Images at Librifly

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Design for a Mustard Pot, Giovacchino Belli, Italian, 1756 - 1822, Pen and ink, brush and watercolor, graphite on paper, Horizontal rectangle. Design for a mustard pot intended to be executed in partly gilded silver. Below is a circular base

Two Octagons: Vigilance, Beneficence., Felice Giani, Italian, 1758–1823, Pen and ink, brush and brownish grey wash on rough paper., Vertical rectangle. Top: Vigilance shown seated between two putti raising lamp with right hand, holding

Study of seashore, Point Judith, RI, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a rocky coastline with a lighthouse at center., Point Judith, Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Sketch of an Allegorical Statue, Melchiorre de Gregorio, Italian, 1777 - 1840, Pen and sepia on paper, Vertical rectangle. A female figure holding the tablets of the law with both hands., Recto: two sketches with black crayon above the upper

Study of Child for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on cream wove paper, In a sketched oval frame, a bust of a child looking up toward the right. Arms extend outside the oval., Rome,

Door Knocker and Metal Purse Frames, Pen and brown ink, brush and brown wash on off-white laid paper, lined, The doorknocker: a female griffin with fishtail legs, shown in profile. Left part of metal frames, composed of snakes, florals and

Sketches of Wall Patterns – Blois, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, Complete element of wall pattern, left; sections, right., USA, 1883, wallpaper designs, Drawing, Drawing

Design for the Embroidery of Wearing Apparel, No. 31, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Four flower boughs are shown disposed in two staggered horizontal rows., France,

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream wove paper, Nude female figure facing frontally, reclining towards the left. Her left arm is outstretched. Verso: part of a rectangular design., USA,

Stage Design, Interior of Palace Hall, Pen and brown ink, brush and wash on paper, Horizontal rectangle. Interior of polygonal hall richly decorated with columns in all corners, sculptures and paintings between them; brightly colored., Italy,

Possible Study for 'Marth, Daniel Huntington, American, 1816–1906, Graphite, White Chalk Support: Gray Wove Paper, USA, 1860, figures, Drawing, Drawing

Cathedral at Popayan, Columbia, Frederic Edwin Church, American, 1826–1900, Graphite on white paper, Horizontal rectangle showing the dome, steeple and walls of the cathedral seen from the apsidal end, across a garden and house roofs.,

Design 'A' for Stand of Whitewood and Stained Walnut, A.N. Davenport Co., Graphite, red color pencil on thin cream paper, Elevation left and side view right; rectangular cabinet with elaborate stylized metalwork on front panel; pair of hinged

Project for the Decoration of an Oblong Panel, Pencil, pen and ink, white chalk on brown paper, Horizontal rectangle showing a crowned lyre and two oblique trees framed by a par of eagles., Italy, ca. 1840, ornament, Drawing, Drawing

Project for a Silver Handle, Black chalk, pen and ink, brush and watercolor on paper, Elevation shown. Handle consists of leaf scroll, a shell suspended from a capital. The bottom part of the shaft consists of a high bracket with an escutcheon

Shipyard and Pier, James Henry Moser, Canadian, 1854–1913, Black crayon on brown paper, View looking down the pier out to sea. Building at right, with barrels, figures, and ship's masts beyond., USA, February 16, 1878, transportation,

Design for Woven or Embroidered Borders, Graphite, brush and wash on paper, A rising rinceau; continuation of horizontal bough which is fastened to the lower end of the vertical bough of 1909-13-126., France, 1820–50, textile designs,

Design for a Dining Table on a Scrolled Base, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with a dividing stretcher at center; raised on reeded column-like support sitting atop a molded base terminating in inwardly

Design for a Chinese Pavilion, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, An octagonal building having three tiers of roofs with dragon finials. The structure is enclosed, but the side facing the

Design for a Painted Ceiling, Pen and ink, brush and watercolor on paper, Series of modlings about border; circular element in center with tent motif and arabesques in interveneing spaces for which alternative suggestions are made., France,

Mace for Liturgical Use, Black chalk, brush and watercolor on paper, A fluted cup with a foot stands upon the shaft. Above it is a pedestal with the escutcheon for a prelate’s coat-of-arms in front. Above kneel two angels beside the façade of a

Designs for Various Motifs, Brush and gouache on oily tracing paper, mounted, Europe and USA, Drawing, Drawing

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's face, looking up to the left., USA, ca. 1895, figures, Drawing, Drawing

Study for 'The Sources of Wealth, ' Union Trust Company Building, Cleveland, OH, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a caduceus staff, showing half of the design with a snake twisted around the staff and part of a

The Artist in the Village, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A middle-adged man, seated and making a drawing, is surrounded by village people, mostly children., USA, 1875–80, figures, Drawing,

Self-Portrait, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Design for a Setting of the Exhibition of the Host, Black chalk, brush and gray and black watercolor on laid paper, Vertical rectangle. The left half of an architectural interior with baldachin is shown. Three flights of eight step, each lead to

Cardinal Flower, Samuel Colman, American, 1832–1920, Brush and watercolor, pen and brown ink, graphite on cream paper, Stem and red flowers in watercolors, left. Pen and graphite studies of flowers. Sketch of design for vase, lower right.

