Images at Librifly

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Caricatures, Carlo Marchionni, Italian, 1702–1786, Graphite, pen, brush and sepia ink on laid paper, A man, standing, with a large nose, hat and sword; six other sketches with heads as caricatures., Italy, ca. 1725–75, figures,

Sketches of the House of Semon the Tanner, Jaffa, Palestine [Tel-Aviv, Israel] and Fishermen on the Rocks at Beyrout, Syria [Beirut, Lebanon], Frederic Edwin Church, American, 1826–1900, Graphite on paper, Horizontal view of the lower

Study of a Standing Cow, Samuel Colman, American, 1832–1920, Brush and oil paint on canvas, A cow is shown in profile, on a meadow, walking toward right., USA, August 1876, animals, Drawing, Drawing

Song Sparrow, Ernest Thompson Seton, American, 1860–1946, Charles Scribner's Sons, New York, New York, USA, Ink and grey wash, with white gouache, on illustration board, The bird sits on a twig, right, above its nest., USA, 1893,

Acanthus Ornament, Pen and gray ink, gray wash Support: white laid paper, Rome, Italy, Italy, 1750–1800, ornament, Drawing, Drawing

Study for 'Diana and Her Attendants among the Constellations', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of a model's foot., USA, ca. 1894, mural designs, Drawing, Drawing

Project for a Chimneypiece, Graphite, pen and ink, brush and watercolor in paper, Elevation if mantelpiece. At center, a tablet with four dancing women. On either side, swags and bucranium. Above this, a ceramic vessel. At left, profile

Two Women with a Basket, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

A Fortified Town Overlooking a Lake, Felice Giani, Italian, 1758–1823, Black chalk on cream wove paper, Paved road leads to town. Two sections visible at right angle to each other. Upper section bordered by wall and substructures. At left,

Hudson Valley and Distant Mountains at Sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite traces on heavy paperboard, View of mountain range., USA, June 1870, landscapes, Drawing, Drawing

Design for Portion of Stairway, Château-sur-Mer, Newport, Rhode Island, Charles Salagnad, French, Brush and ink and watercolor, graphite on paper, Paris, France, 1872, architecture, interiors, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Pattern No. 519 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A lady's hat lies on a bunch of flowers, in the center, connected with

Studies of a Coco Palm, Frederic Edwin Church, American, 1826–1900, Graphite on buff paper, Vertical format showing the lower quarter of tree trunk [or palm stem ?] surrounded at base by grasses, while at upper right, a study of leaves,

Study from Nature, Thomas Doughty, American, 1793–1856, Graphite on buff paper, A rocky shore, with small breakers., 1833, seascapes, Drawing, Drawing

Study for 'Genius, ' 'The Arts, ' Library of Congress, Washington D.C., Kenyon Cox, American, 1856–1919, Graphite on paper, A young male figure standing with his arms raised. The paper is squared for transferring the image., Washington, D.

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure seated dressed in a gown with collar and hat., USA, 1876, figures, Drawing, Drawing

Sketches in Milan, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketches of two chimneys, below, and houses, above., USA, 1892, architecture, Drawing, Drawing

Design for an urn on a stand, John Nash, 1752 – 1835, Graphite on white laid paper, Elevation of an urn on a stand, ruled border line in black gouache recto and verso., England, 1815 or later, ornament, Drawing, Drawing

Project for a Pile Carpet (or Textile), Brush and gouache, graphite on paper, A wheel-like ornament on black ground; one half is shown. Low palmettes and higher plant palmettes grow alternately from a rosette in the center., probably Paris,

Seascape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Seascape with a sailboat under sail, calm waters, and clouds in the sky; Verso: Partial sketch of a figure., USA, 1883, seascapes, Drawing, Drawing

Martyrdom of a Female Saint, Black chalk, pen and black ink, brush and reddish-brown wash on cream paper, A kneeling female figure is about to have her head severed by an executioner. A group of turbaned spectators is seen at the left at a lower

Facade of Frederick Crace's Office, Frederick Crace, English, 1779–1859, Graphite on white wove paper, Vertical rectangle. Facade of a four story building with one window on each floor, entrance door at right, iron fence at left., England,

Polychrome floral group c, Herman A. Elsberg, (American, 1869–1938), Gouache, Beige tassel (silk?) Support: ivory paper, Lyon, France, France, 1915, textile designs, drawing, drawing

Design for a Mirror, with Alternative Suggestions, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and watercolor, graphite on paper, Different details are suggested at left and right. A pair of doves above center, from

Four Allegories of Commedia and Tragedy, Felice Giani, Italian, 1758–1823, Pen and brown ink, graphite on cream laid paper, Page divided into quadrants with further details at right margin. Notes above and below., Italy, ca. 1810, figures,

