Images at Librifly

search results: Drawing clear search

Female Nude with Left Hand Raised, Daniel Huntington, American, 1816–1906, Black and sienna crayon, graphite on off-white wove paper, Bust-length study of a female nude, with left hand raised to forehead and hair down. Additional sketch of

Sketches at Pireus, Arnold William Brunner, American, 1857–1925, Graphite on paper, Buts above and lower left of men, standing figures, enter., USA, ca. 1883, figures, Drawing, Drawing

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and light blue and white gouache on glazed tracing paper, Composed of leaf scrolls from which fantastic flower boughs

Frame, for Book Illustration, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Scroll work, with leaves above and below. Face and helmet, above, center., USA, ca. 1910, graphic design, Drawing,

Design for an Embroidered or Woven Medallion, Brush and gouache on glazed tracing paper, A circular frame is fastened with a bow-knot to a dotted frame, the left side of which is not shown. Boughs form a monogram CA under a wreath in the

Small Black-and-White Bird on Rose Leaf with Blossoms and Butterflies, Pen and ink, graphite on coated wove paper, Small Black-and-White Bird on Rose Leaf with Blossoms and Butterflies, ca. 1800–1830, Drawing, Drawing

Stage Design, Oriental Court, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Vertical rectangle. View through tiled arch on court of Islamic building

Design for a Round Table on Molded Base, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table top raised on plain column-like support sitting on molded base having four splayed legs on casters., 1900–05, furniture,

Design for Embroidery of a man's waistcoat, Pen, blue ink, watercolor, gouache, graphite Support: laid paper, Lower left section of a waistcoat. Below the pocket a fan-shaped spray of naturalistic flowers, flanked by smaller sprays of

Autumn Landscape, Vermont, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard with green back, A maple with red leaves is shown at center, surrounded by trees. In the distance, a hill is shown., USA, 1865–70,

Design for a gate, for the reception of Pope Pius VI returning from Germany, in Ancona, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor, pen and ink on paper, An arch with a mask as a keystone, and with pillars

On Board Ship, Walter Shirlaw, American, b. Scotland, 1838–1909, Watercolor on rough heavy paper, View of the deck of a sailing ship. A sailor sits in front of a door leading to quarters. A lifeboat is shown in the right foreground., USA,

Figures paying homage to a knight, Pen and ink, brush and gray wash, white heightening on gray paper, Vertical rectangle. A standing knight holds a large floating banner on a standard. All about his are figures kneeling in an attitude of devotion

Design for a Painted Ceiling, Frederick Crace, English, 1779–1859, Graphite, pen and black ink, and watercolor on laid paper, Painted ceiling with a circular center containing a smaller circle with two figures in classical attire. Octagonal

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Rectangular window with scalloped design in yellow and burgundy; upper section contains square,

Two Dories Being Launched, England, Winslow Homer, American, 1836–1910, Pen and brown ink on paper, Horizontal view of two dories being launched into the surf by men in oilskins., Cullercoats, England, USA, 1881, seascapes, Drawing,

Project for a slightly varied suggestion for the upper part of the pedestal and the figure with the dial in 1938-88-2109, Pen and brown ink, brush and brown wash, graphite, on off-white laid paper, An Egyptian figure holds a clock face marked

Portrait of Sophie Huntington, Seth Wells Cheney, American, 1810 - 1856, Black pastel crayon, white chalk on grey wove paper, Portrait of Sophie Huntington, shown in right profile with her hair in a bun., Rome, Italy, 1844, portraits,

Study of a Long-leaved Pl, Frederic Edwin Church, American, 1826–1900, Graphite Support: buff paper, USA, May and June 1857, landscapes, drawing, drawing

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Stage Design, Palace Courts, Brush and sepia wash, graphite on paper, Horizontal rectangle. View into palace courts through archways. Two sculptured figures in foreground. Unfinished., Italy, early 19th century, theater, Drawing, Drawing

Architectural project for the house of P.J. Hetzel, Eugène Emmanuel Viollet-le-Duc, French, 1814 – 1879, Watercolor, graphite, pen and black ink, P.J. Hetzel's house in France, France, 1874, architecture, Drawing, Drawing

Decoration of a Dado, Black chalk, pen and ink, brush and watercolor on paper, Horizontal rectangle showing an entablature supported by pilasters and volutes. Between these and shell ornaments, festoons are hung. Rosettes in the center of

Project for a Ceiling, Graphite, pen and ink on paper, Portion of a ceiling shown divided into small panels, each with a grotesque. At the corner, a square panel with a classical figure. In the opposite corner, a roundel with an eagle., Italy,

