Images at Librifly

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Architectural Details, Cathedral of Notre Dame, Senlis, Arnold William Brunner, American, 1857–1925, Graphite on paper, Ten sketches of stonework, labelled; one from Chapel of Bishops, Laon., USA, 1879–80, architecture, Drawing,

Oddington Church Yard, Gloucestershire, North West View, Unknown, English, Pen and black ink; brush and black and gray wash on cream wove paper, View of the side of the church across the churchyard. Ivy covered suqare tower at center. Clusters

Earrings and Brooches, Pen and ink, brush and sepia, gray watercolor on paper, Above are earrings, each consisting of a ring with three stones, the one at right with a blossom, and one hanging band with stems with blossoms or buds of diamonds

Architectural Fantasy: A Courtyard, Charles Michel-Ange Challe, French, 1718 – 1778, Pen and brown ink with chinese ink wash; verso: pencil and black chalk, Recto:, Horizontal rectangle. A palace courtyard, bounded by a two-storied building

Sketch of Figure with Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Man in drapery about his waist and thighs; left arm stretched upwards, and right arm about a tree or column., USA, ca. 1895, figures,

Design for Magazine Cover, Scribner's Magazine, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a female figure seated, pouring a watering can. Inscribed, Vol XXX I APRIL 1902 PRICE 25 CENTS/ SCRIBNER'S/

View North from Green Mountain, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Rocky, sloping ridge, foreground. Bay with islands, and mountains beyond., USA, ca. 1883, landscapes, Drawing,

Study of a Young Bishop in Adoration, Carlo Maratti, Italian, 1625 - 1713, Red and white chalk on rough grey paper, Vertical rectangle. A kneeling bishop is shown in profile, facing right. He wears an embroidered cape and carries a pastoral

Design for Rectangular Dining Table 'B', A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded and beaded table top with a dividing stretcher running across center is raised on six fluted tapering legs on casters decorated with

Project for a Holy Water Font, Pen and ink, brush and wash on paper, Above the bowl is a representation of the Holy Family between two volutes. Above, a cross., Italy, 1790–1820, religion, Drawing, Drawing

Design for a Cabinet, Pen and ink, brush and grey washes on paper, Front elevation, left, and side elevations, right, of a cabinet in two sections. Above, a cupboard with glass doors and two drawers below., France, 1775, Drawing, Drawing

Alexandria Bridge, Chickamauga, Harry Fenn, American, 1845–1911, Pen and ink on paper, Wooden bridge shown from the Confederate side of the river., USA, 1887, landscapes, Drawing, Drawing

Personification of 'Building, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

Windows and Bookcase, Entrance Hall and Study, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite on gray-white tracing paper, Measured drawing of windows and bookcase, variously

Elevation of a Wall Decoration for a Canonization Ceremony, St. Peter's, Rome, Italy, Luigi Vanvitelli, Italian, 1700 – 1773, Pen and black ink, brush and gray wash on off-white laid paper, Vertical format architectural design for the

Landscape with a Burning Tower, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and lustre on paper, In a landscape of distant mountains to the right and trees to the left, a castle-like building stands ablaze as a group of people

A Windmill, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon and white heightening on blue-grey paper, Road at left, with fields on both sides. Windmill in distance, to the right of the road., USA, ca. 1895, landscapes,

Hotel Luxembourg, Nîmes – From Our Window, Arnold William Brunner, American, 1857–1925, Graphite on paper, Buildings background with figures standing in front, foreground, stream with two swans swimming, USA, 1892, architecture,

Design for the Embroidered of the Left Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, A dog is seated upon a cushion beneath a wreath and garlands

Project for a Fountain with Alternative Suggestions, Graphite, brush and bistre, gray watercolor on paper, Elevation of a fountain. In the middle of the basin, is a figure of a reclining water god. Along the central axis, to either side of the

Sketch of a Trees in a Landscape, Carlo Marchionni, Italian, 1702–1786, Brush and wash on paper, Loose ink sketch showing a cow resting beneath a tree with a farm in the background., Italy, 1760–1780, landscapes, Drawing, Drawing

Design for an Ornament, Pen and ink, brush and wash on paper, Horizontal rectangle with a carved cornice with rosettes in intervals., Italy, 1820–1830, ornament, Drawing, Drawing

Wallpaper Design: Garden seen through an Alcove, Brush and gouache, graphite on white paper, View in a garden through an arched opening in its wall., Austria, 1820–25, wallpaper designs, Drawing, Drawing

Stage Design, Fortified Castle Interior for 'Ciro in Babilonia' by Gioachino Rossini, La Scala, Milan, 1818, 'Prigione Sotterranea', Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black

