Images at Librifly

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Forest, Arnold William Brunner, American, 1857–1925, Brush and watercolor on grey-green paper, A group of tall trees in the foreground, with thick foliage indicated in the distance., USA, 1891, landscapes, Drawing, Drawing

Still-life, Yvonne Paul, Pencil on tan paper, Vertical rectangle. Still-life of a bottle, pot, and lemons. Signed at lower right, in pencil: 'PAUL. / MAY 1.', USA, 1911, Drawing, Drawing

Commerce and Another Allegorical Figure (Motif for Bank Note Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, The figure of Commerce is shown from the front sitting upon clouds, holding a caduceus in her right

Costume Design of a Jewish Boy described as a Pharisee, a Fig Tree, and Heads, Palestine, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Vertical view on top row showing at right a book in a stone crock at left

Rodick’s Island, Mt. Desert, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Rocks and trees, left foreground. Sailboats and island beyond. Trees left., USA, 1887–88, seascapes, Drawing,

Mount Mansfield from Pleasant Valley Road, Cambridge, Vermont, Daniel Huntington, American, 1816–1906, Graphite, white chalk, black crayon on grey paper, Bridge over a stream, lower left, with mountain in distance, center., Cambridge,

Design for Adjustable Side Serving Table, A.N. Davenport Co., Graphite on thin cream paper, Two models of same design: at right, basic model with molded rectangular top, raised on 2 straight tapering supports on splayed bracket feet joined by

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, July 22, 1865, nature studies, Drawing, Drawing

In a Spanish Town, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and yellow, black, and blue watercolor, graphite on paper, Vertical rectangle, bevelled corners. Two Spanish women, shown in side back view, walking in a

Five Earrings, Pen and ink, brush and sepia, gray watercolor on paper, Above three and below two earrings. Each of the above consists of a ring of diamonds and a hanging bunch of grapes with two leaves. Below left, upon the ring a blossom, a

Sketch of a Woman, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Female figure in a supplicant posture, arms upstretched to the right., USA, ca. 1895, figures, Drawing, Drawing

Design for a Tureen, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and wash on paper, Bowl with cover ornamented with flower and vegetal forms, with an artichoke for finial. Handles are composed of lions' heads

Church Triumphant over Falsehood, Paolo de Mattheis, Italian, 1662 - 1728, Pen and brown ink, brush and wash, black chalk on paper, Drawing of falsehood depicted as a woman falling over while a bishop pulls off her mask. He is seated with a

Decorative Motifs, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and ink, brush and gray watercolor, graphite on paper, Horizontal rectangle. Left row: above, the right side of the statue of a displayed eagle supporting a bust with the

Road in a Mountainous Country, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, Small figures among trees. Tree bare of branches at left., Italy, 1770–1786, landscapes, Drawing, Drawing

Stage Design, Interior of Temple, Brush and bistre wash on paper, Horizontal rectangle. Interior of temple with cinerary urns and tombs attached to wall. Torch burning at right., Italy, 19th century, theater, Drawing, Drawing

Design for Massive Library Table for C. R. Duval, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Embroideries of Mrs. C. W. Holmes, Jr.: Pussy WIllows, Orchard, and Drifting Snow, Alfred Laurens Brennan, American, 1853–1921, Pen and black ink, white gouache, on paper (mounted) and on illustration board, Three panels representing

Head of a Man, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown-grey paper, Man with a mustache, looking up to the left., USA, ca. 1895, figures, Drawing, Drawing

Elevation of Wall with Three Niches, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and green watercolor, gray wash, graphite on white laid paper, Elevation of wall with three niches, top moldings decorated with

Design for the Embroidery of a Man's Waistcoat, Unfinished, Graphite, brush and gouache on paper, Design for the left bottom corner embroidery of a man's waistcoat. Traced design at the pocket, from which two lacy frills and plants are

Sheet from a Sketchbook: Minerva Orders Ulysses to Make Peace with the Suitors of Penelope (Minerva induce Ulisse alla pace con i Proci), Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream

Sketches from Calé, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on white wove paper, folded, Left half: sketch of a part of the town with the landscape background, into which 'plain' and '2's' are inscribed., Written on

Design for a Cartel Clock Case for J. Thuret, clockmaker to Louis XIV, Gilles-Marie Oppenord, French, 1672–1742, Pen and black ink, brown ink, brush and watercolor on off-white laid paper, lined, Wall clock with trophy above including a