Designs for Bolts, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and ink wash on paper, Upper, one bolt with the fixture in the shape of a rosette surrounded by a row of beads. Lower, the fixture is ovoidal with leaves in

Sketch for Portrait of Miss Astor, Daniel Huntington, American, 1816–1906, Graphite on paper, Woman seated with her hands crossed. She is turned toward the left. Verso: Sketch of a right hand., USA, 1880, portraits, Drawing, Drawing

Two Sketches of a Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Two sketches of a nude male figure with one arm above his head. Verso: two rectangular sketches, probably for a window., USA, ca. 1895,

Portrait of a Young Woman, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on buff paper, Bust-length portrait of a young woman, her head turned sharply to the right. Her hair forms a knot at the nape of her neck., USA,

Design for an Altar, Graphite, brush and black wash on cream paper, In the scheme of a convex alter retable with a dome. The front shows a representation of an Ascension in an arch. Inscription escutcheons on top and at the dado. Statues stand

A Peasant’s Dwelling in Woody Country, Carlo Marchionni, Italian, 1702–1786, Black chalk, pen and ink, brush and watercolor on paper, A house and round stable with a straw roof are at right in the middle ground with sheep nearby. Cloudy

Sketch for a Bacchante, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Nude female figure with tambourine held high. Her body facing right, head to the spectator. Shown to the knees. Verso: Sketch of skirt and feet.,

Studies of a male nude, Black and white crayon, on rough gray paper, (A) Profile of a man walking towards right, his left arm raised, right arm lowered, a nimbus glowing above his head., (B) Reverse: right leg of a seated man, part of a left

Two Children, François Boucher, French, 1703 – 1770, Red chalk on cream laid paper, Two children are seen in a garden setting, with their animals—a dog and two lambs—about them., France, 1775–90, figures, Drawing, Drawing

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

Seated Putto with Medallion, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A putto sits on a pedestal below a candlestick holding an oval medallion with an image of a standing

Study for woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on grey wove paper, Sketch of a female figure with detail of fabric gathering around her shoulders and

Design for an Inkstand, Pen and sepia ink on light gray-blue paper, Horizontal rectangle. Design for an inkstand, an ovoid base supported by the lion feet of hermae, of which five are visible. It has the shape of an entablature with festoons

Fishing Village, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Low coast in background; boat with a sailboat at a pier, left. Group of houses, lower right. House roof, foreground, left., USA,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, July 6, 1877, nature studies, Drawing, Drawing

Two Sketches of Steeples, Arnold William Brunner, American, 1857–1925, Graphite on paper, Left, clock tower on large building, other in the distance. Right, gothic church steeple, harbor beyond., USA, 1880, architecture, Drawing,

Design for a Rectangular Dining Table on Bun-Feet, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded and beaded table top with a dividing stretcher at center and foliate carvings at corners; is raised on four column-like legs

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top are a frieze with a leaf garland and a high entablature. Obliquely dispersed waved stems with leaves and petals decorate the panels. A smaller and

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On light green ground, vertical registers containing green stars; upper center four overlapping circles with gold details inside. Verso: graphite

Carriage Approaching Villa, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray washes, graphite on off-white laid paper, Horizontal rectangle. In the foreground in pen and ink a road with a carriage and figures,

Section of wall, Escalier de la cour ovale, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, lower half, revetments with panels of vari-colored marble; upper half, painted

Study of Right Hand, Possibly for Portrait of Alexander Hamilton, Jr., Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown wove paper, Study of a man's right hand holding a book, with his thumb on the cover and his

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor or silk on paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Mill Brook, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Winding brook at center, curving towards right. Meadow at lower left, with birch and maple trees at right. Verso: Light sketches of bluffs,

El Yemen Valley, Arabia: View of Winding Valley with a Caravan, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Recto: Horizontal view of the winding valley leading into the background, with the rear wall visible in left

Classical Ruins, Syria, Frederic Edwin Church, American, 1826–1900, Graphite, oil on academy board, Oil sketch of classical ruin. Foreground is filled with architectural fragments. Three Corinthian columns with entablature and fragment of

View of the Tetons, Wyoming, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, graphite on gray paper, Horizontal view of meadow in left foreground and a valley, beginning at the right, shown in the middle ground, with

Design for a Base, Graphite, pen and ink, brush and bistre on paper, Mouldings at the bottom and top. Cherubim over volutes with garlands are at the edges. The cherubim are connected by a festoon, under which a female mask is flanked by

Design for a back panel of a coach, Unknown, Brush and gray watercolor, pen and ink, black chalk on paper, Very richly decorated. Poseidon riding over the dea is shown in the upper panel, Hercules slaying the Hydra in the lower one. Parts of

