Images at Librifly

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Design for the Embroidered Border of a Waistcoat, Graphite, brush and terra cotta, blue, lilac, and brown gouache on paper, A rising bough with fantastical leaves intertwined with fantastical leaves in S-curves. A strip with oblique ovoids

Design for a Pile Carpet (or Textile), Brush and gouache, graphite on paper, A triangular ornament on black ground; one half is shown. A plant palmette in lozenge. Two blossom rosettes are shown beside, and nearer to the upper and lower points.,

Nuremberg Castle, Germany, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tower and street with pedestrians., Nuremberg, Germany, March 24, 1867, landscapes, Drawing, Drawing

Drawing, Brush and gouache on cream paper, mounted on cream paper, Large feather-like leaf formation in black, green, purple, and gold, surrounded by various sprays of wild flowers in yellow, purple, and gray on cream ground., France and

Oak and Evergreen, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on cream paper, Trees on left half of page. Figures under the trees. Verso: trees, upper left; mountains running horizontally, lower left

Project for a Sculptural Monument, Pen and ink, brush and wash on paper, Center and left side of design shown. An octagonal base with knobs as feet stand upon a wider one. Above this rises a column supporting an escutcheon topped by two putti

Project for a Painted Square Ceiling, Luigi Rossini, Italian, 1790 – 1857, Pen and black ink, watercolor over graphite on paper, Heracles fights the Nemean lion. Decorative motifs include rinceaux, decagons, garlands, and sphinxes.,

Ceiling in Hadrian's Villa, near Tivoli, Luigi Rossini, Italian, 1790 – 1857, Pen and black ink, brush and watercolor, gold paint, black chalk on paper, Design of a ceiling. One quarter of the design is shown. In the center is a tent

figure study for a fountain design, Elihu Vedder, American, 1836 – 1923, black crayon, white chalk, on gray paper, Vertical rectangle. The nude figure of a boy, standing, facing left. The arms are uplifted, the hands incompletely

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, At left, woman's head in near left profile. Outline of same, upper right., USA, ca. 1895, figures, Drawing, Drawing

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketches of a female figure., USA, 1881, figures, Drawing, Drawing

Interior, Unknown, French, French School, Brush and watercolor and graphite, This view shows a large salon dominated by a center table covered with a green cloth. A woman, possibly doing handwork, is seated on a cane chair at the table. On the

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on pale green wove paper, Floral border design, pink flowers, green leaves, scattered buds on field above on white ground., France,

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On tan ground, vertical empty oval box at center framed by green and red lines; surrounded by frame of green leaves and bright red berries., USA,

A Martyrdom, Pen and ink on blue paper, A man hangs by his hands. Two men in front of him seem to remove his intestines, while two onlookers are in the background. On the back a sketch: its continuation is on the back of -1914. Black crayon: a

Sheet from a Sketchbook: Minerva Asking Jupiter for the Happiness of Ulysses or Minerva Questions Jupiter on the Destiny of Ithaca, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite, Minerva is

Woman Praying, Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite on green wove paper, Woman kneeling, facing right, hands clasped. Partial sketches of small children walking, below, and crawling, at

Speaker in 16th Century Attire Addressing a Crowd, Felice Giani, Italian, 1758–1823, Black crayon on paper, A man stands at a pulpit in a town square addressing a group of listeners., Italy, ca. 1794, landscapes, Drawing, Drawing

Side wall with fireplace, Frederick Crace, English, 1779–1859, Pen and black ink, brush and tan and gray wash on wove paper., Wall elevation with fireplace at center, simple panels on either side., England, 1815–22, architecture,

Seated Female Nude, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Nude female figure, seated in a chair, facing frontally and turned slightly to the left. Her head rests on her left hand, with her elbow resting

Gedney Bunce, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure in profile., USA, 1881, portraits, Drawing, Drawing

Grotesque Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork with putti and bears frames a blank oval panel., Italy, early 17th century, ornament, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Rectangular window of blue, yellow, and pink with central petals in pink., USA, late 19th

Two Figure Compositions for the Painting 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite on graph paper, Two alternative figure compositions for a painting of Martha Washington's

Design for a Necklace, Giovanni Sebastiano Meyandi, Italian, active 1762 - 1794, Pen and ink, brush and gray watercolor on paper, Jewelry design for a necklace. A scroll of ribbon and a branch are interlaced, with blossoms in the shape of

