design for a Mantelpiece with Alternative Suggestions, Pen and ink, brush and bistre wash, black chalk on paper, Vertical rectangle. Pilasters in the shape of gaines with stag heads in the upper parts of the shafts and with lion masks in the

Male Nude, Carlo Bononi, Italian, 1569–1632, Black chalk on grey laid paper, Recto: standing male nude, shown frontally, with his right arm half raised. He appears to be holding an object. A sketch of a hand appears to his right. Verso:

Head of a Bearded Man, William Merritt Chase, American, 1849–1916, Pen and ink on white paper mounted on brown laid paper, Sketch of a male figure with a beard and wearing a hat., USA, 1872–78, portraits, Drawing, Drawing

Costume Design: A Satyr for a Ballet, Black chalk on paper, Vertical rectangle. Shown in three-quarter profile, turned toward left. The head is turned toward the right shoulder. He wears a very large hat. He is holding with both hands a stick he

Girl with Bowl, Louise Howland King Cox, American, 1865–1945, Graphite on light brown paper, Girl facing front, looking down into a bowl in her hands., USA, 1895–1910, figures, Drawing, Drawing

Study for 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon, graphite on paper, Sketch of drapery falling below the waist, swirling about the legs of the figure., USA, ca. 1899, figures, Drawing, Drawing

Sketches of Dories on Carriages, Winslow Homer, American, 1836–1910, Graphite on face of a paper envelope, Series of quick horizontal sketches of sailors with boats on carriages., Cullercoats, England, USA, 1881, seascapes, Drawing,

Seated Female Nude, Study for Portrait of Mrs. Cortland DePeyster Field (nee Hamersley), Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Female nude figure seated on a chair, facing left, her head turned toward the

Henry IV, Frederick Marschall, Brush and watercolor, gold on heavy paper, Overdoor painted panel containing portrait of the King facing right almost in profile. It is set in an oval frame, flanked by two winged putti, holding swags of fruit.

Study of a Classical Male Head (from a plaster cast), Leon Dabo, American, 1868–1960, Charcoal on paper, Head of a young man, turned left, expression as if in anguish., USA, 1881–92, figures, Drawing, Drawing

Sky over the Sea; Verso: Botanical sketches, Rooftops, Frederic Edwin Church, American, 1826–1900, Pencil, paper, Sketch of sunset with color notations written in. Verso: sketches of roof-tops, tops of palm trees, grasses and floating

Chinoiserie Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and colored inks, graphite on white wove paper, Horizontal rectangle. Design for a small rectangular building with a pagoda-like roof, supported by tall

A Boy Driving a Goat, Pencil, white heightening, gray paper, Vertical rectangle. The goat is in front if the boy, walking toward the right. The boy has his right forearm upon the back of the goat and holds up a stick with his left hand. Only the

Christ in Limbo, Jacopo Palma, il giovane, Italian, 1548 – 1628, Pen and ink, bistre wash and white heightening on grey laid paper, Christ, on a cloud bank, runs towards a group of figures, lower left. Another figure holds the cross,

Women, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Recto: Sketch of two female figures; Verso, Landscape with windmill and houses., Zaandvoort, Netherlands, 1883–1884, figures, Drawing, Drawing

Design for an Embroidered Waistcoat, Pattern 531 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Scheme as 1920-36-33. View of gardens across railings. A grotquest architecture and an

Design for Embroidery Pattern, Graphite, brush and ink on paper, Embroidery pattern, before 1916, Drawing, Drawing

Stage Design, Exterior of Temples, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink on paper, Vertical rectangle. Two drawings of huge buildings resembling temples, similar to antique style. Mathematical notations at center left and

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of landscape with a steep hill and trees., USA, 1877, landscapes, Drawing, Drawing

Design for Sideboard B of Mahogony, A.N. Davenport Co., Graphite on thin cream paper, Front view of rectangular sideboard on four straight tapering legs; tripartite front with large central section with keyhole at center surmounted by horizontal

Design for a Ground Floor Window Case, Brush and bistre wash, black crayon, graphite on cream laid paper mounted to laid paper, Vertical rectangle. The right half of a design for a window case is shown. The bottom sill is supported by a seated

Ecstasy of Saint Teresa, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on paper, On verso: three pilasters, Italy, 1813–18, figures, Drawing, Drawing