Covered Canoe, probably South American, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal sheet containing a covered canoe with a seated woman cooking in the bow as two men row beside her, a third man standing on

Trees and Plants, Elecampene, Frederic Edwin Church, American, 1826–1900, Graphite on bluish paper, Horizontal study of a group of trees at left and high stemmed plants at right., USA, September 1856, nature studies, Drawing, Drawing

A Peasant's House at a Lake, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, A road is passing by, center foreground. Stairs lead to a door in the upper floor. At left is an open barn. Outlined frame., France, ca. 1840,

Study of the Landing of Maria de' Medici to Marsala, after Peter Paul Rubens, Felice Giani, Italian, 1758–1823, Pen and ink, brush and watercolor washes on paper, Italy, 1813–18, figures, Drawing, Drawing

Apollo and Hycianth, after Domenichino, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, On verso: two studies of moldings, Italy, 1813–18, figures, Drawing, Drawing

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and orange, yellow gouache on glazed tracing paper, Variation of the coloring of the leaf festoon, of the cords and tassels,

Metal Fittings for Staircase Railing, Pen and brown ink, brush and brown wash, red ink on off-white laid paper, lined, Two views of stone railing terminating in masks with acanthus leaves. The one at left shows a hang ring., Italy,

Design for a Fountain with Pegasus, for the Villa Albani, Rome, Pen and brown ink, brush and gray wash, graphite on cream laid paper, A horse stands on naturalistic rocky arch with a shallow cascading fountain below that is flanked by park-like

Design for a Chalice, Pen and ink, brush and wash on paper, Design for a chalice. Upon a low base are the fore parts of the symbols of the Evangelists. The eagle, lion and bull can be seen. Each has four wings; the upper wings support the cup.

Double Rainbow over the Falls, Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper., Recto: Double rainbow over cliffs and falls. Framing lines., Verso: Trees upon elevations of the soil, beside undulated lines

Right Part of a Sketch of El Yemen Valley, Arabia: Distant View, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Recto: horizontal continuation of the representation in [1917-4]-177 reverse.,

City Gate, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Sheet with Sketches, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink, brush and watercolor on paper, mounted, Upper left, a woman holds a flower to her breast. At right, Bacchus with faun child. Upper right, a bearded mask.

Design for Sideboard with Brass Rail and Rounded Corners, A.N. Davenport Co., Graphite on thin cream paper, Sideboard with six tapered straight legs; double brass railing along top back; two small drawers over one larger drawer; a medallion design

Design for Rectangular Writing Table with Quill Pen and Inkwell Atop, A.N. Davenport Co., Pen and black ink on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for Snuff Box, Cardinal Consalvi, Papal Secratary of State to Pius VII, Pen and ink, brush and watercolor on paper, The drawing below right. Only the lower right quarter is entirely executed. Concentric circles of gems., Italy, 1824,

Study of a Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, A left foot, seen from above., USA, ca. 1895, figures, Drawing, Drawing

Chair, Pen and brown ink, brush and brown wash, graphite, on off-white laid paper, Frontal view of a side chair with an oval back connected to an oval seat with addorsed C-curves, and standing on tapered legs., Italy, 1780–90, furniture,

Study for 'Commerce, ' 'Passing Commerce Pays Tribute to the Port of Cleveland, ' United States Custom House, Cleveland, OH, Kenyon Cox, American, 1856–1919, Graphite on paper, Detailed sketch of a piece of drapery as it is caught by a

Maple Top on Road to Jackson, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite, black crayon, white chalk on brown paper, View into the top of a maple tree. Top of a dead pine, left, and a birch, right foreground., New

Stage Design, Palace and Gardens on Hill, Hubert Robert, French, 1733 – 1808, Carl Guillaume Weisbrod, German, 1743 - 1806, Jacques Le Roy, French, 1739–1789, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Palace

Design for a Book Binding, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On brown-orange ground, medallion with arabesques, hearts, and C-curves in red, light green, and orange. Upper left and lower left smaller

Design for an Oratory (Memorial Chapel), Pen and black ink, brush and gray wash, blue, green and yellow watercolor on paper, Design for a round building. A circular, domed structure without other windows than a skylight at the center of the

Cleobolus, Claude Vignon, French, 1593–1670, Graphite and red chalk on off-white laid paper, A male figure, seen standing frontally, dressed in oriental costume, rests his left hand on a baton around which a snake is coiled. In the

Design for a Tureen, Graphite on paper, Tureen with lion paw feet and pilaster legs. Scrolling handles above pilasters. On body, lion masks with drop rings. Finial., Europe, 1775–1800, tableware designs, Drawing, Drawing

