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Botanical Sketches from the Rio Magalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal rectangle showing plants and details, May 1853, nature studies, Drawing, Drawing

View of Groton Heights from New London, Daniel Huntington, American, 1816–1906, Graphite on paper, Lower right, inset, old house in New London, labeled. Above, area near shore with houses and trees, with sailboat masts beyond. Water and

Design for a Lunette with Allegory of Poetry, Felice Giani, Italian, 1758–1823, Pen and brown ink (iron gall ink) on off white laid paper, Within a hemisphere are three figures. The center figure wearing drapery plays a lyre and opens their

On a Square in a Spanish Town, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and watercolor on paper; verso: graphite, Vertical rectangle. Two women standing in the square of a town, church steeples and outlines of figures

Delaware River, Milford, Pa., Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, River, center, curving back to the right. Ridge of mountains beyond., USA, 1887–88, seascapes, Drawing,

Ceiling Decorations, Black chalk, pen and ink on paper, The central panel is circular, inscribed into a square, the corners of which are connected by bands with the corners of the ceiling. Suggestion of figures and candelabrum., Italy,

The Sahara, Franklin Booth, American, 1874–1948, Charles Scribner's Sons, New York, New York, USA, Pen and black ink on illustration board, Golf links, with a golfer shown in the distance. A water tower, left., USA, 1909, landscapes,

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, silver paint on paper, On green ground, waves and swirls in green around a silver painted fish., USA, ca. 1891, graphic design, Drawing, Drawing

Waterfall, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Young green forest with birch trees, moss, and rocks. Waterfall at right, with figures below it., USA, ca. 1890, landscapes, Drawing, Drawing

Design for Gilet, pattern 1732 of the Fabrique de St. Ruf, Mademoiselle Montalent, Brush and gouache on laid paper, Rectangular corner, but a correction of the decoration as first suggested, intended to show a blue spherical triangle in the

View of the Back of a Dwelling in Polling, Bavaria, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, Tonal drawing of a two storied rustic building with two windows, wooden canopy over a small door and a small

Matrimonial Chastity, Sala di Corneglia, Palazzo Cavina, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on rolled paper, Woman sits holding branch in right hand, dove sits upon her left shoulder.

Chair, Pen and brown ink, brush and brown wash off-white laid paper, View of a balloon-back armchair chair with carved apron., Italy, 1780–1790, furniture, Drawing, Drawing

Stage Design, Nymphs Bathing in Grotto, Pen and ink, brush and wash on laid paper, Vertical rectangle. High vaulted grotto with plants, waterfall and group of four female nymphs bathing. Oculus on domed ceiling., Bologna, Italy, 1780,

Figure Study: Costumed Man, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on gray paper, Torso lightly draped and briefly indicated emphasis on the right hand; left hand holding flute. Below, brief sketch of hand., USA,

Rest During the Vintage, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A girl is seated upon, another leans against, a barrel, at left. Two seated girls in the center. A boy

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of drapery., USA, 1872–1875, figures, Drawing, Drawing

A Window, Graphite on off-white laid paper, Window frame with broken pediment, bearded bust of a man in classical dress. Suggestion of window above. The window sill aligns with the entablature of the wall., Italy, 1650–1700, architecture,

Pool in the Woods, William Trost Richards, American, 1833–1905, Brush and wash, traces graphite on wove paper., Woodland scene with two tall trees at lower right arching over stream that meanders from foreground to waterfall in the right

Design for a Ceiling, Pen and ink on paper, sepia and blue watercolor on paper, Design for a ceiling over a square comparetment, representing a dome with large oculus and large lunettes on each side. Spandrels support crouching atlantid figures.

Vigilance, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Woman shown seated upon bed and reading book. Putto lights lamp, another restrains crane., Italy, 1816,

Drawing. Botanical and cloud sketches near Quito, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Horizontal view of clouds over mountain ridges across upper portion of sheet with plants growing on a ruined wall

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass, opal, hyalite. Arranged in a vertical row showing a cup at top, a saucer

Stage Design, View Through Open Door, Pen and ink, brush and wash on paper, Vertical rectangle. Detail of decoration, open door or window with wrought iron decoration showing view into hall with coffered ceiling that opens onto view of mountain

Design for China Cabinet of Mahogany and Inlay, Sept. 13, 1906, A.N. Davenport Co., Graphite, red color pencil on thin cream paper, Demi-lune-shaped glass cabinet with flattened center front; molding along top edge; 3 shelves holding china