Design for a Dresser and Chair, Graphite, brush and watercolor on light green-gray paper, Horizontal rectangle. At top, the right half of a plan for the chest of drawers with a graphite inscription. Below at left is the dresser seen from the

Painted Wall Decoration, Pen and brown ink, brush and sepia wash on paper, Vertical rectangle. Fantastic drawing showing ground floor with door and two niches with sculptures. Upper floor open to the front showing monument in the middle, ogival

St. Paul in the Clouds with Angels and Palms, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, on paper, On verso: three studies of fourteenth century altars, Italy, 1813–18, figures, Drawing, Drawing

Seven Sketches of Heads, Arnold William Brunner, American, 1857–1925, Graphite on paper, Upper left, sketch of man in profile facing left, with bowler and glasses. Upper center, profile of woman facing left, with hat. Upper right corner,

The Flight into Egypt, After Domenichino, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown watercolor wash on paper, Italy, 1813–18, figures, Drawing, Drawing

Study of a Hemlock, North Conway, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on cream-colored wove paper., Vertical view of a large, full hemlock at center, surrounded by partial sketches. Near view of trunk at right.

Lunette of Holy Family with St. Elizabeth and St. Joseph, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and dark brown wash over black chalk on white laid paper, Seated Virgin turns her head toward St. Joseph, standing at right

Motif for Decorative Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, ink, watercolor on paper, Shown is an oblong frame for an ovoidal representation. Alternative suggestions are shown for the decoration of the

Drawing, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper, Archway and details of a doorway at Laval Cathedral, and stone bands, details, at Rouen., USA, 1883, architecture, Drawing, Drawing

Study for the Goddard Memorial Window, in St. John's Church, Providence, Rhode Island, Francis Augustus Lathrop, American, 1849 - 1909, Brush and black and grey watercolor, white gouache, graphite on brown paper, Two figures in an archway.

Design for Meuble de Vestibule, Graphite, color pencil, brush and watercolor on cream paper, Wall elevation for entrance hall in renaissance-revival style (although it is called 'genre Boulle' in published drawing, see bibliography). Lower

Roofs of an Italian town, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., A pavilion rises in the left foreground. An enormous cloud is shown in the center. A narrow top and a broad bottom margin show the grayish

Project for Painted Medallions, Felice Giani, Italian, 1758–1823, Pen and brown ink on cream laid paper, 1810–20, Drawing, Drawing

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork design with putti, bears and birds surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Box, Brush and watercolor, gold, black gouache, graphite on cream paper, Design for a rectangular box outlined in green and gold decorated on top with a green-blue fish., Japan, 1880–1910, tableware designs, Drawing, Drawing

Study of a Woman's Head for 'A Magdalen', Daniel Huntington, American, 1816–1906, Graphite, white chalk, brown pastel crayon on green wove paper, Head of a young woman, turned to the right, gazing upward., USA, 1852, figures, Drawing,

Design for Six-legged Sideboard with Five Central Drawers, A.N. Davenport Co., Graphite, blue pencil, and pen and red ink, on thin cream paper, Rectangular sideboard on six tapering, fluted, and turned legs; tripartide front with convex

Two Scenes at Mont St. Michel and Vitré, Arnold William Brunner, American, 1857–1925, Graphite on pink paper., Left, courtyard with wall right, two figures look down, center turret. Right, roof tops., USA, 1883, architecture, Drawing,

Design for the decoration of the façade of St. Peter's, Rome, for the Canonization of Giuseppe da Capertino and Jeanne-Françoise de Chantal, Carlo Marchionni, Italian, 1702–1786, Graphite, brush and gray watercolor on laid paper, Crest: a

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Sketch of a female figure in costume holding a sheet of paper in her hand., USA, 1872–1875, figures, Drawing, Drawing

Rathhaus at Dettelbach, Arnold William Brunner, American, 1857–1925, Graphite on paper, Center, German court house, with turret at center with stairs on both side. Lower center, arched doorway. Buildings at either side, birds flying upper

