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Design for a Rectangular Dining Table on Ball-Shaped Feet, A.N. Davenport Co., Graphite on thin cream paper, Rectangular molded top with dividing stretcher running across center and acanthus-leaf motifs at corners, raised on support of 4 [3

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a bundle of leady and flowered stems., USA, 1850, nature studies, Drawing, Drawing

Design for a Door Frame, Black chalk, pen and ink, brush and gray, black watercolor on laid paper, With a circular pediment inside a triangular one. It shows a mask and festoons., Italy, 1740–50, architecture, Drawing, Drawing

Drawing, Pen and ink on paper, Verticaal composition of Jacob receiving Isaac's blessing. Jacob kneels before the bed, in which Isaac sits. Rebecca is lifting an infant behind the bed. At left in the background is a door with a person exiting,

Door of a Tabernacle Intended To Be Executed In Bronze, Pencil, pen, brush, sepia, and grey water color., Work in the shape of a vertical rectangle. The statue of an angel supporting a tabernacle in the shape of a circular building with a

Palazzo Milzetti, Faenza;, Pen and brown ink, brown wash, over black chalk on white laid paper, Faenza, Italy, Italy, 1802–05, interiors, Drawing, Drawing

Project for a Corner Motif of a Painted Ceiling, François Boucher, French, 1703 – 1770, Pen and brown ink, black chalk on thin tracing paper, Nude and draped figures grouped about an urn with putti above holding heavy drapery., France,

Stage Design, Prison Hall, Pen and brown ink, brush and sepia wash on paper, Vertical rectangle. Immense high prison hall with barred windows, gallery around top, stairs leading up at left and right, winch with rope at right., Italy, 18th

Project for Tables; Sketches for Chests of Drawers and Possibly Frieze Stand, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, At left, table with square top, supported

Old Cemetery, Venice, Arnold William Brunner, American, 1857–1925, Brush and watercolor on paper, View from the Canal. Low buildings, two towers. Gondolas left and right., USA, 1883, seascapes, Drawing, Drawing

A Goat in Pandi, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on gray paper, Horizontal view of a goat croaching upon a boulder beside which a fence begins., July 1853, nature studies, Drawing, Drawing

Study for Jacob Pours Oil upon the Stone at Bethel, Plate 87, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, pen and brown ink on cream laid paper, A

Sketches of Landscapes, Arnold William Brunner, American, 1857–1925, Graphite on blue-grey paper, Three sketches top and center, houses of town with mountains beyond. Bottom, mountain and valley., USA, 1883, landscapes, Drawing,

Front elevation of the house of Mr. Gédéon Mallet in Geneva, François Blondel, 1681 - 1756, Pencil, pen and ink, watercolor on paper, Corresponding to the print in opposite direction. Caption over the pavilion., France, ca. 1725,

Design for Sideboard 'C' with Six Legs and Five Drawers, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard on six fluted straight tapering legs; tripartide front has convex central section containing five drawers - two

Mask with Two Heads; Mask with Two Serpent Heads, Felice Giani, Italian, 1758–1823, Graphite on cream laid paper, Italy, 1800–1825, figures, Drawing, Drawing

Men on Horseback, Constantin Guys, French, 1802 – 1892, Pen and brown ink, brush and tan wash on paper, Horizontal rectangle, bevelled corners. Five gentlemen on horseback. Male figure in foreground riding a white horse. Three riders in

A Fountain in a Park, Niagara Falls., Frederic Edwin Church, American, 1826–1900, Graphite on olivish paper, Vertical view of a circular fountain with an elaborated central part including to basins is shown against a background of a tree

Stage Design, Interior of Gothic Hall, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of Gothic Hall, chimney places

Studies of Hands, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite and sepia on paper, Left: two left hands shown from above. Right: above, the head of a man shown obliquely from left rear with hands on back of neck; below: a right

