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Woman with Bellows Lighting Fire, Graphite, pen and ink, brush and watercolor on paper, A woman shown in profile, kneeling with bellows., Italy, late 18th century, figures, Drawing, Drawing

Study for a pedestal, “Vintage Festival, ” Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a pedestal., New York, New York, USA, 1896, mural designs, Drawing, Drawing

Drawing, Brush and gouache, graphite on cream paper, lined, Allover design of pink stylized blossoms on curved zigzagged vertical lines on red ground. Lower margin, horizontally-placed pink blossoms outlined in white inside cloud band, on red

Fountain in a Niche, Pen and brown ink, watercolor Support: white wove paper, Rome, Italy, Italy, 1800–1820, architecture, Drawing, Drawing

Head of Apollo, Giuseppe Longhi, Italian, 1766–1831, Color pencil on cream paper, Drawing of the head of Apollo, the Greek and Roman god of the sun, light, music, prophecy, healing, and poetry, from a classical statue. His head,

Project for an Epitaph in High Relief, Vincenzo Gajassi, Italian, 1801 - 1861, Graphite, pen and ink on paper, Aedicule with pilasters decorated with candelabra. At center, an angel with book over a recumbent effigy., Italy, 1850–1860,

Woman with Child, Fortunato Duranti, Italian, 1787 - 1863, Graphite, pen and ink, brush and watercolor on paper, Woman seated on a molded floor, turned toward the left, with the child in her lap, who grasps her head cloth., Rome, Italy,

Design for Cabinet 'C, ' Plan and Elevation, A.N. Davenport Co., Graphite on thin cream paper, Elevation (central and upper section of sheet): tri-partite glass front cabinet with 4 shelves and carved frieze; raised on 4 carved cabriole legs

Sepulchral Monument for Writer Vecei, Pen and brown ink, brush and brown wash, graphite on blued-white paper, lined, A group composed of Saturnus, Truth, and a Lion is shown on an oval pedestal against an arch of olive boughs. Two seated putti

Stage Design, Antique Buildings, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Street between walls lined with antique buildings

Study of Black Birches, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Study of a group of trees growing out of a cluster of rocks., USA, ca. 1855, nature studies, Drawing, Drawing

The Young Archer, a sculpture attributed to Michelangelo, Plate 13 from an album 'Drawings after Sculpture', Jean-Robert Ango, French, active in Rome 1759 –1770, d. 1773, Red chalk on off-white laid paper, Drawing of a young man facing

Study for 'Titian Showing, Daniel Huntington, American, 1816–1906, Graphite, White Chalk Support: Gray Wove Paper, USA, 1871–72, figures, Drawing, Drawing

Design for a Necklace, Pen and black ink, brush and green, yellow, gray watercolor on light green paper, Jewelry design for a necklace. The chain around the neck consists of printed ovals containing a scroll of ribbon between two rows of disks,

Three Escutcheons with Alternative Suggestions, Francesco Vaccaro, Italian, 1636 - 1675, Black chalk, pen and ink, bistre wash, oxidized white heightening on paper, At top, a child’s head is in the top center of the escutcheon, which

Madonna and Child, Egisto Rossi, Italian, 1824 or 1825–1899, Pen and blue ink, graphite on cream paper, laid down, Sketch of a half-length Madonna, facing left. She holds the Christ-child on her lap, with her gaze directed frontally.

