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Designs for Cups and Bottles, Graphite, pen and black ink, brush and gray and yellow watercolor on cream paper, Horizontal rectangle. Designs for cups and bottles made of cut and gilded glass opal, hyalith. Upper row from left to right:

Design for an Embroidered or Woven Nosegay of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, Four boughs with fantastical leaves, blossoms, and seeds are fastened to a laural

Studies of Two Eagle Heads and One Wing, from Cardinal Bernis' Eagle, Pen and ink on paper, Studies of two heads, one wing of an eagle., Italy, ca. 1800, Drawing, Drawing

Designs for Two Frames, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and wash, graphite on white laid paper, Horizontal rectangle showing two circular mirror frames, or plaques. Left: urn at top, cornucopia with

Two Studies of Women Standing behind Railing, Looking at the Launching of Dories, Cullercoats, England, Winslow Homer, American, 1836–1910, Pen and brown ink on off-white wove paper, In upper half of composition, figures of women stand at

Design for a Sedan Chair, Pen and black ink; brush and gray wash, red, green and blue watercolor over graphite on tan paper, Shown from the rear right corner with two bars. On top of the roof is a ducal crown. At the corners stand crowns and hang

Portrait of a Young Man, Thomas Sidney Moran, American, 1863–1930, Charcoal on laid paper, Head of a young man seen from the right, turned slightly to the front, wearing a large brimmed hat on the back of his head., USA, 1908, portraits,

Design for the Decoration of a Frieze, Pen and black ink, brush and gray wash on paper, Horizontal rectangle. In the shape of an attic or a dado, whose compartments are laterally framed by projecting consoles with a mask in front. Beside them

Designs for a Sofa, Chairs, and Vanity Table, Pen and black ink, brush and gray and yellow wash, graphite on off-white wove paper, Horizontal rectangle. Furniture design elevations in Neo-Greek style. At left is the right half of the sofa,

Capricorn, Lunette for Ceiling of the Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto reclining on goat in a demi

Jersey Street, New York, J. S. Hodgson, Pencil on white paper, Horizontal rectangle. View of a street, with tenement houses. Sketches below, and to right, of figures. At lower left, in pencil: 'J. S. Hodgson Hersey St. N.Y. Rear of Niblo's

Sunset, Nantucket, Arnold William Brunner, American, 1857–1925, Brush and watercolor on grey-green paper, The shore-line in the background, with the buildings of the town shown in silhouette against the warm reds and yellows of the sky at

Stage Design, Interior of Renaissance Portico, Pen and bistre ink, brush and wash on paper, Vertical rectangle. Renaissance style portico with pilasters and arches, richly decorated., Italy, early 19th century, theater, Drawing, Drawing

Studies of Florals and Floral Motifs, Brush and watercolor on paper, Europe and USA, Drawing, Drawing

Landscape, Meiringen, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a village with mountains in the background., Meiringen, Switzerland, September 16, 1867, landscapes, Drawing, Drawing

Design for ceiling decoration, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Horizontal rectangle. The lower part is a variation of the scheme of -1522. The supports consist of fluted consoles upon which two children are

Sketch of Eglise St. Pierre, Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Upper right, detail of capital of Maison Allnys, Blois., USA, 1883, architecture, Drawing, Drawing

Design for a Catafalque for the Memorial Service of a Pope, probably Clement XI, Pen and black ink, brush and sepia, gray watercolor on paper, A tower-like structure, with, on top, the tiered papal crown upon two cushions. Two crying angels

Stage Design, Exterior of Palace, Sepulchral Hall, Angelo Toselli, ca. 1765? – 1826, Pen and bistre ink, brush and wash on paper, Horizontal rectangle. Group of buildings belonging to palace with huge archways, decorated with sculptures.

