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Casa de Campo, Malapu, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, House on top of a ridge, a clump of trees, lower left., USA, ca. 1891, landscapes, Drawing, Drawing

Design for a Frame, Pen and ink, brush and sepia on paper, Design for an oval mirror on scrolling feet. Below, a faceted plinth. Crest with floral decoration., Italy, 1775–1800, ornament, Drawing, Drawing

Design for Embroidered Floral Motifs of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Top row: three flower boughs, numbered '1 to 3', white. A rough graphite sketch of a fourth one is

Design for Oblong Serving Table with Two Drawers, A.N. Davenport Co., Pen and black ink on thin cream paper, Oblong top with convex front, having two drawers and raised on 4 straight tapering legs; rectangular lower shelf attached just above

Study of the upper part of the body of a running girl, Carlo Moretti, Italian, 1934 - 2008, -a: black and white crayon; -b: Red and white crayons. On gray-blue paper., Horizontal rectangle. -a: the left arm of the girl is raised; -b: verso of

Army Encampment, Winslow Homer, American, 1836–1910, Graphite, brush and watercolor on wove paper, Horizontal view of an army encampment showing tents at right and left, in foreground; a line of tethered horses, in left middle ground; and

Design for a sedan chair, Black chalk, pen, black ink, brush, grey and various watercolors on paper, Shown from the rear corner with open door. A point with fringes stands in the middle of the roof, srolls at the corners. Tassels hang from

Candlestick, Giuseppe Valadier, Italian, 1762–1839, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a six armed candlestick in the form of a column with figure, possibly the young Dionysos at top., Italy,

Studies for a Young Man, Drapery, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough blue paper, Horizontal rectangle. Drapery study of a seated male figure, possibly book at left. One detail is sketched above at right.

Ceiling Design, Alexander and the Family of Darius, the Clemency of Alexander, Sala di Alessandro, Palazzo Naldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk with unruled border in

The Annunciation, Pen and brown ink, brush and brown wash, traces of red chalk on cream paper, The Virgin is seen kneeling at a prayer desk, right, with her left hand extended towards an angel on top of a cloud above her and to her left. God

Design for a Monument, Giuseppe Barberi, Italian, 1746–1809, Graphite on paper, A large plinth supports three pillars, the largest at center supports a standing figure. On either side, a smoking brazier. Below, a tablet and four small

The Elevation of a Reliquary of a Skull, Pencil, pen, and black Chinese ink., Work oriented in a vertical rectangle. Two angels stand upon a pedestal and support with their right hands the base of a reliquary casket. They address themselves to an

Design for Semi-Circular Writing Table for a Chamber, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Portrait of Miss Phillips, Martha S. Day, Pencil on paper, Vertical rectangle. The sitter is seen in right profile; outline only. Inscribed, lower right (in pencil): 'Miss Phillips / Sketch from life/ by Martha S. Day / N. Y. 1859.' Inscription

Design for a Round Table on a Multi-Faceted Support, A.N. Davenport Co., Graphite on thin, cream paper, Round molded table top raised on molded flaring muti-faceted support sitting atop conforming base raised on 4 splayed legs with casters.,

Studies of Head and Arms of a Child, Daniel Huntington, American, 1816–1906, Black chalk, black and brown crayon on grey wove paper, Studies of raised head of a child, and arms with hands folded., USA, 1840–45, figures, Drawing,

Fountain, Graphite, gray wash Support: laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Figures on Road, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, Two figures with a dog stand on a road that winds towards a building on an elevated plain. Building in three parts: a drum-shaped section with

Design for the Embroidery of a Man's Waistcoat, Brush and watercolor on paper, Lower left section of a waistcoat. A fan-shaped spray of flowers below the pocket. A flower motif along the border, left. Lower edge of pocket indicated., France,

Design for the Decoration of a Pilaster Strip, C. C., French, active 19th c., Pen and black ink, brush and grey watercolor, graphite on paper, A plant candelabrum with a bow-knot above the middle and with a palmette on top, framed by a