Mountainous Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard., View of a mountain range across clouds in a valley. Dated with pencil at the bottom., USA, May 1865, landscapes, drawing, drawing

Surprised at Mrs. Kitchen's, William Henry Sheldon, American, 1840 - 1932, Watercolor and white gouache on grey paper, Two men in uniform, standing in front of a fireplace, speak to a third, seated, with his back toward the viewer., USA,

Red Lion Hotel, Arnold William Brunner, American, 1857–1925, Graphite, black crayon and white heightening on cream paper, Hotel in foreground, the name at right, trees, left. Beyond, a bay with sailboats on it. Gulls, upper right., USA,

Designs for Pair of Stock Cabinets, A.N. Davenport Co., Pen and black ink on thin cream paper, Two identical cabinet designs, one slightly larger: small rectangular cabinet with molded front door panel and molded back and side borders, the

Stage Design, Imaginary City, Pen and brown ink on paper with uneven edges, lined with cream paper, Horizontal rectangle. Design for a stage set. Broad staircases leading up to a group of classical temples of various shapes (rectangular and

Costume Design: A Frenchman for a Ballet, Lead pencil on paper, Vertical rectangle. A scantily clothed young man is shown in a dancing pose, moving toward left, his head turned toward the left shoulder., Modena, Italy, ca. 1790, theater,

Man the Farmer, Diana the Goddess of the Hunt, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash over black chalk on laid paper, Bearded

Laundry in the Mountains Near Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, Two women are shown in profile, washing in a high basin; another carries a copper kettle; a

Study for Abimelech Reproveth Sarah, Plate 81, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey wash, pen and brown ink on cream laid paper, A group of robed figures

Design for a Bed, Graphite, pen and ink on paper, Elevation of a bed in the form of a festoon suspended between two baluster formed pedestals. Above, a fringed canopy hung from a circular crown with palmettes., Italy, ca. 1800, furniture,

Design for the Embroidery of a Man's Waistcoat of Pattern No. 1117 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A left bottom corner with slightly rising bottom edge. Hatching and

Charging a Dromedary, Frederic Edwin Church, American, 1826–1900, Brush and ink, graphite on grey green paper, Horizontal rectangle. In a lightly sketched desert setting, two figures stand on either side of a seated dromedary, draping

Candelabra, Robert Adam, British, 1728 - 1792, Graphite on paper, Elevation of an elaborate two tiered candelabra. From each tier two curled foliage armatures extend out from either side with miniature chandeliers hanging from them., England,

Decorative Motifs and the Head of a Woman, Black chalk, pen and ink, brush and grey watercolor washes, blotted red crayon, lead pencil on laid paper. On verso: red crayon on laid paper., Vertical rectangle. On left, two overdoors. On the top

Design for a Woven or Embroidered Textile, Pounced, graphite, brush and slight greenish watercolor, brush and red-brown paint on paper, Recto: A right bottom corner is shown. A red field shows stripes at the edges which are decorated with rows

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and white, yellow, and orange gouache on glazed tracing paper pasted on paper, Plants form a row; they are

Music in a Public Garden, Joseph Pennell, American, active England, 1857–1926, Pen and black ink, graphite on paper, Illustration of a large outdoor cafe in Budapest. People sitting at tables, with terrace in left foreground., USA, 1891,

Variations of design for surtout de table (in two parts), Unknown, Pen and black ink, gray wash on laid paper, france, ca. 1770–75, metalwork, Drawing, Drawing

Costume Design: The Master of Arms for a Ballet, Lead pencil on paper, Vertical rectangle. A young man is shown in three-quarter profile, turned toward left. He carries a bar in his right hand. The left hand rests on the hilt of the sword. He

Neptune Riding over the Sea in a Chariot, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on off white laid paper, Seated in chariot, accompanied by woman. God holds chariot's reins, which

Tailpiece, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design composed of a lighted torch held by snakes, money-bags, wings, banderole.,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing trousers and a hat., USA, 1877, figures, Drawing, Drawing

Study for woman, Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray-green paper, Head and shoulders of a young female figure. Her head is tilted slightly to the left, and her gaze is downward., USA, ca. 1885, figures, Drawing,

Project for a reliquary, intended to be executed in wood, Pencil, pen, brush, sepia, and gray water color on paper., Horizontal composition of a reliquary with volutes and a cherub at the base and an escutcheon and a vase with fire at the top.

