Images at Librifly

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Memorial to Sister Maria Raggi in S. Maria sopra Minerva, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Giovanni Lorenzo Bernini, 1598 – 1680, Red chalk on paper, Drawing after Gian Lorenzo Bernini's Memorial to Sister

Tomb decoration with portrait, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Tomb decoration with portrait of deceased and a place for an inscription below., France, ca. 1759–70, ornament, Drawing,

Doorway with nude figure and winged creatures, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Doorway with columns and pediment in background. In foreground, nude male figure with hands resting on

Frame with Blank Oval, and Elaborate Foliage Scroll Decoration, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on cream

Renaissance architectural detail, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Renaissance architectural detail. Archway with a frieze above and an Ionic column on the left., France, ca. 1759–70,

Ornamental detail with botanical motifs, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Ornamental detail with botanical motifs, France, ca. 1759–70, ornament, Drawing, Drawing

Ornamental detail with winged figure and vase, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, At left, ornamental detail with winged female figure. At right, vase., France, ca. 1759–70, ornament,

Baluster, urns and pedestal, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Upper left: pedestal. Lower left: baluster. Urns on the right side. There is no space between the pedestal and baluster., France,

Urn and pitcher, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Drawing showing the ornamental details of an urn and a pitcher., France, ca. 1759–70, ornament, Drawing, Drawing

A Vase, and a Lamp on a Stand, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on cream laid paper, Design for two vases;

Two urns and an ornamental detail, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Two urns at center and right. At left, an ornamental detail with leaf-like motifs., France, ca. 1759–70, ornament,

Two pedestals, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Two pedestals. The one at left has wings that frame the bottom corners, the one at right has a snake., France, ca. 1759–70, ornament,

Three urns, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Three urns of different sizes, shapes, and styles., France, ca. 1759–70, ornament, Drawing, Drawing

Three urns, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Three urns of different sizes, shapes, and styles., France, ca. 1759–70, ornament, Drawing, Drawing

Two urns, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, At left, urn has faces of a creature around it, whose horns serve as the handles. At right, the ends of the two urn handles are heads of a

Renaissance doorway with Egyptian vase, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Renaissance doorway. The left door and doorframe are represented, as well as a decorative motif in the upper left

Urn and leaf-like ornament, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Urn and a circular, leaf-like ornamental detail, France, ca. 1759–70, ornament, Drawing, Drawing

Cabinet, fountain and pillar, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, At left, an elaborate cabinet with one leg looking like the foot of a giant creature. In the center, a tall fountain. At right,

Four plant-like pedestals, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Four plant-like pedestals. All four have curly leaf-like elements and taper toward the top. The third pedestal widens again at the

Monstrance, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Monstrance with an irreguarly-shaped window., France, ca. 1759–70, ornament, Drawing, Drawing

Monstrance, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Monstrance with an oval window and a wide base., France, ca. 1759–70, ornament, Drawing, Drawing

Ceiling detail with two seated figures and escutcheon, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Two seated female figures on either side of an escutcheon, with the indication of an inscription below.

Tomb of Ferdinand van den Eynde in S. Maria dell'Anima, Rome, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, François Duquesnoy, Flemish, 1597 - 1643, Red chalk on paper, Drawing after François Duquesnoy's tomb of

Detail of tomb monument, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Epitaph flanked by two putti. A representation of a building and a helmet are above., France, ca. 1759–70, ornament, Drawing,

Winged figure and putto supporting escutcheon, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Winged figure and putto supporting an escutcheon. The winged figure, on the right, holds the top, and the

Costaguti coat of arms and part of a female figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Escutcheon in the center and below, a female figure from the waist up. She is turned away and extends her

Brackets and a Column Capital with Eagles, in Dessins d'Ango Ornements et Architecture (Drawings of Ornaments and Architecture by Ango), Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on cream laid paper,

Frieze detail of winged figure, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Winged figure wearing a sort of chiton. The figure's legs are spread wide and the right leg is exposed. The right hand holds

Winged figure with a horn and putto with fasces, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, A winged figure plays a long horn and leans over an escutcheon. To the right, a putto approaches, carrying a

Robed woman with two children and a goat, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, A robed woman stands with her back to the viewer, and extends her hand to two seated children. There is a goat at

Armory, mask and a garland, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, At top, the exterior of an armory. Middle, a highly detailed mask with embellishments. Bottom, a garland above and next to a

