Images at Librifly

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Two Studies of Violet Chrysanthemums, Sophia L. Crownfield, (American, 1862–1929), Brush and gouache on grey paper, Two violet chrysanthemum blossoms, one with stalk, leaf and bud in the center of the page., USA, early 20th century,

Three Studies of Poppies, Sophia L. Crownfield, (American, 1862–1929), Brush and gouache on gray paper, Studies of three poppies on long green stems. Flowers have dark red petals and purple centers., USA, early 20th century, nature studies,

Mountainous Landscape, Brush and gouache colors on paper, Three figures are depicted near a small body of water in the foreground. Behind, a cottage and a double-arched stone bridge. Mountains in the distance., Italy, 1720–40, landscapes,

Still-life with Fish and Parrot, Jean-Baptiste Oudry, French, 1686 – 1755, Black and white chalk on blue laid paper, At the base of some stone building fragments, there is an arrangement of a dead lobster and a group of fish beneath a large

Mausoleum, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on paper, The precinct is shown partly in elevations, partly in sections. A ramp beside a platform with a pavilion and a pyramid leads to the

Stage Design: Palace in Clouds, Girolamo Fontana, Italian, 1668 - 1701, Pen and black ink, brush and gray-blue wash on white laid paper, Richly decorated arcade leading to large staircase. Barrel vault supported on the right side by caryatids

Design for the East Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink, brush and brown, gray wash, black chalk on cream laid paper, Architectural study of arch topped with

Design for a Brooch in Shape of a Feather, Pen and black ink, brush and gray wash on laid paper, Jewelry design for a brooch in the shape of a feather. Feather positioned vertically and curving to the right at the top with a small knot around the

Design for Brooch or Hair Ornament in Shape of Feather, Pen and black ink, brush and gray wash on light green laid paper, Jewelry design for a hair ornament or brooch in the shape of a feather. Feather-shaped ornament curved to the left, with

Design for a Brooch, Pen and black ink, brush and gray wash on paper, Jewelry design for a brooch. Two bows—one larger and one smaller, stacked upon one another. Both decorated with patterned bands of stones, S-curves, rhomboids, X’s, and

Design for a Brooch, Pen and black ink, brush and gray wash on paper, Jewelry design for a brooch. A double bow—one larger and one smaller, stacked upon one another. The smaller one has six slopes. Lace ribbons with branches entwined by a

Studies of a dragon, Brush and watercolor, pen and black ink on laid paper; verso: black chalk, pen and ink on laid paper, Two winged snake-like dragons and six heads of each are shown., Verso: two men on horseback in classical armor, fleeing

Design for Sculptured Decorations of Ceiling, Unknown, Brush and brown wash, pen and ink, graphite on paper, Ceiling decoration featuring several putti and smiling faces, foliage and decorative scrolls., Italy, 1650–75, architecture,

Design for Sculptured Decorations of Ceiling, Unknown, Brush and brown wash, pen and ink, graphite on paper, Ceiling decoration featuring several putti and smiling faces, foliage and decorative scrolls., Italy, 1650–75, architecture,

Design for a watch chain and two bracelets, Graphite, brush and pale yellow wash on white wove paper, Three jewelry designs, each below the other. The watch chain has three balls connected by thin pieces of chain. The first bracelet has six

Design for the Facade of a Villa, Graphite (leadpoint), Villa carefully rendered in appearance has three sections; a central convex section with three storeys, and two planar side wings with two storeys. Decorative elements include pilasters,

Design for the Base of the Silver Crucifix for the High Altar of Saint Peter's, Rome, Italy, Antonio Gentilili da Faenza, Italian, 1519 – 1609, Pen and brown ink, brush and brown wash, black chalk on off-white laid paper; verso: black

Inkstand, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, Intended to be executed in silver. Shown from above. The plan is in the upper right corner. The scheme is that of a

