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Design for a Sofa, Pen and ink, brush and watercolor, graphite on paper; verso: graphite, Horizontal rectangle. Design for a sofa or chaise longue shown slightly obliquely in profile, with the head at left. Below are four knobs, the wooden

Distant View of Saddleback Mountain, Maine, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of mountain ranges, October 1, 1867, landscapes, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design of cross on mantel on yellow ground and mosaic like pattern in gray and blue, framed by

Project for a Hall, Charcoal on paper, At top, design for a ceiling with panels radiating out from a central oval. Below, a n elevation with an aedicule flanked by drapery. Description at right., Italy, ca. 1800, interiors, Drawing, Drawing

A Fireplace Wall and Two Alternative Ceiling Schemes, Felice Giani, Italian, 1758–1823, Pen and dark brown ink on lighblue laid paper., Horizontal rectangle. At left, division of ceiling into panels, below, short side of room. At right,

Octagonal Panel Decoratio, Brush and brown wash, black chalk, heightened with opaque white Support: toned laid paper laid down, Italy, Italy, 1675–1700, ornament, Drawing, Drawing

Sheep Resting, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on paper, Horizontal view of a group of resting sheep, partially filled in with colors, and a detail of a sheep's hind leg and tail. Color notations., USA,

Female Nude, Resting on Grass, James Wells Champney, American, 1843–1903, Red and black crayon on paper, Nude female figure lying on grass, front down, resting on elbows., USA, ca. 1890, figures, Drawing, Drawing

Design for a Vase, Brush and watercolor, gold gouache, graphite on cream paper, Shaped like a vase, partially colored, with yellow flowers on branches against a setting sun and view of a mountain in background; partially gilt; unfinished

Design for a Teapot, Brush and watercolor, gold, black gouache, graphite on cream paper, Design for a footed teapot decorated in black and gold stripes with a gold framed landscape., Japan, 1880–1910, tableware designs, Drawing, Drawing

Sketches for a Passion, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketches of a religious scene around central figure with arms outstretched, with angels above and apostles below., USA, ca. 1895, figures, Drawing,

Hot Spring on Gardener's River, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, graphite on cream paper; verso: graphite, Recto: horizontal view of a small hot spring on Gardener's River located in a wooded valley, with

Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and grey wash, ink, graphite on cream wove paper, A standing woman is shown holding a thread with a weight at the end. A radiating pattern or cob-web in the

Wallpaper Design, Brush and watercolor, gouache, graphite on white paper, A colored ovolo is beneath the entablature. Narrower and broader stripes alternate. Candelabra of flowers, repeating a single motif, framed alternately by moldings,

Stage Design, Interior of Prison Court, Pen and brown ink, brush and gray ink wash on paper, Horizontal rectangle. Prison court with many barred openings toward left side and background, open gallery around court beneath roof., Italy, 18th

Design for a Necklace with Alternative Suggestions, Pen and black ink, brush and gray watercolor on paper, Jewelry design for a necklace. The chain and the upper part of the pendant consist of blossoms, respectively disks, connected by crossed

Study for 'The Mermaid Window, ' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Tiffany & Company, American, established 1853, Pastel crayon, brush and wash on

Concert of Angels, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, On verso: two views tree with castle, Italy, 1813–18, figures, Drawing, Drawing

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Pen and ink, brush and white, grey, and black oil paint on rough paper, A nude woman writes in a book which a child holds, kneeling on the floor with two other

Aurora Borealis, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on thin cream board, Unfinished sketch of aurora borealis, with hills in the background. Probably looking across the Hudson Valley. Graphite outline

Designs for Cartouches, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink on laid paper; verso: pen and ink, graphite, Vertical rectangle. Cartouches, formed by two trees and two dolphins, three birds flying above. Verso: cartouche

View from the Inn at Guaranda, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on off-white paperboard, Horizontal study showing the corner of the inn at right; a low wall, hills, and mountain ranges stretch toward the left

Studies: Two sitting men, Carlo Maratti, Italian, 1625 - 1713, Charcoal and white heightening on blue paper, Vertical composition with sitting men on both sides. A) Probably Christ, turned toward left, raising his hands. B) Reverse: the legs

Study for 'The State, ' 'The Reign of the Law, ' Appellate Division Court House, New York, NY, Kenyon Cox, American, 1856–1919, Graphite on laid paper, A female figure is seated holding a folio in an upright position. The paper is squared