Rooftops, Rome, Italy, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, A view looking down upon houses. Roofs are shown in the left and right foreground, probably of houses flanking the street which

Views of Puresé Volcano, Colombia and Mt. Sincholagua, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on greenish-gray paper, Horizontal view of the lower part of the Volcano of Purese shown across

Design for a surtout de table (Centerpiece), Pen and ink on paper, A fountain ensemble, with a statue of female goddess at the center, surrounded by a circle of six dancing nymphs connected with flowering garlands, flanked by two domed,

Nevers, Arnold William Brunner, American, 1857–1925, Graphite on brown paper, Sketch of a street scene. A wheel-barrow and two women by a doorway, houses with chimneys behind., USA, 1883, architecture, Drawing, Drawing

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's head turned toward her shoulder to the left., USA, ca. 1895, figures, Drawing, Drawing

Evening Twilight, Frederic Edwin Church, American, 1826–1900, Oil, Evening sky over a distant country. A group of pines is in the right foreground., USA, ca. 1870, landscapes, Drawing, Drawing

Shore of the Konigssee, B, Frederic Edwin Church, American, 1826–1900, Frederic Edwin Church, American, 1826–1900, graphite Support: paper, blue, Verso: St. Bartholomae and the Watzman, USA, USA, July 1868, landscapes, Drawing,

Details of Decorative Architecture, Pen and brown ink, brush and brown wash, graphite on cream laid paper, First row: two richly decorated Ionic capitals, with the top of the shafts of columns. Second row: two oblongs with the left halves of

Design for a Ceiling with Balustrade, Pen and brown ink, brush and gray wash, black chalk on white laid paper, View of a balustrade. At right, a corbel with cherub above an archway, Bologna, Italy, Italy, ca. 1685, architecture, Drawing,

Stage Design, Interior of Circular Building, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Interior of circular building, the upper walls of which are supported by columns.,

Design for a Decorative Burgonet, Pen and ink, graphite on laid paper, Vertical rectangle, lined border in pen and ink. Decorative visored helmet seen from the left in profile, the brim formed by the upper part of a fantastical animal's head.

Wall Elevation, Frederick Crace, English, 1779–1859, Pen and black ink, brush and blue and yellow washes on wove paper, Side wall with paneled door center, marble pilasters either side, window far right, statue in a niche at left.,

Design for the Dome of a Dominican Church, Lorenzo Peracino, Italian, 1710–1790, Pen and brown ink, brush and gray wash, black and red chalk, graphite on laid paper, Vertical format design for the decoration of a church dome. Dominican monk

Summer landscape, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., A partially wooded hill range under a sky with small clouds with the last reflection of the setting sun., USA, 1870–80, landscapes, drawing,

Design for a Dining Table of Mahogany and Inlay, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded table top raised on faceted column-like support sitting on conforming base rounded at bottom with four splayed legs on

Sketch of Figure with Drapery, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Sketch of a figure with drapery, possibly an angel, flying towards the right. The figure holds a bundle, possibly a child., USA, ca.

Design for a section of the portal of a church, Filippo Marchionni, Italian, 1732–1805, Graphite on laid paper, Vertical rectangle. An oval medallion above the entablature of the door opening. The main entablature is supported by pilasters

Mountain Peak, Possibly Chimborazo, Rising over Three Successive Mountain Ranges, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Horizontal view of a mountain peak rising in the background over three

Design for a Silver Candlestick, Pen and brown ink, ruled border in graphite Support: white laid paper, Italy, Italy and Germany, 1725–40, metalwork, Drawing, Drawing

Design for Hilt and Guard of a Dress Sword, Pen and black ink, brush and wash, gold paint, traces of graphite on off-white laid paper, Design for a jeweled hilt and guard of a dress sword. Grip and guard of hilt are decorated with a pattern of