Title-page for an Album of Drawings, 'Disegni originali di artisti moderni', Giovanni Piancastelli, Italian, 1845–1926, Pen and black ink, charcoal stumping Support: thick white wove paper, Italy, Italy, ca. 1880–1920, ephemera,

Alpine Landscape (probably Switzerland), Frederic Edwin Church, American, 1826–1900, Pencil, oil paint on cardboard, View of mountain peaks with snow crevasses in the background. A cone-shaped hill rises in the left foreground., USA, 1868,

Elevation of a Wall, Pen and ink, brush and watercolor on paper, At left, a door frame with a feathered overdoor crest. The decoration of the wall consists of a dado labelled “Zoccolo”, and of a rose colored wall. Below the entablature is

Designs for a Bracelet, Graphite Support: off-white paper, Italy, 1875–1900, jewelry, Drawing, Drawing

Pulpit, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

View across Wady el-Arabah, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on grey paper, Recto: Continuation of the scene represented in -467. The right bank of a valley leading toward the plain beyond is shown

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. The waistoat and the pocket are brown edged. The decoration consists of flower boughs; roses and tulips are

Elevation of a Chapel, Pen and black ink, brush and wash, graphite on cream paper, Large opening flanked by pilasters and wall panels which show the coat-of-arms of a prelate over inscription tablets upon which the letters DOM are visible.

Studies of Standing Woman for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Studies of a standing woman facing away, slightly towards the left.

Drawing: Sketches of cows, Charcoal on paper, Vertical composition with sketches of cows. Above: a lying cow seen from the back and the head of a cow seen from the left side. Below: The head of a cow is seen from the right side in big dimensions

Grotesque Design, Charcoal, pen and bistre, brush and watercolor on paper, Grotesque frame with candelabrum composed of bucranium, dolphins, military trophies, birds and monkeys., Italy, early 17th century, ornament, Drawing, Drawing

Nude Study for 'The Contemplative Life' for Lunette in the Administration Building, Oberlin College, Oberlin, OH, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, A nude female figure is seated at left, facing halfway to the

Project: A Bed with a Canopy, Black chalk, pen, ink, brush, bistre, grey water color, paper, Vertical. Cut out following the outlines of the design. Shown from the left corner of the foot part. The bed is covered and appears as an oblong.

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Two sleeping women leaning on each other, dressed in classical robes—one in pink and the other in green and

Mountain Landscape, Jamaica, West Indies, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Oblique horizontal view of a mountain range stretching toward the left rear., August 1868, landscapes,

Paestum, Temple of Neptune, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on paperboard., The Temple of Neptune and the Basilica at Paestum, Italy, shown from the Northeast under a cloudy sky., 1868, architecture,

Mercy's Hand and Arm, Study for 'Mercy's Dream', Daniel Huntington, American, 1816–1906, Graphite on blue wove paper, Studies of hands for the figure of Mercy. Right hand pressing down on a surface, at right. At left, the back of the left

Portrait of Lord Beauclerk, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers and a top hat is seen full-length standing in left profile. He carries a walking stick., England,

Plant and Tree Study, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Vertical sketch of plants and trees., Verso: Horizontal sketch of the sky over the sea., June 2, 1857, nature studies, Drawing, Drawing

Design for a Plate, Brush and watercolor, gouache, graphite on cream paper, Design for a plate with dark green rim with white spots; inside plum blossoms with green leaves with white spots and wheat stalks. In graphite, above, several tableware

Gedney Bunce, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketches of a make figure's profile., USA, 1881, portraits, Drawing, Drawing

Study of a Lion, Charcoal on paper, The upper body of a lion, it's head on its paw., Italy, ca. 1815, nature studies, Drawing, Drawing

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of figures in loose garments., USA, ca. 1894, figures, Drawing, Drawing

Project for a Door Case, Pen and brown ink, brush and gray wash, traces of graphite on off-white laid paper, Door case with shell and bellflower garlands above., Italy, 1750–1780, architecture, Drawing, Drawing

Design for a Round Dining Table of Mahogany on Scroll-Like Feet, A.N. Davenport Co., Graphite, pen and black ink on thin cream paper, Round molded top with dividing stretcher running across center, raised on fluted columnar support, sitting

Design for a Decorative Vase, Unknown, Brush and brown wash, pen and brown ink on paper, mounted on cardboard, An amphora, seen diagonally. Around the body and the neck an ivy branch. At the end of the handles a satyr mask. The background

Boy on a Swing, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a boy wearing a hat, standing on the seat of a swing hung from the branch of a tree, and holding with his right hand the rope on his right., USA, 1879,

