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Study for an Alter Painting with Christ Child, Filippo Marchionni, Italian, 1732–1805, Chalk on paper, At top, center, the child Christ stands upon a cloud pointing heavenward. Below, Saint Joseph and two monks, one of whom kneels.

Standing Female Nude, James Wells Champney, American, 1843–1903, Graphite on paper, Standing nude female figure, turned slightly toward left; head turned slightly to right, looking downward., USA, ca. 1890, figures, Drawing, Drawing

The Castle of Carlisle, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, Distant view of a fortified castle, with high walls, and square crenelated

Mountains, Popayan, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on paper, Top: a high mountain rising behind lower ranges. Bottom: mountain ranges with inscribed '2s'., USA, August 1853, landscapes, Drawing, Drawing

Ornamental Panel, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and brown ink, brush and brown and gray wash on two sheets of paper joined vertically, lined with cardboard; rosettes drawn on four separate pieces of paper and laid down

Design for a Six-Legged Rectangular Table with a Fower Vase, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular molded top with dividing stretcher at center, raised on 6 tapering plain legs on casters - one pair on either side and

Design for a Ceiling Decoration, Giuseppe Maria Rolli, Italian, 1645 - 1727, Black chalk, pen and ink, brush and watercolor on paper, An imaginary frieze shown from beneath. The right half of a scrollwork escutcheon containing a vase is

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Partial gold frame in shape of a flower containing a group of pink, blue, and purple flowers with green leaves and tendrils., Japan, 1880–1910, tableware

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork frame. At top, a mask with swags. To the left and right, a faceted octagon., Italy, early 17th century, ornament, Drawing, Drawing

Design for Stained Glass Window: Light in Chapter Room, Carnegie Hall, New York, NY, Alice Cordelia Morse, American, 1863–1961, Brush and wash, gouache, graphite on paper mounted on tan illustration board, Rectangular window of blue and

Sketch of Crossed Legs, Arnold William Brunner, American, 1857–1925, Graphite on paper, Top, sailboat in still water. Below, man’s legs crossed, USA, ca. 1883, seascapes, Drawing, Drawing

A church in Guadalajara (Mexico), Howard Russell Butler, American, 1856 - 1934, Black crayon with white heightening on paper, laid down on cardboard, Oblique view of a group of structures, a church included. A square with people is in the

Personification of 'Ceramics, ' Study for the Dome of the Manufacturer's Building, World's Columbian Exposition, Chicago, IL, Kenyon Cox, American, 1856–1919, Brush and watercolor, white gouache, graphite on paper, Mural study for

Personification of Two of the Elements, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush with brown wash, black chalk, traces of graphite on off white laid paper, Horizontal rectangle. Above: Water Amphitrite riding over water.

Study of 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, The lower section of a woman's figure, a long section of drapery swirling about her and extending beneath her feet., USA, ca. 1899, figures, Drawing,

Road Leading to a Mountainous Town, Carlo Marchionni, Italian, 1702–1786, Pen and ink on paper, Landscape with multiple trees. Background has a town with multiple buildings., Italy, 1750–86, landscapes, Drawing, Drawing

Haymaking, Winslow Homer, American, 1836–1910, Graphite, brush and touches of white gouache on paper, Horizontal view of a young man with a pitchfork., USA, 1864, figures, Drawing, Drawing

Study of a Woman's Head for 'Sacred Lesson', Daniel Huntington, American, 1816–1906, Graphite on grey wove paper, Woman's head and shoulders, in right profile. Hair in a bun, wrapped in a braid, at the nape of her neck., Florence, Italy,

Design for a Pair of Candelabra, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and gray watercolor, graphite on paper, Vertical rectangle. The supporting female figures that appear in 1938-88-653 stand upon parts of fluted columns as

Church at Tuquerres, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on white wove paper, Recto: Horizontal view of the church, shown slightly obliquely from the front, with a projecting portico and three bells hanging in the