Sketches of Trees and a House, Pen and brown ink on cream laid paper, Upper left: sketch of a bit of wooded landscape; upper right: a corner of a garden wall; bottom center: a small house, with smoke issuing from the chimney; bottom right: a tree

Gedney Bunce, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure in profile., USA, 1881, portraits, Drawing, Drawing

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a nude figure with arms raised and legs bent., USA, 1877, figures, Drawing, Drawing

Architectural and Figural Sketches, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper, Obverse: three sketches for a memorial tablet; an architectural plan; six sketches of heads and faces. Two standing and one walking figure;

Sketch of Figures Bearing a Cross, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Several figures holding up a heavy cross. The leg of a figure rests on it from above; the rest of this figure is not pictured. Center figure,

Design for a Six-Legged Adjustable Rectangular Dining Table, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with rounded corners and dividing stretcher running across center, raised on 6 [5 shown] carved, turned and

Study of Two Putti, Francesco Solimena, Italian, 1657–1747, Black chalk on paper, Two figures of winged putti. The bottom left putto is kneeling, looking over his left shoulder while lifting a crown with both hands. The top right putto is

Grotesque Figure, Filippo Marchionni, Italian, 1732–1805, Pen and ink on paper, Panel decoration. A kneeling male figure sits on top of a larger sculpture of a squatting male figure., Italy, 1550–1625, ornament, Drawing, Drawing

Study of Left Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Study of a left foot, from straight on. Toes shaded with cross-hatching., USA, ca. 1895, figures, Drawing, Drawing

Etching: Frontispiece or dedicatory page, Felice Giani, Italian, 1758–1823, Paper, Vertical composition of a woman in classical attire, pointing to a medallion with the head of a man, while looking over her shoulder at Cronus on the left.

The Arkansas Divide, Thomas Moran, American, b. Britain, 1837–1926, Brush and black wash, graphite on thin light brown wove paper, Horizontal and oblique view of valley with a mountain range in the distance, USA, August 1874, landscapes,

Project for a reliquary shrine, with alternative suggestions, intended to be executed in stone, Pencil, pen, brush and sepia on paper, Horizontal composition of a plinth with volutes, cornices and putti, sketched in pencil. Paneled base with

Design for the Decoration of an Oblong Octagonal Ceiling, Henri Salembier, French, 1753 - 1820, Pen and black ink with brush and ink wash on paper, A classical warrior accompanied by two figures is on a bracket in a pavilion in the center. Two

Study for Portrait of Charles J. Martin, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Man seated in an armchair by a table, his body turned slightly to the left and his left hand gripping the arm of a chair. Verso: A

Women Surf Bathing, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Square view of women bathing in the surf, with a child and rowboat visible on shore., Verso: Square view of a woman and pavilions., USA, ca. 1874,

Design for a Door Frame, Pen and ink, brush and watercolor on paper, The right half of the door frame is shown. A broad band is decorated with candelabra having in the center, lozenges and bordered by moldings. Squares showing masks and rosettes

Sketches of Furniture, Arnold William Brunner, American, 1857–1925, Graphite on paper, Sketches if two chairs and details; details of two tables. All intricate, arm chair rest and table have faces of lions., USA, 1883, furniture, Drawing,

Design for a Cabinet, with Alternate Suggestions, Pen and black ink, brush and watercolor on paper, A cabinet on legs has an arched central bay surmounted by a coffer-shaped section with finials. The left side shows three shelves with railings.

