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Lake, Mojanda Desert, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, A part of a lake is shown in front of mountains into which 'trees' and 'rock' are inscribed., USA, August 29, 1853, landscapes,

Printed Textile Design: F, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Pen and black ink, gouache, watercolor, over graphite, ruled border in violet gouache Support: white laid paper, Geneva, Switzerland,

Design for Cabinet with Neo-Classical Motifs, Front and Side Views, A.N. Davenport Co., Graphite on thin cream paper, Front view: rectangular cabinet front divided horizontally into 2 parts - upper door panel decorated with suggested inlaid,

Entrance Hall, East Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, A panel, painted in imitation of stonework with a large urn stove standing in front of it. Panel above

Wall Decoration and Door with Columns, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor on paper, Elevation of a section of wall, with a painted decoration consisting of clouds and sky seen through the

Coutances, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Cathedral center, surrouded by trees and houses. Rooftops in foreground., ca. 1892, architecture, Drawing, Drawing

Design for Embroidered Waistcoat of the Fabrique de St. Ruf, Brush and gouache on laid paper, Strips of scallops are shown along the lateral edges of the flap of the pocket and the edges of the waistcoat. Flower bunches stick in a slope of ears of

Two Studies of a Man, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough blue paper., Vertical rectangle. Recto: a young man who is stooping over to grasp a cloth, and who is turned toward right. Details of the head and the

Bare Hill, Acropolis at Corinth, Greece, Frederic Edwin Church, American, 1826–1900, Recto: Graphite on green paper Verso: Graphite, brush with white gouache on green paper, Recto: Horizontal view of a bare hill, Verso: Horizontal view at

Design for a Triton Fountain after Giambologna, Black chalk, slate-gray wash on laid paper, View (as though from ground level) of the right side of a male nude (Triton) figure (statue) with right arm upraised to support a large horn; the Triton's

Red Light, Winslow Homer, American, 1836–1910, Graphite on gray paper, Recto: Horizontal view of a man in oilskins standing at the edge of a stormy ocean and holding a flare in his upraised right arm., Verso: Lines from a larger sketch.,

Censer, Pen and brown ink, brown wash over, black chalk Support: to be checked, Italy, Italy, 1730–60, metalwork, Drawing, Drawing

Men, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of three male figures; Center left, male figure seated with head covered; Center, male figure standing with head covered; Center right, partial view of a male

Landscape, Lake Brienz, Interlaken, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a lake with mountains in the background., Interlaken, Switzerland, 1867, nature studies, Drawing, Drawing

Design for a Five-Legged Dark Oak Dining Table, A.N. Davenport Co., Graphite and red and yellow colored pencil on thin, cream paper, Round and molded table top with a dividing stretcher running across the center; is raised on a plain column-like

Girl Seated on a Step, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a young woman seated on a step with her hands clasped over her knees and her head turned to the left, toward sketches., USA, August 20, 1879,

Project for the decoration of a vertical panel, Gilles Paul Cauvet, French, 1731–1788, Graphite, Pen and black ink on paper with brush and wash, A candelabrum used as a vase, a medallion and a thyrsus surrounded by floral motifs and framed

Elevation of the chimney wall of a salon., Pencil., A fireplace surmounted by a mirror in an elaborate rocaiile frame is flanked by painted panels also set in rocaille frames in the manner of Nicolas Pineau. The dado includes circular panels.,

Sketches of Stone Busts, Arnold William Brunner, American, 1857–1925, Graphite on paper, Two heads, with twisted beards; columnar bases. Sketch of same bust but drawn from different angles, center faces forward at an angle, bust at right,

Landscape sketches from Syria, Frederic Edwin Church, American, 1826–1900, Graphite on green gray paper, Recto: Sketch of a mountain range; Verso: Sketch of a mountain and village., 1868, landscapes, Drawing, Drawing

The story of Telemachus, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash, on cream laid paper, Top: Telemachus and his companion Minerva disguised as Mentor invited by Calypso into her lodging. She is shown from the right

Design for a Cruet Frame with Alternative Suggestions, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a cruet frame with alternative suggestions. The handle is

Wall Decoration, Entrance Hall, North Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white wove paper, Elevation of a wall, with doorways flanking a large

Design for a rug, Unknown, Pen and ink, watercolor on paper, Vertical rectangle. Design for the lower right section of a rug, in the Oriental style. Central field and borders show use of stylized flower motifs., USA, about 1905 (?), textile

Design for a Tapestry or a Painted Wall Hanging, Pen and black ink, brush and brown wash, watercolor on laid paper, Eleven various wild birds scattered in setting of low trees. In lower center, feed basket from which one bird eats; upper center,

On Way Up, Peak of Chocorua, Looking North, Daniel Huntington, American, 1816–1906, Graphite and white chalk on buff paper, Rocks, right foreground. Peak at left, with ridges beyond, at right., September 16, 1862, landscapes, Drawing,

