Images at Librifly

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Photo reproduction of a drawing, representing Cupid with a lioness, beasts of prey, predatory animals: lion, (story of) Cupid, Amor (Eros), Franz Mattig (mentioned on object), Weimar, c. 1854 - in or before 1859, photographic paper, albumen

Customer in inn is being fooled, The man is drinking a glass at the bar of an inn. Children laugh at him outside because of a drawing of a drunk figure pinned on his back, inn, coffee house, public house, etc. (being served, indoor recreation),

Salvator Rosa, Pan and Syrinx, Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', fig. 41, drawing, sketch, Philip Henry Delamotte, 1855 - 1858, paper, photographic paper, cardboard, albumen print, h 176 mm

Model drawing of the wedding blessing of Rama and Sita, Stylized model drawing with the priest who blesses the wedding in the middle, the wedding couple to the right of the middle under a canopy and the guests left, bottom left a few rows of half

Pottery shrapnel with drawing a tulip, in underglaze blue, anonymous, 1500 - 1799, earthenware, glaze, h 4 cm × w 13.4 cm × d 15.5 cm

Journal of the Ladies and the Fashion, Costume Parisien, 1803-1804: Redingotte à la Charlemagne ..., on the left a man seen on the back, in a jacket that became 'Redingotte à la Charlemagne' called. Gaiters made from sheet, top hat and

Astronomia, The personification of Astronomy is wrapped in a star garment and supported with her elbow on a drawing of the solar system. Around her head is a halo of stars. She points to a winged devil figure in the air carrying a baby in his arms.

Society for the Improvement of the Working Stand in Amsterdam, Tin Medal. Obverse: woman in antique clothing, representing Industry, holding branch in raised left hand, around which bees swarm and in extended right hand laurel wreath above

The Baths of Caracalla in Rome, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., Ruins of a building, architecture, landscape with ruins, Thermen from Caracalla, Josephus Augustus Knip,

Three birds in full flight, design drawing for print., Ohara Koson, 1887 - 1945, Japanese paper (handmade paper), brush

The landing of the English between Petten and Callantsoog, Design drawing for a panel of lacquerware in a secretary. The drawing contains twelve attached strips with instructions in Japanese for the paintworker., Sasaya (workshop of), Kyoto, c.

Draw-table table Drawing table on four legs connected by foot rails with vase-shaped center articulation around carved festoons and acanthus leaf, Oak table on four legs connected by foot rails, with vase-shaped middle section, which is adorned

Women's shoe of light blue silk damask with two flaps over the instep, Women's shoe of light blue silk damask. Model: The head has a pointed nose, one front and two side blades. On the stitching that holds the sheets together, a band of ribs.

Earthenware saucer with a drawing of an sky with church tower, in underglaze and overglaze blue, anonymous, 1500 - 1799, earthenware, glaze, h 2 cm × w 16.5 cm × d 11.5 cm

Coloring drawing of a yard with an atap house on which three 'lascorin', a chief in the middle flanked by a gun and a pajung wearer, approach a man with a bun and loincloth. Two women on the right. Part from the sketchbook by Jan Brandes, dl. 1

Society promoting art and science under the phrase 'Progress through Science', medal by the Department of Drawing awarded to D. van Coppenaal, Silver medal on the eyebolt and broken support ring. Front: letters V and W within oak wreath. Reverse:

The Monastery at Vicovaro, and the Porter's Lodge of the Villa Borghese A contoured landscape with the monastery at Vicovaro, and a view of the Casino del Portinaio in the Villa Borghese, Drawing from a group of 46 drawings and studies of mainly

Bell-shaped covered cup with a symbolic image of three putti and different objects, Bell-shaped porcelain cup, painted on the glaze in blue, red, pink, green, yellow, brown, black and gold. On the wall a symbolic representation with three

Portrait of a Member of the Van der Mersch Family Portrait of a Member of the Van der Mersch Family Portrait of a member of the Van der Mersch family, Portrait of an art and music lover, probably one of the three brothers of the Mennonite family

Mount Vesuvius A View or Mount Vesuvius, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., mountains, volcano, Mount Vesuvius, Josephus Augustus Knip, Italy, c. 1811, paper, graphite

