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Bare feet below a skirt, Martha S. Day, Pencil on paper, Horizontal rectangle. Bare feet seen in right profile, with a skirt terminating about six inches above the ankles. Inscribed (in ink), on verso: 'Drawn by M. S. Day/ Jan. 1860.', January

Design for Armchair and Stool, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper. Ruled borders in pen and black ink., Left: Egyptian style curule stool, x-shaped legs

Elevation of a church, Pen and brown ink, brush and brown wash, red ink on off-whtie laid paper, lined, A large two-storey colonnaded building, or palace, with dome; towers on both sides; on ground floor there are statues in niches., Rome,

Kneeling Figures, Giuseppe Passeri, Italian, 1654 - 1714, Red and white chalk on rough gery paper, Studies of kneeling man with raised arms; details of arms., Italy, 1775–1800, figures, Drawing, Drawing

Bythos and Aphros, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash on cream laid paper, The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology., Italy, ca. 1800, classicism, Drawing, Drawing

View of Venice, Italy, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a gondola and canal in Venice., USA, 1881, figures, Drawing, Drawing

Drawing, Graphite on paper, France, before 1902, Drawing

Cows in a Pasture, Winslow Homer, American, 1836–1910, Brush and black and brown wash, graphite on white wove paper, Four cows (one on the ground, one facing the viewer and two grazing) in a grassy pasture with trees on either side., USA,

Decoration of a Dado, Black chalk, pen and ink, brush and watercolor on paper, Horizontal rectangle. Pilasters decorated with guilloche with rosettes. Between these, panels with floral ornament. Suggestion of marble below., France and Italy,

Floral design for printed textile, Louis-Albert DuBois, Swiss, 1752–1818, Brush and gouache, graphite on white wove paper, Pink, yellow and red flowers, green leaves on purple branches on whtie ground. Graphite lined border., France,

Chocorua, After the Picnic at Lake, Daniel Huntington, American, 1816–1906, Graphite on grey paper, Rocks in foreground with ridges and mountain beyond, center., September 15, 1862, landscapes, Drawing, Drawing

Design for a Vase, Red crayon on paper, Elevation of a vase decorated with two male satyrs and a female figure. Vase stands on a cracked marble ground., Europe, 1730–1760, sculpture, Drawing, Drawing

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite, brush and watercolor on paper, A narrow walled area leading to an archway in the background. Two figures in the foreground., USA, 1891, architecture, Drawing, Drawing

Stage Design: Landscape with Hut, for the Opera La Straniera, Romolo Achille Liverani, Italian, 1809 - 1872, Graphite, pen and black ink, brush and watercolor on paper, At left, in the foregorund is a hut. In the middle distance is a lake

Design for a Panel with Two Mirrors, Pen and black ink, brush and watercolor, graphite on paper, The edge of the design of right half (2) is pasted over that of a left half (1). Either design includes an upper oval and a lower oblong mirror. (1)

Allegories of Sculpture, Architecture and Music, Felice Giani, Italian, 1758–1823, Felice Giani, Italian, 1758–1823, Pen and ink, brush and wash on paper, Top left, a woman sculpts a bust of Minerva. At right, a woman measures with a

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom, an entablature consisting of a few moldings beneath two darkly colored stripes on top. The moldings at the bottom of the entablature are colored yellow

Portrait of the Emperor Joseph II, Black chalk, white heightening on paper, Figure shown in three-quarter profile, turning toward right, wearing a collared shirt knotted in back., Italy, 1765–1770, portraits, Drawing, Drawing

Study for 'Wedding Procession', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Full-length sketch of a female figure in costume, seen from the back., USA, 1872–1875, figures, Drawing, Drawing

Study of Hands, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Hands, palms together, fingers pointed upwards. Wrists apart; little fingers closest to the viewer., USA, ca. 1895, figures, Drawing, Drawing

Design for a Chimneypiece with Overmantel, Pen and brown ink, blue, gray, ochre wash, over black chalk Support: white laid paper laid down, Scale: at bottom left, in palmi, Italy, Italy, ca. 1700, architecture, Drawing, Drawing

Beach with Four Fishing Boats, Cullercoats, England, Winslow Homer, American, 1836–1910, Graphite on gray-green paper, Horizontal view of a beach with four fishing boats drawn up, and groups of women with baskets looking across the water

Design for ink stand, Lefebvre Manufactory, Tournai, Brush and yellow, red watercolor, black wash, graphite, on cream laid paper, Rectangular base on cushion feet supports inkstand consisting of two inkpots in shell motif, lid open on right

A Grotesque Beast, Red chalk, white heightening on paper, An animal seen in profile. It has horns, ridges along its spine, a tail and bifurcated tongue., Italy, ca. 1600, figures, Drawing, Drawing

Street scene, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, View of building and arched alley., USA, n.d., architecture, Drawing, Drawing

On the Old Panama Road at Porto Bello, Fessenden Nott Otis, American, 1825–1900, Graphite on grey paper, Near a road, a pedestal is obliquely shown standing upon a platform. Five niches are on its front. It has on top an entablature and a

Design for Woven Shawl with Paisley Motifs, Brush and gouache on brown oiled translucent paper, Design for a woven shawl featuring two paisley motifs, also referred to as Persian cones. The designs consist of blossoms in multiple colors,

The Four Elements: Earth, Water, Air, Fire, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on cream laid paper, Page divided into four quadrants with allegorical figures., Italy, ca.

