Images at Librifly

search results: Drawing clear search

Landscape: verso: Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, View of a valley with a town. A group of trees in the foreground. Verso: scrollwork frames an oval reserve., Italy, early 17th century, landscapes,

Tree Trunks, Darmstadt, William Trost Richards, American, 1833–1905, Graphite on wove paper, Sketch of two tree trunks with roots., Darmstadt, Germany, June 27, 1867, nature studies, Drawing, Drawing

Sketch for Portrait of a Woman, Daniel Huntington, American, 1816–1906, Graphite and white chalk on thick cream wove paper, Vertical sheet with a woman seated with her hands in her lap. She is facing to the left and has raised her head up over

Design for a Segment of a Border of a Woven Shawl, Brush and white gouache on oiled paper, mounted, Pal frond and leaf motifs run in bands with a long stem meandering over them., France and Scotland, 1830–1840, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a doorway in Venice., Venice, Italy, 1881, architecture, Drawing, Drawing

Design for Pagoda in Garden Pavilion, Graphite on wove paper, lined, Conical roof supported by pillars, balustrade decorated with flower motif. Pillar decorated with circular designs. Table drawn in middle of pagoda. Scale noted at bottom., USA,

The Thieves and the Ass, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Two men wrestling, center. Tree, left, with bag hanging from a limb. Man riding to right; far right, bird overhead., USA, ca.

Surtout de Table (Centerpiece) with the Temple of Isis in Pompeii, Pen and ink, brush and watercolor on paper, Drawing of a surtout de table or deser (table centerpiece) whose theme is the ruins of Pompeii. The table’s legs are straight with

Design for an Oval Dining Table 'A' of Mahogany, A.N. Davenport Co., Graphite on thin cream paper, Oval molded top with dividing stretcher running across center, raised on 6 carved, turned and fluted tapering legs on casters; smll rectangular

Design for Susanna and the Elders, Pen and brown ink, brush and gray wash, red and black chalk on cream laid paper, lined, At right, two men are climbing into a large round tub, presumably to spy on Susanna bathing., Italy, 1660–1710,

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Above, support for window, Venice. Below, tops of capitals and details., USA, 1883, architecture, Drawing, Drawing

La dame au châle (Lady in a Shawl), Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and purple, tan, and blue wash, graphite on white paper, Vertical rectangle, bevelled corners. Figure of a woman outside walking, facing

Sketches of Buildings and Trees, Pen and brown ink on cream laid paper, Upper left: sketch of a house and hay-stack; upper right: a thatched lean-to; center: foliage; lower left: a tree; lower right: a log and branch., Florence, Italy,

A Roman fountain (Counterproof), Hubert Robert, French, 1733 – 1808, red chalk on paper (counterproof), France, 1793, drawing/ counterproof, drawing/ counterproof

Young Man Leaning Against Sailboat Rigging, Winslow Homer, American, 1836–1910, Graphite on gray wove paper, Vertical view of a young man leaning against the rigging of a sailboat., Cullercoats, England, ca. 1875, figures, Drawing,

Lucretia or Tarquinia Stabbing Herself, Pen and brown ink, black chalk on off-white laid paper, The female figure is kneeling while facing right; her left arm is raised, right arm with knife pointed toward the throat., Italy, 1825–50,

Study for a Fresco: Allegory in Honor of Ranuccio Farnese, Francesco Salviati, Italian, 1510 – 1563, Ranuccio Farnese, Italian, 1530 - 1535, Pen and brown ink, brush and brown wash, white oxidized gouache, black chalk on white laid paper,

Family Eating Melons, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, In a room with the window opened into a landscape, gathered around a dining table, are two

Ceres, Pen and black ink, brush and blue and gray wash and white gouache on grayish-blue paper, Ceres shown waslking toward right in wooded landscape. A second picture to the right hes been erased., France, ca. 1780, Drawing, Drawing