Design for a Vessel (Sauceboat?), Pen and brown ink, brush and brown, gray wash, black chalk on cream laid paper, lined, Boat-shaped vessel supported by baluster pedestal on either side of which two nudes sit with arms raised appearing to

Insects, Rice paper, Detailed representation in color of four butterflies, a grasshopper, caterpillar, and a beetle., China, 18th century, Drawing, Drawing

Design for the West Wall of the Music Room, for Brighton Pavilion, Brighton, England, Frederick Crace, English, 1779–1859, Brush and watercolor, gouache over traces of graphite on white wove paper, Elevation of west wall, with the two

Architect's Table, oak, mahogany, walnut, pine, cherry; bronze, brass, iron, steel, gold; leather, gold, This mechanical table has a rectangular double-hinged top veneered with flame-grained mahogany. It can also serve as a console. A

Design for a painted panel, Michelangelo Pergolesi, Italian, active ca. 1760–1801, Pen and ink with watercolor washes on paper, Rinceaux, grotesques and garlands set off a single figure medallion, above, and a horizontal panel below,

Mantelpiece Detail, Music Room, Robert Jones, British, active 1815 – 1833, Brush and watercolor, graphite on white wove paper, Horizontal rectangle. Design for the Royal Pavilion, Brighton. The vertical elements of the design are

Semi-Draped Female Figure, Red chalk on paper, A semi-draped reclining female nude, her right arm over head, and resting her chin on her left fist. Below, partial study of the same figure. Probably copies from antique statuary., Italy,

Drapery Study, Leon Dabo, American, 1868–1960, Charcoal on paper, Upper part of figure (roughly sketched) with drapery over right shoulder and upper arm. Right hand is half-raised., USA, 1886–92, figures, Drawing, Drawing

Waistcoat, Jean-Michel Moreau le Jeune, (French, 1741–1814), Medium: silk and metallic embroidery on silk foundation, linen back Technique: embroidered in silk in knot, stem, and satin stitches; metallic yarn in satin stitch; couched silk

Study for Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 4, Hugh Ferriss, American, 1889–1962, Black crayon, stumped, pen and black ink, brush and black wash, varnish on illustration board, Rendering of very dark,

Sampler, Medium: silk and metal-wrapped silk embroidery on linen foundation Technique: embroidered in tent, half cross, chain, running, and encroaching Gobelin stitches in silk; crossed chain, plaited braid, back, ladder, and chain stitch

Sampler, Susanna Hope Spilsby, English, Medium: silk embroidery on linen foundation Technique: embroidered in cross, running, satin, and chain stitches on a plain weave foundation, Square of darning, a verse from Deuteronomy 32:29, and

Design for Grotesque Decoration, Unknown, Pen and brown ink, black chalk on off-white laid paper, mounted on laid paper, The edges of the sheet are framed by candelabra (rendered in half form) composed of a variety of swags and animals, notably

Elevation and Plan View for a Spiral Staircase, Graphite, brush and watercolor, pen and black ink on cream laid paper, Plans and designs of stairs and staircases, in pink wash; one curved, another U-shaped., Marcilly, France, March 30,

Elevation and Plan View for a Spiral Staircase, Graphite, pen and black ink on cream laid paper, Design for spiral staircase, elevation and plan., Marcilly, France, January 8, 1883, architecture, Drawing, Drawing

Design for a Jardinière, Vieillard & Cie., active Bordeaux, France 1845 – ca. 1895, Brush and watercolor, gouache, graphite on white wove paper, lined, A jardinière decorated with plum blossoms on a blue and white diaper-patterned ground

Sketches from Petra, Jordan, Frederic Edwin Church, American, 1826–1900, Pencil. Creamy paper., Obverse, left: rocks with caves and a pylon. Caption: 'Petra'., Reverse: a part of the northwest rock wall with tombs and indistinct designs

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Two square windows in green, yellow, and frames of burgundy, knotted designs at center., USA,

Cupid, Guido Reni, (Italian, 1575–1642), Red chalk on grey paper, Cupid reclines upon a globe with his left leg and hand leaning onto it for support. In his right hand he raises an arrow., Italy, 1650–1700, figures, Drawing, Drawing