Seascape with Icecap in the Distance, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Study of sea and sky with a suggestion of an ice cap or ice flow on the horizon at center right. Paint is freely

Design for the Embroidery of a Man's Waistcoat, Pen and ink, brush and tempera on paper, Lower left section of a waistcoat. Below the pocket a little girl on a swing, assisted by a boy. Flower motif along the border and following line of lower

Project for the Decoration of an Oblong Panel, Brush and watercolor over graphite on white laid paper, Two rinceaux are connected by two snakes and a leaf. The latter forms, together with a calix, the support of a round table top, upon which a

Designs for a Mechanical desk and Sewing Table, Pen and ink, brush and watercolor on paper, At left, a desk with cabinets and fitted drawer, seen in isometric projection. A statue of Cupid crowns the central bay. At right, a sewing table with

Design for Stained Glass Window: Over Main Entrance - Lateral Building, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Lunette filled

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Grotesque design with harpies, acanthus leaves and satyrs surrounds a reserve., Italy, early 17th century, ornament, Drawing, Drawing

Study of Draped Figure with Palm, Francis Augustus Lathrop, American, 1849 - 1909, Brush and violet watercolor, graphite on cream laid paper, Possibly for a ceiling. Angelic figure with open arms flying to the left, carrying a palm branch.,

Design for the Embroidery of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, gouache on paper, The borders show flower boughs along the insides of a moulding. The top of a forked tree grows into

White Mountains from the South, Daniel Huntington, American, 1816–1906, Graphite and black crayon on grey paper, Tree stump and rocky shore in foreground; lake and mountians beyond. Below, names of mountains underneath each., New Hampshire,

Design for Light in Chapter Room, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Tall lunette window of blue and yellow glass with

Design for a Necklace and Brooch, Graphite on paper, Flower bouquets spring from scrolling branches. Pearls hang from chains below., Italy, 1850–75, jewelry, Drawing, Drawing

Design for Writing Table with Scalloped Front and Vase of Flowers, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for a Monument, Pen and brown ink, graphite on off-white laid paper, Columns with Fortunes on top rise at the corners of a dado. Two sections of round bases stand upon the dado. Over these is another round section with flights of stairs.

Design for a Reliquary, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. In the center of the base of the reliquary, a medallion with the monogram 'FL, ' above a crown. The

The right forearm of the same woman, Black crayon and white heightenings on paper that has been colored grey, Horizontal composition of a sitting woman's right forearm (the same woman as (1901-39-2774). The ruff-like trimming of her sleeves covers

Frontispiece for a History of Peter the Great, Jean-Jacques-François Le Barbier, French, 1738 – 1826, Pen and brown ink, brush and orange wash, black chalk, engraving (portrait) on white laid paper laid down on blue paper mount, A genius

Alcove in the Salon of the Grand Duchess Anna of Mecklenburg-Schwerin, C. Rath, Austrian, active 19th century, Brush and watercolor, gouache, gold paint on white wove paper, This interior is dominated by royal blue walls, tasselled window

Architectural Ornaments, Graphite, pen and ink, brush and watercolor on paper, Two designs for architectural ornament. At left, a scrollwork escutcheon stand on a base. At right, a shield escutcheon leans against a parapet., Italy, 1750,

Portrait of Unidentified Man, Richard Dighton, British, 1795–1880, Pen and ink with watercolor, Vertical rectangle. A man wearing face whiskers is seen astride a horse, three-quarter length, in left profile. Verso: pencil sketch of a man's

Stage Setting, People Rushing into Crypt, Pen and bistre ink, brush and green wash on green paper, Horizontal rectangle. Slight indication of vaults in interior space. Fire burning at center, several figures rushing in from left with lit

Design for Rectangular Writing Table on Casters in Three Views, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure., USA, n.d., figures, Drawing, Drawing

Costume Design: Music for a Ballet, Lead pencil, pen and ink on paper, Vertical rectangle. A woman is shown in three-quarter profile, turned toward right, and singing. She raises a hammer with her right hand, and carries in her left one a music

Design for Embroidered Waistcoat, pattern 1777 of the Fabrique de St. Ruf, Mademoiselle Montalent, Brush and white gouache on glazed tracing paper, Left bottom corner with slightly rising bottom edge. Leaves at edges. Flower boughs, budding

Pleated fan and case, Parchment leaf drawn with pen and black ink, incised ivory sticks with black paint; metal rivet, Pleated fan. Off-white parchment leaf with scenes drawn in black ink. Obverse: the image probably depicts King Phineas harassed