Chairs, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Various views of upholstered armchair with clawfoot. Below, three men conversing., Italy, 1780–1790, furniture, Drawing, Drawing

The Infant Hercules Strangling the Serpent, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of black chalk on light blue paper, Alcmene and Amphitryon shown leaving their bed. Lamp stands at right., Italy, 1813, figures,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a turban., USA, 1877, figures, Drawing, Drawing

Two Sketches of Houses, Arnold William Brunner, American, 1857–1925, Graphite on paper, Left, large house, square towers, with steeple lower left. Right, half-timbered house. Birds above each., USA, 1879–80, architecture, Drawing,

Artists Sketching at Chocorua Pond, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Landscape containing Chocorua Pond and Mountain in the distance as four seated men sketch in a field with a stone wall,

Study for 'Education, ' 'The Progress of Civilization: The Forge, Commerce, and Education, ' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a young male figure standing. The paper is squared

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Female figure with arms swung out, the left knee drawn up. She is facing up and to the right. Verso: Sketch for magazine cover., USA, ca. 1895,

Peasant with Bag, Carlo Marchionni, Italian, 1702–1786, Graphite on brown laid paper, Bent male figure with bag on ground between his legs., Italy, 1728–78, figures, Drawing, Drawing

Maine ? woods, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cream-colored ? paperboard., Horizont view of the lower parts of the trunks of trees and a broken trunk in the fore- and middle grounds. Rocky and mossy

Willow on the Rhône, Geneva, Switzerland, Daniel Huntington, American, 1816–1906, Graphite and black crayon on paper, Study of a willow tree, nearly leafless, leaning towards the right., Geneva, Switzerland, August 1839, nature

Drawing, Louis Apollinaire Sicard, French, 1807–1881, Lyon, Brush and gouache on cream paper, mounted on cream paper, Partial depiction of pink blossoms and green leaves. On right, four birds in gray-black., France and USA, late 19th

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined blue laid paper, Man in an armchair, facing left, his arms folded and knees crossed., London, United Kingdom, USA, 1858, figures, Drawing,

Study for woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black pastel crayon on tracing paper mounted to board, Sketch of a female figure; Detail of drapery gathering around

Decoration of an Oblong Panel and an Escutcheon, Filippo Marchionni, Italian, 1732–1805, Red crayon, brush and brown watercolor and wash on laid paper, Vertical rectangle. Top center: first section of an acanthus rinceau. Bottom left,

The left forearm of a woman holding a book, Black crayon and white heightenings on paper that has been colored grey, Horizontal composition of a woman's arm with a book in her hand. The ruff-like trimming of her sleeves covers her elbow., Italy,

Project for a Fountain, Charcoal, black and white chalk with brush and blue wash on off-white laid paper, Below, a circular base, molded. From its center rises a blossom-like bowl. It is supported at the front by a dancing girl, at the sides by

Sketch of an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of the left half of an angel, looking towards the right, over his left shoulder., USA, ca. 1895, religion, Drawing, Drawing

Design for a Waistcoat, Various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Lilac edges. The flap of the pocket is decorated with a bunch of flowers, the field with flower boughs. Most blossoms are in

Design for a Salon, with Statues of Apollo and Venus, Gilles Paul Cauvet, French, 1731–1788, Pen and Chinese ink, brush and watercolor, graphite on laid paper, Two design options are presented for this gallery and second story with

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on blue-gray paper, Seascape with large floating iceberg, the front shaded in shadow. Verso: sky with clouds rising over a range of hills., Newfoundland and Labrador,

Design for a Wainscotted Wall Panel, Pencil and ink with ink washes on paper, The projecting central section shows probably a frame of mirror over a moulding. Pilaster strips with circular medallions showing children, laterally. Dad underneath.

Vaulted Panel Design, Allegory of Justice, Palazzo Quirinale, Rome, Italy, Felice Giani, Italian, 1758–1823, Pen and dark gray ink, brush and gray wash, black chalk on light green wove paper, Panel of trapezoidal ceiling vault with

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New York City. Shown without feet, clothed in

Project for an Alter with Angels and Pediment, Graphite, pen and ink, brush and water color on light blue paper, Horizontal rectangle showing a triangular pediment flanked by two angels in adoration., Italy, late 18th century, architecture,

The Lion Felled by the Man, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Wall, left half, with painting - lion being felled by a man. Sections of two men, far left, fleeing a lion, right, under a

Design for a Candlestick, Cup, and Vase, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash on white laid paper, Objects to be executed in gold or silver. At left: candlestick showing mermaid holding a socket. Her

