Images at Librifly

search results: Drawing clear search

Sketch for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on brown paper, Studies of the limbs of a nude figure. Shown are the right arm holding something in the hand, the left forearm and hand, both legs, and

Personification of 'Textiles, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

Elevation of a Sepulchral Monument, Graphite on paper, Vertical rectangle showing two fluted Doric columns supporting an entablature and pediment with a singed hourglass. Below, the bust of a young man on a pedestal. On either side are female

Peak of Chocorua, Daniel Huntington, American, 1816–1906, Graphite, white and black crayon on grey paper, Rock ridge in foreground and at left., September 16, 1862, landscapes, Drawing, Drawing

Recto: Hunting Ducks using Pumpkins in the West Indies; Verso, above: Crocodile Hunt in the Nile; Verso, below: Hunting Tigers using Traps and Mirrors, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and brown

Saint Gennaro Calming Vesuvius, Andrea Vaccaro, Italian, 1604 - 1670, Brush and gray, white wash on paper, Figure of Saint Gennaro at center, flying over Mount Vesuvius with winged putti around him. The putto above him is holding his robe,

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Design for Writing Table with Carved Floral Decoration on Center Front Panel, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Agony in the Garden, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink over black chalk, brush and grey and grey-brown wash on laid paper, The angel appears in the upper left corner. The Apostles, sleeping, are shown in

Trumpet Tree, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Vertical image of young stems of the tree and other plants standing beside a road which is shown in the foreground., USA, May 1865,

Lavercost Priory Church, Arnold William Brunner, American, 1857–1925, Graphite on paper, Outlines of capital, base, string course, at Lavercost Priory Church., USA, 1879–80, architecture, Drawing, Drawing

Stage Design, Caves, Pen and brown ink, brush and wash, ruled border in graphite on white wove paper, laid down on white laid paper, Horizontal rectangle. Caves with several stories connected by staircases., Italy, early 19th century,

The Elevation of a Church, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Sketch of a Tree, Pen and brown ink, brush and gray watercolor, white heightening on blue paper, Loose sketch of a tree on blue paper., Italy, ca. 1780, landscapes, Drawing, Drawing

Recto: Fight between Elephants and Snakes, from Pliny's Natural History (book 8, ch.11-12); Verso: inscription relating to source material, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on laid

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. Borders of flowers and leaves along the edge and on the pocket. Sprays of flowers and leaves above., France, 1780–1790,

Studies of a Seated Nude, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on brown paper, The figure is shown in three-quarter profile turned towards the right. The outstretched hands hold something. The head is turned toward the

Chinoiserie Fantasy, Jean-Baptiste Pillement, French, 1728–1808, Pencil on paper., A tree with two birds upon a pole is shown at left. A Chinese with a bow is running at its base toward some decayed planks leading to rock. Motifs of

Stage Design: Interior of Palace Halls, Pen and bistre, brush and sepia wash on paper, Horizontal rectangles showing a hall richly decorated with architectural moldings and sculptures on pedestals. In background, textiles hang from shells above

Caricature, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, A head of a man shown in profile turned toward the right. Verso: The slipper is shown twice from slightly different angels., USA, 1877, portraits, Drawing,

Sketchbook Page with Hare Hunt and Falcons, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre on paper, Horizontal rectangle. Two horsemen come from the left foreground. One of them with a falcon

Baptism of Christ and Pieta, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and ink, brush and bistre wash on paper, Vertical rectangle. Verso: Christ stands in the foreground, center; St. John stands to the right; two other

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a female figure., USA, n.d., figures, Drawing, Drawing

Minerva, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, Minerva shown in profile, seated. She writes upon a sword. To the right, scrolls and an artist pallet.,

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite and white chalk on gray paper, The ruins of a fortified castle, surrounded by a high wall, situated on a plateau., USA, 1891, landscapes, Drawing, Drawing

View of City Roof Tops, Arnold William Brunner, American, 1857–1925, Graphite on paper, Clock tower or steeple, left of center, behind large building. Another steeple beyond, right., USA, 1879, architecture, Drawing, Drawing

Study of Woman Peeling Potatoes, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite with white heightening on light brown paper, The woman peeling potatoes is seated upon a chair and turned toward left. Shown in profile slightly from

Two Putti, Black chalk on cream laid paper, Two putti, with a light sketch of a large cloth draped over them, are seen back to back. The right-hand putti in the foreground, turned slightly to the right, faces the viewer and points towards the

Sketches of Children at Eyub, Arnold William Brunner, American, 1857–1925, Graphite on paper, Four standing figures; one head, center. All with Turkish trousers., USA, ca. 1883, figures, Drawing, Drawing

Stage Design, Palace Courtyards and Staircases, Pen and brown ink, brush and watercolor on paper; verso: pen and ink, Horizontal rectangle. Court of Gothic palace. View through arch into another court with staircase. Porticoes on the right.