Facade of a Gothic Church, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, A low narrow door with plain mouldings and a rose window are shown. Part of other details, at right. Verso: Sketch for the head of a woman,

Effect of Light on Jerusalem, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray wove paper, In the central foreground the Dome of the Rock is shown with the platform, sky and clouds well lit., USA, April

Design for the Embroidery of a Man's Waistcoat of the 'Fabrique de St. Ruf', Graphite, brush and gouache on paper, Left bottom corner, crenellated bands along the inner edge, beneath and beside the pocket. The fields are decorated with bunches

Stage Design, Cave and Temple, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Caves in rocks with sculptured columns to support

Classical Figures, Graphite, red chalk on paper, Roundel with classical figures, France, 18th century, Drawing, Drawing

Project for a tabernacle intended to be executed in bronze, Pen, brush and bistre on paper, Vertical composition of a tabernacle. The dome of an open pavillion is supported by four pairs of corinthian columns. In the interior are four kneeling

Design for Mahogany Sideboard with Neo-Classical Motifs, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, Sideboard with four straight tapering legs (the front two with fluted tops) and semi-circular front - flat in middle

Design for a woven or printed fabric, P. and C. Lacour, Black crayon, brush and watercolor, gouache on cream paper, Silhouetted boughs in the style of about 1600 hanging from rising waves. Small flower boughs are shown in the intervals. An

View of Clouds from Catskill Mountain-Top, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on canvas, View of two layers of low-lying clouds semi-obscure thick woods, with some pine trees seen above others. Gray hills in the

Madonna with Saints, Crayon, pen and ink, brush and wash on paper, The virgin sitting upon a throne in the niche of a wall. The Child sits and extends his left arm to a kneeling monk., Italy, 1815–1823, figures, Drawing, Drawing

Sketches of Right Arm of Mr. Kennedy and Left Hand of Mr. Silliman, Daniel Huntington, American, 1816–1906, Graphite on paper, Right arm resting on a chair arm, upper left. Upper right, sketch of a chain and key. Below, sketch of a left

Architectural Details and Three heads, Filippo Marchionni, Italian, 1732–1805, Black, red chalk, pen and ink, brush and gray watercolor on laid paper, Top left: elevation of upper left corner of a building; part of a window pane, above

Design for Round Table 'D', A.N. Davenport Co., Graphite on thin cream paper, Round molded top raised on plain columnar support with concentric moldings around bottom, sitting atop 'X'-shaped molded base terminating in 4 bracket feet on casters.,

Design for the Embroidered Border and Pocket of a Waistcoat, Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Three bunches of flowers are shown at the bottom, connected by sprays consisting of leaves and beads. Two

Three Putti with Trumpets, Design for Lunette of the Sala delle Muse, Museo Pio-Clementino, Vatican, Tommaso Maria Conca, Italian, 1734 – 1822, Black chalk and black crayon on heavy cream paper, squared for enlargement, Design for a

Front Elevation of a House for Mr. John Gregory, Graphite; pen and black ink; brush and gray, green and yellow wash on off white wove paper, Front elevation of a house. Inscription in brown ink below image., England, 1807–10, architecture,

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on light brown paper, Nude female figure kneeling and facing slightly left, arms upraised., USA, ca. 1895, figures, Drawing, Drawing

Study for 'Hunting, ' 'The Progress of Civilization: Hunting, Herding, Agriculture' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a male figure reclining with an animal skin tied around his

Head of a Woman, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of the head of a woman in left profile, looking upwards., USA, ca. 1895, figures, Drawing, Drawing

Stage Design: Palace Architecture, Pen and bistre, brush and sepia wash on paper, Vertical rectangle showing an exterior architectural space. A palace wall is topped with a balustrade and six sculptures. At center, below a coat-of-arms, cracked

Farm Buildings, Germany, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, View of a stable, barn building, and farmhouse, with wall in front. Two people stand before the stable. A pond and a willow tree are shown in