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Multi-colored flowers, green leaves on purple feathery vines on white ground. Lined graphite border., France,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure in a long gown., USA, 1881, figures, Drawing, Drawing

The Banqueting Hall, Whitehall, London, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A broad avenue with the Hall, left, and the clock tower of

Study of Landscape, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of mountain peaks with a gorge and trees below., USA, 1867, nature studies, Drawing, Drawing

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man standing on stairs at a railing or lectern, his chin on his left hand and his right hand at his hip. He is facing right., London,

Drawing, Brush and gouache on cream paper, mounted on cream paper, Large roses in oval shape, all in deep fuchsia., France and USA, late 19th century, textile designs, Drawing

Phaeton Asks Apollo to Drive the Sun Chariot, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on heavy paper, Italy, 1812, figures, Drawing, Drawing

Landscape with Villa, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and bistre wash on paper, Foreground: two people walking along a path towards a stream. Behind the stream is a bridge and a house. In the background is a large

Design for a gateway with lodges, early design for Villa Albani, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Entrance to a park. At left, between caryatids sunken compartments. At right,

Project for a Painted Ceiling, Red chalk on paper, Octagonal page showing a seated woman holding an escutcheon which is topped by a snake. At her feet, the head of older men., Italy, 1550–1600, interiors, Drawing, Drawing

Sketch for a Portrait of Mrs. Bella Worsham, Daniel Huntington, American, 1816–1906, Graphite on gray-pink paper, Woman standing, her left elbow on a mantelpiece or pedestal. She holds her skirt in her right hand and looks toward the left.,

Designs for Altar Candlesticks and Candle Brackets, Pen and ink, brush and gray watercolor, black chalk on paper, Vertical rectangle. At left and right, two candlesticks with hexagonal bases with concave sides, supported by leaf scrolls. In the

A Woman Holding a Boy with Her Hand Passing a Gentleman Seated Among Ruins in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The man holds an open book in his right

Stage Design: Curving Portico, Pen and ink, brush and sepia wash on paper, Vertical rectangle showing a curving portico supported by pairs of Corinthian columns., Italy, late 17th century, theater, Drawing, Drawing

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for a partial plate decorated at the gold rim with light blue ovals, the border has a colored bird, pink and purple roses with green leaves, and a

Design for a Hot Water Spout, Graphite, pen and ink, brush and sepia wash, gray, yellow watercolor on paper, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow and white metals. A flying

Planometric View of Gani, Pen and brown ink on cream laid paper, A large valley in the center of the composition is situated between mountains in the foreground and the background. A stream runs through the valley, which is scattered with trees. A

A Street in a Town, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, It leads to a church in the rear. Outlined frame., France, ca. 1840, Drawing, Drawing

Design for a Decorative Ewer, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, graphite on white laid paper, Handle of ewer consists of a swan rising from the lap of mermaid. Two putti support a shell which

Design for a Corsage, Pen and ink, brush and watercolor on paper, Three stems with blossoms, buds and leaves are tied by a ribbon., Italy, 1825–50, jewelry, Drawing, Drawing

Design for a Painted Frieze, Graphite, pen and ink, brush and watercolor on paper, Horizontal rectangle. At the left, a partial tablet with “IGITVR. A winged head on top. Two putti sitting between a rinceaux., Italy, late 18th century,

Stage Design, Interior of Hall in Antique Style, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of hall decorated in the

Men Resting on Catskill Hillside, Arnold William Brunner, American, 1857–1925, Graphite on paper, Man with hat covering face, laying down with arms under head; behind, man with pipe, hat and mustache, facing left; upper right, man with

Design for a crest with a coat of arms, Louis Tullius Joachim Visconti, Italian, active in France, 1791 - 1853, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, A design for a coat of arms rests on a

Stage Curtain Design: Parnassus with Apollo and the Muses, Pen and brown ink brown, brush with wateroclor wash over black chalk and traces of graphite on laid paper., Vertical rectangle: Arcadian landscape. Foreground, personification of river

On Road to Villeneuve, Arnold William Brunner, American, 1857–1925, Graphite on paper, An uphill road with figures, tower at right and houses beyond, USA, 1892, architecture, Drawing, Drawing

Project for a Painted Panel, Pen and ink, brush and watercolor, sepia, graphite on paper, Two vertical bands with candelabrum. At the center of each of a pink oval with figures., France, ca. 1805, ornament, Drawing, Drawing

