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Death of St. Joseph, Francesco Coghetti, Italian, 1804 - 1875, Pen and black ink, graphite on paper, Jesus is preaching, sitting upon the bed; different attitudes of his left raised hand are sketched. Mary, angels, cherubim are present. On

Design for Side Serving Table displaying a Vase of China, A.N. Davenport Co., Pen and black ink on thin, cream paper, Table surface (with curved skirting) and back splash supported by four cabriole legs joined by four scrolling stretchers

A Room in a Florentine Palace, Unknown, Italian, Brush and watercolor, gouache, gold paint, graphite on white wove paper, The wall decoration in the eighteenth century grisaille technique is obscured by mirrors and a portrait. The Louis XVI

A Peasant's House in a Valley, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, The house is at left. Framing lines., France, ca. 1840, Drawing, Drawing

Design for Crèche (Nativity Scene), Pen and ink, brush and sepia wash on white paper, Horizontal rectangle. Architectural ruins, open to the sky, used as setting for the Nativity group, seen near center, middleground. Rays of light rise from

Design for a Border, Edward B. Edwards, American, 1873–1948, Charles Scribner's Sons, New York, New York, USA, Pen and black ink, brush and black wash, over graphite on paper, A border design of stylized leaves and flowers on interlacing

Themistocles, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Themistocles shown standing at post and pointing at ship. Altar dedicated to Apollo beside him. Priest

Project for a Chandelier, Graphite, brush and watercolor on paper, Vertical rectangle. In the center is a vase with a big bouquet of colored flowers. Five arms are visible. The bowl on top, the rings of the chains, a bowl below the ring is of

Design for a Ceiling, Pen and brown ink (iron gall ink) and traces of graphite on cream laid paper, Corner of a design for a ceiling showing alternative suggestions. At left, rinceaux; at right, a figural frieze., Italy, ca. 1800, ornament,

Project for a Ceiling, Black chalk, pen and ink on paper, Slightly more than a quarter of the ceiling is shown, with alternative suggestions. Escutcheon with a mask in the corner. To the left, a sphinx., Italy, mid- 18th century, interiors,

Design for a Candelabrum, Pen and ink, brush and wash, on paper, Two busts of Egyptian women serve as handles of a case from which three twisted cords emerge. Two are curved laterally and hold acanthus spirals which support two sockets. The

Portrait of Sarah E. Richards, Daniel Huntington, American, 1816–1906, Graphite and white chalk on brown wove paper, Bust portrait with the body turned toward left, the head facing frontally., USA, 1841, portraits, Drawing, Drawing

Study of Hand for 'Martha Reproved', Daniel Huntington, American, 1816–1906, Graphite, white chalk on buff wove paper, Right hand of woman shown, palm away and thumb up, with sleeve outlined in background., USA, February 1855, figures,

Design for a Painted Door, Graphite, pen and ink, brush and watercolor, sepia on paper, Design for a pair of doors painted in the Pompeiian style. Each has a large central panel with arabesques, and square panels above and below., France and

Detail from a Doctor's Engraved Thesis (Personification of Knowledge), Black chalk, pen and black ink, brush and ink wash on gray-blue laid paper, Germany, n.d., Drawing, Drawing

Studies of Nude Figure, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Top: The boy is shown laying on his side, the left leg bent and foreshortened. Bottom right: Bust with arms, the head lies on the left forearm

Design for a Dining Table of Mahogany with a Flower Vase, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table with dividing stretcher center raised on columnar support over elaborately carved molded base; 4 carved

Design for Jewelled Hair, Pen and black ink, blue watercolor, gold paint, graphite Support: off-white paper, Italy, Italy, 1800–1850, jewelry, Drawing, Drawing

Study for a woman holding a child, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black and brown pastel crayon on tracing paper, A female figure holding a child. The clothes were