Study of a man; Study of, Frederic Edwin Church, American, 1826–1900, Graphite Support: paper, USA, possibly June 1857, landscapes, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on two pieces of cream wove paper, pasted together, Standing figure facing left in heavy drapery, left arm extended., USA, ca. 1895, figures, Drawing, Drawing

Nevers, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, View into a street and churchyard, figures walking along street., USA, 1883, architecture, Drawing, Drawing

Study of a Sheepdog, Black chalk, pen and ink, brush and watercolor on paper, lined, Dog shown seated, facing right., Italy, 1625–1650, nature studies, Drawing, Drawing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on yellow paper, On yellow ground, wreath-shaped coral in brick red and yellow with a spiral shell at the bottom and a round design with radiating lines.,

Study for 'The Beneficence of the Law, ' Essex County Courthouse, Newark, NJ, Kenyon Cox, American, 1856–1919, Graphite on paper, Recto: Sketch of a bird; Verso: Partial sketch of a seated female figure., USA, 1905, figures, Drawing,

Desigsn for Embroidered or Woven Floral Motifs of the 'Fabrique de St. Ruf, ' Finished and Unfinished, Fabrique de Saint Ruf, Lyon, France, Incised lines, brush and white gouache on glazed tracing paper pasted on paper, Top: two pending flower

Design for a Console Table with Alternate Suggestions, Pen and brown ink, brush and brown, yellow and gray wash and traces of graphite on off-white wove paper; verso: graphite, Vertical rectangle. Above is the plan of the top, elevation of the

Design for a Chimneypiece, Unknown, Pen and brown ink, brush and black wash, black chalk on cream paper, Architectural design shows recessed fireplace with an architrave mantelpiece decorated with heavy scrollwork and a centralized mask. Above

Project for a Painted Ceiling, Black chalk, pen and ink, brush and watercolor, bistre on paper, A coffered arch rises obliquely from a parapet. A kneeling merman supports a bracket under a pediment in the corner. Clouded sky at right., Italy,

Drawing, Francis Augustus Lathrop, American, 1849 - 1909, USA, before 1914, Drawing

Design for a Bread Basket, Pen and black ink, brush and gray wash on paper, Openwork wire bread basket in center. The basket as well as the base are octogonally shaped shaped. The openwork handle of the basket is laid down on the left rim.

A Fountain, Romeyn de Hooghe, Dutch, 1645 - 1708, Pen and ink, brush and bistre wash on laid paper, Part of a fountain is shown in the foreground. Steps lead down to a basin which is on the same level with the park, whereas the palace stands

Study for a Portrait of Mr. Morris K. Jesup, Esq., Daniel Huntington, American, 1816–1906, Graphite on light brown wove paper, A man sits facing right with a large book in his lap. Verso: Man seated in a armchair facing left, papers in his

Fellah of Bethlehem, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Figure of a man shown standing. Lines and inscriptions label the parts of his costume., USA, probably February 1868,

Giorgio Bolognetti, Bishop of Rieti, Giorgio Bolognetti, Bishop of Rieti, Italian, 1595 - 1680, Sebastiano Cipriani, Italian, 1660 - 1740, Pen and brown ink, watercolor, black chalk on laid paper, A baldachin mounted on a raised platform

Stage Design: Open Temple in a Garden, Pen and brown ink, brush and black and brown wash, white gouache, charcoal on paper, Design for a stage design. A flight of stairs leads to a platform upon which three female figures are decorating a statue

Man and Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto, Sketch of a female figure holding a parasol standing next to a male figure; Verso, partial sketches of a male figure., USA, 1881–1882, figures,

Design for the rear of a carriage, Black chalk on paper, Two Atlantid, aided by two putti, hold a canopy over a cave in which a nymph of a source crouches. A scaffolding rises on top, topped laterally be seated children. A coat of arms help in

Sculptured Frieze with Half-Figure of Winged Boy and Griffon, Felice Giani, Italian, 1758–1823, Black chalk on cream laid paper, Italy, late 18th century, figures, Drawing, Drawing

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. A hexagonal building standing on a podium, columns supporting the two-tiered pagoda roof. A narrow open porch

A Peasant’s Dwelling and a Castle in Mountainous Countryside, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, A rider upon the road leading from the foreground into the distance at right. A wooden house and

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. A building hexagonal in plan. Six columns support the two-tiered roof. The building is open on all sides and