Two male figures and a decorative motif, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Two muscular nudes. One raises his left hand in a fist. Below, a decorative motif., France, ca. 1759–70,

Niche with statue, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Two columns support a pediment with a frieze. Below this is another frieze. Within this structure is a smaller niche that houses a statue.,

Winged female figure with decorative scroll, Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on paper, Winged female figure holding a scroll, part of which extends out of the frame of the drawing. Her wings are spread

A Stucco Angel from the Nave Vault, Church of the Gesu, Rome, ' from the album 'Drawings after Ornament and Architecture', Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Giovanni Battista Gaulli, called Baciccio, Italian,

Chinese Man Smoking an Opium Pipe in a Baxter Street Club House, New York City, Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, Horizontal view of a Chinese man lying on a table supported by trestles and smoking an opium

Design for an Inkstand, Lefebvre Manufactory, Tournai, Brush and watercolor, black wash, graphite, on cream laid paper, Rectangular black base supports a box, drawer in open position (at right). Box decorated with center mask flanked by

Corner Confederate Burying Ground, Harry Fenn, American, 1845–1911, Pen and ink heightened with white gouache on tan paper, Stone wall and overgrown cemetery with one gravestone seen in distance., USA, 1888, landscapes, Drawing, Drawing

The Entombment, Giulio Romano, Italian, 1499–1546, Pen and ink, brush and sepia wash, white heightening on paper, The figures of the three Marys and St. John are seen bending over the body of the dead Christ, preparing it for the tomb. One

Designs for Gobelins Tapestry, April (Les Mois Grotesques par Bandes), Claude Audran III, French, 1658 - 1734, Red chalk, pen and brown ink on cream laid paper, Three vertical panels depicting the months of April, June and October, in

Study for the entrance of a temple, “Vintage Festival”, Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Brush and watercolor on tracing paper mounted to board, A basin is positioned at the entrance of a

Hercules and Nemean Lion, Felice Giani, Italian, 1758–1823, Pen and brown ink over traces of graphite on cream laid paper, Hercules shown from right back., Italy, ca. 1805, figures, Drawing, Drawing

Figure Presenting Loaves to a General, Karel Škréta, Bohemian, 1610 - 1674, Pen and gray ink, brush and gray wash with traces of graphite on cream laid paper, Street scene depicting two classical male figure, one with a sword and beard, the

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's head, looking upward toward the right., USA, ca. 1895, figures, Drawing, Drawing

Proscenium and Curtain, Little Theater of the Orphans, Faenza, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, gray wash, Italy, 1869, Drawing, Drawing

Design for a Woven Fabric, Fragment, Gouache on oily tracing paper, mounted, Top and right: Flower boughs and the spiral of a shell. Bottom left: a plant surrounded on top by heads and rising over a row of seeds., France, 1815-1840, Drawing,

Beirut Harbor and Mount Sannine, Frederic Edwin Church, American, 1826–1900, Graphite on cream paper, Rector: View of a harbor and mountains; Center, ships and a row boat; Verso: Sketch of a landscape with the view of a valley., Beirut,

Alpine study of a sunset, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., View from a height of a mountain, the lower part of whichis reddened, across a valley and foothills. The roof of a house is shown in the

Stage Design, Court of Antique Building, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Court of antique building opening up to various halls by door and archways., Italy, early 19th century, theater, Drawing, Drawing

Musée Cluny, F. Berkeley Smith, American, 1868–1931, Graphite and black pastel on paper, Drawing of the exterior of the Musée de Cluny, Paris, with courtyard and tower, at left, and trees, at right., USA, ca. 1900, architecture,

Design for Garden Pavilion, Graphite on wove paper, lined, Design for a garden pavilion. Pavilion with umbrella decorated with flower motif. Vegetation surrounds pavilion. Scale noted at bottom., USA, ca. 1909, architecture, Drawing, Drawing

A Valley, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and gray, black watercolor, bistre wash on paper, A densely populated valley with streams, trees, villas, and farms., Italy, 1750–70, landscapes, Drawing, Drawing

Study of waves, William Trost Richards, American, 1833–1905, Graphite, chalk on paper, A sketch of the rolling sea with white caps in the foreground., USA, ca. 1877, seascapes, Drawing, Drawing

Floral design for printed textiles, Louis-Albert DuBois, Swiss, 1752–1818, Fabrique de Fazy aux Bergues, Brush and gouache, graphite on white wove paper, Small clusters of pink, blue and white flowers on black ground decorated with a leafy