Resting Mules Tethered to Wagons, Winslow Homer, American, 1836–1910, Graphite, brush and gray wash on cream wove paper, Recto: Horizontal view of a resting wagon train, with tethered mules; tree and log cabin visible in background., Verso:

Design for Three Chairs, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper. Ruled borders in pen and black ink., Left: Side chair, upholstered in blue. Elongated back splat

Madonna and Child with St. Joseph, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on paper, On verso: five studies of ceilings with grotesque, Italy, 1816, figures, Drawing, Drawing

Bash-Bish Falls, South Egremont, Massachusetts, Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Vertical view with a group of four picnickers sitting in foreground on a rocky ledge before a pool of water

Design for a Teacup, Brush and watercolor, gold gouache, graphite on cream paper, Teacup design with lid unfinished (in graphite), gold rim top and bottom; purple grapes, green and orange leaves, gold tendril; pointed handle., Japan,

Study of Feet, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Left and right feet and ankles. Upper left, a list of symbols and their significance. Symbols include: triangle, star, 3 circles, eternity, anchor,

Study of a Bunch of Roses, Black chalk, white and colored gouache on blue paper, France, 1750-1775, Drawing, Drawing

Design for Kidney-Shaped Writing Table with Empty Vase Atop, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Sheet 15 of a Drawing Book, Group of the Madonna of the Rosary, Carlo Maria Giudici, Italian, 1723 - 1804, Black chalk on paper, Vertical rectangle. Figure of the Virgin is shown from the front, standing and carrying the Christ child with her

Design for a Comb, Pen and ink, brush and gray, yellow watercolor on paper, Jewelry design for a hair comb. The cresting border is formed by circles, connected by small ones; in the larger ones a central diamond is framed by smaller ones; in the

View of an English Palladian country house in a park, Norbert Bittner, 1786 - 1851, Pen and ink with watercolors on paper, View of the façade of a house in the Palladian classic style with pilasters; a man and two ladies at the front of the

Design for the Embroidery of a Waistcoat of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Floral and ship design: an anchor at the pocket, beneath: ships in a storm., France, ca. 1785,

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. Below the pocket short flower sprays, and leaf motifs. Flower and alternating leaf motif along border. Flower design on

Saint Matthew and an Angel, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on paper, On verso: architectural decorative studies, Italy, 1813–18, figures, Drawing, Drawing

Design for an over door, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and gray watercolor on cardboard, Only the curved cresting; below, moulding with ovolo design. Center: laurel medallion with head of sun at

Sketch for a Portrait of Bella Worsham, Daniel Huntington, American, 1816–1906, Graphite on cream paper, Full-length woman standing, her left elbow on a mantelpiece, pedestal, or wall; she holds her skirt in her right hand, and looks to

Design for a Bedroom, Pen and ink, brush and watercolor, black chalk on paper, The elevations of a wall and of the bed alcove are shown. The chimney piece has a looking glass as an over mantel. At right, the bed shown from the foot and a mirror

Two Designs for Decoration of Boxes, Tor di Nona Theater, Rome, Giuseppe Valadier, Italian, 1762–1839, Pen and gray ink, watercolor, over pencil, Italy, 1819, theater, Drawing, Drawing

Project for a Window, Pen and ink, brush and wash on off-white laid paper, View of a window in the main story of a building, with a mezzanine above it., Italy, 1730–1740, architecture, Drawing, Drawing

Design for Two Trophies Referring to the Virgin, Graphite, brush and Chinese black on paper, The trophies are suspended from clouds with pairs of cherubim. In the center are escutcheons with the fountain and the tabernacle, respectively. The left

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Design for a Vase, Brush and gouache, graphite on cream paper, Design for a vase with floral decoration; both body and neck containing plum and black blossoms with gold and blue and light yellow leaves; dentil motif on rim and zigzag on shoulder.,

Design for Wall with Doorway, possibly for Library, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, Elevation of a wall, with a doorway at left surmounted by a painted tablet bearing