Project for a Ceiling, Graphite, pen and ink on paper, Portion of a ceiling shown divided into panels with grotesques., Italy, ca. 1780, ornament, Drawing, Drawing

Sepulchral Monument for Leonida Spada, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, graphite on white laid paper, A sarcophagus topped by a coat-of-arms stands in a lunette-like niche while a sorrowing putto points out

Hercules adds Bow and Arrow to Philactetes, Felice Giani, Italian, 1758–1823, Pen and brown ink, over traces of black chalk on light blue laid paper, Hercules lies at left. Philactetes receives arrows; he holds bow in left hand. Funeral pile

Women, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of two female figures., USA, 1884, figures, Drawing, Drawing

Designs for Vases and Architecture, Pen and ink, brush and wash on paper, Views of garden architecture and vase designs., Italy, 1700–1800, architecture, Drawing, Drawing

Project for a frontal with alternative suggestions, Black crayon with brush on paper, Horizontal composition of a frontal. An ovoidal medallion is in the center. Small cornucopias with flowers and an acanthus are on the right with sprays on the

Design for a Parure with Rubies and Pearls, Pen and black ink, brush and red gouache, gold paint, graphite on off-white wove paper, laid down, Earring, pendant necklace, and bracelet arranged vertically on page. Necklace composed of

Design for a Ewer, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and black and grey wash, graphite, The handle is at left. Its bottom part consists of a satyr who is embraced by a mermaid seated on the shoulder of the

Street with Houses, Guayaquil, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on thin gray paper, Recto: Horizontal oblique view of a street, directed toward the left, with a group of trees standing

Study of Boy Holding a Salver for 'The Republican Court' (Lady Washington's Reception Day), Daniel Huntington, American, 1816–1906, Graphite, white chalk on grey wove paper, Boy facing left, slightly away. Two studies of right foot, bare

Landscape, Black chalk, pen and ink on paper, Unfinished foreground. A seated old man and another seated figure are shown, likely representing either the temptation of St. Anthony or Anthony visiting St. Paul the Hermit. Mountainous wooded

Design for a Window Case, Brush and gray watercolor, black chalk on paper, Corithian columns hold the entablature with a pediment. One reclining figure on each slope of the pediment. Two curtains hand in the window., Italy, 18th century,

Costume Design: A Woman Singer for a Ballet, Lead pencil on paper, Vertical rectangle. A woman is shown frontally, walking with outstretched hands. Written in the bodice above the waist: 'Tochn.' Below: 'Rigata, ' in the lower part of the left

Project for the elevation of an altar, Pencil, pen, washes and chinese black on paper, Vertical composition of an altar with a retable as wide as the mensa. The central panel of the base has an escutcheon with the word 'SILENT/TIUM' between

Sketch of Figure on a Cross, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Christ standing on a cross, arms outstretched, looking down, as if from a cloud. Crowds below., USA, ca. 1895, religion, Drawing, Drawing

Four Ovals: Fortitude, Justice, Prudence, Temperance, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Fortitude: woman with helmet and holding club, sits upon bench.

Old House, Beirut, Frederic Edwin Church, American, 1826–1900, Graphite on green-gray paper, Oblique view of a stately mansion; the lower part of the ground floor is not shown. A smaller house with a terrace is in the rear. Caption: “New

Design for Carriage Understructure, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, Profile of the beam is shown beside the elevation of the understructure which is decorated with

Design for Oak Cabinet in Three-Quarter View, A.N. Davenport Co., Graphite on thin cream paper, Three-quarter view of tri-partite, semi-lunar, glass-front cabinet with flattened central panel and 3 shelves; central front panel flanked by fluted

Stage Design, Grotto, Pen and brown ink, brush and gray wash, black chalk on laid paper, Horizontal rectangle. Stairs at right leading down into cave opening on the left side toward buildings at distance., possibly Venice or Milan, Italy,

Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Nude female figure lying on back, head to left of composition and seen in foreshortening, with right arm brought across in front of body. Above, paper pasted to

Summer, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto holding sheaves of grain and sickle in

Six Designs for a Child's Bed, Pen and ink, black chalk on paper, Six designs for a child's bed. At upper left, a cradle with a child in it stands upon a platform. Four statues support the canopy. At upper center, a trough-like bed with a child

Elevation of the Side of an Ornate Cabinet, Jacques Androuet Du Cerceau the Elder, French, ca. 1515 - after 1584, Black chalk; pen and brown ink on cream laid paper, laid down, One side of an ornate cabinet shown in elevation with a winged,