A Woman and Two Men with Guns. Costumes of the Kingdom of Naples, Bartolomeo Pinelli, Roman, 1781 - 1835, Paper, With slight alterations, similar to plate 46, loc. cit., Italy, 1807–08, Drawing, Drawing

Jerusalem from Road to Bethany, Daniel Huntington, American, 1816–1906, David Roberts, Scottish, 1796 - 1864, Graphite on paper, Jerusalem, center, with wall around it. Steep cliffs in foreground with trees on them, and valley at lower

Hancock's Corps Assaulting the Works at the 'Bloody Angle', William Brooke Thomas Trego, American, 1859 - 1909, Pen and black ink on wove paper, The Union and Confederate troops in hand-to-hand combat., Spotsylvania Courthouse, Virginia, USA,

Bishop Saint Adoring Christ Child, Pen and brown ink, brush and gray wash, graphite on cream laid paper, Kneeling saint is looking up at a vision of the Christ Child holding a cross in one hand and an orb in another. In the lower right, an

Study of the Visitation, After Peter Paul Rubens, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

Royal Pavilion, Brighton, George IV, King of England, English, 1762 – 1830, Graphite on white laid paper, Original album associated with this collection still exists. See 1948-40-1 accessory, London, England, 1817–22, architecture,

Project for an Altar, Pen and brown ink Support: off-white laid paper on secondary paper support, In the central part above the mensa is a sepulchre with the body of a Saint. In front of the second story of the retable is a reliquary box with a

Lake George, New York, Looking Northeast, John Frederick Kensett, American, 1816–1872, Graphite on dark cream paper, View from western shores of Lake George, looking northeast. Low hills and farms in foreground; higher hills on the opposite

The Fox and the Grapes, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Fox below, facing left, looking up. Grapes at top of wall, upper left., USA, ca. 1916, Drawing, Drawing

The elevation of the lower central part of a town mansion, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor on paper, Below is the gate with escutcheon with a crown between two sitting women above the arch. The

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Below, woman's head, looking up toward the left. Above, additional faint sketch of a face., USA, ca. 1895, figures, Drawing, Drawing

Sketch for Decoration, Interior of Theater, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. Interior of theater showing decorated niches and ceiling.,

Stage Design, Agglomeration of Various Buildings, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray-brown ink, brush and gray wash on paper, Horizontal rectangle. Agglomeration of various famous buildings, including St. Peter's

Project for a Salon, Pen and ink, brush and wash on paper, Wall elevation showing a door at left. Overdoor panel with figures. Five pilasters with ionic capitals. At right, a mirror with an eagle, flanked by niches with figural sculptures.,

Country Scene, Jasper Francis Cropsey, American, 1823–1900, Graphite, brush and white gouache on pale blue paper, View of a country house in the Gothic-Revival style at left with a large willow tree at right foreground., USA, 1847,

Design for a Necklace, Pen and sepia ink, brush and gray watercolor on paper, Jewelry design for a necklace. Four chains of pearls form a horizontal band at top and a curving band below, attached to the horizontal chains by rosettes of leaves.

The Elevation of a Reliquary of a Skull, Balck chalk, pen, and ink., Work in a vertical rectangle. Two angels and clouds in the center, support the receptacle. Below is a molded base. Some parts have been erased. Reverse: plan of a base,

Study for a Mural, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal and red chalk on cream wove paper, Cartoon, probably for a mural. Female figure in drapery, standing facing frontally. Pinholes following lines of figure and

Design for a Sedan Chair, Brush and various water colors, pen and Chinese ink, black chalk on paper, Shown from the rear right corner with open door. On top of the roof sits the Dionysus boy upon a scroll. He has a staff with vine in his left arm

Design for Theater Ceiling, Giuseppe Borsato, Italian, 1770 - 1840, Pen and black ink, brush and watercolor, gouache, graphite on paper, Vertical format. Form of a horseshoe, similar to 1940-21-22. The central panel has the same shape. In