Tracing of Design for Rectangular Writing Table with Decorated Inlay, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Landscape; verso: Grotesque Design, Charcoal, pen and ink on paper, Recto: In the foreground, a group of trees, beside which are two children. View of a town beside a river in mountainous country. Verso: A strapwork frame with a term figure

Bearded Man Tuning a Lute, Black crayon, pen and bistre on paper, A bearded man with turban sits at the base of a tree. He holds a lute in his lap with two hands., Italy, 1550–1575, figures, Drawing, Drawing

Gun Crew Loading a Cannon, Winslow Homer, American, 1836–1910, Graphite on cream-colored wove paper, Recto: Horizontal view of a gun crew loading a cannon in an earthwork., Verso: Soldier dancing., USA, 1861, figures, Drawing, Drawing

Madonna and Child with St. Anna and Lamb, after Leonardo, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, Italy, 1813–18, figures, Drawing, Drawing

Study of foliage, William Stanley Haseltine, American, 1835–1900, Brush and wash, graphite on paper, Sketch of a plant with leaves., USA, ca. 1857, Drawing, Drawing

Design for a Bishop’s Sarcophagus, Graphite, pen and ink, brush and wash on paper, Elevation of a stepped sarcophagus with angel caryatids a miniature smoking braziers. At top, a bishop’s mitre, and crosier., Italy, late 18th century,

A Pitcher, Black chalk, pen and ink, brush and bistre wash on laid paper, Shown side view, the spout is at right. Shaft and bottom part of the body are shaped as a shell-like leaf. The upper part of the body is fluted and shows nude figures

Study for the First Plan of Solomon's Temple, Plate 420, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, pen and brown ink on cream laid paper, A group

Grotesque Design; verso: a Landscape, Charcoal, pen and ink, brush and watercolor on paper, Strapwork frame with harpies and masks/ Verso: view of a town in a valley., Italy, early 17th century, ornament, Drawing, Drawing

Design for Firescreen, Four Hounds, William Hunt Diederich, American, b. Hungary, 1884–1953, Black crayon, graphite on tracing paper, A design, possibly for a firescreen, intended to be executed in ironwork. Four figures of hounds in

Landscape in Dorset, Vermont, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A fence is shown in the foreground, a group of tress are beyond, left. At right, countryside in distance., USA, July 4, 1875,

Design for a Ciborium, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and wash on paper, Upon the base sits angels with instruments of the Passion., Italy, ca. 1812, metalwork, Drawing, Drawing

Mrs. Rutherford B. Hayes Standing, Studies of Arm and Hands, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Recto: Portrait of Mrs. Rutherford B. Hayes, standing, with right hand on bodice and left hand at side;

Botanical Studies of Tree, Frederic Edwin Church, American, 1826–1900, Graphite Support: buff paper, USA, May–June 1857, landscapes, drawing, drawing

Still-life, Yvonne Paul, Pencil on tan paper, Horizontal rectangle. A still-life of a bottle, tea-pot, and onions. Signed in pencil, lower right: 'Paul./May 8.', USA, 1911, nature studies, Drawing, Drawing

Design for Massive Oak Sideboard, A.N. Davenport Co., Graphite on cream tracing paper, Massive rectangular sideboard on low platform; niche topped by 2 drawers center front is flanked by 2 drawers decorated with rectangular escutcheons; oblong top

View from Green Mountain, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Steep slope with rocks and small trees, water and mountains beyond., USA, 1887–88, landscapes, Drawing, Drawing

Study of the Left Hand of a Woman, Red crayon on light brown paper, Vertical rectangle. Study of a woman's hand at rest, with the cuff of a sleeve., Italy, 18th century, figures, Drawing, Drawing

Stage Design, Group of Temple Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Group of temple buildings with high vaults and arches below, through which stairs are to be seen.