Design for an Oil Lamp, Pen and ink, brush and gray watercolor, graphite on light cream paper, Vertical rectangle. Design for an oil-burning lamp. The lamp is a covered bowl, standing upon a pedestal. A band surrounds its upper part, showing

Decoration of a Panel, Pen and brown ink, brush and brown wash on off-white laid paper, Horizontal rectangle. In the center is a circular frame with a woman wrapped in a coat, so that only the nose and the eyes are unprotected, possibly

Design for Woodblock Textile Print, Pen and ink, brush and yellow, green, reddish-brown watercolor on bluish-gray paper, Pink and yellow tulips on yellow stems, with reddish leaves intermingled with fantastic stylized yellow cornflowers and

Design for a frieze with a dragon, Carlo Bianconi, Italian, 1732–1802, pen and ink, with traces of graphite on laid paper, Italy, mid- 18th century, Drawing, Drawing

Temperance, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Elephant drinks from bowl which putto holds for him. In front, woman sits with palm leaf and bridle on stool.

Designs for Two Necklaces and Two Chains, Pen and black ink, brush and green, gray, red watercolor on paper, Jewelry designs for two necklaces and two chains. Above at right, the right side of a necklace with green diamonds, and alternative

Design for Sideboard 'D' of Mahogany, A.N. Davenport Co., Graphite on thin paper, Rectangular sideboard on four short tapering legs; tri-partite front had niche center topped by two small drawers and flanked by two cupboard drawers on either side;

The Union Army under General Carr at Pratt's store, Francis H. Schell, 1830 – 1909, Pen and ink on cream illustration board, The Union army and a canon are lined up in front of 'Pratt's Pea Ridge Store.' The camp is in the background., USA,

Elevation of a Sepulcher Monument, Matteo Torelli, Italian, Pen and black ink, brush and gray, brown and blue watercolor, graphite on off-white wove paper, A stele rises upon a dado of three rows of blocks. An angel with torch stands with one

Design for Sideboard of Mahogany with Three Drawers, A.N. Davenport Co., Graphite on thin cream paper, Rectangular sideboard with three drawers center, each with pair round pulls and flanked by two doors; low backsplash., 1900–05, furniture,

Great Island, Study of Rock Cliffs, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Four sketches of a mountainous seashore., Newfoundland and Labrador, Canada, possibly 1859,

Harbor, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of male figures working on a dinghy boat., USA, 1881, figures, Drawing, Drawing

A Young Woman (St. Mary Magdalene under the Cross), Marco dal Pino, Italian, ca. 1525–ca. 1587, Red chalk on thin brown paper, Shown in three-quarter profile from the back, a woman with flowing robes and head and hand raised., Italy,

Three Landscapes, Design for Washington Board of Trade Dinner, May 13, 1908, James Henry Moser, Canadian, 1854–1913, Pen and black ink, graphite on thin board, Large river with a wide waterfall into a lake, upper left. Below, center,

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. Brown edges. The decoration of the flap of the pocket is slightly sketched. It was to consist, as that beneath

Shepherdess Piping to a Shepherd, François Boucher, French, 1703 – 1770, Red and black chalks on brownish paper, water-marked with a winged lion-like beast., A seated shepherdess, seen from the right back, plays on a pipe to a young

Mount Cayambe, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on cream wove paper, 'Cayambe' rising behind a ridge shown from Gugambu near Quito., USA, South America, August 29, 1853, landscapes, Drawing, Drawing

Augustine, Ambrose, and Other Saints, Belisario Corenzio, Italian, active 1590–1646, Pen and brown ink, brush and gray wash, black chalk on cream laid paper, Scene of The Annunciation. Figures of Saint Augustine, Ambrose (holding staffs)

Elevation of Pedestal and Bottom of a Crucifix, Black chalk, pen, ink, sepia wash on paper, Pedestal in architectural forms, with brackets as capitals of pilasters. The Holy Trinity is sketched in the panel. A capital upsidedown serves as a