Summer View, Hudson Valley, New York, Frederic Edwin Church, American, 1826–1900, Oil on paperboard, Horizontal view over the hills in summertime, under a cloud filled sky., 1870–80, landscapes, Drawing, Drawing

Figures Overlooking Bay and Small Boat, Cullercoats, England, Winslow Homer, American, 1836–1910, Charcoal on heavy off-white wove paper, Horizontal view of groups of figures gathered at a railing overlooking a bay and a small boat; a small

Peasant's Houses at a Lake, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, The lake is at right, in the background. The houses stretch from left to right. Framing lines., France, ca. 1840, Drawing, Drawing

Architectural Details from Bourges, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Nine or ten sketches of chimneys and finials., USA, 1883, architecture, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure; Verso, Sketch of a female figure., USA, 1881–1882, figures, Drawing, Drawing

Doorway, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an arched doorway., USA, 1883, architecture, Drawing, Drawing

Blacksmith, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of male figures working in a blacksmith shop., USA, 1883, figures, Drawing, Drawing

Project for a Painted Ceiling, Pen and brown ink, brush and gray wash, traces of graphite on off-white laid paper, Two vertical panels shows alternative designs., Italy, 1750–1775, ornament, Drawing, Drawing

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman looking upward, slightly to the right. Long hair, partially braided, with beads around the top of her head., USA, ca. 1895, figures,

Mother and Two Children in a Boudoir, Jean-Baptiste Huët, (French, 1745–1811), Pen and black ink, brush and gray wash, watercolor on white paper, lined, Woman holding a fruit sits on a low chair. One son kneeling on the floor to the left

Design for a Pitcher and Basin, Graphite, pen and ink, brush and watercolor on paper, Design for a pitcher and basin intended to be executed in partial gilt silver. Elevation and view of rim with gilded leaf decoration., Italy, 1800–1825,

The Walking Wounded, Pen and brown ink, graphite on light-brown wove paper, Horizontal loosely drawn sketch of four soldiers: three holding muskets upright and one, at left with a beard and moustache, holding his rifle at his side. The soldier

Memorial Wool Embroidery Design 'Meinem Theuren Vater' and 'Meiner Theuren Mater', F. Ebner, German, 1800 – 1825, Brush and gouache and watercolor, pen and black ink over etching on cream laid paper, Design for embroidery with distinctive

High Bridge at Harlem, New York, Martha S. Day, Pencil on paper, Horizontal rectangle. The view is taken looking North, with Manhattan Island at the left and Lon Island at the right. Inscribed at top (in pencil): 'High Bridge at Harlem, N.Y.',

Stage Design, Details of Indian Temples, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash, graphite on paper, Horizontal rectangle. Architectural details of

Project for the Decoration of an Oblong Panel, Pencil, pen and ink, white chalk on brown paper, Horizontal rectangle showing a tripod standing in front of two oblique trees and flanked by a wreath and an urn., Italy, ca. 1840, ornament,

Design for Oak Corner Sideboard, A.N. Davenport Co., Graphite on thin cream paper, Corner sideboard with concave front on five straight tapering legs; center front: two closed cupboard shelves topped by two drawers each; upper shelf supported by

Ornamental panel, Jean-Siméon Rousseau, 1747 – 1820, Pen and ink, brush and watercolor, graphite on laid paper, The center panel shows an eagle placed upon a thunderbolt between two acanthus scrolls. The lateral one shows a trophy of arrows,

Design for the grillework entrance of Hotel du Gouverement at Metz, France, Pen and ink, brush and watercolor, gouache on laid paper, The central portion of the grille is composed of bars on which is superimposed the device of Louis XVI within a

A Winged Victory Riding a Chariot; A Winged Victory Crowning Minerva; two roundels, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite on paper, Top: a victory riding toward left. A rostral column is shown in the background.