Design for a painted frieze, Pen and ink, brush and blue, yellow, and pink wash on paper, Scheme of a crest. A crest with Cupid and Psyche on a pedestal in the center and flanked by two seated female figures. Urns on pedestals rise between

Dixie, Winslow Homer, American, 1836–1910, Brush and gray, brown wash, graphite on cream-colored paper, Vertical view of the interior of a shed with an African American male sitting on a barrel with a view through a window of what appear to

Mt. Marino, Homer Dodge Martin, American, 1836 - 1897, Graphite on cream wove paper, The edge of a lake is shown, surrounded by low hills and shrubbery., USA, October 16, 1860, landscapes, Drawing, Drawing

Fishermen Beaching a Boat, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal, brush and white gouache on cream wove paper, Horizontal view of a group of fishermen beaching a boat on a carriage, at left center., USA,

Fountain, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a fountain with an ornately designed lion spout, Verso: Sketch of a horse and carriage., USA, n.d., architecture, Drawing, Drawing

Study of Angel's Hand for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Brown crayon, white chalk, graphite on blue wove paper, Two studies of a figure's right hand. Verso: Studies in pen and black ink of left foot, lower left

Sketches for an Altar, Pen and brown ink, brush and brown wash, graphite, gray ink, on off-white laid paper, Upon a classical pediment stands a temple-like domed structure. Below a cupola supported by columns and crowned with a trident, is a

A landscape, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and brown ink on paper, Foreground: foud people on the left with large trees surrounding them. In the middleground are two people, one is riding a horse walking on a path

Christ Appearing to the Apostles at the Sea of Gallilee (Lake Tiberias), the Miraculous Draught of Fishes, Charcoal, brush and grey wash, light brown goache, with white heightening on brown laid paper, Christ, at left, talks to the sinking

Sketch of a Wing, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of the wing of a bird, with notes on colors throughout., USA, ca. 1895, animals, Drawing, Drawing

Study for 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon, graphite on paper, Sketch of a long narrow section of drapery, knotted below., USA, 1899, figures, Drawing, Drawing

Sketch of Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman in semi-reclining position, looking off to the right in profile., USA, ca. 1895, figures, Drawing, Drawing

Trees, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of trees in field., USA, 1877, landscapes, Drawing, Drawing

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with winged figures holding a crown over an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Design for an Inkstand, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Graphite, pen and ink, brush and wash on paper, Base formed by fantastic fishes and a mask. Stand at the center with two birds. On either side a woman, the left holding

Stage Design: Palace Garden Architecture, Pen and bistre, brush and sepia wash on paper, Horizontal rectangle showing the garden face of a palace. At left, an arcade surmounted by a balcony. In the background, two staircases and two lion

A Couple in a Drawing Room, William Henry Hyde, American, 1858–1943, Etching in dark brown ink on cream-colored paper, A couple in evening dress are seen near a fireplace in a drawing room. The lady is seated in an armchair while the man

Precinct of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Architectural drawing of a building. Shown is the central part from the left corner of the front. Partly

Trophy with Ecclesiastical Objects, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and dark ink, brush and gray water color on paper, An assembly of a mitre, a prelate’s hat, a crozier, an archbishop’s cross, altar

Costume Design: Diana for a Ballet, Pen and brown ink, brush and brown wash, over black chalk, Vertical rectangle. Shown standing, frontally. She carries an arrow in her right hand, and a bow in her left one. She wears a cloak with a tail. A

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure kneeling and wearing a turban., USA, 1877, figures, Drawing, Drawing

Design for the Embroidery of the Left Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on g lazed tracing paper, A bunch of flower boughs and garlands decorate the flap of

Design for a Box, Brush and watercolor, gold gouache, graphite on cream paper, Top and side view of rectangular box decorated with gold and a landscape with a cottage, a path, and a lake at right, mountains in the distance., Japan,

Project for the Coat of Arms of a Prelate, Red chalk on laid paper, Octagonal. Cherub in the top center of the escutcheon: charge: eight pointed star. Two putti seated on the corners of the escutcheon hold the hat and the cords. Figures seated

Details of Church, Stonework, Arnold William Brunner, American, 1857–1925, Graphite on paper, Cornices from Notre Dame de Chartres, Semur and Soissons., USA, 1879–80, architecture, Drawing, Drawing

Chair, Pen and brown ink, brush and brown wash, on off-white laid paper, lined, The chair stands on curved feet- the upper part straight and the lower curved inward. The arms are gently sloping, curved up, terminating in floral rosettes. The