Study of stag head, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a stag head., USA, ca. 1900, animals, Drawing, Drawing

Project for the Decoration of a Frieze, Graphite, pen and ink on paper, One motif unit is shown. A half-figure of a winged genius with acanthus rinceaux, form framed by candelabra. A raised hand holds the ribbon of a festoon., Italy,

Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Nude female figure lying on back, head to left of composition and seen in foreshortening, with right arm brought across in front of body. Above, paper pasted to

Stage Design, Sepulchral Building in Egyptian Style, Mauro Antonio Tesi, Italian, 1730 - 1766, Graphite on laid paper, Vertical rectangle. Interior of Egyptian sepulchral building, decorated with inscriptions and image of an Egyptian goddess.

Leo, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash, graphite on white laid paper, Winged putto riding a lion within a demilune., Verso:

Design for a Fountain with the Coat-of-Arms of Pope Gregory XVI, Pen and brown ink on off-white laid paper, At the back of a pond rises a wall. Upon it stands a triumphal arch with the top of a papal coat-of-arms. On either side, winged figures

Sketch of Angels, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on cream laid paper, A group of figures, flying towards the right., USA, ca. 1895, figures, Drawing, Drawing

Design for a Fan Embroidery, Unfinished, Sharp stylus on oiled paper mounted on black paper, Fan composed of a field of French lilies within overlapping arcs and a lily spray in center framing the monogram 'MAC' surmounted by a crown. Fan border

Studies of Architectural Moldings, Arnold William Brunner, American, 1857–1925, Graphite on paper, Studies of architectural moldings, USA, 1879-80, architecture, Drawing, Drawing

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, A grotesque design surrounds a strapwork escutcheon. At bottom, two dogs on their hind legs reach for garlands hanging from trophies. Flanking the blank central panel are

Design for clock, Lefebvre Manufactory, Tournai, Brush and yellow and red watercolor, black wash, graphite, on cream laid paper, Clock sits on footed base, lower panel decorated with palmette motifs. At left, a winged cupid gazes at a mask

Pitcher, Pen and ink, brush and wash on paper, Helmet shaped ewer on a square base. Leaves rise vertically at the bottom., Italy, 1830, tableware designs, Drawing, Drawing

Unfinished design for a Waistcoat, Pencil and various gouaches on paper, Unfinished design for the embroidery of the left bottom corner of a man's waistcoat. Lilac edges, those at the bottom and at the left side of the pocket being shown. Leaves

Two Martyrs, Giovanni Gerolama Boniforte, Italian, Red crayon, pen and ink, brush with brown and gray water color, and white heightening on blue paper, The saint at the left is shown in front view. He is bearded and stands with his right hand

Design for a Bowl, Pen and sepia ink, brush and blue, gray watercolor, graphite on light green-gray paper, Horizontal rectangle. Design for a bowl, supported by scrolls springing from four female half-figures (three are visible) which carry

Stage Design: Palace Architecture, Pen and black ink, brush and brown, gray, blue wash, black chalk on white laid paper, Design for a stage set. A view of a palace from the left angle and from below. A broad path leads to the stairs and the

Design for Overmantel; recto, Plans of Moldings, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, black chalk on paper, Slightly more than left half of overmantel with pilaster panel at left. The mirror frame with dragon in top

Stage Design, Renaissance Portico, Pen and brown ink, brush and brown wash, graphite on wove paper, Vertical rectangle. Renaissance style portico with two rows of columns one above the other showing view into park with hedgerows., Italy, early

Design for a Chaise Lounge, Brush and watercolor, graphite on white paper, Elaborate rocaille design for an upholstered chaise lounge, with textile drapery at sides, a vegetal finial at the top, and a book stand with candle holder to one side.