Candelabrum as part of a decoration, Pen, ink, brown watercolor, white heightening on red colored paper, Vertical rectangle. Cut along the outlines of the drawing. Supported by a blossum and two lion feet. The lower part has the shape of a

Study in the Maine Woods, Frederic Edwin Church, American, 1826–1900, Brush and oil on paperboard., Vertical view of the lower parts of trees with moss-covered boulders visible in the foreground., USA, 1855–65, nature studies, drawing,

Design for a Holy Water Stoup, Red crayon, brush and red watercolor, wash on paper, Vertical rectangle. Design for a holy water stoup to be fastened to a wall. The bowl is fastened to the bottom scrolls of an escutcheon on top of which a spread

Insomnia, ' Study for a Poster for Paine's Celery Compound, Kenyon Cox, American, 1856–1919, Pen and black ink, graphite on cream wove paper, At right, a reclining male figure on a bed reaching with both arms toward a floating female figure,

Design for Bed with Tented Alcove, probably for the Prince of Wales's Bedroom or Boudoir, Royal Pavilion, Brighton, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, Design for an alcove

Vase in the Shape of an Amphora, Pen and ink on paper, Elevation of an urn with handles springing from masks and terminating in birds., Italy, ca. 1809, classicism, Drawing, Drawing

Stage Design: Bedroom with alcove, Pen and brown ink, brush and gray wash on white laid paper, Vertical rectangle showing two alternative designs for a bedroom. In the foreground, a richly decorated alcove, the opening of which is formed by an

Woman Standing Before a Piano, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Vertical view of a woman standing at a square piano, with a open book of music on its rack, and indications of two pictures haning on a wall

Grotesque Design, Charcoal, pen and ink on paper, At center, a vertical rectangle with strapwork escutcheon decorated with a helmet and festoons. On either side, a candelabrum with harpies. Below, a frieze with satyrs., Italy, early 17th

Study for 'Communion of the Sick', Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown wove paper, Woman in left profile, arms up. Label, upper right. Verso: Man seated at easel, facing away toward the right, with pen

Design for Rectangular Dining Table on Octagonal Base, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, Rectangular molded table top with dividing stretcher running across center, raised on fluted columnar support with molded

Upper Corner of a Window Frame, Filippo Marchionni, Italian, 1732–1805, Black crayon, brush and sepia wash on laid paper, Molded inner frame; pilaster is outside showing a bucranion at the capital; stamps are suspended from the horns;

Design for Monstrance, Graphite on cream paper, The foot consists of a pedestal showing the animals of the Evangelists, and a cherub over an inscription 'EVANGELUS.' A capital stands on the pedestal, beside the foot of which two angels sit,

Cloudy Evening Sky Over a Hill Range, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored paper, Recto: Horizontal view of a cloudy sky seen over a range of hills, Verso: Horizontal view of cloudy sky seen over hill tops

Study of White Daisy, Chamomile Stem with Two Petals, and a Chamomile Petal, Samuel Colman, American, 1832–1920, Graphite, greasy black crayon, brush and gouache on brown paper., Recto: Four dandelions at left, and a yellow moth at top

Girl on a Swing, Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, Vertical view of a girl in a sunbonnet, standing, and grasping the ropes of a swing, while leaning on the seat of the swing, with indication of trees in

Distant View of Sangay Volcano Erupting, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on white paper, Horizontal view across ridges in the foreground and middleground with volcano, visible in the central background, giving

Elevation of a Salon, Pen with red and black ink, Three bays separated by free-standing iconic columns. Above, a coffered ceiling cove below is a continuous garland., France, ca. 1780–1800, Drawing, Drawing

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of pedestals, monuments, and buildings on hillside., Bologna, Italy, ca. 1800, theater, Drawing, Drawing

Landscape, Grindelwald, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a glacier with large pieces of ice in the foreground., Grindelwald, Switzerland, July 11, 1867, nature studies, Drawing,

Andirons, Entrance Hall Fireplace, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on beige tracing paper, Page divided

Design for Rectangular Writing Table with Bracket-Shaped Legs and Open Cubbyhole, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

The Monkey and the Dolphin, Illustration for Aesop's Fables, Victor Wilbour, Pen and red ink, crayon on white board, Monkey seated on a dolphin over water, center. Both in right profile. Tail of dolphin, right; upset boat, left., USA, ca.