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Standing figure seen from the back, right side shown., USA, ca. 1895, figures, Drawing, Drawing

Study of Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on cream laid paper, Study for drapery., USA, ca. 1895, figures, Drawing, Drawing

Strapwork Design, Charcoal, pen and ink, brush and watercolor, white heightening on paper, Strapwork design with winged sphinxes and figures in niches surrounds a lobed reserve., Italy, early 17th century, ornament, Drawing, Drawing

Study of Angels, Black and white chalk on blue paper, Five angels in clouds. At center, one clasps hands and looks heavenward., Italy, late 18th century, figures, Drawing, Drawing

Design for a Coffee Urn, Joseph Anton Seethaler II, German, 1799–1868, Pen and black ink, brush and gray, black wash, graphite on wove paper, Urn-shaped. The spout is at left with fluid streaming from it. Smoke rises from the holes in the

President Chester A. Arthur, Standing, with Separate Head, Shoulder, and Arm Study, Daniel Huntington, American, 1816–1906, Graphite on buff wove paper, Standing male figure with right hand raised and left arm at side, gazing upward

The Trinity and the Apostles, St. Peter and St. Paul, Gaetano Gandolfi, Italian, 1734–1802, Black chalk, pen and ink, brush and bistre wash on paper, Sketch of the kneeling St. Peter revering St. Paul standing and leaning upon his sword

Image of St. Blaise, Francesco Saverio Mergolo, Italian, 1746–1786, Brush and gray watercolor, pen and black ink, graphite on paper, St. Blaise kneeling and pointing at angels holding a tablet. Near him on the ground two angels, one

A Shepherd Boy, Black chalk on white paper, A boy, wearing a broad-brimmed hat, is shown half-length, turned half right. He rests his elbow on a rock, head leaning on his left hand, and gaze directed upward. Beside him is his staff.,

Project for an altar with alternative suggestions, Pen, brush and sepia on paper, Vertical composition of an altar with the statues of St. Nicholas and another holy bishop. Two angels sit on top of the coupled pediment and two smaller angels sit

Project for the Painted Decoration of a Dome, Black chalk, pen and ink, brush and watercolor on paper, View of vaulted halls through an arch in which a stand supports and backs a moulded frame, the bottom of which is flanked by angels seated

Japanese Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Bust length portrait of a Japanese man with cloth tied around his head., Japan, 1891–1892, portraits, Drawing, Drawing

Theater Interior with Boxes, Pen and black ink, brown wash, pencil, Vertical rectangle. Two levels of boxes in a theater, both divided into three sections with doors within them. The interior is ornately decorated with scroll work, figures,

Mausoleum in a Park, Pen and black ink, brush and gray wash on wove paper, Elevation of a horizontal, one-story structure with six Ionic columns in the center. On either end of the building sculptured figures are positioned against solid walls

Design for a Monstances, Pen and ink on paper, Body in the form of a vase draped in festoon. At top, a cross., Italy, 1815–1830, architecture, Drawing, Drawing

The Holy Family, Mariano Rossi, Italian, 1731–1807, Pen and black ink, black and white chalk on light brown paper, Drawing of the Holy Family. At center is Christ as a baby standing while the Virgin Mary is seated to the right supporting him.

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on cream wove paper, Two female figures, one standing and one sitting. The figure on the left, standing, is shown frontally, raising a torch with her

Stage Design, Hall in a Babylonian Palace for the Opera 'Ciro in Babylonia' by Gioacchino Rossini, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash on white

Genip Tree in the Mountains, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on thin cream board, Trees are shown in the foreground and middle plane. A mountain range is in the back., August 1865, landscapes, Drawing,

Design for a Painted Wall Decoration, Pen and ink, brush and watercolor on paper, Elevation of a room. Dado and pilasters in marble. Capitals and molding details picked out in gold. A Wall painted with a square panel showing a landscape. Guilloche