Designs for Two Cabinets, Pen and black ink, brush and watercolor, graphite on paper, Two cabinets, each with alternative treatment of door tracery and one with pedestal and bust on top. Scale below., Germany, ca. 1805, furniture, Drawing,

An altar with a structure for the exhibition of a cross, probably a Holy Sepulchre, Pencil, pen, brush and sepia on paper, Italy, 1725–1750, architecture, interiors, Drawing, Drawing

Sketches of Two Lunettes, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on light brown paper, Above, Apollo seated on rocks, with a winged horse beside him. Apollo is holding a lyre. Groups of figures at either side. Below,

Two Men in a Canoe, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a canoe with two male figures and trees visible on both banks of the river., USA, 1897, landscapes, Drawing, Drawing

Design for Sideboard with Six Legs and Four Central Drawers, A.N. Davenport Co., Pen and black ink on thin cream paper, Sideboard with rounded corners on six straight tapering legs has and flat central front section containing four drawers - two

Drawing, Pen and ink, brush and gray watercolor on paper, Architectural doorway., Italy, 18th century, architecture, Drawing

Designs for Three Chairs, Pen and brown ink, brush and wash, graphite on white laid paper, Left, back consists of a lightly convex oblong supported by two poles; center, profile, back is carved; right, armchair, forelegs with disks.

Lamp Standards and Wall Decoration, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on white wove paper, Canopy-like decorations of Indian design with wide compartments flanked by two narrow ones, each surmounted by

Design for Round Table 'B' on Scroll-Like Feet, A.N. Davenport Co., Graphite on thin cream paper, Round thin molded top raised on fluted columnar support with concentric double band moldings around bottom, sitting atop molded 'X'-shaped base

Design for a Ceiling, Pen and brown ink (iron gall ink) and traces of graphite on off white laid paper, Corner of a ceiling decoration. In lower right corner, classical architecture. At upper right, part of a circle with zodiac signs., Italy,

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache, graphite on glazed tracing paper, A rinceau consists of a feathery leaf, parts of acanthus, a laurel

Design for a Decorative Ewer, Pen and black ink, brush and gray wash on paper, The image of the ewer takes up the entire sheet. The ewer's decoration includes a half figure of a woman and a child positioned on the lower part of the handle, left,

Stained glass window: right pane of three part design, John C. Wolf, Brush and watercolor, graphite on illustration board, Design for a stained glass window in shape of Gothic arch, pointed arch, with large area of white daisies on yellow

Luxor, Egypt, Elihu Vedder, American, 1836 – 1923, Pastel crayon on blue-gray wove paper, Interior of a columned hall, with a series of arches springing transversely from the columns. Braces at the level of the capitals run at right angles

Two-masted Schooner, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a two-masted schooner on the left, with a small sailboat on the right., USA, ca. 1880, seascapes, Drawing, Drawing

Open Lock, Akron, Ohio, James Henry Moser, Canadian, 1854–1913, Graphite on paper, Sketches of a canal lock in Akron, Ohio. Two men, upper right, seen from behind. To the left, a man working a lever. Below, the canal, showing an open

Maple Trunk, Across Old Logging Road, Dalton, Daniel Huntington, American, 1816–1906, Graphite on paper, Study of an old tree trunk on the ground, its leafless branches twisting upward., USA, August 28, 1868, nature studies, Drawing,

Fountain Basin, Domenico Piola, Italian, 1627 - 1703, Pen and brown ink, brush and brown wash, over black chalk on white laid paper, Two dolphins' tails form lateral edges of basin, their heads at the bottom center of the basin. Two young

Standards and Wall Decoration, Banqueting Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Graphite on white wove paper, Canopy-like decorations of Indian design with wide compartments flanked by two narrow ones, each

Cast-iron Grate, Benjamin Dean Wyatt, 1755? – l800, Point of brush and gray, rose wash, gray, rose wash, graphite Support: white laid paper, England, England, ca. 1840, metalwork, Drawing, Drawing

Recto: preliminary design for title page for the print series Venationes Ferarum Arium Piscium; Verso: notes by Stradanus about payments to a tailor, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen, ink, bistre wash on paper,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Two square windows each with blank central squares surrounded by vines., USA, late 19th century,

Portrait Sketch of a Young Girl, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on brown paper, Head of a young girl, turned toward the right in three quarter view, tilted slightly upward., USA, ca. 1885, portraits,