Oddington Church Yard, Gloucestershire, North East View, Unknown, English, Pen and black ink; brush and black and gray wash; graphite on cream wove paper, View of one side of the church and part of the graveyard. Verso: in graphite: linear

Design for a Bank Note, Walter Shirlaw, American, b. Scotland, 1838–1909, Pen and ink, brush and white and gray gouache on paper, An incomplete bank note design, showing 'Agriculture, ' 'Electricity, ' and 'Commerce.', USA, ca. 1895,

Designs for Bowl, Cup, and Saucer, Brush and gray, yellow, brown watercolor on cream paper, Designs for parts of a tea service, including a bowl, cup, and saucer. Probably made of cut glass, opal, and hyalite. Handle is shown at right. The

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf, ' Unfinished, with Alternative Suggestions, Fabrique de Saint Ruf, Lyon, France, Graphite, brush and white gouache on glazed tracing paper pasted on paper, The

Studies of Feet, and a Fluted Shell, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Left, the shell. Right, above, left foot; below, lower part of right foot., USA, ca. 1895, figures, Drawing, Drawing

Elevation and Plan for a Staircase Model in the English Style, Françoise Gillet, French, active 1830s, Pen and black ink, brush and pink, yellow, and grey watercolor on cream wove paper, Sectional elevation (above) and plan (below) for a

Design for a Round Table on Column-Like support, A.N. Davenport Co., graphite on thin, cream paper, Round molded and beaded table top raised on plain column-like support sitting on molded base termination in molded and carved animal-paw feet.,

Design for the Decoration of the Saloon, Royal Pavillion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on multiple sheets white wove paper, (a): Design of a section of south end of the circular room,

Stage Designs, Views into Palace Courts, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Two different drawings on one sheet showing interiors of palace courts and passages., Italy,

Design for an Ornament, Black chalk, white heightening on paper, Asymmetrical ornament with an entablature, scrolls and a shell., Italy, 18th century, ornament, Drawing, Drawing

Street Leading to a Church, Guayaquil, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on thin gray paper, Horizontal view into a street leading to a church in the background., May 1857, architecture,

E. F. Miller in Parson's Garden, Columbus, Ohio, James Henry Moser, Canadian, 1854–1913, Graphite on paper, Man sitting under an elm tree, center, by a high plank fence, right, and a picket fence, left. Garage beyond, right. Notes

View of Rome, Frederic Edwin Church, American, 1826–1900, Oil Support: thick buff-colored wove paper, Hortizonal image of a roof top view of the city of Rome. The sun is over the horizon. People are shown upon the street, light clouds in the

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Rectangular design; tall central vase in blue, floral arrangement below., USA, late 19th century,

Italian girl, Elihu Vedder, American, 1836 – 1923, Pastel crayon on tan paper, Head of a young female figure, turned toward the right., USA, ca. 1885, figures, Drawing, Drawing

Sketches for the Representation of an Eagle Over a Thunderbolt, Graphite, black crayon, pen and ink on paper, Obverse: The representation. Bottom right: pencil sketch for the left foot. Reverse: Bottom: two views of the head, the eye. In

Stage Design: Hall with Coffered Ceiling and Urns, Pen and bistre, brush and sepia wash on paper, Vertical rectangle showing a hall with coffered ceiling that has an oculus. A staircase leads to the background. At right, marble columns and many

Plans, elevation, and section of the tower in Chiaravalle, Milanese, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and red and brown watercolor, on cream heavy wove paper, Like all Beaux-Arts trained architects of his

James McNeill Whistler, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Male figure leaning on a railing., Venice, Italy, 1881, portraits, Drawing, Drawing

Stage Design, Loggia with Fountain in an Oriental Palace, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizonal rectangle. Portico with fountain,

Sketch for the Painting in the Chancel of St. Bartholomew, New York City, Francis Augustus Lathrop, American, 1849 - 1909, Brush and gouache, graphite on blueprint, Christ standing on a sphere which is supported by angels, and a glory of

Design for a Window Frame, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and black ink on laid paper, Wall panel, balustrade between pedestals is beneath the opening. A circular pediment with a crown and two palm branches in the

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, facing the viewer. The arms are uplifted, basin on boy's head, and

West Wall of the Canyon, Yellowstone, Thomas Moran, American, b. Britain, 1837–1926, Recto: Graphite on paper. Verso: Graphite on paper., Recto: Vertical view of west wall of the canyon with stream at center, pine trees and rock formations