Study for 'Herding, ' 'The Progress of Civilization: Hunting, Herding, Agriculture, ' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Partial sketch of a bull., USA, 1905–1906, animals, Drawing,

Design for the Embroidery of a Man's Waistcoat, Brush and gouche, white on paper, Five buttonholes are shown over a rectangular violet and yellow edged corner at left. A black, yellow edged moulding connects the inner ends of the botton holes and

Study of Child's Head for 'Christiana and Her Children', Daniel Huntington, American, 1816–1906, Black crayon, white chalk on grey wove paper, Study of the head of a boy with long curls in three-quarter right profile. Verso: Unfinished

Designs for Ornamental Arabesque Motifs, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink, brush and brown watercolor, graphite on paper, Top left, a mask of a human figure with horns from which are suspended tassels.

An escutcheon, a trophy, a label, a decorative motif for a frieze, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray, brown watercolor on paper, Left row: escutcheon, with a ribbon and two crossed branches on

Grotesque Design, Charcoal, pen and ink on paper, A strapwork escutcheon decorated with scrolling acanthus leaves and military trophies. Below, a winged mask and groups of bearded soldiers., Italy, early 17th century, grotesques, Drawing,

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Maple leaf design, blue and white flowers on dotted brown and black ground., France, 1800–1818, textile designs,

Study of Standing Woman for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Woman standing, her head turned toward the right, her arms resting on

Design for a Candelabrum and a Crucifix, Pen and ink, brush and watercolor, graphite on paper; verso: pen and ink, Vertical rectangle. Design for candelabrum at center. Lion feet on wood sockles support a base upon which a calyx of three leaves

Staircase to Arcade in Bishop’s Palace, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and brown ink, gray wash on laid paper, Vertical rectangle showing a door which is left empty, and an architectural aetting with stairs leading

Study for a Mural or Panel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, A garden, with a large fountain, right. Groups of figures center and lower left. Wall and trees beyond. Below, single figures and notes on

Side wall elevation, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, brush and tan-colored wash on wove paper, Wall elevation with wooden doors at left and right, oblong panels above and between them., England,

Christ in Glory with Angels, Belisario Corenzio, Italian, active 1590–1646, Brush and gray, white and light blue gouache on brown laid paper, Crowd of angels surrounds the cross while floating amidst the clouds. The cross, which is located

Study: The left hand of a man with a stick, Black crayon on brown paper, Vetical composition of a man's left hand holding a stick. On the back:, Italy, 17th century, figures, Drawing, Drawing

Design for Embroidered Waistcoat, pattern 1713 of the Fabrique de St. Ruf, Charbon, Brush and white gouache on glazed tracing paper, Plants, boughs; a string of pearls., France, ca. 1785, embroidery & stitching, Drawing, Drawing

Three Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, Upper left, a crouching figure facing right, pointing with his left hand. To the right, the top half of a

The Marriage of Henry IV, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper, On clouds, at upper section of drawing, royal couple in guise of Jupiter and Juno are

Figure Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Half-figure with bare chest. The head leans on the right hand and is turned toward the left shoulder. The right elbow and left hand lean on a squared

Project for Wall Paintings, as Decoration of a Frieze, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash over traces of graphite on light-green laid paper, At left, seated woman and seated young man serving as caryatids;

Wooded Landscape with a Pond, Black chalk, pen and ink on paper, Trees are at left and in the right middle plane. A part of the pond is shown in front of the latter. A man kneels at its edge, another is shown from the back seated and raising his

Buzzard's Roost Gap-Ga, Theodore Russell Davis, American, 1840 - 1894, Pen and ink on board, Four men in uniform in the foreground, occupying a high point. One is seated, with his back to the spectator, looking in the Gap through field

Ornament Design with Seaweed and Shells, Brush and watercolor, traces of graphite on white wove paper, mounted around edges, Design for a medallion composed of leaves, coral and shells., 19th century, ornament, Drawing, Drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Drapery in circular billows, especially to the left; larger below., USA, ca. 1895, figures, Drawing, Drawing

Landscape with Bridge, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Landscape with two figures drawing in foreground and figures crossing bridge., late 18th–early 19th century, architecture, Drawing, Drawing

Design for Round Table 'B', A.N. Davenport Co., Graphite on thin, cream paper, Round table top raised on turned and molded baluster-like support sitting on cross-shaped molded base on casters., 1900–05, furniture, Drawing, Drawing

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