Images at Librifly

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Landscape at Hastings, New York, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, In the foreground, a sloping hillside. In the background, a wooded forest., USA, 1875–80, landscapes, Drawing, Drawing

Study of Hands, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Hands with palms facing each other, fingers pointed upwards, and wrists apart. The back of the left hand and the palm of the right hand are visible.,

Design for a sedan chair, Black chalk, pen, ink, brush, and multiple watercolors on paper, A simpler variation of 1900-1-11 with most of the decoration consisting of rows of nail heads. They form also the scroll in the panel beside the window;

Design for Wallpaper Frieze, Pen and ink, brush and gouache, oxydized white, black on paper, Repeat consists of group of three girls and boy, dancing, and two boys playing marbles. Trees, plants. Lower margin, frieze transposing triglyph

The Canadian Falls and Goat Island at Niagara River, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown wove paper, Horizontal view of the Canadian Falls and Goat Island, Niagara, New York, USA,

Elevation and Ceiling, Ballroom and Bar, Teatro Comunale, Faenza, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, watercolor, pencil, Italy, 1853, theater, Drawing, Drawing

Insects, Rice paper, Detailed representation in color of five butterflies and four insects one winged insect and three beetles., China, 18th century, Drawing, Drawing

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, A slope of a zig-zag thread is fastened to a leaf bough shaped like an ovoid. A plant is inside the slope, some of its parts carrying the thread. Irregularly shaped at

Triumph of Bacchus and Ariadne, Felice Giani, Italian, 1758–1823, Pen and brown-black ink, brush and wash over graphite on off-white wove paper. Borders ruled in ink., Italy, Italy, early 19th century, figures, Drawing, Drawing

Sketch of Seated Woman for National Academy of Design Tympanum, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Woman in drapery, seated, turned to the right with her legs crossed. Her left arm rests on a tablet. Verso:

Sketch for Three Side Wings with Part of Proscenium Frame, Pen and black ink, graphite on cream laid paper, A fluted Ionic column upon a pedestal, parts of the stage frame on either side. At left, right side wing with large vase upon a pedestal.

Scorpio, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto holding on his head, salver with

Study for 'Titian Showing, Daniel Huntington, American, 1816–1906, Graphite Support: Gray Wove Paper, USA, 1872, figures, Drawing, Drawing

Fantasy Composed of Heads and a Sculpted Urn, Donato Creti, Italian, 1671–1749, Pen and ink on paper., Eleven heads, of varied figures, and an urn decorated with sculpted garlands and handles composed of satyrs and snakes., Bologna, Italy,

Putti and Winged Figure, Graphite, pen and ink, brush and wash on paper, Three putti around a winged figure with clasped hands. One putto holds a mirror., Italy, 1750–1780, figures, Drawing, Drawing

Night Fishing Scene, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Horizontal drawing of a single figure, knee-deep in water, holds a torch before him and steadies himself with a staff. Either night fishing scene,

Café scene, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure with a top hat seated at a café with two female figures., USA, 1881, figures, Drawing, Drawing

A Trophy of Weapons Intended to be Executed in Painting, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and dark ink, brush and grey water color on paper, Upright cuirass with two lateral shields, a garland below a helmet

Design for a Monstrance, Pen and ink, brush and wash on paper, Angel standing on one foot, holding four candlestick arms in each hand. Scrolling shells on either side., Italy, mid- 18th century, metalwork, Drawing, Drawing

Design for a Frieze, Pen and ink, graphite on paper, Horizontal rectangle. Right half of a design for a frieze is shown. At left are scrolls of an escutcheon with a sitting putto leaning upon them. At right is a trophy of arms, with two putti

Designs of Bolts and a Hinge, Richard de Lalonde, French, active 1780–96, Pen and ink, brush and wash on paper, Upper bolt in shape of an octagonal escutcheon with rinceaux decor; lower bolt, same except for curved escutcheon; center, hinge

Drawing, Carlo Amati, 1776–1852, Pen, ink, watercolors on white paper, Design for a sofa with high, upholstered sides, seen frontally. The frame is adorned with arabesques or garlands with oxen skulls, in alternate suggestion., Milan,

Study for the Goddard Memorial Window, in St. John's Church, Providence, Rhode Island, Francis Augustus Lathrop, American, 1849 - 1909, Brush and black and grey watercolor, white gouache, graphite on brown paper, A draped figure stands in

Banana Plant, Daniel Huntington, American, 1816–1906, Graphite, pastel on grey paper, Stalk and leaves of a banana plant, center. Stalk, at right, with notes on colors., USA, ca. 1885, nature studies, Drawing, Drawing

