Images at Librifly

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Marriage Contract; Proposal; Leave-taking; Marriage, Robert Cruikshank, 1789 - 1856, brush and grey wash, graphite on paper, England, 1815–20, Drawing, Drawing

Fabrizio Refusing the Gifts of his Enemies, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Italy, ca. 1808, figures, Drawing, Drawing

Architectural Details at Lisieux, Arnold William Brunner, American, 1857–1925, Graphite, white heightening and blue wash on brown paper, Left, wrough-iron railings. Right, gable of house., USA, 1883, architecture, Drawing, Drawing

Project for a Painted Panel, Graphite, pen and ink, brush and watercolor, sepia on paper, Two vertical bands with candelabrum. At the center of each of a pink oval with figures. Above and below are putti., France, ca. 1805, ornament,

Project for an altar: intended to be executed in colored marbles, Black chalk, pen, ink, brush, and various water colors, Horizontal composition of colored marble altar. The upper surface of the altar is tripartite with the central part

Figural Studies, Giuseppe Bernardino Bison, Italian, 1762 - 1844, Pen and bistre on paper, Sketches of angels and saints. Two putti hold aloft a cardinal’s hat. A group of nude figures., Italy, ca. 1800, interiors, Drawing, Drawing

Design for a Tureen and a Platter, Anonymous, Graphite, pen and brown ink, brush and sepia wash on two joined sheets of paper, Tureen in elevation, platter in plan. The left and right halves of the tureen body are slightly different, as

Design for a panel, Gilles Paul Cauvet, French, 1731–1788, Pen and black ink, brush and watercolor on laid paper, Candelabrum composed of fantastic animals, a flower basket, cornucopiae, a sun head, surrounded by floral motifs. Drapery

Project for a Ceiling, Giuseppe Mannocchi, Italian, Active 1775 - 1782, Graphite, pen and ink, brush and watercolor on paper, Corner of ceiling shown. Panels divided by garlands. Within a field of grotesques is a tablet with showing a frieze

Boy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a young male figure., USA, 1880, figures, Drawing, Drawing

Altar, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Drawing, Brush and gouache on pre-printed squared laid paper, At center, grouping of pink blossoms, orange and pink buds, and blue flowers on green and yellow grass, bordered by blue band with orange and yellow flowers., Augsburg, Germany,

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure in uniform; Detail of right leg with short pants and shoe., USA, 1876–1877, figures, Drawing, Drawing

Design for a Lavamano, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for a lavamano (bowl for washing hands). Atop an Etruscan column base, a fish-tailed sea god crouches below the weight of a

Monument for an Accademia della Pace, Felice Giani, Italian, 1758–1823, Pen and ink, brush and bistre wash, graphite on paper, An armored woman holding a caduceus and a wreath is seated upon a crouching lion before a pedestal. A genius

Design for Two Friezes with Putti, Felice Giani, Italian, 1758–1823, Graphite, pen and ink on paper, Page divided horizontally into two friezes featuring groups of putti., Italy, ca. 1800, ornament, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite, pastel crayon on wove paper, Sketch of a male figure holding a tray., USA, 1883, figures, Drawing, Drawing

Sketch of a Left Foot, Red crayon on brown paper, A left foot is depicted from above with the heel lifted and erect and the foot leaning slightly towards the left side of the drawing., Italy, early 18th century, figures, Drawing, Drawing

Design for a door case, Filippo Marchionni, Italian, 1732–1805, Carlo Marchionni, Italian, 1702–1786, Graphite, pen and bistre ink, brush and gray watercolor on paper, Pointed pediment; a shell with lateral branches; a panel with shell

Donkey, Robert Frederick Blum, American, 1857–1903, Graphite, ink on wove paper, Center, Partial sketch of a donkey; Below, Sketch of a village scene with figures and animals., USA, 1883, figures, Drawing, Drawing

Stage Design, Classical Temple Interior with Tombs, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink, brush and yellow, brown, and gray wash on laid paper, laid down, ruled border in pen and black ink, Horizontal rectangle. Interior of

Design for a Chalice, Black chalk, pen and ink, brush and wash on paper, Elevation of a chalice. Love and Faith sit upon the foot. An escutcheon is shown between them. A bust of an angel above it. Temperance with a pitcher and a bowl is shown

Grey and Coral Bird on Bouquet with Rose, Tulip, Daisies, and Forget-Me-Nots, with Butterfly, Pen and ink, graphite on coated wove paper, Grey and Coral Bird on Bouquet with Rose, Tulip, Daisies, and Forget-Me-Nots, with Butterfly, ca.