Kettle Drum, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Head and shoulder of a male figure playing a kettle drum., USA, 1880, music, Drawing, Drawing

Nude Study for 'The Active Life, ' Lunette in the Administration Building, Oberlin College, Oberlin, OH, Kenyon Cox, American, 1856–1919, Graphite on cream laid paper, Paper squared off. Nude woman seated, facing frontally, with knees

Study for the Right Leg of a Seated Woman, Red crayon on brown paper, Frontal depiction of a leg from just above the knee to the foot; verso: head of a bearded man., Italy, early 18th century, figures, Drawing, Drawing

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, Crest border of palmettes alternating with leaves growing from calyxes., France,

Sketches of Heads, Arnold William Brunner, American, 1857–1925, Graphite on paper; vero: green paper, Women, lower left, and men with mustaches in hats. Almost all in profile., USA, ca. 1883, portraits, Drawing, Drawing

Study for a Mural, Francis Augustus Lathrop, American, 1849 - 1909, Charcoal and red chalk on cream wove paper, Cartoon, probably for a mural. Female figure, standing, looking to the right, holding ball in her left hand. Pinholes following

Design for a Steeple, Unknown, Pen and gray, brown ink, brush and gray, brown wash on paper, Design for a steeple. At base, a balustrade with designs in metalwork. Three windows built into stonework of the structure. Steeple topped by large

The Nativity, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash on paper, On verso: interior of chapel Bentivoglio, in San Giacomo in Bologna, Italy, 1813–18, figures, Drawing, Drawing

Two Circular and Octagonal Painting for Ceiling: Deeds of Alexander the Great, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Alexander swings his sword to cut Gordian

Study of Drapery, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on grey wove paper, A figure is shown stepping down from a ledge or step. The right arm is bare and holds a staff upward. The left hand holds the front of the

Design for a Thurible, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and ink, brush and watercolor, sepia on paper, Vertical rectangle. Smoke pours fromteh body and cover. Suspension chains on either side., Italy, ca. 1740,

A farm wagon, Charles Francois Daubigny, 1817-1878, Black crayon on paper, Shown with obliquely directed front axle and without tongue. Indistinct setting. Verso: small part of beginning of a sketch., France, ca. 1850, transportation,

Two Views of the Head of a Youth, Black and white crayon on paper, Youth with long hair., Italy, 1795–1805, figures, Drawing, Drawing

Designs for Mechanical Dressing and Writing Tables, Pen and ink, brush and watercolor on paper, At left, kidney-shaped writing table seen in plan and elevation. At right, a fitted dressing table seen in isometric drawing of table and isometric

Landscape, Grindelwald, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a village with a church on the right, a couple in the center with a dog, and mountains in the background., Grindelwald,

Design for China Cabinet of Mahogany in Elevation and Plan, A.N. Davenport Co., Graphite and yellow color pencil on thin cream paper, Elevation: rectangular tri-partite front with glass door and 3 shelves raised on 4 straight tapering legs. Plan:

Apotheosis of a Female Saint, Giacomo Farelli, Italian, 1624 - 1706, Pen and brown ink, brush with blue watercolor, white gouache on blue paper; verso: black and white chalk, At lower right, a female figure covered in drapery, her arms

Design for Embroidered Floral Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Cards fastenedd together by bow knots form irregular lozenges. A standing bunch of feather leaves and

Design for a Round Oak Dining Table with Animal Paw Feet, A.N. Davenport Co., Graphite on thin cream paper, Round molded top raised on support of 4 [three shown] clustered columns sitting atop carved molded base terminating in 4 carved and molded

Stage Design: Village in Hilly Landscape, for L'orfanella di Ginevra, ossia L'ombra di un vivo, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash, and

The Horse and the Ass, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Horse at right in harness; ass, left with load on back and vases, both in right profile. Sun top center. Hand with whip, far

Man and Woman Working by a River, Elliott Daingerfield, American, 1859–1932, Pen and black ink, graphite on paper, A man and a woman working by a river. The man wears a hat and is standing near a basket; he is smoking, and holds a hoe. The

Mountain Landscape, Jamaica, West Indies., Frederic Edwin Church, American, 1826–1900, Graphite on gray paper., Horizontal view of a valley, with houses visible on hill tops in right foreground, winding towards a background containing a