Sketch of Seated Woman for National Academy of Design Tympanum, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Recto: Woman in drapery, seated, with pencil and slate. Her legs crossed, turned to the right, her head

Design for a Façade, Benedykt Renard, Polish, 1680 - 1726, Graphite, brush and bistre on paper, The upper part of three windows, three bull eyes and a triangular pediment are shown. Two winged genii support a coat-of-arms. Verso: parts of

Project for the Decoration of a Picture Gallery, Graphite, pen and ink, brush and watercolor on paper, Three compartments framed by pillars supporting the mouldings. In the central compartment a window; in the laterals, labeled picture frames.

Drawing, Johann Melchior Füssli, Swiss, 1677–1736, Brush and gray and yellow wash, pen and brown ink on cream laid paper, Zürich, Switzerland, before 1731, Drawing

Design for a Ewer, Brush and watercolor, gold gouache, graphite on cream paper, Footed ewer with gold handle and rim decorated with three large white flowers and small lavender ones with green leaves and a vine that crosses the body toward the

The Triumph of Bacchus and Ceres, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on light brown laid paper, Pageant directed toward right. In right background, temple shown with curtains in intercolumns., Italy,

Design for North wall, Yellow Drawing Room, Royal Pavilion, Brighton, Graphite on paper, Elevation of a wall. A large central panel of large flowering plants and containers with flowers is flanked by two narrow panels of birds and plants. These

Figure Sketches at Blois, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Various figures, male figure sitting, leaning, looking over low brick wall. Lower left, man with hat, cane and bag

Stage Design, Royal Palace in Classical Style, Angelo Toselli, ca. 1765? – 1826, Pen and brown ink over black chalk on wove paper, laid down, Horizontal rectangle. Group of antique buildings with columns and porticoes., Italy, early 19th

Project: Eagle displayed, with inverted wings, standing upon a French bicorne hat, Felice Giani, Italian, 1758–1823, Pen and ink, brush and sepia wash., Vertical rectangle., Italy, ca. 1800, ornament, Drawing, Drawing

Entablature, Pen and ink, brush and watercolor on paper, Horizontal rectangle showing design for an entablature with corner at right. A festoon hangs from rosettes set within the frieze. Below this is hangs fringed drapery., Italy, ca. 1840,

Black Bird witth Blueberries and Apricots, Pen and ink, graphite on coated wove paper, Black Bird witth Blueberries and Apricots, ca. 1800–1830, Drawing, Drawing

View from Powell's Plateau, Grand Canyon, Colorado, Thomas Moran, American, b. Britain, 1837–1926, Recto: Brush and watercolor, white gouache, graphite on tan wove paper Verso: Graphite on paper, Recto: View of the Grand Canyon from the

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery at the border of a man's waistcoat. A kind of moulding is shown along the edge of the waistcoat. Beside its using part is a crenellated border, from which

Study of a model, Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Three sketches of female figure; Above, detail of a bent right arm; Below, details of left and right legs., USA, ca. 1885, figures, Drawing, Drawing

James McNeill Whistler, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of a male figure leaning on a railing., Venice, Italy, 1881, portraits, Drawing, Drawing

Elevation of a Wall with Alternative Suggestions, Pen and ink, red crayon, graphite on paper, At left, decoration over a moulded frame. A suggestion of a netted panel with festoons and a mask in an escutcheon is invalidated and replaced by the

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