Crockery dish of earthenware with drawing of a flower in a circle, in underglaze blue, anonymous, 1500 - 1799, earthenware, glaze, h 3.5 cm × w 21.2 cm × d 15.8 cm

J.W. Evers, Representatives of the first National Assembly of the Batavian Republic (series title), Silhouette of bust in profile to the left. Combed back, hair hanging over the shoulders and tie. Inscription, o .: JW Evers, The Hague, Arnhem,

The village of Wehl in Cleefsland, Color Drawing. View of the village of Wehl 'an hour's walk' from Doetinchem. An unpaved road to the church with houses on either side. Children playing in the foreground and a woman with a wheelbarrow. Behind are

Petrus Matthaeus Pertat, Representatives of the first National Assembly of the Batavian Republic (series title), Silhouette of bust in profile to the right. Long to the back and slightly curled hair on the bottom. Inscription, o .: Petrus

Photo reproduction of a drawing, representing noblemen in an interior 1760 (title on object), nobility and patriciate, chivalry, knighthood, interior, representation of a building, anonymous, Amsterdam, c. 1868 - in or before 1873, paper,

Gerard Pietersz Hulft (1621-56), First Councilor and Director-General of the Dutch East India Company, Portrait of Gerard Pietersz Hulft, First Council and Director General of the VOC. Oval portrait between a still life of books, papers,

Crockery dish of earthenware with floral multicolored drawing, anonymous, 1500 - 1799, earthenware, glaze, h 3.4 cm × w 12.3 cm × d 9.3 cm

Photo reproduction of a drawing, representing noble people (presumably) while hunting in a forest 1500 (title on object), hunters hunting (NB: In 1988-1990 this notation denoted the concept of 43C11421 'hunters resting during the hunt'), nobility

A Procession at the Foot of the Palatine Hill in Rome, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., Landscape with ruins, ruin of a building, architecture, procession, Christian

Inn the Molentje on the Amstel t Moolentye (title on object) Castles and inns on the Vecht and Amstel (series title), View of the Molentje on the Amstel inn. In the foreground a figure is drawing on the bank. The print is part of a six-part series

View of the Belvedere in the Vatican, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., City-view in general, 'veduta', church (exterior), Cortile del Belvedere, Daniel

Photo reproduction of a drawing, depicting a boy kneeling in front of his parents, kneeling figure, parents with their children, anonymous, c. 1857 - in or before 1867, photographic paper, albumen print, h 165 mm × w 212 mm

A fountain between Ariccio and Genzano, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli), well, utilitarian, public pump or water fountain, Italy, Abraham Teerlink, 1786 -

Bus with drawing instruments from the wreck of the East Indies ship Hollandia, Tools and instruments, case of drawing instruments, (12), a: (1) case, oval in section, slightly tapering (6.9h, 4.7-4.1w, 2.3d), engraved decoration of floral

The Waterfalls at Tivoli, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., Waterfall, Daniel Dupré, Italy, 1761 - 1817, paper, graphite (mineral), ink, brush, h 377

Strip of bobbin lace with pearl cords and little ovals, Strip of natural-colored bobbin lace: Lille lace. The repeating pattern along the lower half of the strip consists of a succession of small ovals, alternately formed by a pearl necklace and a

A mule, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., Ass, donkey, mule, Italy, Hendrik Voogd, 1778 - 1839, paper, chalk, h 272 mm × w 212 mm

Portrait of an Artist, Portrait of an artist. Knee pad sitting in a chair behind a table. In the right hand a drawing pen, in the left hand a sheet of paper with a drawing (a portrait of Abraham Bloemaert). On the table an anatomical model, a

Model for a statue of Rembrandt Model for a statue of Rembrandt Model for a statue of Rembrandt Rembrandt van Rijn, The drawing Rembrandt is sitting on an elevation with the right leg extended and the left pulled up on a chest. With his left hand he

Jacob de Vos Sr (1735-1833), Amsterdam Art Collector, Portrait of Jacob de Vos Sr, insurance deliverer and art collector in Amsterdam. Sitting, in the right hand a sheet of paper (a drawing?), Leaning with the left arm on a book lying on a

Earthenware shrapnel with drawing of a star, in underglaze blue, anonymous, 1500 - 1799, earthenware, glaze, h 2.6 cm × w 27.4 cm × d 25.7 cm

Photo reproduction of a drawing, depicting Polyphemos throwing a rock at Odysseus and his entourage, Polyphemus hurls a rock at Ulysses' departing ships, Franz Mattig (mentioned on object), Weimar, c. 1854 - in or before 1859, photographic

Fragment of shoulder and neck of a jug from Persia, Fragment of shoulder and neck of a jug. Grayish-yellow type of earth. On turquoise blue ground is a drawing of pointed oval boxes, circles and rosettes in greenish metallic luster. Persia.