Porte-cochère, Scott Cottage, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and white heightening on brown paper, Man mowing the lawn in front of a Victorian house. Trees at right, and driveway in front., USA, 1881,

Madonna, J. Carroll Beckwith, American, 1852–1917, Graphite on brown paper, Head of a girl, tilted slightly toward the right, looking down. Hair parted in the middle. Head covered with veil, one end of which is brought around the neck.,

Design for Door Frame, Pen and black ink, brush and gray wash, graphite on cream laid paper, A tablet with a dove holding a twig in its beak is above in the center of the frame of the opening. A circular pediment is on top; a bracket with a

study of a male costumed figure, Elihu Vedder, American, 1836 – 1923, Sanguine crayon, white chalk on salmon-pink paper, Horizontal rectangle. Full-length figure of a boy in costume, lying prone, facing right in profile. He is blowing a

Sketches of Hands for Portrait of William Amory, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Four sketches of hands. Left arm and hand of a man; hand outlined above, and repeated in detail below. Right hand on a

A Boatman after The Victory of Leo IV over the Saracens, after Raphael, Felice Giani, Italian, 1758–1823, Raphael, (Italian, 1483–1520), Pen and brown ink (iron gall ink) on off white laid paper, A young man in a boat, his weight on one

Design for a Moorish Smoking Room [Tabagie], Léon Feuchère, French, 1804 - 1857, Brush and watercolor, gouache, graphite on wove paper, Octagonal room of stone or painted stone with arched openings on four sides and a cupula of

Interior in the House of Lord Chamberlain O'Neill, Strandraede, Copenhagen, Christian Olavius Zeuthen, Danish, 1812 - 1890, Pen and brush and black ink, watercolor, graphite on paper, Sitting room in subdued tones of gray, plaster-work

Bathroom and Boudoir Interior, Jean-Claude Rumeau, French, active 1806 - 1823, Pen and black ink, brush and watercolor, gouache, varnish, graphite on off-white paper, In the foreground, a boudoir with vaulted ceiling decorated in the arches

Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and oil, black crayon, pen and ink on rough paper, Five children busy themselves in a blacksmith's workshop. The master and the journeyman look on., USA, ca. 1895,

Design for Embroidery Pattern, Brush and black ink on paper, pricked, Embroidery pattern, before 1916, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Pastel crayon on wove paper, Sketch of a male figure wearing a hat and cape., USA, 1883, figures, Drawing, Drawing

Young girl getting water at a spring, Thomas Sully, 1783 – 1872, Brush and oil paint on paperboard, A young female figure stands next to a well. Her right hand rests on the well box, while water fills her crock. Trees and foliage fill the

Near Jericho, Wady Kilt, Lockwood de Forest, American, 1850–1932, Brush and oil paint on thin paperboard, A stream in foreground, boarded on edges with scrub grass, leads toward distant mountain in the center rear., March 20, 1876,

Study of the ruins of the Temple of Olympian Zeus, Lockwood de Forest, American, 1850–1932, Brush and oil paint on thin paperboard, mounted on very thick paperboard, Study of grassy landscape with ruins of colonnade in mid-ground, looking to

Fatehpur Sikri, Birbal’s Palace, India, Lockwood de Forest, American, 1850–1932, Brush and oil on thin paperboard, Ochre buildings seen from corner situated in sandy landscape. Central building has two stories, each accentuated with

Fishing Village, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey paper, Houses, center foreground. Sailboats in bay. Low ridge; coast line, beyond., USA, ca. 1883, seascapes, Drawing, Drawing

Perspectiva. Corporum Regularium., Wenzel Jamnitzer, German, 1508–1585, Jost Amman, Swiss, active Germany, 1539–1591, Engraving on white laid paper, Book on perspective drawing, with 4 pages of text and 49 plates (A to G, 6 plates; H,

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