Images at Librifly

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Design for Serving Table with Four Drawers on Ball and Claw Feet, A.N. Davenport Co., Graphite on thin, cream paper, Rectangular top with two-drawer unit and back splash above two drawers supported by ball-and-claw feet at front., 1900–05,

The Holy Family, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown watercolor wash on paper, Italy, 1813–18, figures, Drawing, Drawing

The Holy Family with Saint John, Pen and black ink, brush and brown wash on cream paper; verso: red chalk, Scene depicting the Virgin supporting the Christ-child, who reaches for a branch of a tree. Joseph kneels on the left, and the infant,

Ceres is told of the Rape of Proserpina, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over traces of graphite on light brown laid paper, Ceres stands at left leaning upon chariot and holding torch in her right

Design for an Altar, Filippo Marchionni, Italian, 1732–1805, Graphite, brush and gray watercolor on cream laid paper, Design for an altar with Ionic engaged columns; above garland., Italy, ca. 1780, architecture, Drawing, Drawing

Stage Design, Ruins in Landscape, Pen and bistre ink, brush and sepia wash on paper, Horizontal rectangle. Ruins of vaulted building in landscape., Italy, early 19th century, theater, Drawing, Drawing

Architectural Details from House in Orléans, Arnold William Brunner, American, 1857–1925, Graphite on paper, Panel, center, with moulding above and below. Profiles of wall design, right and left., USA, 1883, architecture, Drawing,

Bacchus and Ceres, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over graphite Support: cream-colored wove paper, Rome, Italy, Italy, 1800–1825, figures, Drawing, Drawing

TWO CHAIRS, Unknown, pen and brown ink with brown wash and traces of graphite, Italy, Italy, ca. 1580, furniture, Drawing, Drawing

Project for a wall decoration (Female figures and putti support medallion with coat of arms), Luca Giordano, Italian, 1634 - 1705, Red crayon, blotted and wash, pen and ink on paper, Four female figures with flowing robes support the circular

Design for a Tureen and Tray, Jean-Guillaume Moitte, French, 1746–1810, Pen and black ink, brush and gray wash, traces of black chalk on cream paper, lined, Tureen, sitting on a footed tray with rams, decorated with a frieze of nude

Sketches of Boats, Arnold William Brunner, American, 1857–1925, Graphite on paper, Barges, center and upper left, with cargo. Sail-boats, upper right and below, and a rowboat. Figures in on boats and barges., USA, ca. 1881, appliances &

Dory Filled with Men, Winslow Homer, American, 1836–1910, Charcoal on paper, Sketch of a dory filled with men., Cullercoats, England, USA, 1881–82, seascapes, Drawing, Drawing

Autumn Landscape, Hudson Valley, Frederic Edwin Church, American, 1826–1900, Brush and oil paint, graphite on cardboard, Oblique view of a hill range across a plain., USA, ca. 1860–70, landscapes, Drawing, Drawing

Design for a Trophy, Pencil, pen and ink on paper, Vertical rectangle showing designs for military trophies: shields, bows, arrows, quivers and a helmet bound with ribbons., Italy, 1800–1825, ornament, Drawing, Drawing

Design for a Waistcoat, Pencil and various gouaches on paper, Design for the embroidery of the left bottom part of a man's waistcoat. A stripe is shown along the edge of the waistcoat; it is decorated with leaves alternating with heads. Leaves grow

Study for a kneeling woman, “Vintage Festival, ” Mendelssohn Glee Club, New York, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a woman kneeling beside a fountain., New York, New York, USA, 1896,

Design for a Round Dining Table on Carved Base, A.N. Davenport Co., Graphite on thin, cream paper, Round molded top with dividing stretcher running across center, raised on short columnar support, sitting atop elaborately carved base,

Sketch in Bayeux, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Two shop doorway on a street. Figure in one at left. Right shop window, flowers on window sill., USA, 1883, architecture,

Trophy of Weapons, Romolo Achille Liverani, Italian, 1809 - 1872, Black crayon, pen and black ink, brush and bistre on paper, Upright a cuirass with a helmet upon the club and many other weapons. At the left is a pennon with R.R, while the