Fragments of an Incomplete Cartoon for Cotton Printing: La Course Anglaise, Petitpierre & Compe., (Nantes, France, founded 1770, Pen and black ink, brush and gray wash on paper, One of two fragments, parts of three large islands of a cartoon

Landscape by Moonlight, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on cardboard, Evening sky with shining moon and reddened clouds over a valley., July 4, 1865, landscapes, Drawing, Drawing

Design for Dining Table 'A' of Mahogany on Baluster-Like Support, A.N. Davenport Co., Graphite on thin cream paper, Round molded top with dividing stretcher running across center, raised on baluster-like support on rectangular platform, sitting

Sketches for Altars, Black chalk, pen, ink on paper, Obverse: a mensa stand before the central section of a convex dado upon which steps (ledges) rise to a pavillion in which two angles raise a monstrance on a pedestal to which candle brackets

View of Paris, Winslow Homer, American, 1836–1910, Pen and brown ink, graphite on brown paper, Horizontal view over Paris from a parapet of the tower of Notre Dame Cathedral in the foreground, where a man holds out a wishbone to entice a cat

Design for Two Friezes and an Escutcheon, Charcoal, pen and ink, brush and watercolor on paper, Two friezes. At top, four putti with bucranium against a blue ground., Below, a symmetrical grotesque with mermaids and rinceaux., Italy,

Sincholagua, Morning, from the Temple of the Sun, Quito, Frederic Edwin Church, American, 1826–1900, Brush and white gouache, pencil on buff paper, Top: The cloud- capped Carambe rises over cloud banks and ranges. Written: 'Morning snow

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform, with long waistcoat, short pants, and hat., USA, 1876–1877, figures, Drawing, Drawing

Design for Secretary Desk, Graphite, pen and black ink, brush and watercolor on paper, A secretary desk, section and elevation. It is ornamented with two painted panels, one, lozenge-shaped, of a dancing bacchante; the other, a horizontal

Drawing, Felice Giani, Italian, 1758–1823, Pen and black ink, graphite on paper, A female genius is shown turned toward left and holding a wreath over a trophy of arms. A trumpet is in her left hand. Division marks in graphite., Italy,

Fountain at Nevers, Arnold William Brunner, American, 1857–1925, Graphite on pink paper, Round fountain in courtyard, with two children nearby. Left, small child stand, right child has left arm in water. Figures walking and standing in the

View of Guayaquil, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on white wove paper, USA, May 23, 1857, drawing, drawing

The National Capitol, 1861, Edwin James Meeker, American, 1853 - 1936, Pen and ink on cardboard, A large group of soldiers, in formation, standing in front of the facade of the Capitol building. The dome is seen in progress during

Embroidered frontal, Pen and brown ink, brush and brown wash, Horizontal rectangle. Somewhat more than the left half is shown. The central panel is framed by wide borders, with vine festoons above, sheaves rising from a calix at left, scrolls

Sepulchral Monument for the Poet Colte, of Rome, Pen and brown ink, brush and brown wash, graphite on beige laid paper, A pyramid monument decorated with a lyre within a laurel wreath, and the child figures of Romulus and Remus with the

Oil lamp, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A round plinth with bands of acanthus decoration supports a column upon which sits a semi-nude woman holding a aloft a flaming brazier in her left hand.

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, drawing, drawing

Point Levi From Boat, Arnold William Brunner, American, 1857–1925, Graphite on paper, Water and sailboats, foreground, ridge and mountain, beyond., USA, ca. 1881, seascapes, Drawing, Drawing

Two Women Lashed to a Boat's Mast, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a portion of a boat's mast, to which two women are lashed and an Indication of two men in oilskins, and of high waves., USA, 1895,

Floral Design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Graphite, brush and gouache on blue wove paper, Two panels of multicolored flowers on yellow stems on dark brown ground separated by

Doge’s Palace, Venice, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Center, outline of panels to court, with colors noted. Below, capitals. Most are decorated with acanthus leaves and faces., USA, 1883,

Console Table, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Elevation of a table, the leg in the form of two mermaids with entwining tails. Between them, a medallion with a seated figure. Below the lip of the table,

Sketch for Portrait of a Seated Man, Daniel Huntington, American, 1816–1906, Graphite on paper, Man seated in an armchair with paper and pencil, facing left. His head turned, facing frontally, and his legs crossed., USA, ca. 1875,

Wall Decoration, Dragons, possibly for Music Room, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, George IV, King of England, English, 1762 – 1830, Graphite on white wove paper, Design for wall decoration, showing a

Sketch of Lisieux, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, A street with half-timbered houses and figures., USA, 1883, architecture, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform, with long waistcoat, short pants, hat.; Diagonal line through drawing., USA, 1876–77, figures, Drawing, Drawing

Sketchbook Page, Folio 64: Study after Bolognese Architecture and Sculpture; Verso: Geometric Designs, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and bistre wash over traces of black chalk on off-white wove paper, Left image

Near Falls of Wildcat Brook, Jackson, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on paper, Boulders on a slope with trees and plants growing among them. Water flowing down from left to right., USA, August 8, 1854,

Sketch. View of Khirbet en Wasara 'Petra / from the parthway to / El Deir', Frederic Edwin Church, American, 1826–1900, Pencil. Grey paper., The rock is shown in the left middle distance framed by slopes and against a background of mountains.