Design for a Fork and Two Spoons, Giulio Romano, Italian, 1499–1546, Pen and brown ink, brush and brown wash over traces of black chalk or charcoal on off-white laid paper, lined, Sheet shows three pieces of cutlery: a four-tined fork topped

The State Coach, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and blue, green, and rust watercolor, graphite on paper, Horizontal rectangle, bevelled corners. A green brougham, surmounted by a coronet, the carriage

Project: A pulpit shown in profile, Pen, ink, gray water, and color wash on paper, A pulpit is shown in profile fastened to a pilaster and facing right. The lower part of the column stands in front of a pilaster strip at the left., Rome,

Design for Painted Decoration of a Wall, with Alternate Suggestions, Unknown, Austrian, Brush and watercolor, graphite on white wove paper; incised lines, A dado is at the bottom, an entablature on top. The lower part of the design suggests

Designs for an Altar Mensa, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and gray wash on off-white laid paper, lined, Horizontal rectangle. At top left, an angel, holding boughs of a tree supporting four burning candles,

Sketch of Chair and Door, Arnold William Brunner, American, 1857–1925, Graphite on paper, Chair, with decorative arm rest, legs, and upholstery, left. Right, decorative door panel and detail of low relief, lower right., USA, 1883,

Flowering Plants, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Recto: Horizontal view of a blossoming plant at top row left; a thistle at center; a stem of Golden Rod with blossoms at right; a

Interior, Japan, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of an interior room from the garden., Japan, 1891–1892, architecture, interiors, Drawing, Drawing

Design for a Candlestick, Graphite on paper, Vertical rectangle. The front of the candlestick base is decorated with a couple of sea deities and a child in a shell carriage. Above, a festoon supported by satyr masks in front of an entablature. The

Design for a Looking Glass and Console Table, Pen and black ink, brush and violet, olive, yellow watercolor, graphite on off-white laid paper, Vertical rectangle. Intended to be executed in wood with ornaments of gilded metal. Below is a

Design for Rectangular Writing Table with Area for Monogram on Center Drawer, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Ruins of St. George Church, Lydda [present day Lod], Frederic Edwin Church, American, 1826–1900, Graphite on brown paper, Vertical view at top of the ruins of the Church of St. George in Lydda (Lod). View from a lateral nave into the apse. An

Desing for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. Design for an oil-burning lamp. Below is a moulded base. The figure of a menad is shown in three-quarter profile dancing upon a sphere and

Aurora, Mount Desert Island, Frederic Edwin Church, American, 1826–1900, Graphite on paper, The island is shown across the sea upon which a boat sails. The mainland is in the right of the background. An 'aurora' is shown in the sky. The term

Design for a Mausoleum, Pen and ink, brush and watercolor, graphite on paper, A flight of steps leads to the closed folding door which is flanked by pairs of embedded of Doric columns. A rustic wall and a triglyph frieze. A circular pediment

Design for a Sugar Bowl, Brush and black, gold gouache, yellow watercolor, graphite on cream paper, Close-up, cropped design for a sugar bowl with a black and gold rim; at center an area made up of gold scrolls and floral motifs with garlands;

Design for a Chalice, Elevation, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and ink with ink and yellow washes on paper, Design for a chalice, seen in elevation, in a shape of the seventeenth century, with Louis XVI motifs of

Sketch for a Round Panel or Window, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Two classical figures, with female figure seated at right and male figure standing at left. Center, a statue of Mercury on a pedestal.