Design for a Comb, Earring and Necklace, Pen and black ink, brush and gray, olive watercolor on light brown paper, Jewelry designs for a hair comb, earring, and a necklace, all with the same motifs. The comb at upper center with seventeen

Project for a tureen with papal coat of arms. Intended to be executed in silver., Graphite, pen and ink, brush and sepia, greywater color on paper, Horizontal rectangle. Standing upon what seems to be a plate. On top of the lid a group of two

A Part of Penobscot County, Maine, Frederic Edwin Church, American, 1826–1900, Pen and ink on tracing paper, lined, Horizontal view of a part of Penobscot County, Maine, Maine, USA, 1856–81, ephemera, Drawing, Drawing

Project for a Holy Water Font, Pen and gray ink, brush and gray wash, on off-white laid paper, The bowl is in the form of a shell. A statue of Saint John the Baptist with lamb. Above the bowl is a cross with a glory of rays., Italy,

Design for an Andiron, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and yellow, brown watercolor, graphite on light blue paper, Vertical rectangle. Design for an andiron with a scheme similar to 1938-88-630. The entablature

Design for a Gold and Cabochon Gem Brooch, Alexis Falize, French, 1811–1898, Brush and gouache, gum varnish over graphite on tan wove paper, Golden brooch in form of pendant. At top, green cabochon-cut gem supports gold chains off of which

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a small village along a river bank., USA, ca. 1855, landscapes, Drawing, Drawing

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's head, with classical features. Seen from the front, turned slightly to the left., USA, ca. 1895, figures, Drawing, Drawing

Window Alcove for the Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Design for an alcove with an arched ceiling and containing a window. A

Design for an Altar Tablet, Luigi Righetti, Italian, 1780 - 1819, Brush and sepia wash, watercolor, pen and ink, graphite on paper, Vertical rectangle. Design for an altar tablet with curved outlines, supported by two volutes of leaves

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform with long waistcoat and short pants., USA, 1876–1877, figures, Drawing, Drawing

Caritas, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, female figure standing, turned

Design for a Mirror Frame, Pen and ink, brush and watercolor, graphite on paper, Square mirror frame with creating composed of an urn with flowers on a platform from which hangs a lambrequin, flanked by arabesques. Flower swags at sides,

Study for Bust of the Madonna, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Head and bust in drapery. She looks down to the left., USA, ca. 1895, figures, Drawing, Drawing

The Adoration of the Magi, Pen and ink, brush and gray wash on paper, An ox and an ass are depicted at center, behind the Child with the Virgin, Joseph, and a shepherd to the left. At right is the kneeling old King, presenting his gift, and

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, gold paint on paper, On a light sea foam ground, dark blue and gold crown-like design composed of small spade shaped leaves and wings outlined in gold.,

Brown Bird on Branch with Rose, Tulip, and Insects, Pen and ink, graphite on coated wove paper, Brown Bird on Branch with Rose, Tulip, and Insects, ca. 1800–1830, Drawing, Drawing

Stage Design, Palaces and River, Pen and ink, brush and sepia wash on paper, Horizontal rectangle. Substructure on river edge, classic temple and palaces close to the river., Italy, late 18th century, theater, Drawing, Drawing

Sketch for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on brown paper, Three-quarter view of a seated male nude, the head being shown almost from the front., USA, ca. 1895, numismatics, Drawing, Drawing

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, graphite on paper, Sketch of a seated female figure holding a young child., New York, New York, USA, ca.

Boy and Girl on a Plow, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a boy and girl seated on a plough., USA, 1879, figures, Drawing, Drawing

Studies of Drapery of 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon, graphite on paper, Sketch of a small narrow section of drapery., USA, ca. 1899, figures, Drawing, Drawing

Designs for Two Panels, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and ink, brush and watercolor, graphite on paper, At left, half figures holding a flower basket on her head, above an urn. Set within a frame composed of urns,

Recto, Design for a door handle with alternative suggestions, Jean Le Pautre, French, 1618–1682, Pen and bistre ink, graphite, on laid paper, Recto: left and right halves of different designs are joined. Left motif is composed of a dragon

Design for Dining Table of Mahogany on Column-Like Supports, A.N. Davenport Co., Graphite and yellow color pencil on thin, cream paper, Round molded top with a dividing stretcher at center is raised on four reeded column-like supports sitting on

Project for a Dado, Graphite, pen and ink, brush and wash, white heightening on paper, Three panels, the center being larger. Each shows a grotesque design with rinceaux, fantastic winged figures and birds. At center, two sea horses., Italy,