Palazzo Milzetti, Faenza;, Pen and brown ink, brown wash, over black chalk on white laid paper, Faenza, Italy, Italy, 1802–05, interiors, Drawing, Drawing

Still-life, Edna W. Heese, Grey washes on paper, Horizontal rectangle. Still-life of a large dish, vase and peppers. Signed in pencil, upper left: 'HEESE / MAR. 13, 1911.' Label mounted, lower right., USA, 1911, nature studies, Drawing,

Design for a Ewer, Brush and watercolor, gold, brown gouache, graphite on cream paper, Ewer with squared gold handle; rim decorated with trellis-like design with small blue flowers and green leaves; neck decorated with more elaborate design of

Altar with Tabernacle and Two Priests in Conversation, Filippo Marchionni, Italian, 1732–1805, Pen and brown ink, brush and gray wash, graphite on white laid paper, Alter shown within under an arch. Within the central niche is Christ. Above

Putti playing before a herm, Jacob de Wit, 1695 – 1754, Pen and ink, white heightening on laid paper; Verso: Black chalk, pen and ink on paper, A child sits in the middle ground upon a goat, with four other beside it. In the foreground

Sketch for a Portrait of a Seated Woman, Daniel Huntington, American, 1816–1906, Graphite on paper, Woman seated facing frontally, with her right arm resting on a table and a fan in her left hand. She looks toward the left. The left arm

Design for Semi-Circular Writing Table of Mahogany and Inlay, A.N. Davenport Co., Pen and black ink on thin cream paper, Semi-circular table top with inlaid central horizontal panel having 2 short drawers with single C-shaped pulls; raised on 4

Seated Gentleman, Gravelot, French, 1699 - 1773, active in England, Red chalk on paper, A male figure in gentleman's clothing, shown in profile facing right, seated on a bench in a park. A sphere (globe) on a pedestal in the right middle

Design for Magazine Cover, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a magazine cover with a seated female figure holding a cornucopia., USA, ca. 1900, graphic design, Drawing, Drawing

Project for an altar, Pencil, pen, black ink, brush and grey water color on light yellow paper, Vertical composition of an altar. The mensa is the inner, lower part of the structure. The front of the sepulchre has the shape of a sarcophagus on

The Assumption of Mary, Pen and ink, brush and wash on paper, An enthroned Mary at center, the Holy Trinity above, and nuns below., Italy, 1755, figures, Drawing, Drawing

Design for Ecclesiastical Utensils, Chalk, pen and ink, brush and wash on paper, A holy water vessel with sprinkler, incense boat, censer and ciborium, all with putti and C-scrolls, Italy, early 18th century, metalwork, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a male figure; Verso: Sketch of a male figure wearing a hat., USA, 1881–1883, figures, Drawing, Drawing

Stage Design, Antique Building wiht Vaults, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink on paper, Horizontal rectangle. Entrance to antique building with porticoes and stairs, coffered ceiling, sculptures of lions flanking the

Design for a Dining Table 'C' of Mahogany, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with dividing stretcher running across center raised on fluted columnar support sitting atop molded base terminating in

Design for Silver Engraving: Seated Woman, Tommi Parzinger, (American, born Germany, 1903–1981), Pen and black ink on cream tracing paper, Seated woman holding platter with fruit., USA, 1920–30, figures, Drawing, Drawing

Elevation of the Facade of a Theater, Prague, Cesare Recanatini, Italian, 1823–1893, Pen and ink, brush and sepia, blue, green wash on cream paper, Horizontal format architectural drawing depicting a two-storied structure on a high

Design for Bedroom Furniture, Graphite, pen and ink on paper, Design for an Empire style bedroom. At center, a couch with one scrolling arm stands on a platform. At right, a classical stand with an ewer. At left, a column inscribed “la bonne

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure standing at attention in uniform., USA, n.d., portraits, Drawing, Drawing

Project for a Ceiling, Black chalk, pen and ink, brush and wash in paper, An arch topped by a shell with a wind’s head and flanked by brackets of which only the right one is shown, supports an entablature serving as a frame for the central

Jerusalem from the South, Daniel Huntington, American, 1816–1906, David Roberts, Scottish, 1796 - 1864, Graphite on paper, Buildings outlined on high plateau, center, with mountains around and beyond. A road, at lower right. Color notes

Grand Canyon, Arizona, Eugene Higgins, American, 1874–1958, Brush and watercolor, graphite on paper, View looking across the rim on the canyon, semi-abstractly rendered., USA, September 10, 1921, landscapes, Drawing, Drawing