Polychrome floral group c, Herman A. Elsberg, (American, 1869–1938), Gouache, Green Tassel (silk?) Support: ivory paper, Lyon, France, France, 1915, textile designs, drawing, drawing

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Details from Caen, Bayeux and Mont. St.Michel. Sketches of mouldings, turrets, and door corner., USA, 1883,

Project for a Ceiling Frieze, Pen and brown ink, brush and brown wash, white heightening on off-white laid paper, Trapezoid. At left is the right half of an escutcheon with a dolphin. At right is a winged putto in front of a trophy of weapons.,

Stage Design, Palace and Porticoes from Outside, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. Different wings of palace connected by porticoes seen at an angle from right side in the foreground to left in the back.

Interior of Walter's castle, stage design for act V of Giuseppe Verdi's 'Luisa Miller, ' produced at Teatro San Carlo, Naples, Vincenzo Baldini, Italian, 1809 - 1881, Graphite on paper, Horizontal rectangle. Interior of Gothic building with

Section of wall showing panels of arabesque designs, Music Room, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with panels of arabesque designs. Left, portion of door

Recto: Judith with head of Holofernes; Verso: Preliminary Design for Title Plate of the Seven Planets print series, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and brown wash on laid paper, Vertical

Recto: Judith with head of Holofernes; Verso: Pietà, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Pen and brown ink, brush and wash on paper, Recto: A variation of -2639a. The servant is shown slightly oblique, in profile,

Page of a sketchbook; Adoration of Magi; St. Christopher and Christ Child, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Bistre pen and ink, grayish-brown wash (Verso) on paper, Horizontal rectangle. Verso: Mary sits with the

Recto: Joseph interpreting the dreams of Pharoah, preliminary design for plate 2, 'Spiritus Intellectus' (The Spirit of Intellect) in the 'Seven Gifts of the Holy Spirit' series; Verso: inscription concerning print series of the 'Life of John the

Design for an Overdoor and Chimney, Pen and ink, brush and brown watercolor, graphite, Three putti are shown in the overdoor. A pair of billing doves, a quiver and a torch are in the top center of the frame of the mirror over the chimney.,

Two Schooners and Dories, Winslow Homer, American, 1836–1910, Graphite on light-brown paper, Horizontal view of one large schooner, one smaller schooner, followed by three dories, and one fisherman's dory with three oarsmen and a

Page of a sketchbook: Ulysses passes the Sirens (recto); Ulysses in the Underworld (verso), Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink on paper, Horizontal rectangle. Verso: A figure stands aboard a ship, at left.

Recto: Samson, having defeated the Philistines, drinks water from the jawbone of an ass, preliminary design for 'Spiritus Fortitudines' (The Spirit of Strength), plate 4 in 'The Seven Gifts of the Holy Spirit' print series. Verso: obscured

Page of a sketchbook; Exodus - gathering of manna; Sacrifice, Jan van der Straet, called Stradanus, Flemish, 1523–1605, Brown ink and wash on paper, Horizontal rectangle. a: The camp of the Israelites, with Moses standing at left. The women

Hearst School for Girls: The Elevation of the Main Building, Graphite, brush and watercolor on cardboard, The design of the building is proposed with ground floor not yet in final form., USA, 1896 or 1897, architecture, Drawing, Drawing

Design for Salt Cellars, Graphite, pen and ink on paper, Page divided horizontally with two lines of salt cellars. The bowl of each decorated with gadrooning. The base composed of scrolling forms and animals., Europe, 1815–1840, furniture,

Design for Sideboard- Like Cabinet, A.N. Davenport Co., Pen and black ink on thin cream paper, Open tri-partite cabinet with curving table top-like shelf center between molded conforming bracket-shaped shelves and small cubic glass display cabinet

Coriolanus Agrees to Lift the Siege of Rome, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Coriolanus shown in his camp extending his arm toward his mother, Veturia.