Sketches of a Man's Head and Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Sketchbook page with sketches and inscriptions. At bottom half, a floating iceberg with the word 'blue' inscribed over the form and

St. Peter and St. Agatha, Pietro Novelli, Italian, 1603 - 1647, Pen and brown ink, red chalk, brush and gray wash on laid paper, Two figures, a man on the left looking at a woman on the right whose mouth is open, as putti fly overhead.,

Design for Six-Legged Round Dining Table, A.N. Davenport Co., Pen and black in , graphite on thin cream paper, Round table top with dividing stretcher running across center, raised on 6 plain, straight, tapering legs on cup casters; legs

Study of Neck for 'Tribute Money', Daniel Huntington, American, 1816–1906, Graphite, brown chalk, white crayon on grey wove paper, Study of the neck of a male figure, shown from the left shoulder., USA, 1852, figures, Drawing, Drawing

Mt. Kearsarge from Beyond Bartlett, Daniel Huntington, American, 1816–1906, Graphite on paper, Wood fence in front of meadow with rocks and tree stumps in foreground. Road to Bartlett with houses, at left. Mount Kearsarge beyond, at center.,

Study of Right Hand of Alexander Hamilton, Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Study of the right hand of General Alexander Hamilton, with the thumb and knuckle of the index finger resting on a

Study of seashore, Rhode Island, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a rocky coastline., Rhode Island, USA, ca. 1877, seascapes, Drawing, Drawing

Design for a Woven Fabric, Brush and gouache on blue paper, Small flower bunches alternate with strips composed of leaves and other flower bunches running vertically. Verso: stripes of floral meanders, leaves, or simply solid colors. Alternate

Madonna and the Infant, St. Jerome, Mary Magdalene and Angels, after Correggio, Felice Giani, Italian, 1758–1823, Pen and black ink, brush and brown wash on paper, Verso: five studies of gothic monuments, Italy, 1818, figures, Drawing,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Horizontal window of green and yellow framed with burgundy, containing yellow circles., USA, late

Tailpiece, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, A symmetrical design composed of garlands of roses, with streamers of ribbons at center., USA, ca. 1905, graphic design, Drawing, Drawing

Two Sketches of a Man Seated on Rocks in San Remo, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, At left, man turned away. At right, in right profile. He is reading a book or letter. Sitting on

Study for 'From Paradise to Purgatory, Newport', William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a rocky cliff., Newport, Rhode Island, USA, ca. 1878, seascapes, Drawing, Drawing

Sepulchral Monument for Carlo Fontana, Pen and brown ink, brush and brown wash, graphite on beige laid paper, Oblique view of an antique sarcophagus standing upon two steps, upon which pairs of children carry the Papal keys (at left), and the

Vermont mountains, Gueliema Field, Pencil on paper, Horizontal rectangle. View of a village (possibly Rutland or Battleboro), with the Green Mountains beyond. Inscribed below (in ink), in the hand of Alice Donlevy: 'Vermont Mountains. Drawn by

Study of the Left Leg of a Seated Woman, Red crayon on brown paper, Left leg depicted from the front and slightly above from just above the knee to the end of the foot. Leg is angled toward lower right corner of paper. Verso: sketch of a bearded

Mountain Pass and Village, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Ridge and vegetation on both sides of road; village and mountains beyond., USA, ca. 1891, landscapes, Drawing, Drawing

Turkish Tombstones, Arnold William Brunner, American, 1857–1925, Graphite on paper, Turkish tombstones, in yard, all ornamentally decorated., USA, ca. 1883, ornament, Drawing, Drawing

Sketches from Cairo, Arnold William Brunner, American, 1857–1925, Graphite on paper, Top, Syrian oil lamp with detail of pendant. Bottom, two details of a boarder and grillwork., USA, ca. 1883, ornament, Drawing, Drawing

A Dutch Barge, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on cream laid paper, A moored barge, shown obliquely from the stern. The Dutch colors are flying., USA, August 20, 1887, landscapes, Drawing,

Two Birds in Foliage with Seed Pods, Giuseppe Barberi, Italian, 1746–1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Two birds alight upon an oak plant., Italy, 1780–1800, interiors, Drawing,