Design for a Ceiling, Pen and brown ink, brown wash, black chalk, Italy, Italy, 1550–75, interiors, Drawing, Drawing

Town Square (Study for an Illustration), Walter Shirlaw, American, b. Scotland, 1838–1909, Brush and watercolor, black crayon on paper, At left is the corner of an Italian Gothic church. A lighthouse rises in the background above a

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Sugar bowl with lid or a cup and lid, cinched, decorated with large green leaves and orange peach blossoms, one bud, with a pointed gold handle; pointed

Interior with Chinese Wallpaper, Frederick Crace, English, 1779–1859, Pen and black ink, brush and watercolor on white wove paper, silhouetted, Horizontal rectangle. Design for the Royal Pavilion, Brighton. The wall facing the spectator has

Stage Design, Group of Buildings in Ruins, Pen and brown ink, brush and gray wash on laid paper; verso: pen and brown ink, Horizontal rectangle. Ruins of antique buildings in center with broken obelisk and figural sculpture on plinth. Buildings

Design for the Embroidery of a Horizontal Border, Pattern of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and gouache on glazed tracing paper, laid down on paper, Fantastical flower bough over five boughs, alternating

St. Peter's, Rome, shown, Frederic Edwin Church, American, 1826–1900, Oil Support: thick buff-colored wove paper, USA, 1868–69, landscapes, Drawing, Drawing

Monumental Vase in a Park, Felice Giani, Italian, 1758–1823, Charcoal on paper, A monumental amphora containing plants stands upon a base of bricks. Standing below is a man in a hat. Suggestion of trees and bushes in background., Italy,

A Bay with Ships, Lodewijk Gilles Haccou, Dutch, 1792 - 1830, Brush and watercolor on paper, Netherlands, 1810–1825, Drawing, Drawing

Sketch of Figural Group for Ascension, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on laid paper, Figures kneeling and praying or rejoicing, possibly a study for a mural of the Ascension. Figure at right with arms raised. Central

Sketches for Furniture, Graphite on off-white laid paper, lined, Lower page shows three chair designs with round backs and pierced legs. More sketches at top of page with inverted orientation., Italy, 1780–1790, furniture, Drawing, Drawing

Design for a Tapestry: Bacchus and Ariadne, Pen and ink, brush and wash, black chalk on paper, Bacchus with his procession passing Ariadne, points to her. Framing of scrollwork with garlands of vine and fruit, herms, satyr children.,

Man on Deck with Ship's Bell, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of a man on a deck, at the bow of a boat, with a ship's bell., USA, February 5, 1895, seascapes, Drawing, Drawing

Study of the Upper Part of a Man's Left Arm, Red chalk on light brown laid paper., Vertical rectangle. Seen in profile, the right arm of a man shown from wrist to shoulder, with rolled up sleeve., Italy, 17th century, figures, Drawing,

Study for 'Searchlight, Harbor Entrance, Santiago de Cuba', Winslow Homer, American, 1836–1910, Crayon on paper, Horizontal view of the a cannon and a partial view of a second on the parapet of the Spanish fort, Morro Castle, dominating

Design for a Vessel (Tableware), Black chalk, pen and ink on paper, The left half is shown, supported by a dolphin's head. The lowest part of the body is convex; it is decorated with leaves. The part next to it is concave and fluted. The main

Electricity (Motif for Bank Note Design), Walter Shirlaw, American, b. Scotland, 1838–1909, Graphite on paper, A woman is shown in profile turned toward the right, in the act of flying. Different attitudes are sketched., USA, ca. 1895,

Cartoon for Cotton Printing: Les Quatre Elements, Hartmann et Fils, (Munster, France), B. M. Lebert, 1759–1836, J. L. Lebert, French, early 19th century, Pen and ink, brush and gray wash on cream laid paper, The design for a textile is

Design for a Surtout de Table (Centerpiece), black chalk on paper, Italy, early 19th century, metalwork, Drawing, Drawing

Study for Fresco Decoration, Quirinal Palace, Rome, Francesco Manno, Italian, 1754 - 1831, Brush and gray wash, pen and brown ink, black chalk on paper, Ornamental motif with figures and putti bearing papal insignia., Rome (?), Italy,

Floral field and border, White on glazed paper, France, 1780–1815, textile designs, Drawing, Drawing

Portrait Sketch of a Young Woman, Elihu Vedder, American, 1836 – 1923, Black crayon, white chalk, on green paper, Bust length portrait of a woman, her head turned sharply to the right, shown almost in profile, facing right., USA, ca.