Stage Design, Group of Palace Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Group of palace buildings with three triumphal arches, column with sculpted figure behind, large

Trophy with Winged Hourglass, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and black ink, brush and bistre on paper, An assembly of a tiara, a mitre, a prelate’s hat, a crown, a diadem, a crozier, two torches,

From Richmond, Winslow Homer, American, 1836–1910, Brush and watercolor, graphite on wove paper, Two soldiers; one with right arm in sling, and the other on crutches, with his right leg amputated above the knee., USA, 1862, figures,

Study for 'Memory, ' Pittsburgh, PA, Kenyon Cox, American, 1856–1919, Graphite on paper, Draped female figure, seated with her head resting on her right arm., USA, ca. 1895, figures, Drawing, Drawing

Study: a lying cow, Charcoal on paper, Vertical composition with a lying cow seen from the front with head turned somewhat to the right, Italy, ca. 1800, nature studies, Drawing, Drawing

Landscape, Meiringen, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a mountain pass., Meiringen, Switzerland, September 3, 1867, landscapes, Drawing, Drawing

Design for a Candlestick, Pen and ink, brush and yellow, red, gray watercolor, graphite on paper, Vertical rectangle. Design for a candlestick, the base supported by two crouching lions. The foot consists of scrolls beside a central pedestal,

Study of Sleeve for 'Sacred Lesson', Daniel Huntington, American, 1816–1906, Graphite, white chalk on brown paper, Study of sleeve of lower right arm, extending to the right. Arm bent at elbow., USA, USA, 1844, figures, Drawing,

Design for a Chandelier, Pen and black ink, brush and yellow-brown, green, blue watercolor, graphite on paper, Vertical rectangle. Design for a chandelier. The burning candles are disposed alternately with glass candles upon two rings. There

Design for a door of an organ loft, F. Cornille, active 1740 - 1756, A. Monchelet, Pen and ink, brush and black ink wash, Variation of the designs of F.Cornille for Saint Roch in Paris of 1751, as engraved by A.Monchelet, plate 4., France,

Design for a sedan chair, Pen and black ink, watercolor, and traces of charchoal on paper, Shown from the rear right corner with two bars. The upper panel of the back has a small window in an escutcheon hanging from a nail, which also supports

Man with Donkey in Landscape, Pen and ink on paper, A small figure with donkey in a landscape, framed by trees. A mountain rises in the center distance., Italy, early 19th century, landscapes, Drawing, Drawing

Design for a Jug, Brush and watercolor, black, gold gouache, graphite on cream paper, Design for a jug with squared and curved handle; body of jug is covered with a purple branch bearing several brightly colored flowers; the neck has gold Greek

Chair, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a high back side chair., USA, 1877, furniture, Drawing, Drawing

Sprays of Seven ideal Flowers and of one quasi naturalistic flower, Jean-Baptiste Pillement, French, 1728–1808, Black, red crayon on cream paper, Disposed in three horizontal rows. Several groups of fantastical flowers on branches and one

Sketches of Sailing Craft, Winslow Homer, American, 1836–1910, Graphite on gray-green paper, Horizontal view of three rectangle, enclosing a single schooner, and two pairs of yawls; also containing two other sketches of sailing craft., USA,

Design for Writing Table with Hidden Drawer Center Front, A.N. Davenport Co., Pen and black ink, graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Architectural Details From house of Diane de Poiters, Arnold William Brunner, American, 1857–1925, Graphite on paper, Above, detauils of house. Below, lead pattern of window in the Château de Blois., USA, 1883, architecture, Drawing,

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top is a frieze between bands with rosettes. The frieze consists of a high band between two low ones of different height. The high band shows rosettes

International Tea Party, Winslow Homer, American, 1836–1910, Graphite, brush and black, gray wash on paper, Horizontal view of four figures. Asian man and woman at right wearing long kimono and hold teacups; the male figure also holds a fan.