Elevation and Plan of a Casino, Pen and black ink, brush and brown watercolor and black wash over graphite, Italy, ca. 1797, architecture, Drawing, Drawing

Niagara Falls in Snow, from the Northwest, Frederic Edwin Church, American, 1826–1900, Black crayon, brush and white gouache on grayish paper, Recto: Horizontal view of the American Falls in snow, shown from the northwest., Verso:

Drawing, Brush and gouache on cream paper, mounted on cream paper, Large peach-colored blossom on green stem on cream ground., USA, Europe, late 19th century, textile designs, Drawing

Design for Writing Table #42018 of Mahogany, Decorated in Color, A.N. Davenport Co., Graphite on thin cream paper, Large rectangular table top with convex central drawer flanked by small drawer on either side; raised on 4 straight tapering legs;

Baptismal Font, Pen and brown ink, brush and brown wash, red ink on cream laid paper, The bowl is supported by two plinths. The central part is shaped like a tablet, framed laterally by two gaines, and bearing an inscription in a wreath,

Project for a Candelabrum, Graphite, brush and watercolor on paper, Candelabrum supported by dolphins of which three are drawn. One central erected candlestick and two arms., Italy, ca. 1844, metalwork, Drawing, Drawing

Study for standing boy with kid, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Black, brown pastel crayon on tracing paper, Young male figure standing slightly turned, holding

Tree in Landscape with Building, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and sepia ink, brush and gray watercolor on laid paper, Foreground at right: group of trees. Center: water welling from rocks at left. Upon the rocks a ruin

Recto, above: Preliminary Design for Title Page to Vermis Sericus('The Introduction of the Silkworm') print series; Recto, below: Preliminary Design for pl. 3 (The Incubation of Silkworm Eggs); Verso, above: Incomplete Preliminary Design for Title

Hercules and Antaeus, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Antaeus at left., Italy, 1805, figures, Drawing, Drawing

Design for a Vase, Brush and watercolor, gold gouache, graphite on cream paper, Shaped like a vase, depicting yellow roses and thorns with white flowers and green and yellow leaves with a partial mountain in the background, against a yellowing

Sketches for a Monstrance, Pen and brown ink, graphite on off-white laid paper, At left, two full elevations of a monstrance. Below, a view of the base. At right, the glory., Italy, 1810–1825, metalwork, Drawing, Drawing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On light green ground, two wreath-like patterns composed of white butterflies and flowers and green vines and leaves., USA, ca. 1887–1903,

Stage Design, Exterior of Palace, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Exterior of vast palace with court and portico in front. Three groups of figures in court, two holding long weapons. In the distance,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, mounted on illustration board, Two identical designs, one smaller than the other, made up of green, yellow, orange and red pieces., USA,

Loggia del Papa o dei Nobile (Loggia of the Pope or the Nobility), Siena, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, The elevation is shown at left; upper right, the plan, showing in the left

Design for a Square with a Palace, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Large classical style palace in bare landscape; fountain on right, obelisk on left, and some

Men, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: A sketch of two male figures; Verso: A sketch of a female figure., USA, 1883–1884, figures, Drawing, Drawing

Elevation of a Sofa and Chair, Graphite on cream wove paper, Horizontal rectangle. At left, the right half of the sofa, supported by the legs of a lion whose head is at the front of the upholstered arm. The upholstered back is framed by mouldings

Martyrdom of a Saint, Red and black chalk on tan laid paper, Recto depicts the martyrdom of a saint. Figures and a horse comprise the foreground of the drawing; architectural structures are in the background. Two flying putti are in the sky. Verso

Studies of Hands and Figures, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, Above: a figure--possibly a Native American man--is shown in profile, kneeling and leaning upon both hands, the right one raised. The right

Oval Ceiling with Three Graces, Design for Sala di Enea, Palazzo Marescalchi, Bologna, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Ceiling divided into central oval medallion surrounded by four smaller oval medallions in

Design for the Embroidery of a Man's Waistcoat, Graphite, brush and watercolor on paper, Lower left section of a waistcoat. A border of flowers and leaves along the edge. left. Motif of flowers and leaves below the pocket. Floral design on the

Sketches of Clouds and Dead Birch, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Horizontal rectangle. Brief sketches of figures, one winged, one on horseback, with a graphite inscription. At left, part of a tree

The Cumaean Sibyl from Raphael's Fresco in St. Maria della Pace, Raphael, (Italian, 1483–1520), Pencil, black crayon, white heightening on faded blue paper that is now grey, The Cumaean Sibyl's right toes are outline in pen and ink. Written

Study of a Lioness, Black crayon, white heightening on blue paper, Lioness facing forward. Wight heightening around the details of her face., Italy, 19th century, figures, Drawing, Drawing

Design for a Wall Monument or Fountain, Pen and Chinese ink, charcoal on black paper, An oval painting, showing a half reclining girl and a putto, is supported by a mermaid. A merman blowing shell horn, at right. The lateral fiure3s are

Ivory at Home, Frederic Villiers, English, 1852–1922, Charles Scribner's Sons, New York, New York, USA, Black crayon on paper, Three elephants, one standing left, eating grass., USA, 1890, animals, Drawing, Drawing

search results: Drawing clear search