Designs for Two Toilet Boxes, Pen and black ink, brush and watercolor on paper, A toilet box, with lid open is shown in isometric projection. Below, lid, with painted lozenge with motif of Cupid’s head, bow and quiver. Right, another box

Design for a Console Table, Pen and black ink, brush and wash, yellow watercolor, graphite on white laid paper, At left, frontal view of console table, covered urn draped with a floral garland on stretcher below. Scale plan is seen below

Landscape, Steckelberg, Switzerland, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a mountain pass., Steckelberg, Switzerland, August 1, 1867, landscapes, Drawing, Drawing

Chair, Pen and brown ink, brush and brown wash, on off-white laid paper, lined, Frontal view of a chair with a large octagonal back, sloping arms terminating in acanthus leaves where the hands would rest, tapered geometric legs, and caning

Pembroke Castle, Ernest Clifford Peixotto, American, 1869–1940, Charles Scribner's Sons, New York, New York, USA, Pen and ink on illustration board, View of a large fortified castle, somewhat ruined, seen from across the moat., USA,

Design for an Altar at San Petronio, Bologna, Flaminio Innocenzi Minozzi, Italian, 1735 – 1817, Pen and brown ink, brush and gray wash on off-white laid paper, Steps lead up to the altar in what is probably meant as an entirely painted niche

Design for a Six-Legged Rectangular Table on Casters, A.N. Davenport Co., Graphite, yellow color pencil on thin cream paper, Rectangular molded top raised on 6 [5 shown] plain tapering legs terminating in brass sabots; casters suggested in

Sepulchral Monument for Poet Tagerini, Pen and brown ink, brush and brown wash, graphite on blued-white paper, lined, Three steps from an oval platform. The Bacchus boy seated and leaning upon an urn upon an oval pedestal flanked by girls with

Design for a Billiard Table, Pen and black ink, brush and ink, yellow wash on paper, Plan and elevation of a billiard table, with six tapering and fluted legs. Side of table decorated with wall of Troy motif. Scale on left., Germany, ca. 1805,

Sketch, Portrait of a Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Head of a male figure shown in profile turned right. Reverse: Lines of sketches begun., USA, 1877, figures, Drawing, Drawing

Earthenware Jar, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a round jar with handle. Decorative panel of birds around base. A label with number '18' is depicted on the jar., USA, 1877, ceramics, Drawing,

Bacchus and Ariadne with Autumn and Victories and Three Roundels with Putti, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, traces of graphite on cream laid paper, Three roundels, each containing flying putto

Design for a Box Cover, Anna M. de Pool, Gold, water color, on paper. Red seals, Horizontal rectangle. A border and central motif of interlaced scrolls and gold leaves. Designer's name in pencil, on reverse, USA, About 1894, ornament,

Study of a Sparrow's Wing, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Wing outstretched to the right, with notes on structure and feathers., USA, ca. 1895, animals, Drawing, Drawing

Stage Design, Tent of Genghis Khan, for the Ballet 'Genghis Khan' by Luigi Henry, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and black ink, brush and gray wash, graphite on white laid

Design for Dining Table 'B' of Mahogany, A.N. Davenport Co., Graphite on thin cream paper, Rectangular molded top raised on octagonal, faceted, columnar support with rounded bottom, terminating in 4 splayed legs on casters., 1900–05,

On the Peak of Chocorua, Daniel Huntington, American, 1816–1906, Graphite, black and white crayon on grey paper, Large rock outcropping, left. Mountain ash on a crevice. Ridge, center, and Mount Washington beyond, far right., USA,

Design no. 14 for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper pasted on paper, The scheme of the design is similar to that of

Two Panels of Trophies, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown wash, black chalk on laid paper, Vertical rectangle showing design for two military trophies. At left, axes, bows and shields, one of which reads:

Drawing, Black and red crayon on paper, 1740–60, ornament, Drawing

Design for a Mantel Clock, Graphite, pen and ink, brush and watercolor on paper, Design for a marble and bronze clock. The clock is set in a marble case, a truncated pyramid in shape, mounted on a marble and bronze plinth. Below the dial a