Design for an Escutcheon in Form of Boat with Sail, for Recueil Nouveau de Differens Cartouches, Jacques de Lajoüe, French, 1687–1761, Pen and brush and black ink, wash, graphite on cream laid paper, A dragon and another fantastic animal

Bay window, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a building facade with a bay window., USA, 1880, architecture, Drawing, Drawing

Design for the Elevation of an Altar, Pen and ink, brush and bistre wash, black chalk on laid paper, Vertical rectangle. The mensa of the altar is not shown; elevation is flanked by slit volutes. The central part of the retable consists of a

Stage Design, Prison Cellar, Pen and brown ink, brush and sepia wash on paper; verso: graphite, Horizontal rectangle. At bottom, prison cellar vaulted, two stairs leading up. Details of barn, stairs, and torture instruments at upper left and

A Landscape, Charcoal, pen and ink, brush and bistre on paper, At the center of a landscape if a cluster of trees whose trunks are filled with hatching lines. At left is a group of figures, one who wears a basket on her head. In the background,

Stage Design: An Egyptian Structure, Pen and ink, brush and watercolor on paper, A horizontal rectangle showing a large, flat roofed structure topped with statues of standing Egyptians. A view through a colonnaded entrance shows a fountain with

Stage Design, Antique Buildings, Pen and brown ink on paper, Horizontal rectangle. Conglomeration of antique buildings, fountain in foreground, two figures at left., Italy, late 18th century, theater, Drawing, Drawing

Man, Robert Frederick Blum, American, 1857–1903, Brush and gouache, graphite on wove paper, Sketch of a male figure., USA, 1880, figures, Drawing, Drawing

Ship's Figurehead of Benjamin Franklin, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Ship's figurehead, a full-length statue of Benjamin Franklin, lying in a sandy bank with scrub growth., USA, 1854, figures, Drawing,

Design for Corner Cabinet of Mahogany with Elaborate Backsplash, A.N. Davenport Co., Pen and black ink on thin cream paper, Triangular lower body with 2 glass doors front; raised on 3 tapering legs; elaborately carved backsplash with 3 attaching

Six Trophies with the Attributes of Gardening, Pierre Ranson, French, 1736–1786, Graphite, pen and ink, brush and gouache on paper, Two columns of six gardening trophies. Upper left: cornucopia filled with plants and a pumpkin, a crossed

Stage Design, Oriental Town, Antonio Giuseppe Basoli, Italian, 1774–1843, Pen and gray ink, brush and gray wash on paper, Horizontal rectangle. Hindustan town with building complex, multiple buildings, possible temples., Italy, early

Coney Island, Brooklyn, NY, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of figures on the beach., Brooklyn, New York, USA, 1880, figures, Drawing, Drawing

Two Cliffs in Grand Canyon, Arizona, Thomas Moran, American, b. Britain, 1837–1926, Pen and brown ink on white wove paper, laid down at corners, Horizontal oblique view of two cliffs in Grand Canyon, diagrammatic sketch., possibly 1908,

Study for 'Napoleon at Eylau', Artificial black chalk, with white chalk, on thick, grey-green silked paper, This drawing is squared in preparation for transfer; the majority of the figures merely blocked in. Just left of center Napoleon is shown

Design for Crèche (Nativity Scene), Pen and brown ink, brush and brown wash on white paper, Horizontal rectangle. Interior of a cavern, with the Madonna and Child and St. Joseph seen in center, middleground. A shepherd kneels to left of group.

Men Fishing with a Rod and Net, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a stream with a rocky bank in the foreground, beside which are seen the head and shoulders of a male figure casting with a long rod and a man

Study for 'Muse of History', Elihu Vedder, American, 1836 – 1923, Pastel crayon on gray paper, Female figure, lightly draped, faces the viewer while writing on a large tablet. Below: detail of one hand grasping the tablet., USA, ca. 1895,

Architectural Details at Bourges, Arnold William Brunner, American, 1857–1925, Graphite on brown-gray paper, Chimneys and relief patterns on columns of the Cathedral., USA, 1883, architecture, Drawing, Drawing

Study for Cartoon, 'Editor's Easy Chair', Thomas Nast, American, b. Germany, 1840–1902, Graphite on paper, The editor is seated at his desk, facing left with editions of Harper's Weekly hanging on racks behind him. Seated on the floor,