English Landscape, Brush and watercolor on paper, English landscape, England, 18th century, Drawing, Drawing

Design for a Four-Legged Rectangular Mahogany Dining Table, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with dividing stretcher running across center raised on 4 fluted and turned tapering legs on casters.,

Design for Writing Table with Lidded Compartments, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

St. Bruno in Ecstasy, Marc Antonio Franceschini, Italian, 1648 – 1729, Pen and ink, brush and brown wash, graphite on paper, Figure of Saint Bruno is seen kneeling in a landscape, before a stone altar, with a crucifix. His left arm is

Sketch: A couching dog, Red chalk on rough grey paper, Horizontal composition of a dog turned to the right, Italy, 1650–1700, figures, Drawing, Drawing

Study for Christ, Chancel of St. Bartholomew, New York, Francis Augustus Lathrop, American, 1849 - 1909, Brush and purple watercolor, graphite on brown paper, Sketch for Christ in the painting in the chancel of St. Bartholomew, New York

Frieze with Sphinxes, Graphite, pen and ink, brush and sepia on paper, Horizontal panel with six sphinxes., Italy, ca. 1805, architecture, Drawing, Drawing

Study of a woman, William Stanley Haseltine, American, 1835–1900, Graphite on paper, Sketch of a standing female figure reading., USA, ca. 1855, figures, Drawing, Drawing

Project for an Alter Lamp, Chalk, pen and ink, brush and wash on paper, Lamp supported by three chains suspended by ring. At center of lamp, a medallion with two figures. Flanking this, two angels and sculptural figures. The one at left, a

Project for a Holy Sepulcher, Red crayon, pen and ink, brush and sepia on paper, Below in the center is the sarcophagus, surrounded at the back by foliage. At the corners of the front are soldiers upon the soil. In the foreground are three

Design for a Tureen and a Platter, Thomas Germain, French, 1673 – 1748, Graphite, pen and brush with ink wash and sepia, Bird's-eye view. Birds shown in center of edge, left; fish depicted at right., 1740–48, metalwork, Drawing,

Angel Carrying a Monstrance, Black chalk on paper, Figure of an angel or cherubim, standing upright and possibly in flight, turned toward the left, holding a monstrance., Naples, Italy, early 18th century, figures, Drawing, Drawing

A Satyr Boy Playing Flute, A Girl with Cymbols, a Woman with a Book, Johann August Nahl The Younger, German, 1752 - 1825, Giulio Romano, Italian, 1499–1546, Black chalk, brush and brown gray watercolors on paper, Drawing after a fresco

Design for a Woven Textile, Brush and lateritious gouche on oily tracing paper, Interlaced ribbons and a Moorish decoration of the panels, in the style of about 1555. The design is possibly a copy of an old design., France, 1820–1860,

Study for 'Zodiac', Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Sketch of figures in loose garments., USA, ca. 1894, mural designs, Drawing, Drawing

Bust of a Young Girl, Graphite on paper, Head of a young woman with her hair covered by a scarf knotted at the breast., Italy, 1750–1800, figures, Drawing, Drawing

Project: decoration for a panel, Pen and ink, charcoal, on paper, This a moulded frame of a vertical oblong. Inside are tangent panels, with empty squares in the outer corners between. In the top section are two stags upon and beside a lath and

Design for Massive Rectangular Writing Table with Four Drawers at Right, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

In Our Room, Bourges, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Room of artist shown, fire place with rug, fireplace mantel with objects and suitcase right. Right, two sketches of North porch of the Cathedral.,

Design for Trophy with Military Attributes, Jean-Charles Delafosse, French, 1734–1791, Pen and black ink, brush and wash, black chalk on white laid paper, Military trophy consisting of a helmet, shield, banners, arrows, and hatchets.,