Decoration of a Panel, Black crayon, pen and ink on paper, The right side shows a bunch of lilies as the central motif. They are fastened to an acanthus scroll with small flower branches., Italy, 1725–1750, ornament, Drawing, Drawing

Design for an architrave, Pen and Chinese ink, brush and watercolor, graphite on paper, France, 1770-1790, Drawing, Drawing

Design for a Sepulcher Monument for a Couple, Graphite, pen and ink, brush and bistre wash on paper, A pylon rises from a base. The central part shows an inscription. An entablature and pediment are roughly sketched. Festoons surround the top of

Doorway, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a doorway., USA, 1881, architecture, Drawing, Drawing

Design for a Chimneypiece, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble. At the sides two female hermae, respectively with flower and grain wreaths upon

Sketchbook Page with St. Luke., Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on laid paper, Recto: Saint Luke stands before a niche, holding a pen to an open book. A bull crouches at his feet

Angel Seated on a Volute, Leonardo Scaglia, French, active Italy, 1640 – 1650, Pen and black ink, brush and white gouache, chalk on cream laid paper, A winged figure reclines on an architectural element, head titled upward and right arm

Architecture and Figure Studies, Filippo Marchionni, Italian, 1732–1805, Charcoal, pen and ink, brush and gray watercolor on laid paper, Top: landscape with a villa in mountainous country. Center left: upper left part of elevation of a

Design for a Fireplace, Antinous Room, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and grey, brown wash, graphite on cream laid paper, Surmounted by a central eagle, floral garland, and

Decoration of an Arched Portal, Carlo Marchionni, Italian, 1702–1786, Graphite, black crayon, brush and gray watercolor on laid paper, The upper part of an arch, inside contains an applied escutcheon, supported by two angels. Sitting upon

Project for an Entrance, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and ink, brush and watercolor on paper, An entryway framed by a pair of columns and pilasters supporting an entablature and the cornice of a pediment. The inner

Design for an Ornament, Pen and black ink, brush and gray wash on paper, Architectural element consisting of an ornamental capital with vegetal motif on a pedestal., Italy, 1728–1778, ornament, Drawing, Drawing

Pope Benedict XIV in a Consistory with Cardinals, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink on laid paper, The Pope on his throne; seven cardinals seated on chairs in two rows. An empty chair sits in front of the

Design for an Incense Boat, Filippo Marchionni, Italian, 1732–1805, Pen and ink, brush and wash on paper, Shown in full length, an empty escutcheon is in the middle. The end of the shadow cast by the thurible -1145 is at the left edge. The

Adoration of the Shepherds, Pen and brown ink, brush and wash on cream laid paper, Virgin touches Child with left hand as figures look on. Shepherds visible on right, with cherubim overhead flying in the clouds. Architectural background at

Design for a Candelabra, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and wash on paper, Elevation of a smoking candelabra. Five arms, stepped toward the center. Branches decorated with leaves. Body in the form of a pillar.

Design for Allegory of Divine Wisdom, Reception Room, Palazzo Barberini, Rome, Italy, Andrea Sacchi, Italian, 1599 – 1661, Brush and brown wash, pen and brown ink, red, black, and white chalk on off-white laid paper, Design for a

Catafalque for a king, Carlo Marchionni, Italian, 1702–1786, Graphite, black chalk, brush and gray wash on laid paper, In the shape of an obelisk without point. Three steps lead to a base with candle brackets, the front intended for an

Alexander the Great and Diogenes, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, graphite on thick white laid paper, Landscape drawing with figures. Diogenes sitting in far right foreground in front of

A Reliquary for Three Skulls, Carlo Marchionni, Italian, 1702–1786, Black crayon, brush, sepia, and gray water color., The image is in a horizontal rectangle. A box with a pediment is shown, whose general shape is that of a triangle. The

View of Masquerade Ball, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and gray wash, watercolor on laid paper, Crowd in formal dress in highly ornate hall. Musicians on a loft over the door in the center rear.,

Design for Title Page, Cahier des Parasols Chinois, Jean-Baptiste Pillement, French, 1728–1808, Pen and brown ink, brush and black ink, black chalk, Under fanciful trees, a Chinese man and woman are seated on a section of rustic fence,

Design for a Sauce Boat, Joseph Anton Seethaler II, German, 1799–1868, Graphite, pen and black ink, brush and wash on paper, Shown from side. The handle formed by a winged mermaid is at right. A grapevine rinceau grows from the fishtail leg.