View Looking South from Mt. Kearsarge, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Trees and rocks on ledges of Mount Kearsarge, in foreground. Saco Valley, left and center, with mountains beyond, including

Sketch of Toes, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Left foot, the toes partially shaded. Seen from the front., USA, ca. 1895, figures, Drawing, Drawing

Project for a cross-altar: intended to be executed primarily with colored marbles, Pencil, pen, ink, brush and various water colors on paper, Vertical composition of a cross-altar. One step leads to the upper surface of the altar, which is

Ornamental Panel, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and brown ink, brush and gray wash on three sheets of paper joined vertically, lined with cardboard, Design for an ornamental panel. Horizontal design with Acanthus

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Costume Design: A German for a Ballet, Lead pencil, pen and ink, brush and bistre, rose water color on paper, Vertical rectangle. A young halberdier is shown in the three quarter profile, turned toward left, the head turned toward the left

Embroidered Drapes for Lower Floor Windows, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, Three designs for embroidered drapes for Lower Floor

Design for Cooper Monument, Stanford White, American, 1853 - 1906, Graphite on paper, Sketch for Cooper monument. Aedicule, crowned by a pediment. Four Corinthian columns resting on a pedestal, of which the front is decorated with a scene in

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with bears and satyrs frames a blank shield., Italy, early 17th century, ornament, Drawing, Drawing

Design for Panel Decoration with Rocaille Ornament, Pierre Edme Babel, French, ca. 1720-1775, Pen and black ink, brush and black and bistre wash on paper, Dado, against which an escutcheon leans. Through an arch a fountain is shown in the

The Philosopher, After Raphael, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor washes on laid paper, On verso: two studies of ceilings with grotesques., Italy, 1813–18, figures, Drawing, Drawing

Landscape in Dorset, Vermont, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A stone wall with a gate among trees., USA, 1875, landscapes, Drawing, Drawing

Project for the Decoration of a Frieze, Graphite, pen and ink on paper, A fantastical head is shown at left, holding a fruit festoon, the other end of which passes the right arm of the bust of a winged female genius holding a cornucopia. A part

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a bicorn hat., USA, 1876–1877, portraits, Drawing, Drawing

Study: A left hand in a leaning position, Giovanni Andrea Sirani, Italian, 1610 - 1670, Black crayon on rough grey-blue paper, Vertical composition of a hand leaned against a surface with bent fingers, Italy, ca. 1650, figures, Drawing,

Tower at Vevay, Arnold William Brunner, American, 1857–1925, Graphite on light brown paper, Tower with four turrets rising out of shrubbery. Birds above., USA, 1883, architecture, Drawing, Drawing

Stage Design, Portico with Staircase, Pen and brown ink, brush and brown wash, graphite on wove paper, Vertical rectangle. Renaissance style portico with stairs, richly decorated., Italy, early 19th century, theater, Drawing, Drawing

Design for a Sedan Chair, Pen and black ink, brush and gray, brown, red, yellow and blue watercolor over graphite on cream laid paper, Shown from the right rear corner with two bars. On top is a crown of an earl. From the upper corners hang

Design for a Panel, Jean-Guillaume Moitte, French, 1746–1810, Graphite, pen and ink, brush and watercolor, sepia on paper, Vertical panel with candelabrum motif. At center is a blue oval with centaurs, within an octagonal frame. At top, a

Two Girls from Frascati Visit a Hermit, Bartolomeo Pinelli, Roman, 1781 - 1835, Paper, They stand at left, he is seated at right. The setting is reminiscent of plate 29, loc. cit., Italy, 1807, Drawing, Drawing

Seated Artist, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink on paper, lined, Seated artist sketching a putto and skull., Italy, 1635–1650, figures, Drawing, Drawing

Design for a candelabrum, Pen and ink, brush and wash on paper, Design for a candelabrum with a vase-shaped base with Satyr faces on the sides and acanthus scrolls as handles. Three branches in the shape of plant boughs with leaves, each carrying

Design for the Embroidery of a Man's Waistcoat, Pen and ink, brush and watercolor on light blue paper, Lower left section of a waistcoat. An all-over floral design along the border and below the poclet, extending over the pocket. Mainly indicated

Design for a Bookcase on a Stand, with Alternate Suggestions, Pen and black ink, brush and watercolor on paper, A bookcase on a stand, showing alternative treatments of doors and stand. Stand in the form of a knee-hole desk., Germany, ca.

Beach Scene with Women Carrying Baskets, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite on gray-green paper, Horizontal view of a beach with women carrying baskets, awaiting the return of a fishing fleet, shown standing

Self-Portrait, Kenyon Cox, American, 1856–1919, Graphite on cream wove paper, Self-portrait of the artist. Facing forward, hair parted over right eye. Turned slightly, so only the left ear shows., USA, ca. 1877, portraits, Drawing,

Putti in a Chariot with Dolphins and Swans, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of black chalk on white laid paper, Upper drawing of five putti in and around chariot pulled by swans and

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