Study for Serpents Sent to Destroy the Sinners, Plate 360, Physica Sacra, Johann Melchior Füssli, Swiss, 1677–1736, Christian Ulrich Wagner, German, 1686–1763, Brush and grey, black wash, pen and brown, black ink on cream laid paper,

Sixteen Designs for Consoles, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, brush and gray watercolor on paper; verso: pen and ink, graphite, Vertical rectangle with sixteen designs for consoles. All but one of the sketches with

Landscape, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Recto: Sketch of a marsh landscape with two rowboats in the foreground; Verso: Partial sketch of a figure wearing a hat and a long coat., USA, 1881–1882,

Six Sketches for Tablet Frames, Carlo Marchionni, Italian, 1702–1786, Pen and sepia ink, graphite on laid paper, Two frames with coat-of-arms of Pope Benedict XIV (1740-58). One of the frames is drawn partly above three of the other ones.

Study of the Feet of a Reclining Woman, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Study of the soles of the feet of a reclining woman. Parts of right leg and the bottoms of both feet are shown., Rome, Italy,

A Lizard, Jamaica, Frederic Edwin Church, American, 1826–1900, Brush and oil on paperboard, A lizard is seen climbing upward., Jamaica, June 1865, nature studies, Drawing, Drawing

Study of Trees, Geneva, Daniel Huntington, American, 1816–1906, Graphite on cream wove paper, Study of a group of large trees., Geneva, Switzerland, August 19, 1839, nature studies, Drawing, Drawing

Dining Room Light Standard, Henry J. Allen Residence, Wichita, Kansas, Henry J. Allen, Elsie J. Nuzman (Mrs. Henry J.) Allen, Graphite, color pencil on cream tracing paper, Front and side colored view of standing lamp with rectangular frame

Design for a door, Pen and ink, brush and Chinese watercolor, graphite on paper, A simplified scheme with dispersed Louis XV motifs. The lunette section shows an over panel with a shield., France, 1750, Drawing, Drawing

Drawing, Brush and gouache, graphite on cream paper, mounted on cream paper, Red and orange flowers with white highlights on green vines on black ground., France and USA, late 19th century, textile designs, Drawing

Design for a Marquetry Piano Case, Durr Freedley, American, 1888–1938, Graphite and watercolor on card stock, Perspective view toward incurving side of piano. Seven slender legs, round and slightly tapering, joined by incurving stretchers:

Project for the top of a painted frame of an altar, Taddeo Zuccaro, Italian, 1529 - 1566, Pen and ink. Various water color washes; gold. Varnished. Pencil (added later). Paper, Two angels seated upon a socle on top of an entablature hold an

Woman at Piano, Winslow Homer, American, 1836–1910, Graphite on paper, Vertical view of a woman seated at a square piano and playing from an open book of music., USA, 1862, figures, Drawing, Drawing

Portrait of Aunt Alicia McNeill ('Aunt Kate'), James McNeill Whistler, American, 1834–1903, Graphite on cream wove paper, Bust-length portrait of a female figure, seated in a chair, with only back of chair visible, facing proper left, seen

Project for a Painted Oblong Ceiling, Pen and brown ink, brush and green, gray, and brown wash on paper, lined with white heavy textured paper with lithographed frame and geometric lines in pen and black ink over graphite, Depiction of a

Design for Cabinet in Oak, A.N. Davenport Co., Graphite on thin cream paper, Demi-lune-shaped glass cabinet with flattened center front; molding along top edge; 4 shelves; raised on 4 short tapering legs., 1900–05, furniture, Drawing,

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of a tree with foliage., USA, September 1, 1868, nature studies, Drawing, Drawing

Fame or Victory in a Chariot, Sala di Nike, Palazzo Naldi, Faenza, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash over black chalk on laid paper, Figure riding over clouds in chariot drawn by two horses,