Drawing, One of ten pen drawings, Asian persons, sometimes accompanied by horses, moving to the right and on two sheets to the left, and carry packages with in part the emblem of the VOC Zeeland. Signed, l.o .: H. Rolland pinxit. Inscription,

Saucer-dish of earthenware with drawing of birds in underglaze blue, anonymous, 1500 - 1799, earthenware, glaze, h 2.7 cm × w 15.2 cm × d 17.4 cm

Curtain of painted silk decorated with flowers and birds, Curtain of painted silk. A contour drawing was printed on a fine white ripple side and a hand-painted painting (?), The pattern of which consists of an ascending, wavy branching and

Self-portrait of Simon Fokke, Self-portrait of Simon Fokke with a roll of paper in his hands. The oval portrait bust rests against a wall and is surrounded by books, engraving utensils and two prints, portrait, self-portrait or artist (painting,

Drawing table with the arms of the city of Genemuiden, Table of oak, decorated with ebony. The legs have a square pedestal with a squat vase-shaped articulation, on which a festoon attached to rings is attached. They are connected by an H-shaped

Calendar, Parchment calendar consisting of thirteen sheets folded in three, held together by a copper band and provided with a copper handle. Each leaf has a yellow and green colored medallion with inscription on the outside. Inscription 1st leaf

View of Civita Castellana, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., landscape with bridge, viaduct or aqueduct, prospect of city, town panorama, silhouette of

Portrait of Arnoud van Halen (1673-1732). Painter, Printmaker, Poet and Collector in Amsterdam, engraver, poet and collector in Amsterdam. Founder of the Panpoeticum Batavam. Halfway through, for the cabinet in which he kept his collection of

Screen with tapestry with a rooster and a hen surrounded by acanthus leaves and flower garlands, Fire screen of brown painted walnut with extendable board, decorated on the front with a silk woven tapestry (tapestry de Nimes), representing a

Drawing, One of ten pen drawings, Asian persons, sometimes accompanied by horses, moving to the right and on two sheets to the left, and carry packages with in part the emblem of the VOC Zeeland. Signed, l.o .: H. Rolland pinxit. Inscription,

Dress from red silk damask, A dress from red silk, with a repetitive symmetrical drawing of a large palmetal flower, springing up and flanked by large serrated leaves. The boxes between the leaves are filled with palmetal flowers in satin. red

The Villa Aldobrandini near Frascati The Villa Aldobrandini near Frascati, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli)., Villa, landscapes in the temperate zone, Villa

Three views of the coast at Ischia and Gaeta, on one sheet, Drawing from a group of drawings of landscapes and cityscapes in Italy (Rome, Tivoli, Civita Castellana and Pozzuoli ), coast, Ischia, Isola d ', Gaeta, Abraham Teerlink, Italy,

Earthenware saucer shard with a drawing of a landscape with animal (dog or deer?) In blue, anonymous, 1500 - 1799, earthenware, glaze, h 2.7 cm × w 16.7 cm × d 13.3 cm

Photo reproduction of a drawing representing the burial of Christ, bearing of Christ's body to the grave, Franz Mattig (mentioned on object), Weimar, c. 1854 - in or before 1859, photographic paper, albumen print, h 156 mm × w 217 mm

Photo reproduction of a drawing, representing a company in an interior 1836 (title on object), nobility and patriciate, chivalry, knighthood, interior, representation of a building, anonymous, Amsterdam, c. 1868 - in or before 1873, paper,

Photo reproduction of (presumably) a drawing of Pope Pius IX, Part of Fotoalbum with 26 cartes-de-visite of Roman Catholic clergy., Pope, Pius IX, anonymous, c. 1860 - c. 1880, cardboard, paper, photographic paper, albumen print, h 86 mm ×