Sketch of a Woman's Face, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's face, looking downward and slightly to the right., USA, ca. 1895, figures, Drawing, Drawing

Two Girls, Winslow Homer, American, 1836–1910, Carbon tracing, retouched on paper, Vertical view of two girls standing together; girl in a plaid dress and a hat, at left, has her left arm around the other's waist and holds a pail, possibly

Hercules in the Garden of the Hesperides, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Hercules shown resting in pose of Hercules Farnese. Dead dragon lies behind him., Italy, 1805,

Two Women Seated on a Sea Wall, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite, charcoal on cream wove paper, Horizontal view of two women, knitting a sock, while sitting on a stone wall; boats in the background, some

First Sketch for 'The Wreck', Winslow Homer, American, 1836–1910, Charcoal on off-white wove paper, Horizontal view of eight male figures in oilskins, with four men launching a rowboat into a turbulent ocean under the direction of man with

Sketch of Woman in Period Costume, James Wells Champney, American, 1843–1903, Graphite on paper, Sketch of a woman dressed in the style of about 1760, holding out voluminous skirt in her hands., USA, ca. 1890, figures, Drawing, Drawing

Billy Martin – Farewell Sketch at Quebec, Arnold William Brunner, American, 1857–1925, Graphite on paper, Profile of bearded man seated, facing right, by an open window, sketching; lower right, round table., USA, 1881, figures,

The Struggle between Hercules and the River God Achelous, Felice Giani, Italian, 1758–1823, Pen and brown ink, over traces of black chalk on light blue laid paper, Two men shown wrestling. Onlookers shown at left and right., Italy, 1813,

Lower Parts of a Group of Trees Growing on a Slope, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of the lower parts of a group of trees, growing on a slope., 1862, nature studies, Drawing, Drawing

The Investigation of the Rainbow, design for plate 66 in the Physica Sacra, vol. 1, by Johann Jakob Scheuchzer, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and wash, pen and brown,

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Curved fantastic lily-of-the-valley plants rise from every second wedge in a

Socrates, Pericles, Alcibiades, Aspasia in Discussion, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on light brown laid paper, Aspasia shown in profile seated in front of table with face

Sketch of Church Tower and Roof Top, Arnold William Brunner, American, 1857–1925, Graphite on paper, Church tower, left, birds above. Right, gable end of house with tree above., USA, 1879–80, architecture, Drawing, Drawing

Stage Design for the opera 'L'Ultima giorno di Pompei, ' at La Scala, Milan, 1827, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and wash on off-white wove paper,

Design for a Necklace, Pen and ink on paper, Design for a necklace. The chain around the neck consists of alternating ovoidal and rhomboidal gems which are connected in the middle by chains of beads. Written below the ink, an Italian inscription.,

Sketches in Como, Arnold William Brunner, American, 1857–1925, Graphite on paper, Detail of exterior of Cathedral at Como. Section of architrave and profile. Decorative, caryatid figures., USA, 1883, architecture, Drawing, Drawing

Fashion: Elegant Dress, Watercolor and ink on paper, Standing figure of a woman wearing a striped dress and a large bonnet, carrying a band box in her left hand and another box under the right arm., Netherlands, 1820–30, figures, Drawing,

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length sketch of a female figure in costume, standing, turned toward the right. Her right hand is extended before her. At left, the drawing is

Section of the Portico, Santa Maria Maggiore, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Graphite, pen and black ink on cream laid paper, Design shows wall elevation consisting of four doorways supported by a pair of pilasters.

Study of Four Figures, for the Burial of St. Petronilla Altarpiece at St. Peter's, Giovanni Francesco Barbieri (called Guercino), Italian, 1591 – 1666, Pen and brown ink, brush and brown wash on off-white laidpaper, laid down, Italy, ca.