Ships at Sea, Pen and ink, brush and wash on paper, A large galley with tender in the foreground. Two warships in the distance., France, 1775–1800, landscapes, Drawing, Drawing

Designs for an overdoor with a papal escutcheon, Pen and brown ink, brush and brown wash, Horizontal rectangle. Left row: Above: below is the upper part of the doorframe, in rustic. It is bordered above by moldings, upon which stands an oblong

Chalice Designs, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Five large and one small designs for a chalice. All have a flaring, undecorated lip. The two at far left have oval medallions at the base. Ink wash ground.,

Garden and Street Elevations of a Small Palace, Pen and ink, brush and watercolor on paper, At left, garden elevation of a two-storied palace with seven bays in two ranges, and surmounted by a balustrade ornamented with urns and paired putti at

A Port Scene, Red chalk, pen and ink, brush and watercolor on paper, Walking and seated figures, and a dog are in the foreground. In the middle plane are groups of people and donkeys. Some people gather under an awning. Barrels at left.

Study of Child's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite and white chalk on red-brown paper, Child's face turned toward the right. Shadow on the neck., USA, ca. 1895, figures, Drawing, Drawing

Study for a standing child, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on tracing paper, A young figure standing., New York, NY, USA, 1895–1898,

Design in Plan and Elevation for Mahogany Sideboard on Casters, A.N. Davenport Co., Graphite on thin cream paper, Elevation view: rectangular sideboard with 4 turned and fluted straight tapering legs on casters; tri-partite front has 3 drawers

Design for a clock, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, on cream laid paper, Clock sits on footed base, lower panel decorated with intertwining leaves and branches. Bottom portion of clock decorated

Yoke of Oxen, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a yoke of oxen with a drover, drawing a truck on which a woman sits with a small child on her lap, and a faint indication of trees visible in

Design for a Trophy of Arms, Red crayon on paper, Hanging from a shell. A battle axe and a helmet are above, a shield and a mace in the centre, a sword, a quiver, another object and a cloth with tassels below., France, 1730-1760, Drawing,

Elevation of a Tray with Two Tankards and a Hand Bell, Vincenzo Belli, Italian, 1710 - 1787, Graphite, pen and ink on paper, Calyxes decorate the bodies of the tankards and the body and handle of the bell. Snakes form the handles of the

Design for Rectangular Writing Table with Rounded Corners, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Sketchbook Page with Classical Scenes, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Penelope Dreams of Ulysses Return; Minerva accompanying Ulysses and Penelope to Thalamus; Study for a

Study of a Woman's Head for 'Grape Gatherers', Daniel Huntington, American, 1816–1906, Graphite, chalk on light brown paper, Study of a woman's head in left profile., USA, July 1855, figures, Drawing, Drawing

Design for a Decorated Panel, Gilles Paul Cauvet, French, 1731–1788, Red crayon on paper, The half figure of a winged woman carries upon the head the base of a tripod with a burning fire. In the centre above is a female head supporting a

Two Fishermen, England, Winslow Homer, American, 1836–1910, Graphite on gray paper, Recto: Horizontal view of the beach with two fishermen's dories, and two men walking through shallow water carrying baskets., Verso: Slight sketch of a

Design for an Inkstand, Lefebvre Manufactory, Tournai, Graphite, pen and black ink, brush and watercolor on paper, Rectangular box on black base. Long drawer in open position decorated with center rosette, flanked by stylized leaf motif.

Elevation of a Tower, Graphite, pen and ink, brush and watercolor on paper, Elevation of a bell tower. Above the basement window, a grate of iron bars. A clock set into the pediment, below which is the text: ANNODOMINI MDCCLIII. At top, a

Design for a Woven Fabric, Fragment, Brush and gouache on oily tracing paper, A bunch of flowers. Three seeds and a part of a blossom are shown at right., France, 1815–1825, Drawing, Drawing

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, gold paint on paper, On greenish ground, in upper half a cartouche in dark blue framed by gold curls, leaves., USA, ca. 1891–1892, graphic design,

Drawing, Johann Melchior Füssli, Swiss, 1677–1736, Brush and gray wash, pen and brown ink, black chalk on cream laid paper, Zürich, Switzerland, before 1731, Drawing