First peace of Paris, in honor of George, Prince-Regent of England, Obverse: bust of a man with laurel wreath inside an inscription. Reverse: sitting Britannia, leaning on a coat of arms, planting an olive branch on a globe that is held by

Studies of Goats, Drawing from a group of 46 drawings and studies of mainly cityscapes and landscapes in and around Rome., Goat, Italy, Josephus Augustus Knip, c. 1809 - c. 1812, paper, graphite (mineral), watercolor (paint), brush, h 148

Study sheet with different heads, Study sheet with six different heads of men and women, head (human), drawing, sketch, Cornelis Kruseman (mentioned on object), Amsterdam, 1818, paper, etching, h 95 mm × w 114 mm

Drawing of a Rocket in a Red Velvet Encasing, Roll of red velvet, on the inside of which is sewn a transparent front cover and a piece of paper with the cross-section of a rocket or rocket drawn on it, possibly a Congressional rocket., anonymous,

The Grand Châtelet, Paris, c. 1780, after an earlier drawing, 1861, Charles Meryon (French, 1821-1868), printed by Pierron (French, 19th century), published by Rochoux (French, 19th century), France, Etching and drypoint on ivory laid

Guard Drawing His Sword, 17th century, After Raffaello Sanzio, called Raphael, Italian, 1483-1520, Italy, Black chalk on tan laid paper, edge mounted on buff laid paper, 432 x 280 mm

Drawing Room Cabinet, 1871/72, Designed by Bruce James Talbert, Scottish, active in England, 1838–1881, Made by Gillow & Company, England, 1730–1974, Lancaster, Walnut, ebony, boxwood, thuya, maple, and other woods, gilding, and

Fragment Supplemented with Drawing, 14th century and 19th century, Drawing by Paul Schultze, Italy, Compound twill satin, plain weave, 47.9 x 37.8 cm (18 7/8 x 14 7/8 in

Some Account of the Art of Photogenic Drawing, or the Process by which Natural Objects May Be Made to Delineate Themselves without the Aid of the Artist’s Pencil, Read before the Royal Society, January 31, 1839, William Henry Fox Talbot,

Slip (Unfinished), 17th century, England, Linen, plain weave, drawing in graphite, 20.3 × 16.8 cm (8 × 6 5/8 in

If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an original drawing, in black on ivory wove

Inconvienences of a Crowded Drawing Room, published May 6, 1818, George Cruikshank (English, 1792-1878), published by George Humphrey (English, c. 1773-1831), England, Hand-colored etching on paper, 247 × 345 mm (image), 252 × 353 mm

Copy after Drawing by Carlo Maratta, 1731, Francisco Vieira de Mattos, the elder (Portuguese, 1699-1783), after Carlo Maratti (Italian, 1625-1713), Italy, Red chalk, on ivory laid paper, laid down on cream laid card, 196 x 132 mm

Class Day, at Harvard University, Cambridge, Massachusetts, published July 3, 1858, Winslow Homer (American, 1836-1910), published by Ballou’s Pictorial Drawing Room Companion (American, 1851-1859), United States, Wood engraving on

Portrait of Madame de Poullain, n.d., After Caspar Netscher, Dutch, 1639-1684, Holland, Drawing on paper, 308 x 244 mm

Woman Raking Hay, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine

The Process of Talbotype (formerly called Calotype) Photogenic Drawing, Communicated to the Royal Society, June 10, 1841, William Henry Fox Talbot, English, 1800–1877, England, Four pages of unbound text (approximately 2500 words), printed

Daoist Immortals Spying on a Young Beauty, c. 1768, Suzuki Harunobu 鈴木 春信, Japanese, 1725 (?)-1770, Japan, Color woodblock print, hashira-e, Untitled (Drawing room at Broadlands), 1859, English, England, Albumen print, from the

Tailpiece, plate 9 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an original drawing, in black on ivory wove paper, 211 × 147 mm (plate), 447 × 316 mm (sheet

Death on a Pale Horse, 1784, after the drawing of 1775, Joseph Haynes (English, 1760-1829), after John Hamilton Mortimer (English, 1740-1779), England, Etching on ivory laid paper, 656 × 476 mm (image), 686 × 477 mm (sheet