Holy Trinity with the Dead Christ in Glory after Palma Giovane; Adoration of the Magi, Study after Lodovico Carracci, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and dark brown wash over traces of black chalk on white laid

Design for Bridge in Garden Pavilion, Graphite on wove paper, lined, Design for half-moon bridge in garden pavilion. Flower motif decorates balustrade and supports of bridge. Vegetation drawn on left side of bridge. Scale noted on bottom., USA,

Project for a candelabrum, Pen and ink, brush and wash on paper, A vase shaped stand upon a shaft to which lion chimaerae are fastened. From a calyx on the top case rise two ivy stems carrying sockets with low burning candles and a socket shaped

Study for a Duplicate of 'Repitition of Christiana', Daniel Huntington, American, 1816–1906, Thomas Moran, American, b. Britain, 1837–1926, Graphite, White Chalk Support: Brown Wove Paper, USA, 1850, figures, Drawing, Drawing

Sketch of Right Hand for Portrait of Mrs. Kennedy, Daniel Huntington, American, 1816–1906, Graphite on paper, Sketch of right hand on arm of chair., USA, 1879, figures, Drawing, Drawing

Tricks of the Turf, or, Settling how to Lose a Race, Thomas Rowlandson, British, 1756–1827, Pen and ink, brush and watercolor on paper, England, 1821, Drawing, Drawing

Fragment of 'Trout Fishing, Lake St. John, Quebec', Winslow Homer, American, 1836–1910, Brush and black wash, gray wash and white gouache over graphite on gray wove paper, Reflection of hillside on the water with indications of pine trees

Altar, Pen and brown ink, red, black chalk, brown wash on white laid paper, 1650–75, architecture, Drawing, Drawing

Mount Mansfield, Vermont, Daniel Huntington, American, 1816–1906, Graphite, black and white crayon on grey paper, Stream, lower left. Ridge and trees, lower right. Mountain beyond, center., Vermont, USA, September 7, 1866,

Design for a Panel with Two Mirrors, Pen and black ink, brush and water color over black chalk on paper, The edge of the design of right half (2) is pasted over that of a left half (1). Either design includes an upper oval and a lower oblong

Architectural details; human figures, Filippo Marchionni, Italian, 1732–1805, Brush and brown wash, pen and brown ink on cream laid paper, Designs for entablatures with studies of figures., Italy, 1750–75, architecture, Drawing,

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, entablature on top. The panel is light green with a decoration in dark green with some white. Rows of circular petals in oblong coffer forms are

Winding River in a Wooded Valley, Vermont, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a river winding through wooded banks towards the background, with a hill range visible in central background

Sketch of a River God, Giovanni Domenico Tiepolo, Italian, 1727 – 1804, Pen and ink on paper, Nude figure of a river god leaning against a jar., Italy, ca. 1750, figures, Drawing, Drawing

Trophy of Weapons, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and black ink, brush and bistre on paper, In the center upright fasci stands a republican bonnet. Below in the foreground are two helmets sitting

Study of Hemlock and Beech, White Lake, Daniel Huntington, American, 1816–1906, Graphite and white chalk on grey paper, Dead limbs in foreground. Two large trees, at right, and a third tree, in the distance, center., New York, USA,

Study of a Teamster, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on paper, Recto: Vertical view of an army wagon drawn by mule and driven by a teamster., Verso: Various sketches of an officer on horseback, mules

Carl Schurz Seated, Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Portrait of a seated man with a beard and pince nez glasses, holding a paper in his right hand. Verso: Portrait of a seated man., New York City, New

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Horizontally-oriented diamond shape made of eight clusters of flowers and foliage at center of page. Four clusters near corners of diamond with colored

Portrait of a Peasant Girl, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and black crayon on paper, Bust portrait of a small peasant girl. The girl is seated in a chair and turned toward the right. Her head is covered by a

Study of Drapery, Giovani Gioseffo dal Sole, Italian, 1654 - 1719, Chalk on paper, Drapery study with many folds., Italy, 1675, nature studies, Drawing, Drawing

Sketch for Portrait of the Youngest Daughter of William Astor, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Girl seated, turned slightly left, her head facing frontally. Her hands in her lap and a few flowers,

Study for a Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, A left foot and ankle, seen from the front., USA, ca. 1895, figures, Drawing, Drawing

Design for a Wall Elevation with Wood Paneling, Pen and brown ink, red crayon, graphite on cream laid paper, A door frame with an overdoor at left, two children with torches in escutcheons. Pilaster strips alternate with broader panels. Billing

River Rapids, Design for Washington Board of Trade Dinner, May 13, 1908, James Henry Moser, Canadian, 1854–1913, Pen and black ink, graphite on thin board, River with rocks and rapids in foreground. Low hills with forests beyond., USA,