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A woman is shown from the front, seated upon clouds and raising a thread with both hands., USA, ca. 1895, numismatics, Drawing, Drawing

Design for Glass-Top Display Case, A.N. Davenport Co., Graphite on thin cream paper, Rectangular, flat, glass-top display case with pieces of china inside; raised on 4 straight, tapering legs terminating in brass feet., 1900–05, furniture,

Stage Design, Burial Chamber of Persian Kings, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of sepulchral vault with

Three Women Washing, Bartolomeo Pinelli, Roman, 1781 - 1835, Graphite on paper, A) The women stand behind a basin. B) Reverse, vertically: A woman is walking towards left, supporting with her right hand the flat tub with the animal's head

Capital, Felice Giani, Italian, 1758–1823, Graphite, pen and ink, brush and watercolor on paper, At center, a girl with a garland above a small chalice. The projecting abacus is supported by boths with branches standing upon acanthus

Two Tureens, Pen and ink, brush and wash on paper, Page divided horizontally with two tureens, labeled A and B. Both tureens have claw feet, scrolling handles and acanthus finial. Lower example has two decorative bands on body., Europe, 1790,

Two Shepherds in the Campagna, Bartolomeo Pinelli, Roman, 1781 - 1835, Pen and gray ink with watercolor and black chalk on off-white wove paper, A shepherd leaning against a tree plays the flute. Another seated upon a boulder listens. Their

Caricature, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a young female figure., USA, 1881–1883, figures, Drawing, Drawing

Designs for Wallpaper and Textiles: Flowers, Brush and gouache, graphite on white paper, Horizontally-oriented diamond shape outlined in graphite visible. Clusters of plants in three corners of diamond. Top corner: light blue-gray and green stems

Design for a six Plain-legged Dining Table of Mahogany, A.N. Davenport Co., Pen and black ink on thin, cream paper, Round molded top with a dividing stretcher running across center, is raised on six plain slightly tapering legs, one pair on

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure wearing a brimmed hat and long cloak., USA, 1884, figures, Drawing, Drawing

Portrait of W. M. Darling, New York, James Henry Moser, Canadian, 1854–1913, Brush and watercolor, graphite on paper, Man sitting facing slightly left with legs crossed, and his left hand on his hip. Verso: unfinished face of a child,

Cloudy Sky over a Wooded Ridge, Niagara, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on brown paper, Recto: Cloudy sky over wooded ridge., Verso: Niagara Falls seen from the level of the river with the

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, August 4, 1865, nature studies, Drawing, Drawing

Sketch of Peter Richards' Head for his Portrait, Daniel Huntington, American, 1816–1906, Graphite in cream paper, Young man with a short beard, facing halfway towards the right. His collar is suggested in outline. Name and note, lower

Study of stag head, Kenyon Cox, American, 1856–1919, Graphite on paper, A sketch of a stag head and skull., USA, ca. 1900, animals, Drawing, Drawing

Bar Harbor, Maine, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Scene from low shore, sailboats and land beyond. Sailboat, upper right., USA, 1887–88, seascapes, Drawing, Drawing

Design for Chest of Drawers in Mahogany with Neo-Classical Motifs, A.N. Davenport Co., Graphite on thin cream paper, Rectangular 5-drawer chest with carved top edge and painted or inlaid neoclassical decoration at front consisting of tied ribbons,

Stage Design, Group of Antique Buildings, Giuseppe Borsato, Italian, 1770 - 1840, Pen and ink, graphite, brush and sepia wash on paper; verso: graphite, Horizontal rectangle. Group of antique buildings. At center, square building with flat

A Decorated Oblong Tent and a Circular Tent Fastened by Ropes, Frederic Edwin Church, American, 1826–1900, Graphite on greenish paper, USA, March 2, 1868, architecture, Drawing, Drawing

Tangiers, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, Street going downhill; figure on a donkey in the middle of the road. Buildings are similar in structure but vary in sizes., USA, ca. 1892,

A Hut on Posts, Guayaquil, Ecuador, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Recto: Horizontal view of a hut standing on posts in a plain, with a woman shown hanging laundry in a roofless wing, beneath which another

