Images at Librifly

search results: Drawing clear search

Bird with Tulip, Carnation, Butterflies, and Insect, Pen and ink, traces of graphite on coated wove paper, Bouquet of two carnations and a tulip bound by a blue ribbon; bird perched on tulip; butterflies and insect fly above., England or

Design for a sedan chair, Pen, ink, brush, and various watercolors on paper, Shown in profile turned toward right. Decorated similar to 1900-1-2. The panel above the window is decorated above with a small disk upon which lies a garland rising

Zouaves in the Camp of St. Maur, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and blue, brown, and gray wash, graphite on paper, Horizontal rectangle. Zouave troops encamped at St. Maur, lying around in a circle, one

Saco River, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, River stretches away to left, with bank low and grassy with trees in forreground. River curves to right in distance. Trees on opposite

Grotesque Design, Charcoal, pen and ink on paper, Grotesque frame with candelabrum composed of ox heads, cornucopia and lion masks. At top, griffins and a winged creature. At center, strapwork frames a blank oval., Italy, early 17th century,

Two studies of Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on beige paper, Left, early French capital. Right, rib vaulting from the castle at Newcastle., USA, ca. 1879, architecture,

The Youthful Vendor, Black chalk, white chalk on greenish-blue-gray paper, With his right hand, a boy supports a basket-tray resting on a boulder base; with his outstretched left hand he offers a biscuit (or bar of soap?). On the basket-tray are

Chair, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of chair with a high back., USA, 1877, furniture, Drawing, Drawing

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, May 13, 1865, nature studies, Drawing, Drawing

Sketches of Bulls, Pen and ink, brush and wash, white heightening on paper, At right, two recumbent bulls. A standing one at left. Behind, architecture., Italy, ca. 1800, nature studies, Drawing, Drawing

Design for an Oil Lamp, Graphite, pen and ink, brush and watercolor on paper, A circular base with fluting. Atlas, a bearded nude male, carries the globe, the equator of which is surrounded by a band. To this band are fastened two bowls with

Stage Design of an Atrium, Carbon, pen and ink, brush and gray watercolor on paper, Outside is a segment of a circular enclosure, consisting of two stories of colonnades, with statues upon the entablature of the upper one. Steps lead to a

Stage Design: Palace Architecture, Pen and black ink, brush and watercolor on white laid paper, Design for a stage set. View of palace facade consisting of circular arcade in the foreground, surmounted by arcades in the back, niches with

Stage Design, Open Palace Court, Pen and brown ink, brush and gray wash on laid paper, Horizontal rectangle. View into fantastic colonnades richly decorated with sculptures., Italy, early 18th century, theater, Drawing, Drawing

Design for an Octagonal Plate, Brush and watercolor, gold gouache, graphite on cream paper, Decoration for octagonal plate with deep blue-black border covered partially with gold zigzag triangle motif. Inside is a wreath of pink and purple

Study for a Tympanum with Reclining Figure, Pierre-Victor Galland, Swiss, active France, 1822 - 1892, oil on board, A figure reclines with back to the viewer as she faces another figure to her right., France, late 19th century, figures,

Tauern Peaks, The K nigss, Frederic Edwin Church, American, 1826–1900, Graphite Support: paper, blue, USA, July 1868, landscapes, Drawing, Drawing

The Civil Law, after Perino del Vaga, Felice Giani, Italian, 1758–1823, Perino del Vaga, Italian, 1501 - 1547, Pen and brown ink, brush and dark brown wash on off white laid paper, At left, a man in antique Roman dress stands on a

Design for Kidney-Shaped Writing Table with Pear-Shaped Feet, A.N. Davenport Co., Pen and black ink on thin cream paper, Kidney-shaped writing table with single horizontal drawer with 2 round pulls flanked by 4 convex side drawers with pair of

Lausanne Chimneys, Arnold William Brunner, American, 1857–1925, Graphite on paper, Seven sketches of chimneys., USA, 1879–80, architecture, Drawing, Drawing

Seascape with Iceberg, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Seascape with a coast shown in the right background and an iceberg shown in the left. A small row boat is near the center., Newfoundland and

Table with Alternative Designs, Unknown, Pen and brown ink, brush and wash, graphite on laid paper, Elevation of a table, the base in the form of fantastic animals with rinceaux. At left, a tablet reading “SP”., Italy, Italy, ca. 1600,

Design for the Embroidery of the Left Side of a Man's Waistcoat of the 'Fabrique de St. Ruf, ' 'Gilet' Design', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A greenish edge and six buttonholes are shown at left. A