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined blue laid paper, Man seated in right profile, reading a paper. His feet not shown., London, United Kingdom, USA, 1858, figures, Drawing, Drawing

Project for decoration of a panel, Pen and ink, brush and brown watercolor, charcoal, on paper, In the center is a high pedestal with the figure of a standing woman, with a canopy above her. On the steps of the pedestal sit two children holding

Design for Kidney-Shaped Writing Table with Blotter and Book Atop, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Cloud studies, Frederic Edwin Church, American, 1826–1900, Brush and oil on paperboard, View over hillside with alternating dark and light cloud layers; perhaps view from Catskill Mountain House. Verso: Clouds, landscape, USA, possibly

Steeple in Cambridge, Arnold William Brunner, American, 1857–1925, Graphite on paper; verso: green paper, Dark steeple, roofs and tree tops; upper right, birds flying, USA, 1883, architecture, Drawing, Drawing

Study for a woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper, Sketch of a female figure. The right arm is lowered, the left hand is at the left

Design for a printed framing, pattern no. 4 of the Fabrique de St. Ruf, Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache, black on paper, Lower left corner, short flower stems are obliquely shown. They form horizontal and

Schooner with Three Dories, Winslow Homer, American, 1836–1910, Graphite, brush and gouache on light-brown paper, Horiztonal view of a schooner with three dories., USA, 1880, seascapes, Drawing, Drawing

St. James's Palace, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Brush and grey and black watercolor on paper, The palace is seen in the background. Houses, left and right, in the

Elevation of the Facade of the Theater, St. Petersburg, Cesare Recanatini, Italian, 1823–1893, Brush and gray, blue watercolor, pen and ink on paper, Horizontal format architectural drawing depicting a two-storied facade, with pedimented

Study of Feet, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on cream paper, Lower left, lower part of right foot seen from the top, with toes pointing towards bottom of page; left foot, seen from the side, upper right., USA,

Design for a Silver Candl, Pen and brown ink, brown wash, black chalk Support: white laid paper, Rome, Italy, Italy and Germany, ca. 1725, metalwork, Drawing, Drawing

Design for a Waistcoat, Black crayon, various gouache colors on paper, Design and sketch for the embroidery of men's waistcoats. Recto: A dark blue and violet stripe are at left. Beside these are to alternate a flower bunch and a flower bough of

The Artist's Wife Sophie, Daniel Huntington, American, 1816–1906, Black crayon on grey-brown wove paper, Portrait of a woman, probably Sophie Huntington, with her lowered head shown in right profile., USA, ca. 1853, portraits, Drawing,

Design for a Console Table, Giovanni Giardini, Italian, 1646 - 1721, Pen and brown ink, graphite on off-white laid paper, Elevation of a console table. Scrolling legs decorated with a crowned eagle., Italy, 1700–1750, furniture, Drawing,

Design for a Garden Folly (?), Graphite, pen and ink, Europe and USA, Drawing, Drawing

Furniture for a Bedroom, Graphite, brush and watercolor on paper, Elevation of bedroom furniture. At left is a commode with two drawers, strait legs and an oval panel of marquetry. Beside is a couch with curving back and half of a chair with a

Design for Stand of 17th Century Spanish Cabinet, A.N. Davenport Co., Graphite on thin cream paper, Rectangular body with front panel with elaborate metalwork center: 2 hinge-plates and 2 cross-shaped handles flank keyhole escutcheon; body raised

Sketches A) Sibyl (?); B) St. John preaching, Pen, ink, brush, grey watercolor, white heightening on rough blue paper, Vertical composition with sketches. A) A standing woman with a turban, shown from the front. She carries an open book in her

Design for a Woven or Embroidered Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and black gouache, incised lines on glazed tracing paper, A palmette plant is alternatively shown downward and upright,

Ornamental Design with Coral, Seaweed, and Shells, Brush and watercolor, traces of graphite on white wove paper, mounted around edges, Design for a medallion composed of coral, leaves and shells., 19th century, ornament, Drawing, Drawing

Design for a Fabric, Probably for a Floor Covering, Frederick Crace, English, 1779–1859, Brush and watercolor, graphite on paper, A segment of a circle. Design for the Royal Pavilion, Brighton. A design for a section of a rug, divided into

Design for a Holy Water Spout, Pen and ink, brush and sepia wash, gray, yellow watercolor, graphite on paper, Vertical rectangle. Design for a holy water spout attached to a wall, intended to be executed in yellow and white metals. The bowl is

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