Design for an Oblong Panel, Black crayon, pen and sepia on paper, Mouldings at the top and the bottom. At center rosette above a cherub head. Surrounded by large acanthus leaves., Italy, 1750–1800, ornament, Drawing, Drawing

Project for a Ballet Costume of an Oriental Jester, Lead pencil on paper, Vertical rectangle. A man in Oriental costume is shown standing in three-quarter profile, turned toward left. The head is turned to the right. The right foot crosses the

Design for the Embroidery of a Waistcoat, Graphite, brush and gouache on paper, A border stripe is shown at left with a ribbon loosely surrounding a rising thin pole. Two kinds of flower boughs fastened together by bow knots rise in intertwined

Painted ceiling, Italy, ca. 1810, interiors, Drawing, Drawing

James McNeill Whistler, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure leaning on a railing., Venice, Italy, 1881, portraits, Drawing, Drawing

Greyhound, Pen and brown ink, brush and brown wash, black chalk, corrections in white gouache on white laid paper, A greyhound dog wearing a collar facing right. The point of the tail is off page., Italy, Europe, 1550–1600, figures,

Design for a Monument Commemorating Systematization of Weights and Measures in France, Pen and black ink, brush and gray, red and blue wash on paper, joined at center, A series of monuments lined side by side. At the center, Liberty and a

Design for a Six-Legged Rectangular Dining Table, A.N. Davenport Co., Graphite on thin cream paper, Rectangular molded top with dividing stretcher running across center, raised on 6 [5 shown] slightly tapering legs on casters., 1900–05,

Design for a Cup or Saucer, Brush and watercolor, pen and ink, graphite on cream paper, Design for cup and saucer. Cup with pointed handle has bunch of flowers growing from ground with unfinished rim decoration in green with yellow stripes and

Architectural Detail, Temple of Zeus, Baalbek, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Recto: Sketch of the colonnade surrounding the exedra in the altar court; Verso: Sketch of the fifth niche within the

Design for andiron, Lefebvre Manufactory, Tournai, Brush and yellow, red, green watercolor, black wash, graphite, on cream laid paper, Rectangular panel, incised with a diamond pattern, drapery below, is supported by two posts consisting

House with a Porch, Winslow Homer, American, 1836–1910, Graphite, brush and wash on paper, Sketch of a house with a porch, yard, and fence., USA, 1858–1860, architecture, Drawing, Drawing

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Vertical rectangle. An open pavilion, rectangular in plan, with a two-tiered pagoda roof supported by four columns. The

A Fountain with Neptune after Hendrik Goltzius, Nicolas Bailly, French, 1659 – 1736, Hendrik Goltzius, Netherlandish, 1558 – 1617, Brush and wash, pen and ink, on paper., Figure of Neptune or Poseidon after a woodcut by Hendrik

Cypress Trees, Chapultepec, Mexico, Samuel Colman, American, 1832–1920, Brush and gouache on rough reddish-brown paper., Horizontal view of a goup of trees shown against a background of a wood. High bottom margin., February 18, 1892,

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. The background of the panel is divided into broad pale rose and narrow green and dark rose stripes. Upon these rise candelabra,

Designs for Mechanical Furniture: Cabinet and Desk, Pen and black ink, brush and watercolor on paper, At top, two commodes, with plan and elevation for each and, for the left one, section as well. Below, a desk fitted with a fall-foot, for

Studies for the Entombment of Christ, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on blue paper, A kneeling priest with raised hands, Italy, 1775–1800, figures, Drawing, Drawing

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Graphite on tracing paper mounted to board, Sketch of a female figure leaning over a pedestal. Most of the body is

Stage Design, Palace Interior, Pen and ink, brush and bistre wash, graphite on paper, Horizontal rectangle. Staircase in palace with portico at top of stairs. Some details in graphite only, possibly unfinished., Italy, early 19th century,

Design for Corner Cabinet with Gothic-Style Glass Door Panels, A.N. Davenport Co., Pen and black ink on thin cream paper, Triangular corner cabinet with canted corners and 2 glass door front panels with Gothic-inspired tracery; raised on 3 (2

Study of Clasped Hands, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on grey paper, Hands clasped, fingers folded, palms together., USA, ca. 1895, figures, Drawing, Drawing

House on a Street, Arnold William Brunner, American, 1857–1925, Graphite on cream paper, Street running to the right. The house opening on to the sidewalk by an arched doorway, with a figure standing in it. A fence along the sidewalk., USA,

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