Design for a Motif off a Woven or Embroidery Fabric, Graphite, compass, brush and yellow watercolor, brush and red paint on paper, In a Romanesque-Gothic style. A kind of Gothic window rose bordered by scallops and Gothic traceries. Three leaves

Designs for a Necklace and Three Chains, Pen and black ink, brush and gray watercolor on light green paper, Jewelry designs for a necklace and three chains, arranged on a diagonal vertically, one above the other. At top, a piece of a chain,

Two Brown-and-Yellow Birds on Branches with Carnations and Insects, Pen and ink, graphite on coated wove paper, Two Brown-and-Yellow Birds on Branches with Carnations and Insects, ca. 1800–1830, Drawing, Drawing

Mount of Olives, Bethany, Siloam, and Jerusalem, Palestine [Bethany and Silwan, East Jerusalem, and Jerusalem, Israel], Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on gray paper, Recto: Horizontal

Stage Design, Arcaded Palace Hall, Pen and brown ink, brush and gray wash on laid paper, Horizontal rectangle. View into fantastic palace with lofty arches set with sculptures, three naves opening backward., Italy, early 18th century,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of make figure standing and wearing a turban., USA, 1877, figures, Drawing, Drawing

Lily, Stockbridge, Samuel Colman, American, 1832–1920, Brush and watercolor, gouache, graphite on paper, Botanical study. An upright stem with leaves, lily blossoms, and buds. Verso: an upright stem with leaves and red seeds., USA, July

City Gate, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Coutance and Mont St. Michel, Arnold William Brunner, American, 1857–1925, Graphite, brush with blue wash and white heightening on blue-gray paper, Two sketches, large house-wall with turret among trees, left. Stairway and round buttress,

Study of seashore, Rhode Island, William Trost Richards, American, 1833–1905, Graphite, charcoal on paper, Sketch of a rocky coastline., Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Section of wall, Council chamber of Louis XV, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with painted panels of flowers, figures, trophies, in rococo manner. Left, portion of doorway recess; upper

Sketch of Seated Woman, Daniel Huntington, American, 1816–1906, Graphite on paper, Seated woman facing frontally with her right hand on a book in her lap and her left hand on the arm of the chair. Head turned slightly to left. Verso: A hand

The Grotto of the Nymph Egeria, Rome, Black chalk, brush and brown wash on paper, A grassy bank, into which is set a grotto containing a table and stools made of inverted classical capitals. Foreground left, an artist sketching., Netherlands,

Geometric design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Bands of pink hexagonal-shaped discs on yellow and white ground, alternating with blue and white ladder forms on

Berchtesgaden, peasant's house, Frederic Edwin Church, American, 1826–1900, Brush and oil, pencil on cardboard, House and shed are shown in the center, Kehlstein and Vorderbrand in the back. A great part of the sheet shows the brownish

Study of Drapery, Giovani Gioseffo dal Sole, Italian, 1654 - 1719, Chalk on paper, Drapery study with white heightening., Italy, ca. 1675, nature studies, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Lilac edges. Boughs decorate the flap of the pocket. A kind of a fantastical sunflower is shown between flower

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, Scroll of a bough with leaves and a lace bud. Two yellow, black bordered discs are applied., France, 1815-1840, Drawing, Drawing

Seated Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Horizontally rectangular plate-mark enclosing raised rectangle. Seated nude female figure turned to right, resting head against raised right hand., USA, ca.

Man the Hunter, Man the Shepherd, Design for Vaulted Ceiling, Sala dei Legislatori, Palazzo Conti-Sinibaldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and ink, brush and greyish-brown wash over black chalk on laid paper, Young man in

Wallpaper Design, Brush and gouache, graphite on white paper, The gray panel is decorated with vertical rows of rising waves, which are connected horizontally by petals. The waves consist of leaf boughs, and the petals are small sized, at left,

An Elderly Woman, Graphite, charcoal, red crayon, white heightening on paper, Vertical rectangle with portrait of a woman wearing a cap shown frontally with the beginning of the bust., Italy, 1810–1830, portraits, Drawing, Drawing

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