Drawing for a Rocaille Escutcheon, Black and red crayon on paper, Vertical rectangle, leaf scrolls on top, the field has the general outline of a pedestal., 1740–60, ornament, Drawing, Drawing

Design for a Painted Wall, Graphite, pen and ink, brush and watercolor on paper, Elevation of a room with overdoor tablets featuring classical figures. Painted onto the wall is a trompe-l'oeil view of a landscape through pillars. Below, a

Stage Design, Portico with Monument, Pen and brown ink, brown wash, traces of graphite on off-white laid paper, Vertical rectangle. Portico with statue against garden background. Only half the setting is shown., Italy, early 19th century,

The Astronomer, After Raphael, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on paper, Italy, 1815, figures, Drawing, Drawing

Stage Design, Romanesque Hall, Antonio Liverani, 1795 – 1878, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Interior of high vaulted hall with porticoes., Italy, early 19th

Two Chairs and a Table, Jean Démosthène Dugourc, French, 1749–1825, Brush and watercolor, pen and black ink, graphite on white laid paper, Circular table supported by fluted column decorated with snake coil in relief. Base showing frieze

Athens, view from the sea, Frederic Edwin Church, American, 1826–1900, Brush and oil on cardboard., A strip of water is shown in the center, bordered by hills., USA, April 1869, architecture, drawing, drawing

Design for Serving Table of Mahogany with Ball and Claw Feet, A.N. Davenport Co., Graphite on thin cream paper, Rectangular table top with 2 drawers at front and conforming lower shelf; raised on 4 bracket-shaped straight legs terminating in

Design for an Escutcheon, Johann Esaias Nilson, German, 1721 - 1788, Brush and ink on paper, Germany, 1721–1783, Drawing, Drawing

Study for 'Science, ' 'The Progress of Civilization: Science and Art, ' State Capitol, Des Moines, IA, Kenyon Cox, American, 1856–1919, Graphite on paper, Sketch of a burning oil lamp with a hand clutching the handle., USA, 1905–1906,

Sketches for Frames, Leblois, Italian, Brush and gray ink on light blue laid paper, Five designs for frames with scrolling ornament. A loose sketch of a face at left., Italy, 1770–1790, ornament, Drawing, Drawing

Sailors, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of three male figures wearing uniforms abroad a ship; Verso: Sketch of two horse-drawn carriages., USA, 1882–1883, transportation, Drawing,

Costume Design: America for a Ballet, Lead pencil on paper, Vertical rectangle. A young man is shown frontally, standing, and carrying with his right hand a spear. Written on top, in ink: 'Sigre Carlo Forni'; below, in ink over pencil:

Girl on a Swing, Winslow Homer, American, 1836–1910, Graphite on off-white wove paper, Vertical view of a girl seated on a swing, hung from the branch of a tree, looking to her left and holding with both hands the rope on her right., USA,

Man in a Canoe with Harpoon, Winslow Homer, American, 1836–1910, Crayon on paper, Sketch of a male figure, in a canoe, who is about to plunge a harpoon into the water., USA, 1897, landscapes, Drawing, Drawing

Design for a Table Clock, Pietro Belli, Italian, 1780–1828, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a table clock intended to be executed in silver and bronze. On a base with a fluted foot, the

Design for Writing Table with Turned Legs and Six-Cubbyhole Nest Atop, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Gedney Bunce, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Profile portrait of a male figure., USA, 1881, portraits, Drawing, Drawing

Fashion Plate, Anais Toudouze, Pencil and graphite, watercolor, white gouache on Bristol board, Vertical rectangle. Interior with three figures. A woman is seated left, facing right, in profile. Beside her, right, stand a boy and a girl,

Design for the Embroidery of a Man's Waistcoat, Unfinished, Tracing, graphite, brush and gouache on paper, For the left bottom corner of a man's waistcoat. Flower bunches alternate with fantastical plant motifs, both upside down, are under the