Ghent, Arnold William Brunner, American, 1857–1925, Brush and watercolor on blue paper, View of houses lining the canal, with the spires of the cathedral and belfry visible behind them., USA, 1883, landscapes, Drawing, Drawing

Green River, Wyoming, Thomas Moran, American, b. Britain, 1837–1926, Graphite, brush and black wash on tracing paper, Horizontal view of a great river flowing through a gorge with high cliffs on either side., Wyoming, USA, 1871,

Design for a Candelabrum, Luigi Righetti, Italian, 1780 - 1819, Pen and black ink, brush and gray, brown wash, yellow watercolor, black chalk on white laid paper, A design for a single candelabrum. At the bottom, lions, crouching on a

Old Man Weeping, after a drawing by Guercino, Francesco Bartolozzi, Italian, active England, 1727–1815, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Etching in brown ink on white paper, Saint Peter with a towel

Design for Round Table on Triangular Base, A.N. Davenport Co., Graphite on thin cream paper, Round molded table top raised on triangular flaring support, sitting atop molded triangular base terminating in carved animal-paw feet., November 27,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, August 8, 1853, nature studies, Drawing, Drawing

Design for a park entrance, Pen and ink, brush and watercolor, graphite on paper., France, 1790, Drawing, Drawing

Stern View of Two Canoes, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of two canoes going down rapids with slight indications of pine trees on father bank of the stream., USA, 1897, landscapes, Drawing, Drawing

Sketches of People on Montreal Boat, Arnold William Brunner, American, 1857–1925, Graphite on paper, Portrait sketches of mostly men wearing hats, sketches of woman wearing hats as well. Seen from various angles, from the back and profiles.,

Design for an Ornamental Colonette, Gertrude M. Clarke, Pencil and yellow and brown watercolors on paper, Vertical rectangle. Design for an ornamental colonette in the Italian Renaissance style, composed of flat shaft with arabesque pattern, and

Design for a Candelabrum, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and sepia ink over graphite on wove paper., Above the base a medallion with two heads. The center of the shaft is square, at the corners of which appear two heads

Castello Estense, Ferrara, Felice Giani, Italian, 1758–1823, Pen and bistre ink on paper, Vertical rectangle. Castle in background, broken down coach in foreground with figures standing nearby. Verso: details of architectural ceiling

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, facing right in profile. The arms are uplifted. Inscribed at right,

Design for Oak Round Table and Chair, A.N. Davenport Co., Graphite ochre color pencil on thin, cream tracing paper, Round molded taqble raised on column-like support sitting on molded octagonal base with four splayed legs with brass feet on

Oaks, Lady Wood Lane, Irvington, Samuel Colman, American, 1832–1920, Recto: Graphite, brush and watercolors on brown paper Verso: Graphite, Recto: Vertical view of oaks, one standing behind the other at left and two more oaks at right.,

Design for Top Frame of a Harp, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash on gray-tan laid paper, The front view is shown inside the side view. A palm wrapped with a garland supports a volute which is

Sketch for a Portrait, Daniel Huntington, American, 1816–1906, Graphite on paper, Man seated facing frontally, looking slightly toward the left. Verso: A left hand resting on a surface., USA, 1879, figures, Drawing, Drawing

Spartan Virtue, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Young man in armor shown receiving shield from woman seated in armory. Staircase connects room with big

Stage Design, View into Apse, Pen and sepia ink, brush and wash on laid paper, Vertical rectangle. View into apse with chapels, in one of which is a tomb, richly decorated., Italy, early 18th century, theater, Drawing, Drawing

Design for Oval Dining Table 'B' of Mahogany, A.N. Davenport Co., Graphite on thin cream paper, Oval molded table top raised on 5 columnar supports sitting atop rectangular molded base terminating in reeded splayed legs on brass feet with casters;

Elevation of an altar in a private chapel, Pen and brown ink, brush and brown wash, Vertical rectangle. Above the altar ledge stand four candlesticks, a crucifix, Mary and St. John. Above is the frame for a picture. A trophy of the arms of teh

Nine Landscapes (Study of Forms in Space), Leon Dabo, American, 1868–1960, Blue crayon on paper, Nine landscapes showing rolling hills, a few trees, and the setting sun., USA, 1890, landscapes, Drawing, Drawing

Project for a Fountain, Black chalk, pen and ink, brush and watercolor on paper, A fountain composed of pairs of figures, from top to bottom: putti, dolphins, mermaids, swans. Water flows from a vase-shaped finial., Italy, ca. 1620,

Six Metal Frames for Purses, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Foliate scrolls with masks. Dolphins at left., Italy, ca. 1780, metalwork, Drawing, Drawing