Autumn Landscape, Vermont, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Horizontal view of hills across a valley. Trees are shown in the right middle plane., USA, 1865–70, landscapes, Drawing, Drawing

Designs for Gobelins Tapestry, June (Les Mois Grotesques par Bandes), Claude Audran III, French, 1658 - 1734, Red chalk, pen and brown ink on cream laid paper, Three vertical panels depicting the months of April, June and October, in reverse

Study of a stream, Francis Hopkinson Smith, American, 1838–1915, Brush and watercolor, gouache , charcoal on paper, Sketch of a narrow stream in the forest with large rocks lining the banks., USA, 1870, nature studies, Drawing, Drawing

Five Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink, brush and wash on paper, Upper left, a man wearing short pants bending over a task. At tight, two equestrians, one wearing a brimmed hat. Below, left: a

Floating Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Seascape drawing with four sketches of floating icebergs, each with a horizon line below., USA, possibly 1859, seascapes, Drawing, Drawing

Design for a Wall Mural, Brush and wash, pen and black ink on paper, Possibly design of a patron dedication for a wall mural. At center a black frame where portrait would sit. Above, Jesus and God (?) hold a crown at the top of the frame. Two

Cancer, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Flying winged putto carrying disk, or platter,

Drawing, Brush and gouache on cream paper, mounted on cream paper, Left, delicate flowers on vines; center, five vertical zigzags; right, delicate vines with no flowers., France and USA, late 19th century, textile designs, Drawing

Design for a Wrought-Iron Balcony, Pen and black ink, graphite-ruled borders in pen and black ink on white laid paper, Horizontal rectangle. Frontal elevation of a wrought-iron balcony supported on carved stone brackets. The central motif consists

Design for an Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white, yellow, and orange gouache on glazed tracing paper, The repeat, of which somehwat more than two are shown,

Design for Frame Surrounding the Portrait of Thomas Otway, Gravelot, French, 1699 - 1773, active in England, Pen and ink, brush and wash, red chalk on paper, Design for frame surrounding the portrait of Thomas Otway. An ovoidal frame stands

Niche Scene, Pen and brown-black ink, brush and wash on laid paper, Drawing of a niche between columns, hanging on a wall, a framed painting, depicting a woman on her knees before a man who is helping her up., Italy, 16th century, figures,

Sketch of Man in Coat and Scarf, Arnold William Brunner, American, 1857–1925, Graphite on paper, Man in overcoat or cape, arms crossed over his chest, wearing a muffler and a wide brimmed hat. Scarf wrapped around face, cover mouth., USA,

Design for a Tripod Candlestick Base, Unknown, Pen and brown ink, brush and brown wash over traves of black chalk, squared in black chalk on off-white squared paper, inlaid in cream paper, Cropped image of a candelabrum with three legs topped

Parthenon Lighted at Night, Athens, Greece, Frederic Edwin Church, American, 1826–1900, Graphite on green paper., Horizontal view of the Parthenon lit at night., April 1869, landscapes, Drawing, Drawing

A standing boy, Simone Cantarini, Italian, 1612 - 1648, black crayon, paper, Vertical rectangle. Shown from the front. The left foot is behind the right one. The left hand leans upon something, the right one is in front of the mouth, possibly

Allegorical Composition, Red and black chalk on paper, Allegorical composition of many figures and winged putti in a landscape. Ruled frame in red chalk., France, late 17th century, figures, Drawing, Drawing

Porta della Carta, Palazzo Ducale, Venice, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Shown from southwest. The corner column of the Loggia with the Judgment of Solomon in the right foreground. The second floor of

View of a Paris Street, Griffith Baily Coale, American, 1890–1950, Graphite on paper, laid down on cardboard, View looking across a Paris boulevard, with a priest and numerous other figures in the scene. Bare trees in the center strip

Design for Glass-Front Cabinet 'A', A.N. Davenport Co., Graphite on thin cream paper, Rectangular cabinet with molded top and open front, raised on 4 carved, molded, short, tapering legs; three inside shelves, partly hidden behind curtain at

Sheep Grazing in a Field, Winslow Homer, American, 1836–1910, Black crayon, brush and white gouache on gray paper, Horizontal view of sheep grazing in a field, with a row of trees in background., USA, 1878, landscapes, Drawing, Drawing

Female Monkey with hand mirror, Gouache over graphite, A female monkey gazes into her hand mirror., France, France, 1860–90, Drawing, Drawing

Baldacchino with Papal Ar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Nude Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on waxed paper, Boy reclining, arms over head, the right leg bent all the way at the knee., USA, ca. 1895, figures, Drawing, Drawing

Two escutcheons, decorative vase and a scroll, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and gray watercolor on paper, The upper escutcheon is in front of a trophy of colors and a helmet and above an entablature; there are