Sketch of Woman's Head, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman's face seen from the front, turned slightly to the left., USA, ca. 1895, figures, Drawing, Drawing

Two Roman Soldiers in Conversation, Giuseppe Longhi, Italian, 1766–1831, Graphite on cream paper, laid down, Two soldiers in Roman uniform are shown on a cloud facing each other. The right hand man is seated with his left arm raised while

Stage Design, Indian Palace Garden for the Ballet 'Genghis Khan' by Luigi Henry, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash, graphite on white laid

Portrait Sketch, Pen and brown ink, graphite on off-white laid paper, A seated figure with one hand on armrest. Drapery behind. Letter on verso showing visibly., Italy, late 18th century, portraits, Drawing, Drawing

Stage Design, Landscape in Hills, Pen and ink, brush and wash on paper, Horizontal rectangle. Road winding between hills with ragged trees, houses in background, carriage in foreground. Stormy atmosphere., Italy, early 19th century, theater,

Sketches from Labrador, Frederic Edwin Church, American, 1826–1900, Graphite on light brown paper, Eight sketches on a single sheet. Top row, from left to right: a group of houses at the shore; floating iceberg with debris. Central row: two

Design for Sideboard with Upper Shelf and Neo-Classical Motifs on Rounded Corners, A.N. Davenport Co., Pen and black ink on thin cream paper, Oblong sideboard with 6 straight tapering legs; at front, 3 drawers arranged in 2 rows, flanked by

Landscape, Frederic Edwin Church, American, 1826–1900, Oil on paperboard, Distant view across and looking towards mountains. Tops of trees are seen in the foreground. Dark and reddened clouds stand in the sky. Mist is shown in the middle

Design for Embroidery, Gentleman's Waistcoat Pocket, Brush and gouache, pen and black ink on cream paper, Rectangular corner of a waistcoat or gilet, showing the welt pocket. The welt includes black pseudo-Chinese characters on either side of

Two Sketches of an Officer, Winslow Homer, American, 1836–1910, Graphite on paper, Two vertical sketches of an officer on horseback, with additional sketches of heads., USA, 1862, figures, Drawing, Drawing

Three Men, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink, brush and wash on paper, Three figures seen from behind. At top left, a seated man with a brimmed hat and sword. To the right of him, a standing man.

A Warehouse of the 16th Century in Pisa, Italy, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Above, elevation of a slightly, obliquely disposed one-story building of eight bays, five of which contain

Design for Round Table on Molded Base, A.N. Davenport Co., Graphite on thin cream paper, Round thin molded table top raised on fluted columnar support with concentric moldings around bottom, sitting atop 'X'-shaped molded base terminating in 4

Project for a Chimneypiece with Alternative Suggestions, Pen and ink, brush and wash on paper, Elevation of a chimneypiece. Below, an undecorated polyangular panel with a scrolling frame. Above this, an oval. At top, a pediment with mask.

Elevation of the door wall of a salon, Pencil and red crayon., A double door, surmounted by a rocaille overdoor, is flanked by blank panels (probably intended to be covered in fabric) in rocaille frames, in the manner of Nicolas Pineau. Part of

Stage Design, Council Room in Two Gothic Styles, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and brown ink, brush and gray wash, graphite on wove paper, Horizontal rectangle. Interior of

Interior View of the Nave, Saint Peter's, Rome, Looking Toward the Altar, Pen and black ink, brush and gray wash, green, brown watercolor on cream laid paper, Circular drawing showing the interior of a great basilica, identified as St.