Design for a Chalice, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and sepia wash, yellow watercolor on paper; verso: pen and ink, Vertical rectangle. Design for a gold chalice, at the base of which is an oval medallion between

Project for a Mantelpiece, Charcoal, pen and ink, brush and watercolor on paper, Design for mantelpiece with mirror. At top, a broken pediment with crown, shell and swags. Sitting on mantel, two figures and three cases. Plan below., Europe,

Working Peasant, Carlo Marchionni, Italian, 1702–1786, Brush and sepia on laid paper, A peasant working reaching into a bag filled with produce., Italy, 1728–78, figures, Drawing, Drawing

Donner Lake, Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and grey and blue-grey watercolor, white gouache on thin cream paper, Vertical view of a lake surrounded by mountains, with snow capped ones in background and a

Detail, bed alcove, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera, Chinese white on heavy paper, Elevation of section wall. Right, part of bed alcove; left, doorway. Marble dado, with wall surface above

James McNeill Whistler, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of a male figure leaning on a railing., USA, 1881, figures, Drawing, Drawing

Studies for a Woman With a Book, Pencil, black and white crayon on grey-blue paper, Study of a woman holding a large book in her right hand and lefting her left. Below a study of an upper arm and elbow sheathed in clothing and two studies of

Armor of 800. Time of Charlemagne', Edwin Howland Blashfield, American, 1848–1936, Pencil and pen and black ink on stiff cream colored paper, Two armored knights are seen frontally, astride their horses., USA, 1887, figures, Drawing,

Design for Two-Tiered Writing Table with Seven Drawers, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Stage Design: Palace Interior, Pen and brown ink, gray, brown wash Support: white laid paper, Parma, Italy, Italy, ca. 1720–40, theater, Drawing, Drawing

Study of a Young Woman, Brush and black ink, pen and black ink on light cream cardboard, Vertical rectangle. Study of a young woman wearing a long dress sitting in a chair, holding an open book (which appears to be a single long horizontal sheet)

James Lenox Seated, Daniel Huntington, American, 1816–1906, Graphite on buff wove paper, Seated male figure with glasses. Three-quarter view, facing towards left. Verso: Arm studies., USA, USA, February 19, 1874, portraits, Drawing,

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure., USA, 1877, figures, Drawing, Drawing

Stage Design, Town Burning, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and ink, brush and brown wash on paper, Horizontal rectangle. Town in hilly landscape, burning., Italy, ca. 1810–20, theater, Drawing, Drawing

Study of a Seated Woman for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Elderly woman seated, facing frontally, her head slightly lowered and

Landscape Sketches, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on cardboard, Left, two young trees; right, two trees in a meadow shown against wooded hills. Verso, boulders and an evergreen., USA, ca. 1900,

Caricature of James McNeill Whistler, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure's face wearing eye glasses., Venice, Italy, 1881, portraits, Drawing, Drawing

Sculptured Frieze with Amphora between Two Half Figures of Boys Pouring Water from Pitcher into Bowl, Felice Giani, Italian, 1758–1823, Black chalk on cream laid paper, Italy, late 18th century, figures, Drawing, Drawing

Counterproof Study of a Nude Woman, Red crayon on rough brown paper, Nude woman depicted from the rear with her left arm raised and her right forefinger pointing towards the left of the drawing. Left leg is crossed behind the right, putting it in

Design for the Frame of the Portrait of Charles III, King of Spain, Johann Esaias Nilson, German, 1721 - 1788, Graphite, pen and black ink, brush and wash on paper, Design for a cartouche with various rocaille elements and allegorical figures

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature on top. The panel shows vertical rows of two intertwined waved bands which are formed by boughs with leaves. For these is alternatively

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Moving figure, facing frontally, his right arm extended to the left., USA, ca. 1895, figures, Drawing, Drawing

Design for a Centerpiece, Pietro Belli, Italian, 1780–1828, Pen and brown ink, brush and gray and pale yellow watercolor over graphite on light green paper, Design for a centerpiece, positioned at the center of the sheet. The base is in the

Design for an Enframement, William D. Travis, American, 1839 - 1916, Charles Scribner's Sons, New York, New York, USA, Pen and ink on paper, An enframement for a text. A symmetrical design composed of classical border motifs. Above: Scribner