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length sketch of a female figure in costume, from the back., USA, 1872–1875, figures, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Lilac edges. A rose bough, two fantastical flower boughs, and two leaves carrying blossoms decorate the flap of

Ceiling Vault Decoration, Camera da Letto, Sala di Cornelia di Palazzo Cavina, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink on laid paper, Decoration for vaulted ceiling. Fret band and frame subdivided into nine panels. Lower rows:

Design for a Title Page, Pen and ink, brush and wash on paper, A frame with curved, chamfered corners decorated at the top with putti, one holding a ribbon inscribed 'Dum Spiro Spero, ' above an escutcheon showing a rampant lion and three

Design for a Compact, Brush and gouache on cream paper, Design for a compact cover with a woman in a pink dress wearing a floppy had, looking back and holding a powder puff in one hand, against a blue ground., Japan, 1880–1910, costume &

Venus at Forge of Vulcan, Winter, Victories and Three Roundels, Putti as Elements, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Three roundels, each containing

Design for Kidney-Shaped Writing Table with Book Shelves at Back, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Project for the Decoration of a Ceiling, Graphite, pen and ink on paper, Portion of a ceiling shown. At lower right, a candelabrum. To the left of this a circle with a mask at center. Flanking this, are two panel with three figures each.,

Cloud study, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard, Clear sky with patches of clouds some of which are reddened. High bottom margin shoing brownish grounding color., USA, 1870–80, nature studies, drawing,

Study for 'A Magdalen', Daniel Huntington, American, 1816–1906, Graphite, white chalk on green wove paper, Female figure turned to the right with her arms raised, her hands folded, and cloth across her breast. Only the lower part of her

Drawings. Two sketches. Palms., Frederic Edwin Church, American, 1826–1900, Graphite on paper, Vertical view showing a palm rising from behind a roof at top and a trunk and top of a palm with windswept branches at bottom., USA, 1857, nature

Oak Leaf Wreath with Eagle, Pen and ink, brush and grey wash on paper, Horizontal rectangle showing an oak leaf wreath with left-facing eagle and ribbon., Italy, 1830–1850, ornament, Drawing, Drawing

In St. Peter’s, All Saint Day, Arnold William Brunner, American, 1857–1925, Graphite on paper, Crowd of figures standing in front of an arch at left., USA, ca. 1881, architecture, Drawing, Drawing

Elevation of the Entrance Wall of a Hall, Pen, Chinese ink, rose watercolor and ink washes on paper, Five fluted pilasters frame wall panels in which three folding doors alternate with two simulated arched window openings. Cast shadow in the top

El Yemen Valley, Arabia: Rock Wall with the Upper Part Resembling a Row of Columns, Frederic Edwin Church, American, 1826–1900, Recto: Graphite on gray paper Verso: Graphite, brush and white gouache on gray paper, Recto: Horizontal view of a

Mt. Jefferson at Glen House, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Boulders in right foreground, with ridge at left. Mount Jefferson in distance at center., USA, September 12, 1854, landscapes,

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, Hanging feature composed of intertwined greenish gray snakes, at the top a dragon head. Verso: graphite sketches., USA, ca. 1887–1903,

The Eager Shepherd [Le Berger Empressé], Gabriel Huquier, French, 1695–1772, Antoine Watteau, (French, 1684–1721), Black chalk, brush and gray wash, traces of stylus on cream laid paper, A shepherd makes advances to a shepherdess

Landscape with a Cottage, Pen and brown ink on cream laid paper, A large tree in the left foreground stands at the edge of a field and stream, in which are cows and figures. Beyond, at the right, are additional trees and a thatched house, with

The Assumption, Giovanni Benedetto Castiglione, Italian, 1609–1664, Pen and brown ink on paper, Assumption of the Virgin. At top, the figure of the Virgin Mary supported by a crowd of angels, clouds at either side. Verso: adoration of the

Design for Massive Library Table with Squared Pilasters at Corners, A.N. Davenport Co., Carbon tracing, graphite, pen and red ink on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for Woven Corner with Neoclassical Motifs, Brush and gouache on laid paper, Vertical composition with two motifs rendered in white gouache--one circular and one rectangular--surrounded by stars. The larger, rectangular motif consists of an

Design for a Woven Fabric, Traced lines, brush and gouache on paper, Striped design. At left is a vertical row of small flowers of which two repeats are shown, alternating with bunches of roses of which one repeat is shown. At right is a light