A Fountain in a Park, Clement Jayet, French, 1731 – 1804, Pen and black ink, brush and white gouache on paper, The obliquely shown fountain consists of a basin in the shape of a boat in which a shell with children and sea animals is supported

Decoration for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Partial gold circle framing a group of purple flowers with green leaves outlined in gold., Japan, 1880–1910, tableware designs, Drawing, Drawing

Bungoes: Sketches of Sailboats and Working Men, Along the Rio Magdalena, Colombia, Frederic Edwin Church, American, 1826–1900, Graphite on beige paper, Horizontal view showing in top row, at left: a sail boat with three men in it, and a

Designs for Pavilions, Frederick Crace, English, 1779–1859, Brush and watercolor, pen and ink on paper, Designs for three pavilions. A large tent-like pavilion in the Indian style at center, flanked by two smaller ones. Outline indication of

Street in Tangiers, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on cream paper, An open space, lower right, with buildings around it. Awnings, far left. Figure sitting in front of building, left., USA, ca.

Design for Book Plate, Alice Cordelia Morse, American, 1863–1961, Pen, brush and black ink on paper, Design of a stand composed of a footed platform with two torches that are lit; a lintel across the top holds several books, another torch at

Project for a Holy Water Font, Graphite, pen and ink, brush and watercolor on paper, Bowl decorated with a frieze in which heads support drapery festoons. Below is a volute connected with the frieze by festoons. Above is a pediment with the dove

The Peddler, Jerome Myers, American, 1867–1940, Graphite and black crayon on cream wove paper, laid down, Figure of a bearded peddler of shoe-strings standing beside a lamp post. Other sidewalk vendors in the background. View of city street

Five Motifs for Ornamental Arabesques, Etienne de Lavallée-Poussin, French, 1735–1802, Pen and brown ink with ink wash, graphite on three pieces of paper, Above, arabesque motifs of two arms joined by a half figure in the center, and upon

Design for Waistcoast, Pencil, watercolor, and gouache on paper, Design for the embroidered decoration of the lower left portion of a man's waistcoat. Polychrome floral motif on edge of garment; floral motifs drawn in pencil on flap of pocket.,

Numa Pompilius and Egeria, Sala di Numa Pompilius, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brown wash, over black chalk on white laid paper, Seated side by side, Egeria explains to Numa writing on

Design for a Round Extension Table, A.N. Davenport Co., Graphite, yellow color pencil on thin cream paper, Round molded top raised on fluted columnar support with concentric molding at bottom, raised on molded octagonal base terminating in 4

Floor Plan of a Building, Pen and gray ink on paper, Floor plan of a building, horizontal rectangular structure with a square-shaped structure along the bottom., USA, May 3, 1783, architecture, Drawing, Drawing

Entryway with Steps, Luigi Biagi, ? – 1711, Pen and brown ink, gray wash, over graphite, ruled border in pen and brown on white laid paper laid down on thin white paper, Vertical rectangle showing archway with stairs leading to a niche with

Two Copper Gutters, from a 16th-Century Castle, Blois, France, Whitney Warren Jr., American, 1864–1943, Graphite, brush and watercolor on paper, Left, the brackets of two gutters are shown; upper decorated with a rosette and a leaf,

Figures on a Rocky Pass, Black chalk, brush and black wash, on paper, A mountain underpass opens to a wooded hilly landscape traversed by a road. A man on a horse and one walking next to him stand in the beneath the underpass., Italy, ca. 1800,

Design for Mechanical Furniture: Dressing Table and Bookcase, Pen and ink, brush and watercolor on paper, Upper left, side elevation of a dressing table with fitted compartments; lower left, details of construction, show through top. Right,

Seascape, Newfoundland, Frederic Edwin Church, American, 1826–1900, Graphite, brush and white gouache on light brown paper, Distinct view of an iceberg across the ocean; cloudy sky., Newfoundland, Canada, July 6, 1859, seascapes,

Sketch of a Female Nude, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on tracing paper, Woman reclining back to the left, her head supported on one elbow., USA, ca. 1895, figures, Drawing, Drawing