Design for a sedan chair, Brush and yellow, brown, blue, purple, rose water colors, pen and Chinese ink, black chalk on paper, Shown in profile, turned toward right, with one bar. On top of the roof is a corner of a baron, supported by

Man, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a male figure dressed in a uniform, with long waistcoat, short pants, and hat., USA, 1876–1877, figures, Drawing, Drawing

Square Rigger in a Stormy Sea, Winslow Homer, American, 1836–1910, Charcoal on paper, Horizontal view of a square-rigger in a stormy sea, with graphite scratching in right margin., USA, ca. 1895, seascapes, Drawing, Drawing

Madonna and Child, Felice Giani, Italian, 1758–1823, Pen and ink, brush and brown washes on paper, On verso: two studies of crests, Italy, 1813–18, figures, Drawing, Drawing

Two Sketches at Mont. St. Michel, Arnold William Brunner, American, 1857–1925, Graphite and white heightening on brown paper, Two Sketches, left, sketch of stairs leading to street with large house, figures walking between buildings,

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, graphite on paper mounted on tan illustration board, Rectangular glass window in salmon and green-yellow., USA, late 19th century, architecture,

Design for a Jug, Brush and watercolor, gold gouache, graphite on cream paper, Design for a jar with wavy gilt rim, pointed handle. Body decorated with landscape depicting cottages against mountainous background and sunset, with two bulls and a

Design for Rectangular Writing Table No. 4 in Two Views, A.N. Davenport Co., Graphite on thin cream paper, 1900–05, furniture, Drawing, Drawing

Portrait Study of Annie A. Brush, Seated in Profile, Daniel Huntington, American, 1816–1906, Graphite on off-white wove paper, Sketch for a portrait. Girl in left profile seated, reading, in a chair with curved arm., USA, September 22,

Tower at Lydda, and Ramleh seen from Ramleh Tower, Palestine [Ramleh, Israel], Frederic Edwin Church, American, 1826–1900, Recto: Graphite on gray paper Verso: Graphite, brush and white gouache on gray paper, Recto: Horizontal view of a

Design for the Embroidery of Wearing Apparel of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Graphite, brush and gouache on paper, Two crossing boughs at left and a bough of a tree, at right, in the top row. Two boughs in

Shoe, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Two sketches of a lady's shoe with details of the heel and arch., USA, 1877, costume & accessories, Drawing, Drawing

Designs for two doorknockers, Richard de Lalonde, French, active 1780–96, Pen and black ink, brush and watercolor on white laid paper, Design for two doorknockers, scroll-shaped, decorated with acanthus leaf motifs. Bottom fills center of

Three Men in a Canoe, Il Manigne, Quebec, Winslow Homer, American, 1836–1910, Graphite on paper, Sketch of a canoe, paddled by two male figures, with a third sititng in center; indication of trees and clouds in background., Quebec,

Ceiling Design, Vittorio Maria Bigari, 1692–1776, Red chalk, red, pale gray wash Support: paper, Bologna, Italy, Italy, 1725–75, interiors, Drawing, Drawing

Recto: A portal; Verso: Portrait of a young warrior, Filippo Marchionni, Italian, 1732–1805, Pen and sepia ink, graphite, brush and brown-gray watercolor on paper; verso: red crayon, Recto: above the entablature is an attic with an eagle in

Study for 'Fortune', Elihu Vedder, American, 1836 – 1923, Pastel crayon on paper, Narrow section of drapery, extending from upper left to lower right., USA, ca. 1899, figures, Drawing, Drawing

Wallpaper Invoice for the firm of Arthur et Robert, Arthur & Robert, Monsieur de Bagneur, Louis-Charles Ruotte, 1754 – ca. 1806, Engraving with etching, pen and brown, black ink Support: white laid paper, Bill from wallpaper firm of Arthur

Two Schemes for Church Windows, John La Farge, American, 1835–1910, Graphite and watercolor on paper, Two round arched windows in the Byzantine style; left, single arch; right, double arch. Panels of colored marble indicated below., USA,

Granada, Arnold William Brunner, American, 1857–1925, Graphite on paper, Looking up a slope, across roofs of houses, USA, 1892, architecture, Drawing, Drawing