Design for a Decorative Panel, John La Farge, American, 1835–1910, Graphite and watercolor on paper, In center, a tree-of-life motif, bordered by square panels at the sides and rectangular ones top and bottom, with wreaths at the corners.

Study for 'The Education of Cupid', Kenyon Cox, American, 1856–1919, Graphite on tracing paper, Sketch of a pillar, surmounted by a bust of Hermes in profile., USA, 1917, mythology, Drawing, Drawing

Design for a Cabinet in the 'Boulle' Style, Pagny, French, 1856 – 1888, Pagny, French, 1856 – 1888, Brush and black ink, wash, yellow gouache, brown watercolor, graphite on heavy white paper, This drawing depicts an architecturally

Sailing Boats, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of two small fishermens' sailing boats, in the nearer boat fishermen are drawing in a line., USA, 1895–96, seascapes, Drawing, Drawing

Castle in the Mountains, Red crayon on paper, Several houses among which are two circular ones, are situated behind a wall. A road leads to the gate in the wall. Mountainous country., Europe, 1810–1830, landscapes, Drawing, Drawing

On the Road to Tivoli, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A man as in plate 35, loc. cit., walks beside a woman on a donkey. Another woman and a boy are shown from

Sea Cintaur Combats Sea Monster, Felice Giani, Italian, 1758–1823, Pen and brown ink, graphite on cream laid paper, Two different compositions situated one on top of other. Above, sea monster clubbing forehead of centaur. Woman, riding

Two Projects for Painted Decorations of Panels, Pen and ink, brush and grey watercolors on laid paper., Vertical rectangle, one design above the other. the panels are pentagonal, the lower, right, upper, and topmost of the upper parts of the

Project for a Painted Wall, Graphite, pen and ink, brush and watercolor, sepia on paper, The right half of an imaginary space, with an arch supported by a column. At right, double pilasters support an entablature with dentil moulding., Italy,

Fellow Passengers on the Cleo, Arnold William Brunner, American, 1857–1925, Graphite on cream paper, Sketches of Near Eastern men standing or seated. Sailboat, lower right., USA, ca. 1883, figures, Drawing, Drawing

Courtyard, Granada, Arnold William Brunner, American, 1857–1925, Graphite on paper, Looking down on a house from a steep slope; outline of other buildings beyond, left., USA, 1892, architecture, Drawing, Drawing

Personification of 'Metalwork, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

The Right Half of the Elevation of a Reliquary Box, Pen and ink on textured brown-gray paper., The right edge of the frame of the receptacle is carved and partly foliated. Lambrequins are suspended form the inner top edge. The entablature is

Design for a Bracelet, Pen and brown ink, brush and gray wash, yellow, plum watercolor on white laid paper, Horizontal rectangle. Design for a bracelet intended to be executed in gold with red diamonds and pearls. A series of thin golden squares

Study of seashore, Rhode Island, William Trost Richards, American, 1833–1905, Graphite, charcoal on paper, Sketch of a rocky coastline., Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Design for Embroidered or Woven Floral Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, At left: a flower bough. Right center: a blossom. Right bottom: a

Design for a Bedroom Wall, Nicolas Pineau, French, 1684-1754, Pen and ink on paper, The overdoor is decorated with a trophy composed of Cupid's quiver, Hymen's torch and boughs, suspended from a whirl with a bow-knot. Wall panels and pilasters

A Standing Boy, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, The boy is shown obliquely in three-quarter profile wearing a shirt, waistcoat, and trousers, with his hands in the trouser pockets., USA, ca. 1875,

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. Below the pocket, a symmetrical motif, with a flower at the center. Sprays of flowers and leaves along the border. Floral

Design for a Bedroom, Pen and ink, brush and rose wash, graphite on paper, The elevation of a long and of the greater part of a short wall are shown separated by the section of a niche at the end of the long wall. The walls have respectively,

search results: Drawing clear search