Allegorical Figures of Fire and Air, Pen and brown ink (iron gall ink), traces of graphite on off white laid paper, Page divided horizontally into two chariot scenes., Italy, ca. 1800, classicism, Drawing, Drawing

Female Monkey with umbrella, Gouache over graphite, A female monkey lays on a decorative frieze while holding an umbrella., France, France, 1860–90, Drawing, Drawing

Allegory of Fame, Pen and ink on paper, Probable Allegory of Fame with spoils of war., Italy, ca. 1799, Drawing, Drawing

Piety, Abraham Bloemaert, 1564 – 1651, Brush and white gouache, and black chalk on gray laid paper, A seated female figure a cloud bank, facting right, her gaze directed to upper left; in her left hand she hold the Palm of Martyrdom, and

The Story of Telemachus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Top: Telemachus seated beside Calypso upon a bench tells her about his travels. The setting shows a rocky valley; Mentor

Study for 'Rainy Season in the Tropics', Frederic Edwin Church, American, 1826–1900, Graphite on paper, ruled with parallel lines in blue ink, border lines in graphite, on white paper, Recto: Horizonal view showing a dramatic panorama of

Unfinished Design for a Waistcoat, Pencil and various gouache colors on paper, Unfinished design for the embroidery at the left bottom corner of a man's waistcoat. Two bunches of seeds, moss, boughs are shown beneath the bottom curves of the

Study of clouds, Rome, Italy, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, gouache, graphite on paper, Sketch of a sunset and clouds., Rome, Italy, 1893–1894, nature studies, Drawing, Drawing

Nude Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Woman's torso and legs. She reclines toward the left. Additional sketch of left hand, upper right; arm, upper left; eyes and nose in profile, left., USA, ca.

Sketch for a Portrait of Bella Worsham, Daniel Huntington, American, 1816–1906, Graphite on gray-pink paper, Standing woman, her left arm bent upwards, resting on a pedestal. She holds up her skirt in her right hand, and looks to the left.

Lemons and Lemon Blossoms in a Basket, Brush and black ink, watercolor, graphite traces on coated wove paper, Basket filled with lemons and their leaves and blossoms; one lemon partially peeled, a wedge sitting on the ground., England or

Pavilion, Elevation, Pen and black ink, gray wash, traces of graphite, ruled border in pen and brown Support: white laid paper, Rome, Italy, Italy, 1798, architecture, Drawing, Drawing

Design for a Woven Fabric Motif, Brush and gouache on brown oiled translucent paper, Textile design featuring a colorful paisley-like motif containing of an arragement of fantastical floral garlands. The design is outlined in black and contains

Sketches of Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Upper left, sketch of a pair of windows, with details. Below, three sketches of woman with cap and apron doing various activities, sitting, holding

Last View of Quebec, Arnold William Brunner, American, 1857–1925, Graphite on paper, Narrows, with high ridge, right, boats, with mountains beyond., USA, 1881, seascapes, Drawing, Drawing

Study of Old Cypress Trees, Cypress Point, Samuel Colman, American, 1832–1920, Pen and ink, crayon, graphite, brush and watercolor on gray paper, USA, April 11, 1898, landscapes, Drawing, Drawing

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jug with squared handle; body of jug is covered with green leaves and pink and purple peonies, one butterfly; neck of jug has pattern green rhomboids and

View of Mount Mansfield from Cambridge, Vermont, Daniel Huntington, American, 1816–1906, Black crayon, white chalk, graphite on grey paper, River and bank in foreground, with mountain beyond., Cambridge, Vermont, USA, September 6,

Design for Stained Glass Windows: Chamber Music Hall, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Rectangular glass window in yellow

Unfinished Design for the Embroidery of a Man's Waistcoat of Pattern No. 863 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on grayish paper, Left bottom corner. Very slightly rising bottom edge.

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, and a high entablature on top. The panel is divided into narrow green and wide lilac vertical stripes. Alternative suggestions are made for their

Hall Decoration, Hotel des Menus-Plaisirs, for the Assemblee des Notables, Pen and black ink, brush and gray and rose wash, black chalk indications on two sheets of paper, joined together horizontally at center, A depiction of a large hall. A

Trophy with Attributes of War and Peace, Henri Salembier, French, 1753 - 1820, Pen and ink with gouache, A bracket with wings suspend garlands and an olive branch. The shelf holds a trophy composed of spears, arrows, helmet, cannon ram-rod,

Design for a Jar, Brush and watercolor, gold, black gouache, graphite on cream paper, Design for a partial jar with out-turned gold handle. Upper section decorated with registers; one with peaches and grapes and flanking it with stylized yellow

The Shore at Kativigh, Holland, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, View of the dunes, sand, and sea. The lighthouse, the church and boats on the shore are shown in the central middle