Mower, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé), 135

Moses Drawing Water from the Rock, c. 1688, Guglielmo Borremans, Flemish, active 1688-1737, Flanders, Pen and brown ink with brush and brown wash, over traces of black chalk, squared in black chalk, on ivory laid paper, 324 × 252 mm

Sheaf-Binder, 1853, after drawing made in 1852, Jacques Adrien Lavieille (French, 1818-1862), after Jean François Millet (French, 1814-1875), France, Wood engraving in black on gray China paper, laid down on ivory wove paper (chine collé),

Woman’s Ao (Short Robe), Qing dynasty (1644–1911), 1875/1900, Han-Chinese, China, Silk, warp-float faced 7:1 satin weave, embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches, laid

Architectural Drawing from Le livre d’ Architecture, plate 68 from Woodcuts from Books of the XVI Century, 1545, assembled into portfolio 1937, Sebastiano Serlio (Italian, 1475-1554), assembled by Max Geisberg (Swiss, 1875-1943), Italy,

Amphiprion percula, Print, The orange clownfish (Amphiprion percula) also known as percula clownfish and clown anemonefish, is widely known as a popular aquarium fish. Like other clownfishes (also known as anemonefishes), it often lives in

Woman with a Cat, c. 1900, Paul Gauguin, French, 1848-1903, France, Transfer drawing in brownish-black ink (recto), graphite and blue crayon pencil with brush and solvent washes in ocher on cream wove paper, 465 × 615 mm

Pont-Neuf and the Samaritaine Seen from Under the First Arch of the Pont-au-Change, Paris, 1855, after a drawing of the mid–1780s, Charles Meryon (French, 1821-1868), after Victor Jean Nicolle (French, 1754-1826), France, Etching in dark

Cover/Frontispiece for Les Fleurs du Mal, plate 1 of 9, 1890, Odilon Redon, French, 1840-1916, France, Bi-fold portfolio cover printed in black by photogravure from an original drawing, on blue-gray wove paper, 44 × 40 mm (image, back

True Drawing of a Newly Arrived Camel (Shinto rakuda shashin), 1863, Utagawa Yoshitoyo, Japanese, 1830–1866, Japan, Color woodblock print, oban

Conversation, a Family Drawing and Reading, the Nurse Holding an Infant, a Portrait of Prince Edmond de Beauvau Behind a Chair, and Portraits of Madame Lavallée and Madame Vallory, Both Seated, 1817, Dominique-Vivant Denon, French,

Denon Instructing a Young Woman Drawing on a Lithographic Stone, c. 1820, Dominique-Vivant Denon, French, 1747-1825, France, Lithograph in black on white wove paper, 123 × 160 mm (image), 233 × 265 mm (sheet

Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where, Vanquished, You Dream in Silence!, plate 8 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an

Young Woman Writing or Drawing, n.d., Attributed to Elisabetta Sirani, Italian, 1638-1665, Italy, Red chalk on cream laid paper, 280 x 199 mm

I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9, 1890, Odilon Redon, French, 1840-1916, France, Photogravure made from an original drawing, in black on ivory wove paper, 280 × 209

Saint Luke Drawing the Virgin and Christ Child, c. 1535, Girolamo da Carpi (Girolamo Sellari), Italian, c. 1501–1556, Oil on panel, 47 × 34 cm (18 × 13 3/8 in.) (arched

Myddelton Biddulph Armorial Medallion, c. 1846, Designed by Augustus Welby Northmore Pugin (English, 1812–1852) for Chirk Castle Red Drawing Room and Saloon, England, Wales, Wrexham, Chirk, Wales, Linen, plain weave, appliquéd with

Family Party Playing at Fox and Geese, published November 28, 1857, Winslow Homer (American, 1836-1910), published by Ballou’s Pictorial Drawing Room Companion (American, 1851-1859), United States, Wood engraving on paper, 137 x 239 mm

The Drawing Room, 1783, François Dequevauviller (French, 1745-1807), after Nicolas Lavreince (Swedish, 1737-1807), France, Engraving on paper, 407 × 500 mm (plate), 417 × 525 mm (sheet

A Fruit Market, from The Houghton Gallery, 1775, Richard Earlom (British, 1743–1822), after Frans Snyders (Flemish, 1579-1657), intermediary drawing by Joseph Farington (British, 1747-1821), published by John Boydell (British, 1719-1804),

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