Four Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink, brush and bistre on paper, At top, two standing men with brimmed hats. The left is seen from the front, the right from behind. Below, two seated figures.,

Study of seashore, Rhode Island, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a marsh with trees along the horizon., Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Design for Gile, pattern 1757 of the Fabrique de St. Ruf, Mademoiselle Favel, Brush and gouache on laid paper, Rectangular corner. Lilac edges; six buttonholes are shown. A vew of a garden with a fountin is shown at the bottom; a rose bush grows

Designs for Three Pedestals, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and watercolor on off-white laid paper, Left: Tall shaft decorated with two rams heads, drafted in garlands, below a portrait plaque containing

Study of a Cow, Graphite on paper, View of a cow facing left., Italy, 1750–1800, nature studies, Drawing, Drawing

The Moray House, Edinburgh, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, The street view of a large stone house, with a gabled roof and a massive

Elevation of a Bed Alcove for Philippe, Duc d'Orléans, The Regent, Pen and Chinese ink, brush and watercolor on paper, Frontal elevation of an arched bed alcove, flanked by pilasters decorated with urns on brackets. In the center, a medallion

Roman Ruins with Figures, Giovanni Paolo Panini, Italian, 1691 - 1765, Graphite, brush and watercolor on white paper, Vertical rectangle. Unfinished composition showing a ruined vaulted structure before which is a relief showing three standing

Sketches of Figures on Boats, Arnold William Brunner, American, 1857–1925, Graphite on paper, Figures with poles, working, rowing, sketches are probably in Venice. Some figures are facing forward, some are drawn from the back., USA, ca.

One Light House 331 - No. 18, Alice Cordelia Morse, American, 1863–1961, Graphite on beige illustration board, Blank beige illustration board with remnants of small areas of adhesive. Ruled lines at bottom with title., USA, late 19th

Jockeys on Horseback, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite, charcoal on tracing paper, On curved irregular sheet, three pairs of jockeys on horseback, the figure at left riding a bucking horse. At lower left,

Sketches of Tables and a Chest, Arnold William Brunner, American, 1857–1925, Graphite on paper, Left, one end of an ornate table. Right, ornate chest. Table leg and chair arm center., USA, 1883, furniture, Drawing, Drawing

Study for 'The Sources of Wealth, ' Union Trust Company Building, Cleveland, OH, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a lunette with a seated female figure, attended by a group of figures., USA, 1902, figures,

Niagara River and Falls in Snow, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Horizontal views of Terrapin Point and the Horseshoe Falls covered with snow, as seen from Goat Island, USA, March

Study for 'Koshari–or Indian Fun-maker', Eugene Higgins, American, 1874–1958, Graphite on paper, Figure with a headress turned towards the right, bending forward, with right leg and right arm raised in a dance., USA, 1921, figures,

Study for 'Martha Washington Reception', Daniel Huntington, American, 1816–1906, Graphite, White Chalk Support: Gray Wove Paper, USA, 1860, figures, Drawing, Drawing

Fragment: Sawamura Sojuro drawing his sword, Utagawa Kuninao, Japanese, 1793 – 1854, Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color, Japan, 1820–25, theater, Print, Print

Design for a Round Table on a Triangular Base, A.N. Davenport Co., Graphite on thin, cream paper, Round table top raised on flaring molded triangular support sitting on molded base with three animal-paw feet., 1900–05, furniture, Drawing,

Jews at the Wailing Wall, Jerusalem, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, USA, April 1868, figures, Drawing, Drawing

Figural Study, Giacomo Cavedone, Italian, 1577 - 1660, Red crayon on paper, At left a sketch of a nude man being carried by two men. Behind the man a woman looks on while another behind them carries a large vessel. To the bottom right another

Painted Ceiling and Wall Decoration, Pen and ink, brush and wash on paper, At top of page, design for a ceiling divided into segments following the golden ratio. At left, a hemisphere with two figures. At the bottom, two satyrs flank a vase. At

Return From The Vintage, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A pair of girls with baskets pass a boy who sleeps in a seated position, on the rocks. A woman on a

Girl Holding a Drinking Glass, Winslow Homer, American, 1836–1910, Black and white chalk on gray-green paper, Vertical view of a young girl, with long flowing hair, holding a drinking glass., USA, ca. 1869, figures, Drawing, Drawing

Elevation of a Tureen, Pen and ink on paper, Tureen with lion paw feet and fluted pilaster legs. Scrolling handles above pilasters. Frieze wit eagles and festoons. At top, a small platform with the figure of a lion facing right., Italy,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Design for Oblong Sideboard with Eight Legs, A.N. Davenport Co., Graphite on thin cream paper, Oblong sideboard with eight straight tapering legs decorated with floral garlands; rounded corners have patera medallions center; molded tri-partite