Design for the Rear of a Carriage with Valor Victorious over Vice and Arrogance, Ciro Ferri, Italian, 1634 - 1689, Black chalk, pen and ink, brush and wash on paper, An allegorical warrior with a spear and shield decorated with a sun

Design for Woven Fabric with Neoclassical Motifs, Brush and gouache on laid paper prepared with brush and brown pigment, Arranged vertically are two motifs (one is possibly an alternate suggestion). The lower motif consists of a square with

Study of Cavalry Officer's Boots, Winslow Homer, American, 1836–1910, Recto: Graphite, pen and black and brown ink on off-white wove paper, Recto: Vertical view of the lower legs of man wearing knee-high boots and standing in grass; a

Design for a Frieze, Pen and ink, brush and watercolor on paper, Horizontal rectangle showing the head of Medusa between two dolphins which terminate in acanthus leaves and originate in the mouth of a bucranium (ox skulls). A pair of eagles pick

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a female figure wearing a bonnet., USA, 1880, figures, Drawing, Drawing

A Trophy of Weapons Intended to be Executed in Painting, Black crayon, pen and dark ink, brush and grey water color on paper, An upright insignia with “S.P.Q.R”, with a pennon on the left with “S.R.Q” and another on the right with

Design for Entrance Hall, East Wall, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and black ink, graphite on white laid paper, Elevation of a wall, with a painted decoration in imitation of

Jaffa Street Corner, Palestine [Tel Aviv, Israel], Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Horizontal view of the corner of a street with house roofs show in the foreground; a house of complicated design in

Insects, Rice paper, Detailed representations in color of five butterflies and three insects, a wasp and two beetles., China, 18th century, Drawing, Drawing

Design for the Stucco Decoration of a Ceiling, Black chalk, brush and gray wash, white gouache, graphite on paper, Four ornaments with feathered scrolls and foliage., Italy, 1578–1600, ornament, Drawing, Drawing

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined blue laid paper, Sketches of men seated and standing in groups. Upper right section of page blank. Verso: A plan for the perspective of the picture with

Chairs, Pen and brown ink, brush and brown wash, graphite, on paper, Top center: side profile of a side chair on wheels. To the right is a front profile of an armchair with a rectangular back. Bottom row: front, side and rear profiles of an

Study for a group, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon on tracing paper mounted on board, Sketch of male figures posing with legs bent and arms raised.

Section of a wall, Frederick Marschall, Brush and watercolor on heavy paper, Section of wall, showing panel of silk brocade above wood dado. Left, lacquer and ormolu commode., USA, ca. 1885, interiors, Drawing, Drawing

Stage Design, Interior of Gothic Hall, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink and brush and wash on paper, Horizontal rectangle. Interior of Gothic Hall, richly

Designs for Painted Porcelain Plates, Les Ananas (Pineapples) from the Service des Objets de Dessert (Dessert Service), Jean Charles Develly, French, 1783 - 1849, Pen and brown ink, brush and brown wash, graphite on white laid paper, Sketches

Design for a Vase, Brush and watercolor, gold, white gouache, pen and black ink, graphite on cream paper, Design for a vase with floral decoration containing purple flower buds with green leaves on body; rim is gold with laurel leaves in white;

Design for Oval Writing Table with Blotter and Letter Opener Atop, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length sketch of a female fiigure standing, her head turned toward the left. Her hands are before her, holding up the folds of her garment.,

Design for a Coronet, Graphite, pen and ink, brush and watercolor, sepia on paper, Above a metal strip, in the center, a knot with a diamond. Two branches, each composed of leaves and buds, are connected on the top., Italy, 1825–50,

Design for Oblong Serving Table with Two Shelves, A.N. Davenport Co., Graphite on thin cream paper, Oblong body with serpentine front having two drawers and raised on 4 straight tapering legs; 2 conforming shelves attach below; backsplash