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Sketch of a woman's head, looking downward to the left., USA, ca. 1895, figures, Drawing, Drawing

The Adoration of the Shepherds, Antonio de' Dominici, Italian, ca. 1730–after 1800, Red chalk on cream laid paper, In a rustic shelter, Mary is semi-reclining on a bed of straw, watching over the infant Christ in a cradle, surrounded by

Design for the Embroidery of a Man's Waistcoat, Probably no. 951, of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on paper, Left bottom corner; slightly rising bottom edge. A fox seated by a basket and a

Design for Lidded Jar, Brush and watercolor, gold gouache, graphite on cream paper, Lidded jar with slightly tapered body at the top; body decorated with dark purple blossoms against green leaves and some gold branches; with lid decorated in gold

Figure, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Partial sketch of figure wearing a hat., USA, 1881, figures, Drawing, Drawing

Sketch for a Reliquary, Chalk, pen and ink on paper, Two female figures standing upon a pedestal, only partly shown, support an escutcheon with the receptacle. On top a broken pediment, with the Dove of the Holy Spirit in a glory of rays.

Woman Shielding Her Eyes, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Sketch of a woman's face, seen frontally, looking slightly to the right. Left hand to brow, shielding eyes. Shoulders and hair slightly

The elevation of an altar, Black chalk, pen, ink, brush and grey water colors on paper, Italy, 1730–1760, architecture, Drawing, Drawing

Project for the Stucco Decoration of a Circular Ceiling, Pen and ink, brush and sepia, on paper, The decoration is intended for the framings of polygonal panels, as well as the space above and between them. On top of the panels - an escutcheon.

Design for a Vase and Figure Sketches, Graphite, pen and black ink, brush and wash on paper, At left, a vase with Greek Key handles with drop rings. Body decorated with a frieze of figures. At right, two figural sketches and a left facing

Design for a Frame, Pen and brown ink, traces of graphite on off-white laid paper, The right half in graphite, the left in ink. Strait sides with scrolls above and acanthus leaves below., Italy, 1680–1720, ornament, Drawing, Drawing

Study for 'The Mermaid Window, ' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 – 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881–1883, Pastel crayon, brush and wash

Study of a Bough of Wild Roses, Black crayon on paper, France, 1775-1800, Drawing, Drawing

Design for a doorcase, Graphite, pen and bistre ink, brush and bistre wash on paper, Doorway with curve at top. Foilage hangs in the center above the doorway., Italy, 1750–75, architecture, Drawing, Drawing

Triton Combats Sea Monster, Felice Giani, Italian, 1758–1823, Black chalk on off white laid paper, Centaur shown swinging club with right hand. Woman sits upon centaur's back, shaped like fish. Above at left, monster with head of goat.,

Studying of a Lying Cow, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, The cow is shown with head turned toward right., USA, 1875–80, animals, Drawing, Drawing

Study: An outstretched left forearm and hand, Black crayon and white heightening on brown rough paper, Horizontal composition of an outstretched left forearm and hand with forefinger raised. The other three fingers are bent and turned toward the

Drawing, Pen, brush, sepia, blue paper, Project for the decoration, probably, of the upper part of a pilaster. Vertical rectangle. Above: a molding is a tablet with a cherub, supporting the inner ends of two festoons; above: 'B'[eata]

Sample Sheet, Two Designs for Cups and Saucers, Brush and gray, yellow, brown watercolor on cream paper, Two designs for cups and saucers probably made of cut glass, opal, hyalite. Arranged in a vertical row showing a cup at top, a saucer

Sketch of Kneeling Angel, Francis Augustus Lathrop, American, 1849 - 1909, Black crayon on paper, Sketch of angel kneeling, facing right. Verso: right wing of an eagle, open to the left., USA, ca. 1895, figures, Drawing, Drawing

Sepulcher with Death Seated and Crowned, Pen and black ink, brush and brown, gray, blue-gray wash, graphite on off-white paper, Architectural fantasy. Sarcophagus stands in a niche which contains on right wall an inset occupied by an owl. The

Ornamental panel, Jean-Siméon Rousseau, 1747 – 1820, Pen and black ink, brush and watercolor, ruled border (at left only) on white laid paper, The center panel shows an eagle placed upon a thunderbolt between two acanthus scrolls. The

Oil Lamp, Pen and brown ink, brown wash on off-white laid paper, joined above center, Oil lamp. Ring at top, composed of interconnected griffins. At center, two dragons form the arms. Lobed base with acanthus leaves., Italy, Italy, 1650,

Stage Design, Ancient Roman Tombs, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Group of ancient Roman tombs in various forms,

Design for a Book Cover, Alice Cordelia Morse, American, 1863–1961, Brush and gouache on paper, On green ground, three bamboo plants with thorns in white; bordered with dotted white frame., USA, ca. 1887–1903, graphic design, Drawing,