Yellow-and-Blue Bird on Bouquet with Rose, Tulips, and Daffodils, with Butterflies, Pen and ink, graphite on coated wove paper, Yellow-and-Blue Bird on Bouquet with Rose, Tulips, and Daffodils, with Butterflies, ca. 1800–1830, Drawing,

Three Putti with Tambourines and Trumpets, Design for Lunette of the Sala delle Muse, Museo Pio-Clementino, Vatican, Tommaso Maria Conca, Italian, 1734 – 1822, Black chalk and black crayon on heavy cream paper, squared for enlargement,

A Chariot Procession, Graphite, pen and black ink on paper, Horizontal rectangle showing a procession of a chariot with four horses, all with raised hoofs. In the chariot is the blindfolded Cupid. Beside it walks and old man and an eagle.,

Study for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on brown paper, Study of the upper parts of a seated nude, and a left hand., USA, ca. 1895, numismatics, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure., USA, n.d., figures, Drawing, Drawing

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on laid paper, Three sketches of a female figure's head and neck. That at left is in a

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure reading on a bench., USA, 1881–1882, figures, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouache colors on paper, Design for an embroidered corner. A shield with an urn stands at the bottom of a fantastical plant, showing three peacock feather leaves. A row of triangles is at the edge. A fan

View of a Harbor, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Ships anchored in harbor; Sketch of shoreline with a mountain in the background., USA, 1880, seascapes, Drawing, Drawing

King Charles on the Way to His Execution, Frank Craig, English, 1874–1918, Brush and gouache on illustration board, Illustration showing King Charles on the way to his execution. The king stands erect, center. The crowd in the background

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, A leaf spiral, from which boughs rise, with threads hanging obliquely downward; a leaf bough rising from the next staggered horizontal row. Both motifs in opposite

Four carnations, Pencil, gouache colors, France, ca. 1840, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat, Pricked, traced, pen and ink, brush and gouache, white on paper, Unfinished design for the left bottom corner of a man's waistcoat. Vegetable fan motifs under the pocket and in the center rof

Flowering Branches, Jean-Baptiste Pillement, French, 1728–1808, Chalk on white laid paper, Drawing of two long branches. Upper left, bouquets of small blue flowers; lower left, small blue flowered bunches with red inverted cone shapes on

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on squared cream wove paper, Composition study for scientific group, never painted. Men in a hall, with desk, center. Men sitting in a row, center right,

The Castle of Launceston, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, The castle is seen in the distance. A country road, in the foreground, sloping

Project for an embroidered vertical border, Incised lines, gouache colors, glazed heavy paper, Bunches of flowers are to alternate beside a vertical garland. A row of beads, two stripes outside at left., France, ca. 1808, Drawing, Drawing

Venus and Cupid, Felice Giani, Italian, 1758–1823, Red crayon on grey-brown paper over traces of graphite on cream laid paper, In center, circular medallion with Venus shown kneeling in opened shell upon sea. Putti shown beside her. Laterally

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Strapwork with winged figures and putti frames a blank rectangular and oval panels., Italy, early 17th century, ornament, Drawing, Drawing

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Horizontally-oriented diamond pencil outline visible. Four light brown branches of different sizes with light green buds and tufts, one at each corner of

Design for a Sepulchral Monument, Pen and brown ink, brush and gouache, brown wash on off-white laid paper, Vertical rectangle. Design for a monument to be fixed against a wall made up of a variety of colorful stone. The upper part contains an

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Almost full-length sketch of a young male figure in costume, standing, facing the spectator, his head turned toward the right. He holds a small,

Design for a Window for the Paulist Fathers' Church, John La Farge, American, 1835–1910, Graphite and watercolor on paper, A triple-arched window (possibly for a gallery), with mosaics intended in the spandrels, of fan pattern., USA,

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for a Frieze, Pen and ink, stencil on paper, At center, a bucranium hung with laurel wreaths. Birds sit on two festoons hung from ribbons, which also support two trophies., Italy, 1820–1830, ornament, Drawing, Drawing

A Casemate Gun During the Conflagration, Theodore Russell Davis, American, 1840 - 1894, Watercolor on paper, Interior of a fort. A cannon being fired. An officer and six soldiers., USA, 1887, architecture, interiors, Drawing, Drawing

Design for a Pitcher, Graphite, pen and bistre on paper, Below is a round base; the shaft is an inverted calyx. The lower part of the body is a circular leaf calyx, above which rises a kind of inverse umbrella half opened. Each side has a framed

Cotopaxi from near Ambato, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on buff paper, Horizontal view across ridges and summits with the cone of Cotopaxi dominating., 1853, landscapes, Drawing,