Officer on Duty. 2.30 P.M, Arnold William Brunner, American, 1857–1925, Graphite on paper, Man standing, hands behind his back, facing away. Titled, Officer on Duty. 2.30 P.M, USA, 1883, figures, Drawing, Drawing

Beggar Girl in Rome, Daniel Huntington, American, 1816–1906, Black crayon on grey-green wove paper, Study of the face of a young girl. Verso: Effaced head of a woman., Rome, Italy, 1843, figures, Drawing, Drawing

Cresting of a Canopy, Pen and brown ink, brush and brown wash on off-white laid paper, lined, A group of ostrich plumes caps a turban-form with spiraling beaded details. Below is the upper portion of a canopy with scalloped textiles bordered with

Two Birds on a Branch of Tulips with Insects, Pen and ink, graphite on coated wove paper, Two Birds on a Branch of Tulips with Insects, ca. 1800–1830, Drawing, Drawing

Design for a Painted Ceiling, Pen and brown ink, brush and brown wash, over black chalk on off-white laid paper, Design for a painted ceiling featuring two putti at left and right holding drapery that supports garland of fruit and leaves below.

Figure in Forest, Pen and ink, brush and wash on paper, Foreground stands one man with a backpack and walking stick. Middleground consists of a large protruding tree trunk and three figures in a circle. Background consists of brush., Italy,

Along a Canal, Arnold William Brunner, American, 1857–1925, Brush and watercolor on blue-gray paper, On a walled area along a canal several people observe an artist before his umbrella-covered easel. Brightly colored sails loom up in the

Study for a procession, “Vintage Festival, ” Mendelssohn Glee Club, New York, NY, Robert Frederick Blum, American, 1857–1903, Pastel crayon, graphite on tracing paper mounted to board, Sketch of male and female figures in procession

Purese Volcano seen from Popayan, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Smoke emerges from the peak and from a lower crater which is shown in the foreground., USA, August 9, 1853, landscapes, Drawing,

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Top, in a horizontal rectangle, a small plan. Men clustered about a table, right. Left, a row of standing figures. Below, a larger

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gold paint on paper, On beige ground, decoration in gold of anthemion with rinceaux; bordered by Greek key frame., USA, ca. 1890, graphic design, Drawing,

Project for an altar, Pencil, brush, pen, sepia and grey water color on paper, Vertical composition of an altar with three steps. The mensa and the inner sections of the dado and the base of the retable are curved. On top of the frame of the

Study for 'Venus', Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on tan paper, Bust-length nude figure of a girl, facing the spectator. Her arms are upraised, in the act of arranging her hair. Signed and inscribed in

Fragment of Entablature in the Classical Style, Unknown, Italian, Pen and black ink, brush and blue, brown, and gray wash, slight traces of graphite on white laid paper, Depiction of a left corner fragment of an entablature, partially

Recto: The Month of April (Figures in a park near a castle); Verso: Youth from The Three Ages of Man (?)(Merry-makers), Pen and brown ink, brush and brown wash on cream laid paper, Recto: A woman is seated near a body of water surrounding a

Study of Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Drapery on a figure, right. Falling straight, left., USA, ca. 1895, figures, Drawing, Drawing

Design for a Caryatid, Pen and ink on paper, Woman with a lion’s mask belt supports a capital, Italy, 18th century, architecture, Drawing, Drawing

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Sugar bowl and unfinished lid with pointed gold handle; body of bowl has a landscape scene with trees and water with two swans; surrounding the image is

Late Afternoon Sun Over a Stream, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, A hot, bright, afternoon sun, with radiating rays, hangs over a wide stream, seen from one bank. Heavy woods border a small

Door knocker, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a door knocker with ornate handle., USA, 1881, architecture, Drawing, Drawing

Project: decoration with escutcheons, (A) of a square, (B) of a horizontally oblong panel, Pen and ink, brush and (A) olive-grey watercolor, or (B) yellow and green watercolors, charcoal, on paper, (A) The escutcheon is a lath and scrollwork

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