Fortitude, Design for a Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on tracing paper, Tall, vertical composition with top arched. Center, female figure standing facing

Study of foliage, William Trost Richards, American, 1833–1905, Graphite on paper, Sketch of trees with foliage and the outline of a wall in the foreground., USA, 1865–1870, nature studies, Drawing, Drawing

Design for a Plate, Brush and watercolor, gold gouache, graphite on cream paper, Design for a plate with a crenellated rim in gold; decorated with purple flowers with green leave, some of which have white spots. In graphite, above, several

Arched Doorway with Stairs, Giovanni Battista Natali III, Italian, 1698 - 1765, Pen and brown ink, gray wash on laid paper, Vertical rectangle showing arched entryway with stairs and asymmetrical cartouche., Italy, ca. 1750, architecture,

Woman, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Sketch of a seated female figure with a small dog on her lap., USA, 1877, figures, Drawing, Drawing

Costume Design: Sketch of Mytel, from Blue Bird, Boris Anisfeld, Russian, active USA, 1879–1973, Metropolitan Opera, New York, New York, USA, Brush and watercolor on board, USA, 1919, theater, Drawing, Drawing

Section of wall, small anti-chamber, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Elevation of section of panelled wall surface with door surmounted by overdoor containing a painting of three

Drawing, Brush and gouache on cream paper, lined, Staggered violet and brown blossoms and leaves on black ground. Band of tan hexagons and partial violet blossoms in lower margin., France and USA, late 19th century, textile designs, Drawing

Sketches from Museé de Cluny, Paris, Arnold William Brunner, American, 1857–1925, Graphite on paper, Two chairs, left and center. Left, intricate legs and back, no arm rest. Center, rounded chair with arm rest. Corner of a table, lower

Design for Semi-Circular Writing Table #1, with Initial 'W' Carved on Center Drawer, A.N. Davenport Co., Pen and black ink on thin cream paper, 1900–05, furniture, Drawing, Drawing

Plan and Elevation for Triangular Corner Cabinet, A.N. Davenport Co., Pen and black ink on thin cream paper, Elevation (upper segment of sheet): cabinet front with molded top and glass door panel; 4 inside shelves hold pieces of china; raised atop

Design for a Wrought Iron Light Fixture, J. Flinch, Pen and ink, watercolor on Bristol board, Vertical rectangle. A hanging fixture, suspended from a wall-bracket., USA, ca. 1894, appliances & tools, Drawing, Drawing

Design for stained glass, Alice Cordelia Morse, American, 1863–1961, Brush and gouache, watercolor on paper mounted on tan illustration board, Design with tripartite panels, all containing vines with blue flowers on yellow ground; at center,

Sketches of Icebergs, Frederic Edwin Church, American, 1826–1900, Graphite on laid paper, Four sketches of seascapes with icebergs. Verso: notes., Newfoundland and Labrador, Canada, 1859, seascapes, Drawing, Drawing

Design for a Sugar Bowl, Brush and watercolor, gold gouache, graphite on cream paper, Bulbous sugar bowl with lid, looped finial, and curved gold handle; decorated with landscape containing sunset and palm trees in fore and backgrounds.

Figures, Robert Frederick Blum, American, 1857–1903, Graphite on wove paper, Center, Sketch of a dog; Lower right, Sketch of a female figure., USA, 1883, figures, Drawing, Drawing

Altar of Colored Marbles, , Luigi Righetti, Italian, 1780 - 1819, Pen and gray ink, watercolor, over graphite on white laid paper, Horizontal composition of a colored marble altar with four steps beneath. The front of the mensa is decorated in

Two drawings of Sybils and Two Putti, Felice Giani, Italian, 1758–1823, Pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper, Upper drawing of seated Sybil turned towards left, and writing on tablet; two

Wallpaper Design, Brush and gouache, graphite on white paper, A dado is shown at the bottom. On top are a purple stripe, an entablature, a brown and a dark gray stripe. The dove gray panel is decorated with a net and stylized and elongated

Drapery Study of Sleeve, Daniel Huntington, American, 1816–1906, Graphite, black crayon on cream wove paper, Study of left sleeve and part of a cowl. Verso: Light sketch of a boy's head., New York, New York, USA, December 1, 1845,

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