A bunch of four carnations, Pencil, gouache colors, France, ca. 1840, Drawing, Drawing

Project for a Ceiling, Pen and brown ink with gray wash on off-white laid paper, A glory of angels in the clouds with the Dove of the Holy Spirit in the center., Italy, 1778, figures, Drawing, Drawing

Stage Design, Group of Antique Buildings, Angelo Toselli, ca. 1765? – 1826, Pen and ink on paper, Horizontal rectangle. Group of pedestals, monuments, stairs, portico with arches., Italy, early 19th century, theater, Drawing, Drawing

Red Light, Winslow Homer, American, 1836–1910, Graphite on paper, Recto: Horizontal view of a man in oilskins holding a red flare in raised right hand while other men launch a dory into heavy surf, as a vessel flouders in the distance.,

Sailboats, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of three sailboats and a rowboat beached along the shore., USA, 1881–1883, seascapes, Drawing, Drawing

Stage Design, Rocky Valley with Buildings, Romolo Achille Liverani, Italian, 1809 - 1872, Alessandro Sanquirico, Italian, 1777 - 1849, Pen and sepia ink, brush and wash on paper, Horizontal rectangle. Rocky valley with buildings towering at

Numa Pompilius Worshipping Jove on the Aventine, Ceiling Design for the Sala di Numa Pompilius, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on white laid paper,

Study for 'Scientific Group', Daniel Huntington, American, 1816–1906, Graphite on lined white laid paper, Above, horiztonal study for a painting. Below, studies for figural groups within the larger composition. Lower left, man sitting at a

Kneeling Woman, Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, The female figure is shown obliquely from the front, sitting. Her face is not shown., USA, 1875–80, figures, Drawing, Drawing

Elevation of dining room entrance wall, Hotel Paroy, Paris, Pen and ink, brush and watercolor, graphite on paper, Closed folding doors and panels with festoons. The central panel shows a girl with a flower brasket on her head and a wreath in

Project for a tabernacle, Filippo Marchionni, Italian, 1732–1805, Black chalk, pen, brush, ink and gray watercolor on paper, Vertical composition of a tabernacle. Top: The elevation of the facade of a church with a dome. Below is a dado,

Light Fixture and Plan of Glass Disc for Mr. Allen's Study and Mrs. Allen's Dressing Room, Henry J. Allen Residence, Wichita, Kansas, George Mann Niedecken, 1878–1945, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, pen

Silhouettes on the Bridge, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on grey-brown paper, Various figures, top men overlooking a wall. Bottom, women on the way to market, silhouettes on a bridge, right.,

Stage Design, Group of Oriental Buildings, Pen and ink on paper, Horizontal rectangle. Group of buildings on stairs, winged sculptures., Italy, early 19th century, theater, Drawing, Drawing

Rooftops near Sant'Andrea delle Fratte from the Pincio, Rome, Frederic Edwin Church, American, 1826–1900, Brush and oil, graphite on board, Horizontal rectangle. The upper parts of a square baroque church with projections at the corners in

Bythos and Aphros, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and sepia wash on cream laid paper, on a secondary support, The twin ichthyocentaurs Bythos and Aphros, from from Greek mythology., Italy, ca. 1800,

Neumagen sur la Moselle (Neumagen on the Moselle), Eugène Edouard Soulès, French, 1811–1876, Charles Nicolas Ransonnette, French, 1793 - 1877, Black crayon, brush and wash, white gouache on green-brown paper, Scene of groups of houses

Design for the Embroidery of a Man's Waistcoat of Pattern No. 1071 of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, A bunch of flowers on leaf boughs beneath the pocket. Two bunches of

Design for Serving Table with Two Upper Shelves, A.N. Davenport Co., Graphite on cream tracing paper, Oblong uppermost shelf has serpentine front and is raised on 2 columnar supports at front and 2 carved twisted straight supports at back;

Two Cheyenne Youth, Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, graphite on cream wove paper, One boy is shown at left, sitting and turned toward right. In upper right corner, a standing youth, shown frontally

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