Design for a Public Monument to be Erected on a Paris Square, Jean-Pierre-Louis-Laurent Houël, French, 1735–1813, Pen and gray ink, brush and brown wash over black chalk, graphite on white laid paper, Recto: In the midst of a plaza, above

Design for Mechanical Furniture: Desk, Graphite, pen and ink, brush and watercolor on paper, Upper left, front elevation of a desk. Upper section with center having flap opening to a compartmented interior with drawers and pigeon-holes, flanked

Design for a Ewer, Black and white chalk on brown paper, Vertical rectangle showing ewer In auricular style shown in profile.The handle at right includes a dolphin biting into another head. On the body is a panel framed by scrolls. It shows Neptune

Design for an Ewer, Black, white, and red chalk, brush and gouache on laid paper, Vertical rectangle showing an ewer in the auricular style shown in profile. The uppermost part of the design is lacking. The handle consists of a merman and,

Design for an Ewer, Black and white chalk on beige laid paper, Vertical rectangle showing a design for an ewer in the auricular style. A mermaid is intertwined with the dolphin's tail at the lower outside of the handle. A dragon stands upon the

Design for a Fantastic Goblet, Red chalk, brush and watercolor, oxidized white heightening on off white laid paper, Vertical rectangle. Foot and shaft consist of a merman as Atlas, intertwined with a dolphin. A fantastic shell has a cover shaped

Design for a Candlestick, Chalk on laid paper, Design for a candlestick shown from the front. Shown is a tripartite foot consisting of animals in auricular style, upon which children stand. Each carries a lighted torch. The child at left

Design for a Centerpiece, Chalk on tan laid paper, Design for a centerpiece to be executed in metal; four intertwined tails of dolphins support four shells. Figures of putti holding reeds sit upon the dolphins' heads. Another child bearing a

Study for 'Apotheosis to Thomas Cole', Frederic Edwin Church, American, 1826–1900, Brush and oil paint on paper laminate, Recto: Horizontal view of two figures, at lower right, who observe an illuminated cross or star in the darkness, at

Coast of Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Coastal scene with a grass covered rocky promontory at left, a small cove in the foreground, and the ocean

Coast of Grand Manan Island, Canada, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on paperboard, Dark cliffs at right; small cove with rock and branch-strewn beach in foreground. Gray skies over still water at

Design for an Escutcheon in Honor of William Earl Cowper (ca. 1665-1723), François Boucher, French, 1703 – 1770, Charcoal, brush and brown wash on tan paper, In the same direction as the etching--a memorial to William Earl Cowper after

Vue de l'angle du même Cabinet; Vue de l'angle du même cabinet, montrant à gauche une grande fenêtre et à droite le tableau de Zéphyr et Flore, 2nd Plate, plate 88 in L'Oeuvre de Juste Aurèle Meissonnier, Paris, 1748, Juste-Aurèle

The Feast of the Drawing of Water, Medium: silk, metallic yarn Technique: embroidery, Picture shows a scene in Jewish ritual celebration: 'The Feast of the Drawing of Water.' In the back are three arches: in the center a hanging candelabra, on

Brisé fan, Ivory sticks painted with gouache, silk ribbon, Brisé fan with painted ivory sticks. Obverse: a gathering of women hunting water fowl; below are chinoiserie figures. Reverse: the same scene in reverse as a line drawing., France,

Design for Stained Glass Memorial Window to Thomas J. Post, Robert Winthrop Chanler, American, 1872–1930, Pen and black ink, brush and opaque watercolors on tissue paper (mounted), Vertical rectangle depicting an angel that holds a torch in

Study of Two Chrysanthemums, Sophia L. Crownfield, (American, 1862–1929), Graphite, pen and ink, brush and ink on yellow tracing paper, A study of two chrysanthemums with long stems and leaves. At right, some details are sketched in

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