Designs for Two Frames, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, At left, oval plaque surrounded by a frame of scrollwork in the shape of a shield with a shell on top, a

A Destitute Woman in Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A woman similar to that plate 19, loc. cit., having a child in her lap and another crouching beside

Design for Embroidered Waistcoat, Pradei(r), Graphite, brush and gouache on laid paper, The left front corner and pocket are shown. View of flowers and trees across log railings. A flower garland hangs from the top outline toward a tree at the

Design for Various Decorations including 'Coriolanus at the Walls of Rome', Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and wash over black chalk on laid paper, Left row, above: 'Sacrificio alla Pace' (all captions are written

Portrait of Georgiana Davis, Martha S. Day, Pencil on Paper, Vertical rectangle. Bust portrait, the sitter seen in right profile. Inscribed, lower right (in pencil): 'Georgiana Davis / from life by Martha S. Day 1860.', 1860, portraits,

Allegorical Figures of the Arts, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Black chalk, pen and ink on paper, Five female figures with captions identifying them (in Italian) as Painting, Poetry, Sculpture,

The Old Barley Mill, on the Brandywine, Edwin Whitefield, American, born England, 1816 - 1892, Brush and wash, graphite on cream-colored paper, A mill is positioned between a river and a stream; Willow trees surround the building., USA,

Earthenware Jar, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Oval-shaped jar with two handles positioned in a stand. A label with number '29' is depicted on the jar., USA, 1877, ceramics, Drawing, Drawing

Tannery for Leupps Picture, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Curved stream, right and foreground, around clustered buildings. A long shed extending to the left; houses beyond., USA, 1841, architecture,

Classical Figure, J. Carroll Beckwith, American, 1852–1917, Pastel on paper, Draped female figure, seated, with head resting on left hand. Right hand, on lap, holds a shell., USA, ca. 1914, figures, Drawing, Drawing

Magi Conversing about Heavenly Bodies, after Perino del Vaga, Felice Giani, Italian, 1758–1823, Perino del Vaga, Italian, 1501 - 1547, Pen and dark brown ink, brush and brown wash over traces of graphite on off white laid paper, Italy,

Man in a Storm, Walter Appleton Clark, American, 1876–1906, Brush and green, grey, and black washes, with white chalk and graphite, on white watercolor paper, A man seen from the right, walking in a storm, his head bent into the wind and

Inkstand, Pen and brown ink, brush and brown wash, graphite on paper, Horizontal rectangle. Shown slightly from above. An oblong pedestal, the corners of which are bevelled and show protruding quadrangles, is supported by tortoises below each

Library, Unknown, English, Brush and watercolor and graphite, In this sketchily drawn angled view of a library interior, a woman is seated on a brown sofa in front of a square table covered with a green cloth. A portrait and what appears to be a

Studies of putti, Black chalk and white heightening on grey paper, A flying putto holds his arms aaloft with something in his hands. Another flying putto and a study of the head and shoulders of a putto., Verso: sketch of the back of a flying

Design for a Painted Porcelain Tray, Brush and watercolor, gouache, pen and brown ink, black chalk on cream laid paper, Slightly scalloped painted porcelain tray in elevation (above) and in plan (below), decorated at quadrants with floral

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Intertwining pattern of pink, purple and blue flowers on purple leaf stems. Graphite lined border on white ground.,

Design for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on cream paper, Horizontally-oriented diamond shape made of eight clusters of flowers and foliage at center of page. Seven purple and yellow pansies with foliage form outline,

Design for an Armchair, Pen and ink, brush and watercolor on paper, Vertical rectangle. Design for an armchair shown from the front at left and obliquely from the left side at right. More detailed version of the design in 1901-39-1506. The seat,

Design for Decorative Panel for July Festival Architecture, Félix-Jacques Duban, French, 1798 - 1870, Brush and watercolor, gouache, black wash, pen and black ink, graphite on cream paper mounted on cream laid paper, Design for a hexagonal

Portrait of a Woman, Philip Leslie Hale, American, 1865–1931, Silverpoint on prepared paper, Half-length figure of a woman turned toward the right, her head inclined over her right shoulder., USA, ca. 1900, figures, Drawing, Drawing

Stage Design, Interior of Renaissance Building, Pen and bistre ink, brush and wash on paper, Vertical rectangle. Renaissance building interior with high vaults., Italy, early 19th century, theater, Drawing, Drawing

Design for a Putto Frieze of a Plate, Pietro Belli, Italian, 1780–1828, Pen and black ink, graphite on paper, Horizontal rectangle. Design for a circular plate outlined in graphite, the design for the frieze rendered in pen and ink. The

Design for a Coronet with Alternative Suggestions, Pen and ink, brush and blue, gray watercolor, graphite on paper, Jewelry design for a coronet (small crown) with alternative suggestions, intended to be executed with white and blue diamonds.

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