Stage Design, Church Facade from a Loggia, I due Valdomiri by Felice Romani, music by Pietro de Winter. Performed at La Scala, Milan, 1818, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Purple lilacs, green and yellow leaves on brown twigs on white ground., France, 1800–1818, textile designs,

View from a Hill Top Looking at Bushes and the Sky, Frederic Edwin Church, American, 1826–1900, Graphite on letter paper, with bluish impression of an esctucheon, View from a hill top looking at bushes and the sky;a part of a structure is

Design for the Decoration of a Frieze, C. C., French, active 19th c., Pen and black ink, brush and gray watercolor, graphite on paper, The right side is shown. The central motif is the mask of a woman above leaves, and with a diadem of

Study of landscape, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a landscape with cliffs by the sea., USA, ca. 1855, landscapes, Drawing, Drawing

Sketch of Seated Woman for National Academy of Design Tympanum, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Seated woman at left, lightly sketched, with head and arms not shown. Right foot repeated above., USA,

Design for a Candlestick, Pen and ink, brush and sepia wash, yellow and gray watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed with white marble and gilded bronze. Above a base, two foliated and

Two Friezes with Women and Sea Monsters, Felice Giani, Italian, 1758–1823, Pen and dark brown ink, brush and sepia wash over black chalk on off white laid paper, Sea horse with enormously long sea body, conducted by rein of flying putto.

Design for Toilet Table No. 13, A.N. Davenport Co., Pen and black ink, graphite, and yellow color pencil on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for a Teapot, Brush and gold gouache, watercolor, graphite on cream paper, Design for a teapot covered in gold with oval decoration on body of cropped roses (flowers). In graphite, several tableware designs with numbers and Japanese

Design for Mahogany Inlay Sideboard with Neo-Classical Motifs, A.N. Davenport Co., Pen and black ink on thin cream paper, Rectangular sideboard on six tapering legs (5 shown) with rounded front corners decorated with oval patera medallions,

Design for a Circular Platter, Pen and brown ink, brush and brown wash on paper, A palmette decoration is alternatively suggested for the outer moulding; shaped squarely., Augsburg, Germany, ca. 1810–25, metalwork, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Two designs, one smaller and one larger, of scroll pattern with flowers in green with pink, bordered by frame

Design for a Candlestick, Graphite, brush and watercolor on paper, At top, the stump of a burning candle in a vase, with a calyx around the bottom of the bottom. Below, a tray shaped like a handle and a circle. Acanthus decoration., Italy,

Design for a Side Table, Brush and watercolor, gouache, graphite on cream paper, Design for a side table; plan and elevation. The top view is decorated with large black and gold peonies against a pink background; the side view is in graphite.,

Baptismal Font, Pen and brown ink, brush and brown wash, on off-white laid paper, lined, Sketch of a decorative architectural element, consisting of a double-convex bowl on a foot with a carved mask, supporting a pyramidal arrangement of a

Woodland Scene in Autumn, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Behind low hill slopping from lower right to upper left, trees in autumn foliage (one on right bright orange) on left and right. Through

Design for Elevation of Alcove Wall of Bedroom, Brush and watercolor, graphite on white laid paper, Frontal view of a bed alcove, framed squarely and hung with drapery, and flanked by single paneled doors. The panel over the alcove is decorated

Project for a Chimneypiece, Graphite, pen and ink, brush and sepia on paper, The right half of a chimneypiece. In the frieze are festoons. Above the entablature is a rinceau springing from a winged half-figure in the center. Beside is a

Design for a Fountain, graphite, pen and ink, brush and bistre on paper, A panel between two corbels with sea creatures and waves., France and Italy, ca. 1650, interiors, Drawing, Drawing

Medieval Castle, House Cascade, Frederic Edwin Church, American, 1826–1900, Graphite, paper, Verso: Mountain Peak from the Valais, Apennine Alps with various notes inscribed., USA, August 24, 1868, architecture, Drawing, Drawing

Elevation of a Fountain, Pen and black ink with gray and brown wash on off-white paper on secondary paper support, A rusticated wall with a keystone frames a niche with a fountain of Poseidon and Amphitrite standing on a rocky plateau with dolphins

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Drapery around standing figure facing frontally, with right arm extended to the left., USA, ca. 1895, figures, Drawing, Drawing

Design for a sedan chair, Pen and ink, brush and gray water color on paper, Shown in profile turned toward right, without ornamentation. The panel beside the window is subdivided by a curved stripe rising similar to the scroll in 1900-1-11.