Newfoundland, Cat Head, Frederic Edwin Church, American, 1826–1900, Brush and oil paint on cardboard, Shown from the sea. Sun setting in center. A row boat with several persons in it is in the right center. Another and an anchored sail-boat

Design for a Cabinet and Pedestal Table, Pen and ink, brush and watercolor, At top of a cabinet on low legs, with flat top flanked by engaged columns, and intended to be partially gilded. Center panel open, with blue behind. Below, circular

Wooded Landscape, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Riders cross a brook toward a village, which is partly viable behind and above trees., Italy, 1750–1770, landscapes, Drawing, Drawing

Square with a Palace, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Large building in bare landscape; fountain on right and some carriages., Italy, 18th century, architecture, Drawing, Drawing

Tracing of Design for Semi-Circulart Writing Table #45820, A.N. Davenport Co., Carbon tracing and graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Design for the Embroidery of a Man's Waistcoat of Pattern No. 1216 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on grayish paper, Five suggestions are made for the outer border. Two of them show

Sketches, El Yemen Valley, 'Arabia', Frederic Edwin Church, American, 1826–1900, Pencil. White gouache. Light brown paper., Verso: Side of a canyon, USA, possibly 1868, February 20, landscapes, Drawing, Drawing

Mr. Shriner's Farmhouse, Francis Hopkinson Smith, American, 1838–1915, Graphite, pastel crayon on paper, View of a large farmhouse with surrounding fields and barn., USA, August 28, 1856, landscapes, Drawing, Drawing

Doorway in Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Arched doorway, with child and baskets. Detail, right, of head in center of the beam above., USA, 1883, architecture, Drawing, Drawing

Fortitude, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, figure standing holding a

Designs for Writing Desks, Graphite, pen and black ink, brush and watercolor on paper, Above, two tiers of cupboards, the upper one revealing, in half-section, a series of small drawers. The cupboard sections are surmounted by a long drawer,

Shepherdess Resting Under a Tree, Winslow Homer, American, 1836–1910, Graphite, brush and gouache on gray-green wove paper, Sketch of a young figure in sunbonnet reclining on a hillside. In the background, a large tree with outspread

Design for a Wall Panel, Pen and ink, brush and sepia, watercolor on paper, Elevation of double paneled doors and surrounding wall panels, all divided into compartments with candelabrum. The upper doors show a motif centered on a basket of

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a female figure; Verso: Sketch of a male figure in profile., USA, 1883, figures, Drawing, Drawing

Design for a Panel, Pen and ink, brush and watercolor, graphite on paper, A dancing girl with a garland shown over a table which is supported by a grotesque plant and from which two cornucopias rise. Festoons are suspended on top. Framing band

Two Hounds at Play, William Hunt Diederich, American, b. Hungary, 1884–1953, Brush and black ink, white gouache on light brown paper, Drawn silhouette of two hounds running, their bodies elongated and limbs extended. They face towards each

Design for an Incense Burner, Pen and black, brown ink, black crayon, graphite on cream paper, Incense burner shaped like an altar lamp supported by two boughs ending with foreparts of two eagles as handles. Rose festoons are suspended from

Four carnations, Pencil, gouache colors, France, ca. 1840, Drawing, Drawing

Design for Serving Table with Columnar Legs, A.N. Davenport Co., Graphite on thin cream paper, Oblong table top with molded convex front and single drawer; decorative motifs of acanthus leafs and gadrooning; raised on 2 frontal ionic columnar

Chocorua Pond and Mountain, New Hampshire, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, A tree-lined shore with rowboat and fishermen on the water, and a mountain beyond., New Hampshire, USA, September 28, 1854,

Design for a Console Table, Pen and ink, brush and sepia wash, gray watercolor on paper, Horizontal rectangle. Design for a console table. In the center of the upper frame, an oval topped with a crown, the letter 'N' inside, likely referring

Design no. 10 for an Embroidered Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on two pieces of paper pasted together horizontally, A fantastic palm tree and a mound of earth with plants,

Project for a Crest with Candle Sockets, Pen and ink, brush and sepia, watercolor on paper, Crest in the shape of a broken pediment with putti sitting between scrolls., Italy, early 19th century, lighting, Drawing, Drawing

Sketchbook Page: Battle of the Centaurs and Lapiths, Felice Giani, Italian, 1758–1823, Pen and dark brown ink over traces of graphite on cream laid paper, Horizontal rectangle showing centaurs and men., Italy, ca. 1820, figures, Drawing,

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