Design for a Decorative Ewer, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, black chalk on white laid paper, Handle of ewer consists of swan kissing harpy who is encircled by a crouching female satyr. The body

Study for 'Charity, ' St. Bartholomew's Church, New York, NY, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Three sketches of a figure with wings., USA, ca. 1893, figures, Drawing, Drawing

Design for a Hot Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on light brown paper; verso: graphite, Vertical rectangle. Design for a hot water spout, attached at a wall, intended to be executed in yellow

Design for a sedan chair, Pen and ink, brush and various water colors on paper with additional black chalk, Shown from the rear right corner with two bars. The upper rim is waved. Leaf branches are at the corners and on top of the roof. Tassels

Farmhouse of H. P. Bottom Near Rousseau's Position, Harry Fenn, American, 1845–1911, Pen and ink on illustration board, View of a Dutch farmhouse with a white picket fence, USA, 1884-88, architecture, Drawing, Drawing

Design for a Table Clock, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, Frontal view: A circular frame for dial, surrounded by laurel leaves, mounted on top of a fluted column

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At left is the points of the arms in -1051. At right lies another trophy with a shield., Italy, mid- 17th century,

Design for Embroidery, Black crayon, brush and bistre on paper, Volute scrolls, which are surrounded by waved stems with leaves and blossoms form a symmetric crest motif. Pricked., Italy, 1700–1750, ornament, Drawing, Drawing

Wallpaper Design, Brush and watercolor, gouache, graphite on heavy white wove paper, A dado is shown at the bottom, an entablature on top. Panel has a lilac ground, decorated with rows of spherical octagons with plant motifs in the scheme of

Study of Trees, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Study of a group of trees, with a sloping hill, at right., North Conway, New Hampshire, USA, September 30, 1856, nature

Project for a Lamp, Graphite, pen and ink on paper, Two designs for a candelabra. At left, a plinth with a pair of ignudi. Baluster form with column and socket. At right, oval form with swag., Italy, 1815–1835, metalwork, Drawing,

Peacock in a Garden, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on paper, The peacock is shown in profile, walking toward left, with a landscape behind., USA, 1875–80, animals, Drawing, Drawing

Two Studies of Sybils, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and dark brown wash, over traces of black chalk white wove paper, Upper drawing of seated Sybil, facing front, flanked by putti, one with tablet. Lower

Design for a Waistcoat, Various gouache on paper, Design for the embroidery at the border of a man's waistcoat. Brown edges of the waistcoat and the outer ones of the pocket are shown. Decorated with boughs. Leaf border along the edge of the

Jupiter Sending Mercury to Priam, Black chalk, pen and ink on paper, Jupiter sitting on a cloud above a landscape, pointing to Mercury, who has outstretched arms., Italy, 1590–1620, figures, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

The New Fashions, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and tan, blue and gray-blue washes over graphite on thin off-white wove paper, Vertical rectangle. Two fashionably dressed women walking past a hat shop. A

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper mounted tan illustration board, Design of orange-red and brown vines with a central circular medallion containing 4 petals; framed by

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, Fabrique de Saint Ruf, Lyon, France, Brush and blue, lilac, and white gouache on glazed tracing paper pasted on paper, A garland consisting of boughs with

Sketches of Heads, Arnold William Brunner, American, 1857–1925, Graphite on paper; verso: green paper, Sketches of women and men in hats. Top, sketches of heads drawn from behind. Bottom, sketches of heads drawn in profile., USA, ca. 1883,

Design for a Ewer with Spout and Loop Handle, Graphite, red crayon, pen and ink, brush and gray-brown watercolor on laid paper, Seen from the front, with loop having a horizontal direction. A mask below the spout. The alternative suggestions

Design with Classical and Winged Figures, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, Two adjacent roundels with scenes featuring classical and possibly mythological figures. Six winged figures along the perimeter

A Bough of Mountain Laurel with Leaves and Blossoms, Samuel Colman, American, 1832–1920, Brush and gouache, graphite on dark grey paper, Study of a branch with leaves and pink flowers. The blossoms are in various stages of their development.,

Sketches of Sheep, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Eight animals are shown. Most are grazing, two are lying., USA, ca. 1875, animals, Drawing, Drawing

Design for a Plate or Bowl, Brush and gold gouache, watercolor, graphite on cream paper, Gold decoration of a plate or bowl over watercolor flowers. Decoration made up of scalloped, shell-like edges, C-curves and scrolls, butterfly motif;

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