Study for left hand, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on tracing paper mounted to board, Detail of left hand with fingers extended. Squared

Sketches for Portraits, Daniel Huntington, American, 1816–1906, Graphite on paper, Man seated, facing frontally, with head and feet not shown. A table, at left. A book in his lap, held open by his right hand. Verso: A woman seated,

Woman of Bethlehem, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Full-length figure of a woman with English and Arabic themes relating to her costume, indicated at left and right. Verso: Full

Sketches of Two Buildings, Pen and brown ink on cream laid paper, Left: sketch of a partially ruined, narrow house set on rocks; right: a fortress with two round towers, with flags flying on top., Florence, Italy, 1610–30, architecture,

Two Elevations of the Central Part of a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Two elevations of facades for a palace building. At top, an elevation with five

Design for an Escutcheon, Charcoal, pen and ink, brush and bistre on paper, Vertical rectangle. a) The scrollwork frame of an ovoid, with standing figures beside the upper part, a classical warrior at left, a woman at right, both with sticks.

Design for a Decorative Panel (with Nymphs and Garlands), Gilles Paul Cauvet, French, 1731–1788, Red chalk on paper, A design for a decorative panel with vertical composition. From the bottom up: a ram's head supports an elaborate pedestal

A Young Priest, Giacomo Cavedone, Italian, 1577 - 1660, Charcoal with white heightening on rough grey paper, Young priest standing clothed with the alb pointing at a structure in the back., Italy, 1630–1660, figures, Drawing, Drawing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, gold paint on paper, On tan ground, vertical green rinceaux with S-curves below and empty gold area upper right., USA, ca. 1896–1903, graphic design,

Drawing, Augustin Legrand, Brush and gouache on pre-printed squared laid paper, Left, rounded shell form to which a bouquet of blue and purple flowers is attached with pink ribbon; above, a gold frame and below, circular gold tassel. Right,

Chinoiserie Fantasy, Jean-Baptiste Pillement, French, 1728–1808, Graphite on white laid paper, Scene at top of sheet shows two fantastic boats engaged in aerial combat., Lyon, France, France, 1770–90, graphic design, Drawing, Drawing

Design for Architectural Motif, Red chalk, pen and brown ink on paper, lined, Within a semi-circular architectural niche an eagle, wings outspread, rests on a socle, before which is suspended a wreath. Smoke rises in the background; an arch

Design for Library Table with Lion-Paw Feet, A.N. Davenport Co., Carbon tracing, graphite, blue and red color pencil on thin cream paper, 1900–05, furniture, Drawing, Drawing

Stage Design, Interior of Ruined Renaissance Palace, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash, graphite on laid paper, Horizontal rectangle. Interior

Design for a Bedroom, Pen and ink on paper, Above, design for a ceiling divided into decorated segments. Below is the elevation of a wall divided by pillars into three decorated bays. They are explained in the captions., Italy, ca. 1800,

Study: A right hand, Black crayon and white heightening on rough grey paper, Horizontal composition of a right hand opened and extended. Written on the reverse: 'Aless. Maggiori comrpo in/Bologna dal sacer/dote Pancaidi l'an/no 1796' and below the

A Sheet with Two Projects and Sketches, Graphite, pen and ink on paper, At top, a horizontal frieze with grapevine design. At center, elevation of a vase with dancing women. Surrounding sketches., Italy, ca. 1790, ornament, Drawing,

Architectural Details of Stone and Ironwork in Venice, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Wooden brackets, grillework, and detail of stone frame of tablet., USA, 1885, architecture, Drawing, Drawing

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink and watercolors on wove paper, Side wall with door center, marbled panels with classical motifs left and right. Lined., 1815–22, interiors, Drawing, Drawing

Floor Plan of a Building (Verso of -1), Pen and gray ink on paper, Verso contains faint graphite sketch of a domed, porticoed structure., USA, May 3, 1783, architecture, Drawing, Drawing

Elm near Pitman's, Bartlett, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite and white chalk on buff paper, Elm, center, with a farm house at left and mountains in distance, at right., Bartlett, New Hampshire, USA,

Moon Rising over Porcupine Islands, Bar Harbor, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Horizontal view of wooded island and distant shore, bathed in the light of a full moon from a shore with

Sketch of Cross-Section of a New York Theater, Pen and ink, Vertical rectangle. The stage is shown at the left. Specifications of aisles and boxes given. Relates to -1447., Europe and USA, ca. 1820, theater, Drawing, Drawing

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