Stage Design: Staircase with Sculptures, Graphite, pen and bistre, brush and sepia wash on paper, Vertical rectangle showing an arched doorway, the top of which is sketched in graphite but not inked. In the middle ground, sculptures and terms

Project for a frame, Brush and black ink with brown wash and traces of graphite Support: off-white laid paper, probably Rome, Italy, 1730–60, Drawing, Drawing

Flower Studies (Four Designs for Circular Ornaments), Samuel Colman, American, 1832–1920, Recto: Brush and watercolor, graphite on beige laid paper Verso: Graphite on paper, Horizontal view of ornaments composed of two petals and leaves at

Mountainous Landscape, Black chalk, pen and ink, brush and bistre on paper, A rock rises where two valleys meet. A temple stands on a rocky outcrop at right. A town visible in the distance at left., Italy, 1675–1700, landscapes, Drawing,

Wall Fountain, Graphite, brush and gray wash on laid paper, Rome, Italy, 1775, architecture, Drawing, Drawing

Bacchus Sleeping (after Poussin), Leon Dabo, American, 1868–1960, Nicolas Poussin, French, 1594–1665, Graphite on cream wove paper, The nude Bacchus is seen turned half-right, lying on drapery, half supported on block behind shoulders.

Group of Men in a Boat, Francesco Primaticcio, Italian, 1504–1570, Graphite, brush and gray wash on paper, In the foreground, a group of men in classical garb crowded into a small open boat. Beyond, a man being helped by two others, other

Sketch for the Head of an Angel, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Shown turned to left and blowing a trumpet. The bust and part of the right arm are shown., USA, ca. 1893, figures, Drawing, Drawing

Project for a Pendentive, Graphite, pen and ink, brush and watercolor on cardboard, Horizontal panel showing a pendentive decoration. At center, an inner escutcheon contains the frieze of Hephaistus; an outer one contains grotesques. Outer

Cayambé, Morning, from the Temple of the Sun, Quito, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on tan wove paper, The peak rises in the center back. A bank of clouds hangs beneath the ranges. Ridges

One Spiral of a Rinceau, Pencil and red crayon on paper, A blossom is at the end. The background is hatched. On the reverse, a part of the pencil sketch, perhaps of an engine., Italy, 18th century, ornament, Drawing, Drawing

Design for Wool Work, Hertz and Wegener, Brush and gouache on pre-printed squared paper, A design on squared paper, of a border of stylized acanthus leaves in shades of green against a background of three bands of red, shaded from vermilion to

Design for a Decorative Burgonet, Pen and ink, graphite on laid paper, Vertical rectangle, lined border in pen and ink. Decorative visored helmet seen from the left in profile, the brim formed by the upper part of the face of a mask with

Stage Design, Interior of Barn, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of wooden barn with beam roof and stove.

Saint Hubert, Black and red crayon on paper, The saint kneels before a stag who appears in the woods. At right, a horse., Italy, 1700–1750, figures, Drawing, Drawing

Project for the Painted Background of an Altar, Black chalk, pen and ink, brush and various water and gouache colors. White heightening on gray rough paper., Right half of project shown. The mensa is outlined and a frame rising from a ledge is

The Deer and the Vine, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Deer nibbling on vine under a tree. Bird, upper right, over a hunter aiming at the deer., USA, ca. 1916, Drawing, Drawing

Villa Farnese: in the Moat of Caprarola, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor on cream laid paper, View of bridge over water, in center, leading to classical building on left; figures

Cliff and Trees, Vicksburg, Miss., James Henry Moser, Canadian, 1854–1913, Charcoal on brown paper, Part of a cliff or dune jutting out from the right, with a steep slope of bare earth. Trees and other vegetation on the top., Vicksburg,

Design for Round Table 'A', A.N. Davenport Co., Graphite on thin, cream paper, Round molded table top raised on flaring molded rectangular support standing on molded base terminating in four molded and easved winged animal-paw feet., 1900–05,

Study of Angel with Vase, Red chalk on paper, Angel seated on a pediment holding a small vase with one hand, Italy, 18th century, figures, Drawing, Drawing

Design for Sideboard 'C' of Mahogany, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard on four tapering straight legs with one central drawer with two large swag-shaped handles flanked by a pair on smaller drawers, one on

Stage Design, View of Town, Pen and brown ink, brush and sepia wash on laid paper, Horizontal rectangle. View toward hills through street with facades of small houses and with castle and draw-bridge., Italy, early 18th century, theater,

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, White and pink floral design, purple branches on black ground with rust fern pattern.,

Architectural Details of Stonework—Auxerre, Arnold William Brunner, American, 1857–1925, Graphite on paper, Cornices, bases, and abaci in St. Etienne, Auxerre., USA, 1879–80, architecture, Drawing, Drawing

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