State Coach, Giovanni Paolo Schor, 1615 – 1674, Pen and brown ink, gray wash, over black chalk Support: beige laid paper (see notes below), Rome, Italy, Italy, 1650–60, transportation, Drawing, Drawing

Drawing for the Rear of the Third Carriage of the Prince of Liechtenstein, Antonio Creccolini, Italian, 1671 – ca. 1725, Pen and brown ink, brush + brown wash, over black chalk Support: beige laid paper (see notes below), Design for the back

Design for monument of Pope Clement XII, Carlo Marchionni, Italian, 1702–1786, Grapite, brush and gray watercolor on laid paper, Italy, 1735, architecture, Drawing, Drawing

Design for Serving Table with Single Drawer, A.N. Davenport Co., Graphite on cream tracing paper, Rectangular body with slightly concave central front with single drawer; raised on 2 pair of columnar supports at front and 2 pair plain straight

Stage Design, Group of Buildings, Pen and brown ink, brush and sepia wash on paper, Horizontal rectangle. From vast buildings surrounding court, view out toward circular building. Stairs with obelisks lead toward background to the right.

One of Sixteen Scenes of the Death and Burial of a Man, Japan watercolor on silk or paper, From a series of sixteen scenes of the death and burial of a man in Japan., Japan, 19th century, Drawing, Drawing

The Battle for the Corpse of Patroclus, Jerome Martin Langlois, French, 1779 - 1838, Charcoal, pen and ink, brush and bistre, ink wash on light gray paper, Three Trojans and two Greeks struggle to carry the corpse to their sides, other

Stage Design, Castle on Hill, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Castle on steep hill, at the bottom of which is a

Portrait of Kenyon Cox, Robert Frederick Blum, American, 1857–1903, Pen and black ink, with ink wash on cream laid paper, Portrait bust of a man's head and shoulders, facing front. Verso: figure; enframed sketch of hand; various notations.,

Elevation of a Side Chapel of the Congregation of St. Roch in Rome, Graphite, pen and ink, brush and watercolor on paper, Singles and pairs of pilasters support the entablature. Between them are three painted marble panels and a panel with

Study of landscape, Lauterbrunnen, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a mountain range., USA, August 1867, landscapes, Drawing, Drawing

Two Flying Putti with Banderole, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink on paper, Vertical rectangle showing two loosely drawn putti with a banderole in an oval frame., Italy, 1800–1820,

Studies of Calves, Stockbridge, Samuel Colman, American, 1832–1920, Brush and watercolor, white gouache, graphite on brown paper, Two studies of calves, one on top of the other. Above, a calf lying on the grass, shown from the back with

The Assumption of the Virgin, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on paper, On verso: study of ceiling; four architectural decorative studies, Italy, 1813–18, figures, Drawing, Drawing

Sketch for Coat of Arms, Carlo Marchionni, Italian, 1702–1786, Pen and ink on laid paper; verso: graphite, Vertical rectangle. At right, the dexter half with two-headed eagle; at left, the sinister half, per fesse three crosses and three

Study of balusters, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Jacques-Laure Le Tonnelier, bailli de Breteuil, French, 1723 - 1785, Red chalk on paper, Study of balusters, France, ca. 1759–70, ornament, Drawing,

Study of corbels, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Study of three corbels of different styles, France, ca. 1759–70, ornament, Drawing, Drawing

Detail from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Angel sounding a trumpet, based on figure from The Last Judgment by Michelangelo.

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Three angels, one blowing a trumpet and two holding a large book. Based on

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Two figures from The Last Judgment by Michelangelo., France, ca. 1759–70,

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Two figures from the far right side of The Last Judgment by Michelangelo. The one

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Group of figures from The Last Judgment by Michelangelo., France, ca. 1759–70,

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Group of figures from the right side of The Last Judgment by Michelangelo.,

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Group of figures to the right of center in The Last Judgment by Michelangelo.,

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Figures from The Last Judgment by Michelangelo, France, ca. 1759–70, figures,

Study of balusters and candelabra, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Study of balusters and a candelabra., France, ca. 1759–70, ornament, Drawing, Drawing

Figure from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Figure to the immediate left of Mary in The Last Judgment by Michelangelo, France,

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Group of figures from left side of The Last Judgment by Michelangelo, France,

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Michelangelo Buonarroti, Italian, 1475–1564, Red chalk on paper, Group of figures to the left of Mary in The Last Judgment by Michelangelo,

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