Project for a Painted Drawing Room, Graphite, pen and ink, brush and wash on paper, At top, a partial design for a painted ceiling with a trompe-l’oeil balustrade and sky., Below, a wall elevation with alternative moulding suggestions. At

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On a green-gray ground, almond-shaped cartouche with foliate, spiral, and other decorative patterns., USA, ca. 1887–1903, graphic design,

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a female figure seated and reading an opened book on her lap., USA, ca. 1900, graphic design, Drawing, Drawing

Trophy with Weapons, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and dark ink, brush and gray water color on paper, An upright cuirass in front of shields, helmets, and swords, Italy, 1830–1850, ornament, Drawing,

Street in Tangiers, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Figure in robe under a masonry archway across the street., USA, ca. 1892, architecture, Drawing, Drawing

Design for a Decorative Burgonet, Pen and ink, graphite on laid paper, Vertical rectangle, lined border in pen and ink. Decorative visored helmet seen from the left in profile, the brim formed by the upper part of a fantastical animal's head. At

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a figure., USA, n.d., figures, Drawing, Drawing

Design for a Sedan Chair, Brush and yellow, brown, blue, purple, rose watercolors, pen and Chinese ink, black chalk on paper, Shown in profile, turned toward right, with one bar. Pomegranates stand in the center and at the corners of the

Design for Ornate, Three-Tiered, Rectangular Writing Table, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for a Half-tone Engraving: How to Obtain a Patent, Copp & Co. Patent Attorneys, Washington, D.C., James Henry Moser, Canadian, 1854–1913, Pen and black ink, brush and gouache, graphite on paper, laid down on brown board, At top,

Female Figure Among Clouds; Resurrection, Study after Panetti, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, black chalk on heavy white wove paper, Left, Resurrection scene in desert landscape with mountains,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite, pastel on wove paper, Recto: Sketch of a female figure wearing a shawl and looking over her right shoulder; Verso: Partial sketch of a female figure., USA, 1883, figures,

Design for a sedan chair, Pen and ink, brush and various water colors on paper, Shown from the rear right corner with two bars. The window has two panels and a curtain. The panel beside it is decorated with a disk with a small garland and a flower

Floating Iceberg, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Seascape drawing depicting a sketch of a broad iceberg, horizon line indicated below., USA, July 16, 1859, seascapes, Drawing, Drawing

Study of a Mourning Woman, Red crayon, white heightening on grey paper, Women slightly turned toward right, seen from the front, her left hand in front of her breast., Italy, ca. 1750, figures, Drawing, Drawing

View of Moat Mountain from Wildcat Brook, Jackson, New Hampshire, Looking Southwest, Daniel Huntington, American, 1816–1906, Graphite, white chalk, black crayon on cream wove paper, Brook with rocks and low trees in foreground. Mountains

Kneeling Figures (Detail of a Composition of 'The Assumption'), Pen and black ink, brush and grey wash, graphite on cream laid paper, Four male figures, facing right, kneel at different stages in various attitudes of awe. Three are rendered

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor, white gouache, graphite on paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New

The Monkey and the Cat, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Baboon, left, in right profile, with seeds or berries. Cat also in right profile, right, near a fireplace. Door at left., USA,

Project for a Fountain, Pen and brown ink with gray wash on cream laid paper, lined, Upon a base, partially executed stands a basin upon a foot composed of dolphins with uplifted tails. In the basin kneels a boy with fishtail legs, supporting a

The elevation of a mantelpiece, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and light brown washes, black chalk, A trophy of weapons is shown over the fireplace. The over mantel includes a mirror and an eagle holding

Villa, Black chalk, pen and brown ink, brown wash, white gouache Support: white laid paper toned buff, Italy, Italy, ca. 1650, architecture, Drawing, Drawing

Design for Semi-Circular Writing Table 'C' with Brass Feet and Brass Railing, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Project for an Oval Frame, Luigi Righetti, Italian, 1780 - 1819, Graphite, pen and ink, brush and watercolor on paper, An oval frame painted to look like partial gilt. Decorated with inner band of rosettes and acanthus leaves; outer band with

View of a Farm, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Group of trees at right, in the foreground. The farm in the middle ground., Italy, 1750–1770, landscapes, Drawing, Drawing

Grotesque Design, Charcoal, pen and ink on paper, Strapwork with animals and harpies frame a center square panel. At top, a cherub and floral swag., Italy, early 17th century, grotesques, Drawing, Drawing

Design for Sideboard with Six Drawers, A.N. Davenport Co., Graphite on thin paper, Large sideboard on six short straight tapered legs; rounded front corners decorated with neo-classical motifs; extended back and pair of columns on either side

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