Man and woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure embracing a female figure., USA, n.d., figures, Drawing, Drawing

Design for Writing Table No. 6, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for a Compact, Brush and gouache on cream paper, Design for a compact cover with a woman in a purple dress; holding a large black feather fan, against a light orange ground., Japan, 1880–1910, costume & accessories, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a gondola on a canal in Venice., Venice, Italy, 1880, figures, Drawing, Drawing

Design for a Candle Bracket, Romain Girard, Red chalk on paper, Applique of two branches, composed of leaves. A bough with leaves and seeds, top center. The sockets stand upon petals., France, ca. 1770, lighting, Drawing, Drawing

Design for the Embroidery of the Right Bottom Corner of a Man's Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Rectangular corner. Green edges. T he lateral and bottom ones of

Interior Detail of the Teatro Vaccai, Telentino, Pen and black ink, brush and gray wash on white laid paper, Elevation and section of a wall with theater boxes. At the center, is the decoration of a section of a wall with boxes (theater

Figural Studies, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Red chalk, pen and ink, brush and watercolor on paper, At top, a group of three figure. The one at left stands, leaning upon his elbows; the two to the right

Portait of a Woman, Europe, before 1908, drawing, drawing

Design for Painted Decoration of a Wall, with Alternative Suggestions, Unknown, Austrian, Brush and watercolor, graphite on white wove paper, Groups of three narrow stripes and a broad stripe alternate above a dado and beneath an entablature,

Farmhouse, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Large farmhouse, left; grass, foreground. Houses receding into the distance, right., USA, ca. 1883, architecture, Drawing, Drawing

Ceres asks Jupiter for Return of Proserpina, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown washes over traces of graphite on light brown paper, Ceres shown kneeling before Jupiter throned., Italy, 1812, figures,

Deisgn for an niche, Pen and ink, brush and watercolor on paper, A girl in classical attire stands upon a pedestal while holding a bottle, lowered, from which she has removed the stopper. The pedastal is decorated with floral motifs and a tripod

Design for Hilt and Guard of a Dress Sword, Pen and black ink, brush and wash, gold paint, traces of graphite on off-white laid paper, Jeweled designs for hilt and guard of a dress sword. Hilt is decorated with a pattern of horizontal gilded

Fight of Women in Rome, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, The three women are similar to those plate 18, loc. cit. The boy is watching for the proper moment to

Design for a Memorial Tablet, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Pilasters flank an inscription: 'IN LOVING MEMORY OF / OR ANY INSCRIPTION' and below a wreath encricling the date: '18XX / 1898', USA, 1898,

Landscape, Howard Russell Butler, American, 1856 - 1934, Black, white crayon on grey paper, Horizontal rectangle. Hilly country with a view of the sea in the center. A church and a rectory are situated in the right middle plane. A man is haying

Chapel, Arnold William Brunner, American, 1857–1925, Graphite on paper, View of chapel from side on a vise, trees beyond., USA, 1879–80, architecture, Drawing, Drawing

Half Dome, Yosemite, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, graphite on tan wove paper, Vertical view of large boulders in foreground with tall pine tree in middle ground followed by mountains leading to large

Study of a Girl, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on blue-gray paper, Vertical rectangle. Head of a young girl, turned sharply to the right and slightly upward. Sketch of figure of girl, reverse., USA, ca.

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On greenish ground, round and pointed cartouche, made up of green vines, yellow flowers, yellow hearts at the bottom., USA, ca. 1897,

Harbor, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a ship docked in a harbor with figures in the foreground., USA, 1881, seascapes, Drawing, Drawing

Decorative Frame; verso: Frieze with Playing Children, Charcoal, pen and ink on paper, Frame with scrollwork. At top center, two putti hold crowns above female half figures with acanthus tails. At center below, a mask and festoons. Blank oval

Study of Seated Woman for National Academy of Design Tympanum, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Recto: Woman seated in chair, her body turned to the right and her head turned toward the left. A slate or

Study of a Rosa de Panama or Oleander Plant, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Vertical view of two small boughs, one with blossoms on the left and one with leaves on the right at upper edge of sheet, and

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On yellow ground, cartouche with frame made up of curved lines in peach and gray, gold leaves and vines., USA, ca. 1887–1903, graphic

Justiniano de la Rosa, Barranquilla, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paperboard, Portrait of a young boy facing right wearing a white shirt, black jacket and placed against a gray background., USA, May

Design for an Embroidered or Woven Border, Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Horizontal design for a border. Boughs with a pending big flower and, alternatively, with a rising bough with

Two Views, Landscape and City Skyline, Arnold William Brunner, American, 1857–1925, Graphite on paper, Left, river running between bluffs, vegetation in the foreground. Right, city skyline., USA, 1879–80, landscapes, Drawing,