Painted decoration of a wall, Italy, ca. 1750, interiors, Drawing, Drawing

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Scattered floral sprigs on white ground., France, 1800–1818, textile designs, Drawing, Drawing

Study of Three Horses with a Plow, France, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on rough brown-grey paper, A plow with three horses, which stand at right and are shown staggered. Verso: At top, a

Figure Study from Nature, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, Shown in profile turned toward right. The man is pulling something with raised arms., USA, 1875–80, figures, Drawing, Drawing

The Cromwell Barn, St. Ives, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A large brick or stone structure, with buttresses beside the walls, small

Finding of the Cross, Red chalk on cream laid paper, Several men and a woman kneel and bend in veneration around the Cross on the ground, the Crown of Thorns still attached., Italy, ca. 1650, figures, Drawing, Drawing

The Elevation of an Altar Retable and The Plan for an Altar Retable, Black chalk, pen and black ink, brush and grey and black watercolors on laid paper., Vertical rectangle showing elevation. At the top, a tabernacle, showing the Annunciation

Canoe with Three Men, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a canoe containing three male figures and duffle bags, with slight indications of trees in the distance., USA, 1897, landscapes, Drawing, Drawing

Left Foot From a Plaster, Daniel Huntington, American, 1816–1906, Black chalk, white chalk on light rose-violet wove paper, Study of a left foot with heel raised, sketched from plaster., Rome, Italy, USA, 1840, figures, Drawing,

Design for a Monochrome Wall Painting, Church of Corpus Domini, Bologna, Italy, Death of St. Caterina Vigri, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and brown ink, brush and brown wash, black chalk on white laid paper,

Design for Wall Decoration, Yellow (North) Drawing Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton.

Woman with a Water, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink on paper, At left, a woman holding a water jug on her right shoulder, holding a child with her left hand. At right, a building., Italy,

Head of a Cow or Ox, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, pen and ink, graphite on rough grey paper, The head of a cow or an ox shown slightly from above with foreshortened upper part of the body. Verso:

Design for a Rocaille Ornament, Brush and gouache, gold paint on dark blue wove paper, Rocaille painted ornament, primarily gold and violet with roses. Other colors used in the ornament are pale pink and blue, sage, brown, and fuschia. The

Design for a Bottle Cooler, Giovacchino Belli, Italian, 1756 - 1822, Pen and brown ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a bottle cooler. Curved legs with female masks on top rise from a base with a wave

Drawing, M. Levy, Brush and gouache on pre-printed squared laid paper, At center, a violet shell-like cornucopia filled with flowers in orange, white, blue, red, purple, and yellow; below, a blue short footed vase with flowers in pink,

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined blue laid paper, Center, facing right, is Dr. Latham. Around him, standing, are Prof. Silliman, Mitchell, Gallatin, and another figure., London,

The Royal Pavilion, Brighton, Blue (South) Drawing Room, Proposed Wall Decoration, Frederick Crace, English, 1779–1859, Graphite on paper, Horizontal rectangle. The central panel is composed of the painted representation of drapery

Design for Embroidered Waistcoat, Mademoiselle Favel, Brush and gouache, watercolor on white laid paper, The pentagonal design similar to 1920-36-42. Green edges with strips of triangles along those of the waistcoat and the lateral and bottom

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, a frieze with laurel leaves and seeds and an entablature are on top. The panel shows three stripes with bunches of leaves beneath calyxes with

Study: The left hand of a monk, Black crayon and white heightening on gray paper, Vertical composition of a monk's left hand with the sleeves of the cowl. On the reverse is a man carrying something that seemes to be decorated with a sculptured

Miss Violet Carmine, Initial I, Edward Windsor Kemble, American, 1861–1933, Pen and black ink on illustration board, A young woman is seen walking down a path, turned toward the right. She holds a bird cage, containing a cockatoo, in her

Elevation of a dining room wall, Pen and ink, brush and watercolor, graphite on laid paper, A folding door leading to a garden at the center. Console tables serving as dressers stand before wall panels and under empty frames., France,

Three Deeds of Hercules, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, Circular medallion showing Dejanire mounting Nessus. At center, sphere octagon showing Jupiter performing marriage of

View of Mountains, On the Way to Cambridge, Vermont, Daniel Huntington, American, 1816–1906, Graphite, white chalk, black crayon on grey paper, Fence and stream in foreground. Mountain ridge at left, with others beyond, center and right.

search results: Drawing clear search