Shoe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Three sketches of a lady's shoe., USA, 1877, costume & accessories, Drawing, Drawing

View Across a River, Leon Dabo, American, 1868–1960, Black crayon on paper, View in evening light across a river, with sailboats at the left. Low hills on opposite shore. Two thin trees, close together, in the immediate foreground, USA,

Design for Rectangular Writing Table on Scrolled Supports, in Two Views, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Ceiling Design with Rinaldo and Armida, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on white heavy laid paper, In garden setting, Armida reclines in lap of Rinaldo;

Console Tables, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Pen and ink, brush and wash on paper. At left, the leg in the form of a claw foot with griffin head. A frieze with rinceaux and two putti holding a portrait

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Rinceaux with alternating cone leaves and ears of grain over a row of

Bronze Vase with the Sacrifice of Iphigenia (after the Medici Vase), Luigi Righetti, Italian, 1780 - 1819, Pen and brown ink, brush and watercolor, graphite on white wove paper, Vertical rectangle. Design for a vase intended to be produced in

Candlesticks, Pen and brown ink, brush and brown wash on off-white laid paper, lined, At center, the figure of an athlete standing on a round pedestal standing upon a stepped base. Two branches on either side. Surrounding sketches., Italy, ca.

Study of Seated Woman for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Woman seated in an armchair, her body turned slightly to the left and her

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a figure wearing a top hat and pantaloons., USA, 1884, figures, Drawing, Drawing

Design for a Ceiling, Pen and ink, brush and wash on paper, A framed central panel showing a woman with angels on the clouds. Below this, a detailed frame with three angels, one of which holds a cross., Italy, 18th century, interiors,

Study of Woman's Hair, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Hair bound loosely with scarf or ribbon. Face and shoulders indicated. Head bent to the left., USA, ca. 1895, figures, Drawing, Drawing

The Appeal, Walter Shirlaw, American, b. Scotland, 1838–1909, Pen and ink on paper, Project for illustration. Men singing in church shown from waist up., USA, 1875–80, figures, Drawing, Drawing

Design for a Ceiling, Pen and ink, brush and wash on paper, Irregularly shaped page. At top left, a curving moulding. To the right of this, scrolling ornament with a ram’s head. Below, to the left: an undecorated square. To the right a swag

Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Black crayon, grey and black watercolor, gouache on paper, A group of two seated and one standing woman. The right one holds a sickle, likely representing Agriculture. The

Design for a Book Cover: My Study Fire, by Hamilton W. Mabie, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on brown paper, On brown ground, design in green and yellow with black boxes of yellow text: MY / STUDY . FIRE / BY /

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper, Capitals with floral motifs, and a medallion with face in the wall, center, labelled in the Maison d’Agnes Sorel., USA, 1883, architecture,

Two Evening Landscapes, Leon Dabo, American, 1868–1960, Pastel on dark blue paper, Two landscapes with water, at twilight, showing reflections. Landscape with moonlight above, setting sun below., USA, ca. 1890, landscapes, Drawing,

Oblong with dancing children; an oblong panel with an escutcheon, Charcoal, pen, ink, brush, grey watercolor, paper, Vertical rectangle. A horizontal oblong with three dancing children. At right is one blowing into a trumpet. Below is a

Under Her Own Vine, Illustration for 'Modern Athens', Corwin Knapp Linson, American, 1864 – 1959, Charles Scribner's Sons, New York, New York, USA, Graphite; brush and gray wash and white gouache on white wove paper, Scene depicts the

Four Sketches of Sloops, Winslow Homer, American, 1836–1910, Graphite, brush and gouache on gray-green paper, Vertical view showing four outline sketches of sloops. One at top is shown against hill and the other is shown with gouache on sails

Design for a Confident, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and gray wash, graphite on white laid paper, A sofa divided into three sections, shown frontally at left, and in left profile and right;

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform, with long waistcoat, short pants., USA, 1876–1877, figures, Drawing, Drawing

The Holy Family and St. John, Red chalk, pen, ink, black wash on paper; verso: pen and ink, On obverse Christ is seated on the Virgin's left knee and St. John, depicted as a child, stands at her right leg. St. Joseph is depicted twice behind

Geometric design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Vertical rows of stylized flower heads alternating with vertical rows of inverted traingles, pink, blue, yellow

Design for a Writing Desk, Graphite, pen and ink, brush and watercolor on paper, Left, front elevation of a design for a writing desk. Upper section with double doors enclosing fitted desk sections, surmounted by a hood with concave molding,

Study of Standing Woman for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Woman standing facing towards the right, her right hand holding her

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