A Cantharus, Pen and ink on paper, Vertical rectangle with drawing of a footed classical style vessel with tall scrolling handles that project high above the rim. The lower half of the body is covered in elongated gadrooning. The upper portion has

Musée de Cluny, Paris, Arnold William Brunner, American, 1857–1925, Graphite on paper, Center, chair on wheels. Boarders, armor and figures in armor; lower right, shoes., USA, 1883, furniture, Drawing, Drawing

Mill Over a Stream, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Stream running over rocks under an arched bridge. Buildings, right and beyond. Trees without leaves., USA, ca. 1891,

Great Aletsch Glacier, Bernese Alps, Switzerland, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, graphite on grey paper, Recto: View of the S-curve of the Great Aletsch glacier, between its banks., Verso: At left, a

Study for a Painted Wall Decoration: Two Putti beside a Vase with Flowers, Antonio de' Dominici, Italian, ca. 1730–after 1800, Pen and wash with brown ink and black chalk, on off-white paper, lined, The rose stands upon a pedestal behind the

Study of a Tree, Black chalk, pen and ink, brush and bistre on paper, Detailed study of a tree lies on a diagonal axis across the paper, the trunk at left and branches at right., Europe, 18th century, landscapes, Drawing, Drawing

Design for a Sculptured Bracket with Putto accompanied by the Attributes of War, for the Grand Trianon, Versailles, François de Cuvilliés the younger, German, 1731 - 1777, Pen and brown ink, brush and grey wash on white paper, A bracket

Studies of Architectural Mouldings, Arnold William Brunner, American, 1857–1925, Graphite on paper, Studies of mouldings., USA, 1879–80, architecture, Drawing, Drawing

Figural Studies, Luigi Vanvitelli, Italian, 1700 – 1773, Graphite, pen and ink, brush and wash on paper, At right, three studies of laboring figures. At left, study of a wheeled cart, Italy, 1700–1773, figures, Drawing, Drawing

Elevation of a Country House, Graphite on paper, Alternate scheme for 1963-47-1, showing the wings joined by wings with windows to central block., USA, 1781, architecture, Drawing, Drawing

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of drapery., USA, 1872–1875, figures, Drawing, Drawing

Four Studies After the Head of a Man, Giovanni Giardini, Italian, 1646 - 1721, Red crayon on laid paper, Vertical rectangle. On either side of the paper are two heads, one below the other. The head is shown from below nearly as profile, turned

Two projects for an altar mensa, Pen and brown ink, brush and brown wash, Horizontal rectangle. Above is a variation of 1938-88-1365, with a different design of the ledge and of the tabernacle. Below is the scale. Below: the left half is shown.

Studies of Mourners' Arms, Hands, and Drapery, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough gray paper, Recto: Vertical rectangle. A young man, shown from the chest up, looking upwards with raised hands, shown with

Two Brown Birds with Carnations and Butterflies, Pen and ink, graphite on coated wove paper, Two Brown Birds with Carnations and Butterflies, ca. 1800–1830, Drawing, Drawing

Black-and-White Mottled Bird on Tulip Stem, with Daffodils and Butterflies, Pen and ink, graphite on coated wove paper, Black-and-White Mottled Bird on Tulip Stem, with Daffodils and Butterflies, ca. 1800–1830, Drawing, Drawing

Design for an Ornamental Decoration, Pen and black ink, brush and gray wash on paper, Fountain in full width of the middle distance is surrounded by trellis and rocaille colonnades. Verso: small parts of an abstract plant and sketch of a

Elevation of a Mausoleum for a Soldier (Temple of Mars), Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and black, gray wash over black chalk indications on off-white laid paper, lined, The depicted structure has a

Design for a carved wooden flower stand, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Pen and ink, brush and watercolor, black chalk on paper, A tripod with lion feet supporting a vase., France, 1780, Drawing,

Chairs, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At left and at right are arm chairs, seen from the front. The first is with a cushioned seat, the back with an escutcheon inside, with scrolls above it, as an

Project for the elevation of the frame of a receptacle for a monstrance, Vincenzo Belli, Italian, 1710 - 1787, Pencil, pen, ink, black watercolor wash, paper, Two angels, standing on clouds, raise with their hands a palm and a vine bow,

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper, Left, fireplace in sale de chevaliers; right, a gargoyle., USA, 1883, architecture, Drawing, Drawing

Sketch of Mt. Blanc at Sunrise, Daniel Huntington, American, 1816–1906, Graphite and white chalk on buff laid paper, Mountain ridges, with peak at left. Verso: Study of clasped hands., August 19, 1843, landscapes, Drawing, Drawing

search results: Drawing clear search