Study of a woman, William Stanley Haseltine, American, 1835–1900, Brush and watercolor, graphite on paper, Sketch of a standing female figure reading., USA, ca. 1855, figures, Drawing, Drawing

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Man facing left, a large book or portfolio under his left arm., London, United Kingdom, USA, 1858, figures, Drawing, Drawing

Design for a Round Table on Animal Paw Feet, A.N. Davenport Co., Graphite on thin, cream paper, Molded top raised on columnar support terminating in 4 reeded splayed legs with animal paw feet., 1900–05, furniture, Drawing, Drawing

Brook and Trees, Samuel Finley Breese Morse, American 1791-1872, Graphite on paper, Sketch of a brook with trees and a meadow in the background., USA, January 24, 1844, landscapes, Drawing, Drawing

Study of female model, Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Female figure, nude with cloth draped over her knee, and hands resting in her lap., USA, ca. 1885, figures, Drawing, Drawing

Egyptian Antiquities, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and watercolor, graphite on paper, Horizontal rectangle. Three colorful capitals in Egyptian style,

Designs for Console Tables, Brush with brown ink, traces of graphite on off-white wove paper, Vertical rectangle showing eight designs for console tables, each with a figural base., Italy, 1800–1850, ornament, Drawing, Drawing

Abbey Church of St. Leu d’Esserent. (Oise), Arnold William Brunner, American, 1857–1925, Graphite on paper, Seven sketches of bases, in outline., USA, 1879–80, architecture, Drawing, Drawing

Sketch of a Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's head at left, looking up to the right., USA, ca. 1895, figures, Drawing, Drawing

Robert L. Stuart Seated, Daniel Huntington, American, 1816–1906, Graphite on brown wove paper, Three-quarter length seated male figure turned toward left, facing frontally, wearing glasses. More shading on face, with body outlined., New

Design for a Lambrequin in Wool Work, Hertz and Wegener, Brush and gouache on pre-printed squared paper, Design for a lambrequin with tassels in wool work, number 3400, all colors, with floral motifs., Berlin, Germany, ca. 1860, textile

Window case and half of a figure of a Turk, Filippo Marchionni, Italian, 1732–1805, Graphite, pen and sepia ink, brush and gray watercolor on paper, Large bearded man with feathered hat seated on a balcony before and curtained, open portal.

Design for Rectangular Writing Table with Decorated Tops of Legs, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for Ornamental Arabesque Motifs, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink with ink wash, graphite on paper, Upper left, a vertical arabesque motif which includes a winged figure terminating in vine tendrills,

Peasant's Houses, Eugène Edouard Soulès, French, 1811–1876, Graphite on paper, They are at right, in the middleground, one behind the other. A road leads to them, at left. Framing lines., France, ca. 1840, Drawing, Drawing

Black Bird with Roses, Pen and ink, graphite on coated wove paper, Black Bird with Roses, ca. 1800–1830, Drawing, Drawing

Girl Seated on a Tree Trunk, Winslow Homer, American, 1836–1910, Graphite on paper, Horizontal view of a girl wearing a sunbonnet seated on a fallen tree trunk; tree stumps and a plow are visible in the background., USA, 1879, figures,

Design for a Lit Polonaise, Graphite, brush and watercolor on paper, Elevation of a lit polonaise with lilac and white textile. A tented top with gilded details and plumes of white ostrich feathers. Contours of table and chair at right., Italy,

Design for the Embroidery of a Man's Waistcoat of Pattern No. 10 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A left bottom corner. Garlands along the bottom and the rising edges;

Siren's Grotto at Tivoli, Felice Giani, Italian, 1758–1823, Black chalk, pen and black ink, brush and brown watercolor, graphite on cream laid paper, The lower part of the fall is shown. A group of men, some of them artists, are below at

Two Young Girls, Winslow Homer, American, 1836–1910, Charcoal, brush, and white gouache on brown-gray laid paper, In a grassy field, beneath light white clouds, two young girls stand facing left, holding each other's shoulders., USA,

Stage Design, Interior of Oriental Palace, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and black and gray wash on laid paper, Horizontal rectangle. Interior of palace

Architectural Details, Arnold William Brunner, American, 1857–1925, Graphite on paper, Arched doorway and frieze above. Profiles of moulding, right., USA, 1883, architecture, Drawing, Drawing

Study for 'Titian Showing, Daniel Huntington, American, 1816–1906, Graphite, White Chalk Support: Brown Wove Paper, USA, 1872, figures, Drawing, Drawing

Bamboo Bridge at Buga, Colombia and Girl Carrying a Jar, Cartago, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on cream-colored wove paper, A detailed study of a bamboo bridge is shown in the center of the sheet. The

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