Design for a Set of Silver Tableware, Pietro Belli, Italian, 1780–1828, Pen and brown ink, brush and gray wash over graphite on off-white laid paper, A hand bell. the lower part of the handle is shaped like a lyre. Marked, as all the

Column and Entablature Fragments, Athens, Frederic Edwin Church, American, 1826–1900, Graphite on gray wove paper, The entablature fragment lies upseide down at left. The three drums of a fluted column at center. Inscribed at center 'white'

Designs for Gobelins Tapestry, October (Les Mois Grotesques par Bandes), Claude Audran III, French, 1658 - 1734, Red chalk, pen and brown ink on cream laid paper, Three vertical panels depicting the months of April, June and October, in

Jockeys on Horseback, William Hunt Diederich, American, b. Hungary, 1884–1953, Graphite on tracing paper, On irregular sheet, three pairs of jockey figures on horseback, the figure at right riding a bucking horse., USA, ca. 1920,

Autumn Landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, A sloping meadow with patches of flowers is shown in the foreground. A hill range, part of which is covered with trees, rises in the back., USA,

Figural Sketch with a Seated Girl Conversing with a Standing Girl, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and ink on light brown paper, A seated girl, wearing a crown of flowers, converses with a standing girl., Italy, early

Design for an Enframement, Homer Wayland Colby, American, 1874–1950, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, An enframement for a text. A symmetrical design composed of Gothic elements., USA,

Branch with a cluster of ripe plums and caterpillars, Mrs. Smith, Watercolor, Botanical study from nature., England, ca. 1830, nature studies, Drawing, Drawing

Designs for Nine Bands for Bases, Pen and brown ink, brush and watercolor, traces of graphite on off-white laid paper; verso: pen and brown ink, graphite, Nine designs for bands for covering the points of bases intended to be executed in metal

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman looking slightly to the right, a large bow of ribbon above her forehead., USA, ca. 1895, figures, Drawing, Drawing

Design for a Teapot, Pen and brown ink, brush and gray wash, graphite on paper, Teapot with lion’s feet; bowl in shape of ship with dragon head as spout on left and putto playing harp as handle. Crown-like elements circulating top with flowers

Designs for Wallpaper and Textiles: Flowers and Birds, Brush and gouache and paper, Foliage and pink and yellow flowers from bottom right corner. Three birds in foliage face upper left. Two birds rest on cylinder oriented diagonally with top to the

Sepulchral Monument for Felice Fontana, Professor of Philosophy, Padua, Pen and brown ink, brush and brown wash, graphite on blue-white laid paper, In a landscape with a view of a distant building at left, a monument to Fontana stands. It

Design for Semi-Circular Writing Table with Brass Railing, A.N. Davenport Co., Pen and black ink on thin cream paper, Semi-circular table top with brass railing at back; raised on 4 fluted columnar legs terminating in slim tapering feet with flute

Adoration of the Magi study after Lodovico Carracci, Felice Giani, Italian, 1758–1823, Graphite, Italy, 1800–1820, Drawing, Drawing

President Chester Alan Arthur Standing, Daniel Huntington, American, 1816–1906, Graphite on light brown wove paper Verso: Graphite and white chalk, Full-length standing male figure with right elbow resting on a ledge or mantel., USA, USA,

Design for a Ceiling Decoration, Giuseppe Maria Rolli, Italian, 1645 - 1727, Black chalk, pen and ink, brush and watercolor on paper, An imaginary frieze in which escutcheon are to alternate with brackets and a projecting entablature are shown

Costume Design: A Captain for a Ballet, Pen and brown ink over black chalk on paper, Vertical rectangle. Shown in a dancing pose, in profile, turned toward left, the head turned toward the left shoulder. Written in the center above, in ink:

Design for China Cabinet in Three Views, A.N. Davenport Co., Graphite on thin cream paper, Elevation at upper left, side view upper right, plan across bottom of sheet; tall rectangular cabinet with tri-partite glass-front panel, raised on 4

Atalanta and Hippomenes, Felice Giani, Italian, 1758–1823, Pen and ink on paper, At top, sketch of figures in a landscape. Below, are two elevations and a design for a ceiling., Italy, ca. 1800, interiors, Drawing, Drawing

Choir Stalls, Chichester, Arnold William Brunner, American, 1857–1925, Graphite on paper, Six sketches of woodwork, labelled., USA, 1879–80, architecture, Drawing, Drawing

Study for 'Roman Girl', Head of a Woman, Daniel Huntington, American, 1816–1906, Graphite and black crayon on cream-colored wove paper, Left bust profile from behind a female who is looking down., New York, USA, USA, 1841, figures,

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